So far, I have written about music that unsettles, saddens, or makes my characters wary of the unknown. But only one composer has the air of pure conspiracy about him: Philip Glass’ Dracula is a beautiful example of this.
(Admittedly, I wanted to tell you how Notes on a Scandal is the ultimate example, but then my husband introduced me to Glass’ score for the original classic Dracula, and that rather won me over. I’m bound to write about Notes later on, anyway.)
Even though the score is performed by a string quartet, the melodies can grow to overwhelming levels and suddenly shrink as Glass demands. Also, thanks to the strings, the melodies maintain a dangerously light feel, like spider webs gracing your neck in a walk through an abandoned building. But don’t underestimate the cello and viola—their dogged perseverance with rhythm give every track a sense of inevitability that, sooner or later, good will succumb to evil.
From a child’s perspective, the adult world is one big conspiracy to unravel. My human children never receive the answers they seek from their troll masters, so they must seek them out on their own. The track “Renfield” helps me imagine a party thrown by one of the troll masters, the perfect opportunity for the children to break into the secret library and find answers. These children are terrified, but if they don’t maintain their pretense of happy servitude, they will be caught, or worse, disappear just like any other “discontent.” Seek out Dracula, and listen as the formal veneer over your characters fades to reveal their true fears and desires.
Click here for more information on Philip Glass and his music: http://www.philipglass.com/