Author #Interview: Let’s Chat with #IndieAuthor @KentWayne108!

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Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the adventurer cosmic, Kent Wayne!

Let’s begin with your adventures as a reader. What was an early experience where you learned that language had power?

Some early experiences with powerful language come from (now) outdated comic books, specifically Preacher by Garth Ennis, and the early run of Ultimate Spider Man by Brian Michael Bendis. Ennis was able to reinvent a bunch of 1960s and 1970s toxic Americana machismo into something heroic, inspiring, and infused with tolerance (for the 90s). He does allude to underlying problems and hypocrisy, but the parts where Jesse Custer learns what it means to be a hero no matter what the odds, then accompanies the act with a passionate monologue or iconic one-liner, made me aware of how a written story could charge my entire being with hope and purpose. Conversely, Ultimate Spider-Man (the early run) made me aware of how important silence, implication, and organic-sounding speech (even if it’s riddled with ums, dot-dot-dots, and yeahs) could make me want to stand up and cheer for a kid who—despite being saddled with terrible responsibility—is still able to seek out and experience joy. He’s one of the few characters I really felt for, to the point where I wanted him to stay naive and optimistic, and the scene where he almost kisses Mary Jane (Ultimate Spider Man #13) is burned into my brain as the best romantic scene I’ve read or seen.

What authors did you dislike at first but grew into?

When I first read it, I didn’t like the seminal work Dark Knight Returns (by paradigm-shifting comic book author/artist Frank Miller). It was only later, after I realized the significance of his depiction of media, was I able to appreciate the barrage of dialogue between his news pundits.

Have you ever gotten reader’s block? That is, did you ever encounter a story that you just could not finish?

I tried to read Cloud Atlas, thinking it would be similar to the movie, but it was so much slower than I thought it would be. I think I stopped a third of the way through. Other than that, I think I’ve finished every book I’ve read.

Time to dive into your own stories! Your first book, Echo: Approaching Shatter hit virtual shelves in 2015. Please tell us what first inspired this story and motivated you to explore this world and discover the three other stories in this series.

Echo was inspired by Die Hard with a Vengeance, specifically that opening scene where John Mclane is forced to wear an offensive sign in public and it puts his life at risk. I started wondering what would happen if an entire city turned against one person, then that person had to fight their way out? I wanted it to be science fiction (because I’ve always been a fan of robo-suits), and then I had to create a backstory for a sci-fi scene where it was one guy versus an entire city. I didn’t get to the actual scene until the end of Echo 3.

Speaking of series, I’d love to hear more about your methods in discovering whether a story should be a single standalone or a series. We’re so often pushed by the gurus that series will sell over standalones. What are your thoughts on this?

I believe writing is one of the worst ways to make money (if you’re looking to make money), and that it should feed your soul before anything else. That being said, I would say write in a way that brings you the utmost joy and allows you to feel like you’ve honored the characters. Whether that’s a standalone book or a multi-volume series is up to you and your muse. If writing becomes a chore because I’m forcing a series, I’m not sure that I would want to keep doing it.

What is the most unethical practice in the publishing industry?

I’m not too knowledgeable about traditional publishing, but from what I understand, things have vastly changed since Stephen King’s earlier days, where they’d work with you if you showed potential. Nowadays, they might arrange for your book to be turned frontwards instead of sideways for a few weeks at Barnes and Nobles, and possibly arrange some readings or a book tour. That’s not unethical, but I wish publishers would be willing to invest more into budding authors instead of just letting them sink or swim.

Okay, I HAVE to ask about your comic, Kor’Thank: Barbarian Valley Girl. Its premise is so utterly bizarre I cannot help but love it (it also helps I’m a fan of Conan the Barbarian). Where did this story come from in your imagination?

After I wrote Echo, which had plenty of violence and darkness, I wanted to write something fun and silly in the vein of Barry Ween (early 2000s comic). I was playing Kingdom Rush and noticed this primitive, mean-looking goblin guy named Gul Thak, and I started toying with the idea of a Conan-esque character switching bodies with a stereotypical cheerleader. After that, it was just a matter of playing up the ironies (despite outward appearances, she’s the mean one), adding a giant dose of juvenile humor, and sprinkling in some high school sweetness, infused with the eager young outlook and unjaded energy that I wish all high-schoolers were able to enjoy, simply because that’s what I wish defined peoples’ high school experience.

