Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.
As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.
Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.JEFF GERKE, THE FIRST FIFTY PAGES
Well then, let’s study those first few pages in other people’s stories, shall we?
Today I snagged from the New Release shelf:
I’m not going to type up my little meandering to the question “Why I don’t read literary fiction” here for you, but I will say that the first pages of French Braid by Anne Tyler reinforce the feelings I describe in that meander.
To be blunt, I like knowing what I am getting into, and genres give me that sense. Literary fiction can go to any old place, and for some folks, they just want to enjoy that journey. Good for them! Nothing wrong with that, especially with a writer like Anne Tyler. Her prose here is easy on the eyes and ears, and the personality of the narrator comes through in these little parenthetical asides that made me smile now and then.
This book, though, is a family drama with events spanning decades. For some folks, that’s all they want in a story. For me, not so much. And while the characters I meet in the first few pages are perfect fits for a family drama, they also, frankly, could fit into any genre fiction’s opener, and that kind of generic impression put me off as a writer.
As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!
Read on, share on, and write on, my friends!