Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.
As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.
Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.JEFF GERKE, THE FIRST FIFTY PAGES
Well then, let’s study those first few pages in other people’s stories, shall we?
Today I snagged from the New Release shelf:
At last, I have done it! I have read a western. I was expecting something a bit saccharine, a bit melodramatic, and much to my delighted surprise, I got neither of those things.
The first five pages of When the Shooting Starts by William W. and J.A. Johnstone don’t coddle us readers with updates on the previous three books; instead, we’re thrust into a conversation between the protagonist Smoke Jensen and an old acquaintance named Rowdy. Both were gunmen for hire in the past, but these days Smoke has settled into a domestic life as a rancher and family man, while Rowdy is eager for work. The fifth page ends with readers learning that another man named Louis, who also shares some old shadows with these men, has settled in the town, and Rowdy don’t much care for that.
I will be the first to admit that as a writer, these first pages are a lovely example of bringing a reader up to speed without any exposition dumps. Because Rowdy knows Smoke from his previous life, it’s expected of Rowdy to ask Smoke questions about what’s been going on the past few years. Smoke succinctly answers them, never diving into much detail, but giving just enough so readers understand what Smoke is like and why. The dialogue never drags, nor is any single event ever dwelt on. This keeps the scene moving crisply along without making readers feel like *this* story’s been put on pause for a recap.
If I had one niggle, it’s the protagonist Smoke making a couple of choices that, as a gunman, seem obviously foolish but necessary for the sake of plot. For a former gunman who would need to read people very quickly for the sake of staying alive, he has some very obtuse moments with Rowdy that I can only assume will ensure this story’s plot gets moving.
As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!
Read on, share on, and write on, my friends!