Kor’Thank also gets me wondering about that old chestnut of a writer’s debate regarding originality vs. catching a trend. What are your thoughts on trying to be more original vs. delivering to readers what they want?

This might seem a bit selfish, but I think it’s mainly what brings joy to the author. I’m all for originality, but not if it’s some arthouse-type work that evokes no emotion from me, despite being supposedly brilliant in theme and execution. Conversely, if I watch something that’s full of cliches, then I don’t care so long as it’s engaging.

Kor’Thank ALSO also gets me wondering about your character names. Can you describe your process for finding/selecting character names? I’m always a sucker for selecting historical names with meaning.

I wasn’t so good with names for Echo (I just wanted to get on with writing the story, and select names that wouldn’t be too jarring). Nowadays, because my YA fantasy series hews outside the bounds of traditional fantasy, I’ve placed great emphasis on names, dialogue, and culture in order to evoke the old-school fantasy feel, despite the nontraditional setting. I look for names that are evocative of behavior and background. For example, from my second book, Eralindiany felt like an Elvish, feminine name with a lot of flow and lilt, so that’s why she’s Jon’s half-Elf girlfriend. Syfaedi Kysaire felt like something that had flair and derring-do, so I made her a pirate captain. Raefingham Bask felt Victorian and refined, so I made him a Sherlockian detective. The bottom line is I go by feel. A lot of the time, I’ll use a “placeholder name” then change it in the edit as I get a feel for the character and my mind starts coming up with better names.

I’ve been following your blog for a long time, and I see that you’ve transformed a series within your blogs (Musings) into a book collection. Can you describe your process for bringing your blog to the bookstore, and do you have any other marketing advice for fellow indie writers?

Some of my readers wanted me to compile Musings into a book, so I acquiesced and turned it into a compilation of philosophical pseudo-poems. Once again, my advice on bringing my blog to a bookstore is infuriatingly vague: search your feelings, just like Obi Wan said, and if it feels right to publish, then go ahead and do it. In creative pursuits, I’m of the opinion that going by feel and intuition is of utmost importance. Because arguably, that’s what defines them and/or separates them from technical pursuits.

Your latest book, a YA Fantasy, sounds like a delightful escape from the mundane of our world. Considering how the HUGE variations of worldbuilding within the fantasy genre, did you find it difficult to challenge the reader while also guiding them through your story-world?

Absolutely. Since my main character is from Earth, I wanted to convey the wonder of discovery and adventure through his eyes, without getting bogged down in too much backstory. Also, building out a system of magic was a definite challenge, especially when the plot hinges on different styles of spellcasting.

What would you say was the most difficult scene to write in Evermoor?

The most difficult scene to write in Evermoor was when the hero finally gets to kiss the girl. I’d never gone all in on a romantic scene until then, and I really wanted to get it right. I wanted to convey his excitement at finally getting to experience this joyous moment—possibly the most joyous moment of his teenage existence—with the crush of his life.

Lastly, we all struggle with a writing Kryptonite—that thing that just saps our creativity and prevents us from telling the stories we love. What is your writing Kryptonite, and how do you overcome it?

My writing kryptonite is frustration that no one’s made my books into a movie or tv show, LOL! The scenes are so vivid in my mind, that I desperately want to see them onscreen. I have to deliberately focus on enjoying my story and immersing myself in the joy of writing it, because I can easily go down a depressing rabbit hole if I start obsessing about recognition or movie deals.

Thank you so much for taking the time to chat, Kent, and I can’t wait to see where your creativity takes you next!

~STAY TUNED!~

Nature is on my mind! Whether it’s the music of nature or the landscape of mystery, perhaps it’s time we venture out and explore with the words and sounds of others.

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor @AValdiers!

You can catch Alex on Twitter and on WordPress!

Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the explorer of the speculative, Alex Valdiers!

In our correspondence, you mentioned you began writing 25 years ago. I was like that as well! When I was four, I took to making picture books because I didn’t know how to write words yet. What was an early experience where you learned that language had power, or what experience led you to begin writing your own stories?

I remember vividly the day I decided to become a writer. I was 8 years old. At school, at that time when I was still interested in school, I was faster than the other kids. Whenever there was a test, I would finish it with plenty of time to spare, then I’ll get bored. To keep me occupied, teachers would send me to the school library. On a math test one day, I got sent to the library after I handed out my copy, but I didn’t want to read other people’s stories, I wanted to create my own. So I stayed in class and wrote my first short story. After the test, the other pupils asked me what I wrote, so I read it to them and the response was overwhelming. People were touched and reacted positively to something I had created. From that point on, my mind was made-up, I wanted to become a story-teller.

Photo by John-Mark Kuznietsov on Pexels.com

What literary pilgrimages have you gone on?

Until I turned 25, I wrote in notebooks. During my school days I changed establishments every year, spending two years in boarding schools. The first boarding school was very grim, very violent. I read a lot of Lovecraft back then and spent most of my free time writing similar stories in my notebooks (as we all did with Lovecraft!). At 18, I moved to Australia without a plan. I crossed the country, writing poetry, in buses, in cafes, by the beach, in the vineyards, etc. Then back in Europe, I took long walking trips across France and Belgium, notebook in hand, writing either poetry or plans for future stories. I wrote a lot in cemeteries, especially in Aachen, Germany. I used to visit the main cemetery once a month during my University days in Liege, Belgium. I wrote my best poetry amongst those green alleys full of history.

I have never been able to dabble in poetry, but it sounds like your writing crosses many mediums; you have written plays, novels, and poetry in your native French language. I’d love to hear your process on knowing what medium was the best structure for the story you wanted to tell! (That is, how did you know the story needed to be a play, or a novel, or a poem, etc.?)

At the time I wrote plays and poetry, I was very influenced by the French Surrealist and the Absurdist movements (Breton, Vian, Cocteau, Anouilh, Sartre, etc.). And I followed the Greek rule of unity for writing plays (1 action, 1 location, 1 day). When stories were about dialogue and mood, plays in four acts were my favorite medium.

For poetry, Pushkin and Charles Cros were my biggest influences, then there was L’Oulipo, a surrealist group of the mid-sixties and seventies pioneered by Queneau, Calvino, Perec, amongst many writers and mathematicians. L’Oulipo taught me one of the most important literary lessons which still influences me to this day, ‘literature as an art form is about shortcuts’. It’s about giving life to words and letting them take control of the narrative voice, it’s about links and ellipsis. Sometimes when I correct a draft and I feel my writing isn’t good enough, I go back to my Oulipo days to find an answer, a spark.

I only wrote novels when stories were character based and commended to be told in prose, in greater length.

Does writing energize or exhaust you?

I consider writers like pro athletes. When writing, you need to build stamina, amongst many things (habits, structure, etc.). When my job only allowed me to write once or twice a week, writing was mentally exhausting. I would do stints of 500 words, then would take a nap, start again, 500 words in 2 or 3 hours, then a nap, then again. At the end of the day, I would be drained.

Now, things are different, I have a low paying job with zero responsibilities, I get to write everyday, so I never unplugged and I’ve built great stamina. I can do stretches of 12 hours straight behind the desk, writing 5k on one story, correcting another, planning the next one. My energy reserves are rarely depleted. In fact, when I’m feeling down, physically and mentally, writing is the best remedy.

Five thousand words in one day?! That is AMAZING! Clearly, when you find your groove, you are in it. Now let’s flip this. What is your writing Kryptonite? For instance, when my children’s school principal calls, all desire to create leaves my soul. There’s no writing when there are school problems.

Money problems are an issue that can linger in my mind and block me for a few hours at a time. Otherwise, there’s hardly anything else. I’ve made space in my life for writing without restrictions and with time I’ve become more selfish, in a good sense.

As a teenager in France, growing up in violent environments (outside my family and hometown), fighting or schemes to avoid fighting were a big part of my life. My mind was so preoccupied by injustice, racism, violence, that I couldn’t even read at times. I got away from all this. It is part of the reason I’ve left France.

The United States definitely has its share of these problems as well. Reading, at least, helps us escape if but for a moment. What’s your favorite under-appreciated novel?

My answer to this question is about to become outdated because the TV show based on the novel is coming soon (with Kate Mulgrew!!), it’s The Man Who Fell To Earth by Walter Tevis (another atrociously translated writer in French). It is my favorite novel, I read it once a year. It’s the novel I would have liked to write. I connect on every level with Walter Tevis’ prose and his personal life. I get the true meaning of the novel, which I don’t want to spoil here. I’ll just say that what happens at the end of the novel is my greatest fear as a writer and a person.

So, this novel doesn’t really count, and if I answer Boris Vian’s L’Ecume des Jours (Froth on the Daydream), you’d think that’s an indie novel I haven’t heard about. It’s not an indie novel. It is one of the most read and celebrated novels ever written in the French language, and it will remain so for decades and centuries to come. According to a report from 2013, the novel has been selling between 80,000 and 270,000 copies every year since its second edition in 1962. Sadly, it is an impossible novel to translate (I wrote a short story about it entitled Missing Pages), because of its reliance on word meanings and figurative speech.

So, my true unsung novel would have to be Neverness by David Zindell. It’s one of those perfect novels, it has everything and more. I don’t understand why it’s not more read, and why it hasn’t been ‘rediscovered’ yet.

I admit, I had to look this one up. Seeing a title with “never” in it got me thinking immediately of Neverwhere by Neil Gaiman, but I see Neverness takes us to distant time and space for plenty of adventure. I’ll have to check it out! Are there any authors you disliked at first but then grew into?

There’s only one name that comes to mind, Stephen King!

Nowadays I read one Stephen King’s novel per week, but until December 2021, I had only ever finished one King’s novel, The Shining, which I disliked.

There’s a combination of factors at play which caused me to dislike King for many years. First of all, I was a dumb kid, swearing only by the classic authors, rejecting all popular and contemporary novels as garbage lit. Then, there were the translations. Reading a work in translation is hit or miss, in every language. SFF and Horror translations in France can be atrocious. I tried several times to read King as a child and teenager but I could not get past the atrocious writing. Yes, Stephen King’s pen in French is bad. It’s not the case in the original form though and it was The Gunslinger which finally got me into Stephen King, and allowed me, at last, to discover his wonderful craft.

You’re not the only one who ignored contemporary genre writing. My instructors in my graduate program were SHOCKED I mentioned Stephen King and writing fantasy. They drove us to focus solely on literary fiction; everything else was garbage. How dull the world would be without stories beyond our humdrum world! Still, I would be remiss if I did not admit that genre fiction–especially Scifi/Fantasy–can be prone to publishing in fads or phases. (The fad of Young Adult Dystopian fiction comes to mind.) Do you try more to be original or to deliver to readers what they want?

As a ‘rounder’ as I call all the writers who actively submit to pro-SFF markets, you have to read the latest SFF magazines and novels and see what the trends are. It gives you two indicators: what’s in demand and what is outdated or not wanted.

I always write the stories that I want, otherwise, I don’t get excited and the story turns out crap. So I’ll never write a story in a particular genre or fashion because it is what sells, I’ll write the kind of fiction I want to write and I’m very careful about avoiding all the unwanted tropes and themes.

When it comes to writing fantasy and your favorite genre of science fiction, we writers have to take special care to avoid those worldbuilding exposition dumps. Yet we also can’t just leave the reader to guess what on earth is going on by jumping into the middle of the action. How do you balance making demands on the reader with taking care of the reader?

I abide to Ben Bova’s rule about worldbuilding, borrowing is being lazy. Every SFF element has to come from my own pen and mind. I don’t do info dumps, I don’t explain how a tech or magic works, I show what it does. When writing dialogue, I place myself in my character’s shoes. When I speak to my siblings, we don’t reference the Indochina war that forced my mother to flee Laos in the 1950’s, we all know it. The same goes for characters in fiction, realistic dialogue doesn’t have infos dump about a war that happened fifty years ago or a tech breakthrough being explained. It’s assumed by the characters because it’s part of their lives. If you and I met today, you wouldn’t explain to me how a smartphone works, we both assume we know how they work. Infos dumps in dialogue are cringe and often lead to DNF.

Fantasy and science fiction also invite some delightfully creative approaches to naming folks, places, and so on. How do you select the names of your characters?

There are 3 types of scenarios. 1. The name comes by itself, early on, when I’m writing the outline of the story. 2. During pre-work, I get tired of writing ‘the female gunslinger with the rabbit tattoos’ and I make up a common name, like Jenny, Mary, Rose. Sometimes that name stays, sometimes I invest time to look for a more fitting name.

3. I decide the origin of the character, then look up websites with popular baby names per country. I pick one I have an affinity with, one that sounds right, but often I get inspired by a name and create a variation of that name. If the character is alien, I respect Asterix laws (from the Goscinny cartoons), names from a common alien origin must be consistent (e.g. in Asterix, all the villagers have named ending in -ix, in Rome all the name end in -us)

Ah, a blend of the ancient and the future with your name rules–I dig it! I love digging through name books for ideas, and those names sometimes help inspire certain traits in the character. What other kinds of research do you do, and how long do you spend researching before beginning a story?

The amount of pre-work can really vary, and I think the decisive factor is plotting. Stories that are heavily plotted require more work, from writing the plot outline, to writing key parts of the story beforehand, backstories for every character and locations, etc.

Stories relying on mood are much faster. I decide on the location, the theme and the characters I want to use for this particular story, then I just get on with the story without any pre-writing, research or backstory developments.

You’ve gotten quite a few stories into online magazines over the past couple of years. What are your favorite literary journals for reading and/or querying?

Escape Pod is the first mag that comes to mind, it is one of my objectives and dreams to be featured on this magazine. The quality of the stories is incredible. I read most stories on Daily SF, Hexagon, FIYAH, Interzone, Metaphorosis, Analog, F&SF, Clarkesworld, Beneath Ceaseless Skies.

We who love to write are definitely in it for the long haul, but we’d all be liars if we didn’t admit to those spells of discouragement. What motivates you to keep going when the publication process gets tougher than tough?

Writing isn’t a choice, it’s the way I live, nothing else can bring me fulfillment. With the years, I’ve eliminated everything that kept me from writing. I’ve reached a point of no return where becoming a pro writer is my only option. So now, even when I feel devastated after a story I cared deeply about gets turned down by a big market after being held up for consideration for weeks and months, I just take the hit and I get back to work, because there’s nothing else for me to do. History and experience proved that stories are rejected for a reason, even if one doesn’t see at the time. One has to keep writing, keep improving and then the issues with a particular story become clear.

Thanks so much for taking time to chat, Alex! It’s been wonderful to hear from another lifelong lover of words. Feel free to plug anything you’d like.

I want to shout out to the editors and staff of all the pro, semi-pro and non-paying SFF markets out there. We know most of those magazines are run at a loss and outside the SFF writing world, not many people know who the people behind the scenes are. The work, the efforts and sacrifices they put in to discover, develop and support new and existing writers is a gift. These ‘infrastructures’ are the reason I left France, one of the dominant literary countries in the world, yet the infrastructures are not there in France. There are no short story markets for emerging writers to graduate from, SFF is disregarded as a genre, and the only option for emerging writers to break in, is write a full novel then hope it will get picked up by a major publisher. However, there’s a lot going on behind the scene, who the author is, what her or his social and ethnic origins are sadly more decisive than the novel itself.

Writing in France is still an elitist affair. If it’s the case in France, I can only imagine what the publishing industries are like around the world, especially in countries we are less accustomed to reading writers from, such as Sudan, Kazakhstan, Vietnam, Venezuela, etc. I cannot help but think about the countless talents our civilizations have lost because the country these people were born in had no infrastructure to develop their talent and give them a chance to be read. It saddens me, and I didn’t want to be a victim of these inequalities by staying in a country where publishers berated me for my skin color or who I was. 

Therefore, it truly is a chance and a privilege to have all those SFF markets willing to read and give a chance to any writer in the world, regardless of her or his origins and social status. For that I am grateful beyond measure.

What a powerful message! Yes, thank you to all who help make these markets of the fantastic and impossible possible for the indie writer. Folks, I hope you’re able to check out Alex Valdiers’ stories in the links sprinkled throughout the interview.

~STAY TUNED!~

It’s time to take a trip down the Nile. How many folks do we take along? It should be up to you. Or is it up to the plot? Hmmm…..

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor @cs_ratliff!

Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the thunderously fantastic C.S. Ratliff!

Let’s begin with your adventures as a reader. What was an early experience where you learned that language had power?

I think I’ve always known language had power as a fan of history. Respectively, I believe written and spoken languages have their own power in different ways.

Oh yes, every language has a sense of beauty that makes it unique compared to others. Even when a story is transformed, that new adaptation of an old tale can hold something special. (Seamus Heaney’s telling of Beowulf comes to mind.) Have you read anything that made you think differently about fiction?

I think with each book I read, my understanding of literature and fiction in general changes. There are these “rules” of writing that seem to change drastically between different authors. It has opened my eyes to what’s possible and changed my prose certainly.

How about your favorite under-appreciated novel? I’m always looking for reading recommendations. 🙂

I think the entire Embers of Illenial series by Michael G Manning is amazing and not talked about nearly enough.

Awesome, thank you! Have you been venturing out on any other literary pilgrimages?

I have always loved fantasy but over the past couple years I wanted to do my toes into other genres. I’ve participated in fictional blogs, which also helped me with scene management and short stories. I also recently wrote a sci-fi novella for an anthology submission.

Kudos to you for completing a such a project! I’ve often pondered submitting for an anthology, as they seem like a lovely opportunity for connecting with other writers as well as reaching new readers. What is the most unethical practice in the publishing industry?

I think the issue with royalties and the stigma that authors make lots of money is unethical and profoundly wrong on different levels. For authors to pour their heart into these original stories, and have little to nothing to show, isn’t the best feeling.

Oof, do I know that feeling, too. Writing fantasy for any age is no easy undertaking, to be sure. When it comes to the fantasy genre, we writers are often tempted to explain every little detail of the world and its workings. If we explain too little, readers may grow confused and frustrated with our story. If we explain too much, we lose the story’s pacing—and, once again, our readers. How do you balance making demands on the reader with taking care of the reader?

I learned early on about info dumps. I love creating new worlds but the way I go about revealing anything is through characters, whether it’s through dialogue or discovery. In doing this, I don’t throw too much at once. I think that is the key. The story and characters’ journeys need to take precedence. So if the world is revealed subtly, I believe it feels more tangible in comparison to dumping too much.

Yes, Sir, exactly that! Nothing irritates me as a reader like the info dump, especially when it happens before the story. Of course, apart from characters’ learning, you give readers a little visual boost through your maps. Your skills are most impressive! 🙂

Do you always draw your world before you write it, or does the visual art come after the written word? I’d love to hear more about your process.

Thank you! I’ve only recently gotten into map making. With each new map, I get a little better. With my newest book I’m writing, I did make the map first, but as I’ve written about 65,000 words, I have remade it five times. And it will probably change as the world grows until I’m finished with the book. With that said, I created a map for my first series, but only after writing it.

Do you do any other kinds of research before beginning a book?

My research, both in depth and time, varies with each book or series. For my first series, I researched a little in terms of lightning; the MC has control over that power. I didn’t research much going into my new dragon mage series. I have another project, a weird west series, that I’ve invested a significant amount of time researching as it’s set in the late 1800s western America.

I bet other threads of your life have been woven into your writing, too. For instance, on your author’s site, you mention you’ve undergone martial arts training. That’s so cool! My brothers both have black belts in Tae Kwon Do, so I just have to ask what form you’ve studied and if that form has influenced your fiction in any way.

That is awesome! I trained in Shorei Goju Ryu karate for about a decade total. Martial arts and The military have definitely influenced my action scenes. I find many people struggle with action, but I find choreography and descriptions both easy and fun. It seems to be a positive point in my reviews thus far, so that pleases me to know!

Do you hide any secrets in your books that only a few people will find?

There are a few secrets, mostly parallel arcs to my own life, that I think only a handful of people would ever put together as a mirror of my experiences.

Thank you so much for taking time to chat with me here! Let’s close things out with your first book, Shadow and Lightning. What inspired this story, and where can we find it?

Shadow and Lightning is a coming-of-age story about a boy who becomes endowed with an ancient elemental power after spending his life believing the secret that magic is a myth. It had many themes from adventure and romance, to war and violence. There is a bit of mystery, political intrigue and betrayal. Though it follows a teen, the themes fall into adult much more. It’s a bit gritty and darker especially as the series progresses. It is available on Amazon!

~STAY TUNED!~

‘Tis time to return to the garden….for murder and mayhem! Mwa ha ha ha ha!

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor Sarah of @MindfulWrites!

You can catch Sarah on her blog as well as on Twitter.

Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the lovely freelancer Sarah of Mindful Writes!

Your work as a content writer and freelancer gives you a unique perspective on the publishing industry. If there was one thing you would want to see changed in the publishing industry to make it better, what would it be?

I personally love the aspect of creating a perspective and I find that really interesting to read too, in terms of understanding how others perceive specific topics. However, I would love to see this done more, combined with accurate facts. I feel this is a vital part of writing, ensuring you have researched enough before conducting a piece.

You mention you are a journalist as well as part-time novelist. Do you find that one writing medium helps inspire/influence the other? I’ve never tried the journalist’s style before, so it’d be neat to hear how that affects your storytelling prose.

Personally, I find they intertwine in terms of making the writing flow, as well as creating perspectives. The characters in my thriller novel (which is a work in progress), harbours thoughts and perceives the actions of others in a specific manner. It then adds to the overall plot and also gives the reader an insight to how things can be understood and felt too. In terms of writing as a journalist, I have found that some articles have in fact been proven to help others, especially when awareness has been created through my articles as well as the ability to be able to break down the information into smaller and digestible chunks.

What is the most difficult part of your writing process?

Sometimes creating a plan and making it become a chronological piece can be difficult. It requires a lot of methodical work but once it’s in place, everything else flows and comes together.

Freelance writing can often require a tight time window for research, drafting, and editing. How long would you say it takes you to go through this process to complete an assignment? How do you optimize your process to ensure the process doesn’t overtake the deadline?

It certainly does, but the research is one of, if not the most important aspect of the writing process. I feel this because if the information you pour into the article is incorrect or you are not knowledgeable enough about a topic, it can hinder your business. It would also be unprofessional, and your articles would be classified as unreliable and in turn this would affect the readers and lower the chance of someone recommended your website as a source of information. So, to me, if that is incorrect then no matter what you have written, could well be unproductive. However, it can take hours, weeks and days but it’s crucial this is completed. I usually determine the deadline in terms of realistic expectations. If the topic was something I was not very educated on then I would certainly create a longer deadline to ensure I have taken enough time to learn, write and proofread the information too. If the deadline is pre-set and is tight, I would create notes and scatter them in places I could visualise or read multiple times for absorption and help with digestion too.

What was the hardest project you ever undertook as a freelancer?

The hardest project I ever conducted was a musical journalist piece. I was writing an article on a band I had little to no knowledge on, but through research, listening and incorporating my own personal opinion on their music made the piece come alive. It required a lot of time, in terms of planning but it was really interesting to do and rewarding when it received wonderful feedback from the band themselves and of course the fanbase.

What are the most important magazines/websites for any writer to subscribe to?

I have subscribed to the Medium website. I find this harbours a lot of information and fellow writers. It’s a community. I am yet to publish work here though. But I do read the content. I would also suggest creating a blog and follow fellow bloggers that you love too. Follow blogs, topics and websites that you love.

Speaking of reading, what’s your favorite under-appreciated novel?

To Keep You Safe – Kate Bradley. This gripping thriller kept me hooked until the very last page. Their novel incorporated multiple twists and turns too, it was a masterpiece.

Thanks for the recommendation! I love catching new releases in my local library for my podcast, and they often tend to be mystery/thrillers (though one of these days I will HAVE to pick up one of the dozen westerns the librarians keep ordering). Does your family support your career as a writer?

Definitely. My family area huge part of my dreams and aspirations. They inspire me to keep writing, keep going and most certainly read my work. It is encouraging and heart-warming, when they recommend the work to others. And overall, they have seen me pour blood sweat and tears into everything I do which makes it more rewarding for me when they praise and provide me with deep encouragement.

The support of loved ones truly makes a difference! My husband Bo surprised me with a copy of my own novel because I had never bothered to get one for myself. “You should see your own name on your bookshelf, too,” he said. Oh yes, I cried. 🙂 Such moments reinforce what I want to achieve in literary success: my stories on a shelf, ready to be experienced by others. What does literary success look like to you?

Success can be interpreted in many different ways. Though for me personally, I feel it is achieving a goal, whether that’s small or large. It is an accomplishment and something I did possibly not have the day prior. For example, having ten readers can seem rather small but to a writer this can be huge. And then those numbers increase once you incorporate an audience and those who love your work so will check out your work and recommend it to others. It was a huge moment for me when my work was published and recommended. Literally success is about being authentic, being you and people accepting it and loving every word you write.

I love that vision of success, Sarah, thank you! Let’s wrap up with some parting words of encouragement. Any advice you’d like to share with others who want to freelance as they work on their fiction?

It is a difficult process, but one of the most rewarding in terms of achieving a goal and passion. I would like to also encourage them to set up a writing profile on a platform, share their work and really get it out there. It’s good to start with a topic you love or know a lot about to get started and find your voice, as well as a writing style. Social media is also an incredible thing if used correctly, to help promote your work, create live streams if that’s your thing and talk about your passion. There will be times it will feel frustrating and as though you are not progressing, but you are and sometimes it can be slow, really slow. But when that breakthrough comes, it’s certainly magical.

Thank you so much for taking time to chat with us, Sarah! I’m excited to hear more about your upcoming writing projects. May your story-worlds be full of mystery and misadventure!

~STAY TUNED!~

We’ll go back to that precarious writer’s problem of balancing character development and worldbuilding to craft compelling…content? Composition? Consarnit, I wanted more alliteration! Regardless, after holding two others under my critical lens, it’s time I do that to myself.

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor Bryan R. Quinn!

Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the mysterious Bryan R. Quinn!

You have a unique history in the publishing industry as well as in technical writing. From your experience, what do you consider to be the most unethical practice in the publishing industry, and what can be done about it?

Vanity publishing scams that milk naïve and, perhaps, desperate writers dry who haven’t done their due diligence are concerning. I hate to see writers, or anyone for that matter, get swindled. Writers need to investigate online publishers before trusting them with their hard-earned money.

Do you see your work as a technical writer influence your prose style as a fiction writer? Technical writing must be precise and concise, so I apply this precision and concision to my prose. At least I believe I do. I try to make my sentences lean as possible, even when they are long.

What other authors are you friends with, and how do they help you become a better writer? Sandra Johnson and Wendy Waters, who I met on Twitter, reviewed NO GOOD DEED GOES UNPUNISHED before I published it. They gave me valuable advice about some of the characters and their motivations.

What is your writing Kryptonite? (Mine is a call from my sons’ school principal.) When my wife tells me to find a real job. I’ve been out of the workforce for eight years now, so it’s real tough getting back in.

Have you ever gotten reader’s block? Original question. There are times, and they are rare, when I don’t feel like reading a book, whether fiction or non-fiction. In those moments I’ll watch a DVD or surf the Web.

I think it’s safe to say we all have those moments when we need that visual stimulation over the written word! Still, that doesn’t mean language has no hold on us. What was an early experience where you learned that language had power? Way back when I wrote a young woman a farewell letter that had sprung from my heart. We lived far apart at the time. Through a mutual friend I learned she felt my letter read like poetry. That was a real surprise to me. I wish I had a copy of that letter.

What’s your favorite under-appreciated novel? Fields of Grace by Wendy Waters. Sublime writing and original storytelling.

How about your favorite childhood book? I know I always loved to adventure the fantastical lands in The Voyage of the Dawn Treader time and time again. The Adventures of Huckleberry Finn. I received a copy of it from my parents on my 8th birthday. Many years later, I studied the hidden themes in this novel in an American literature course at university. It was a fascinating intellectual journey.

You have written both short fiction as well as novels. What process do you undertake to see how many words a story truly requires in order to be told? I look for gaps in the story much as one would look for missing pieces in a puzzle. Conversely, just like a puzzle, every piece in a story must belong there. To that end, I look for fat, that is, if I remove a chapter, would the story improve or worsen? I like to keep my stories as lean as my prose.

What is the most difficult part of your artistic process? I always know how my stories begin and end. How the story moves from beginning to end without seeming contrived is the difficult part.

Oh yes, that’s a familiar trouble. Goodness knows I’ve had my share of mishaps in plotting my way from first scene to last. Still, you’ve successfully conquered this journey recently for your new noir thriller. Congratulations! Please tell us all about it and what inspired it. The germ of NO GOOD DEED GOES UNPUNISHED, a tale set in New York City, was planted by a sister. I polled my sisters for story ideas. My youngest sister suggested a story about the Mob’s treatment of its foot soldiers. The Mob is always good fodder for a story, so I combined that premise with the premise of a Manhattan billionaire falling into the clutches of the Mafia. But more than that, this is a cautionary tale about wealth and its seeming guarantee of protection from the vicissitudes of life; it is this false sense of security, this chink in the armor of the wealthy, that evil, in the guise of a Mafia don, exploits in this story.

Sounds like a delightfully dangerous read, Bryan! Thank you so much for stopping by for this chat. May your future storytelling take down other alleys unknown of mystery, murder, and mayhem.

~STAY TUNED!~

I’m still waiting on that frickin’ copy of the new Death on the Nile, but that’s okay. I’ve been finishing a trilogy a friend recommended, and it’s got me wondering about yet another problem many writers face: worldbuilding vs. character-building. Let’s discuss, shall we?

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor Alan Scott!

Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the fantastical Alan Scott!

Let’s begin with your journey as a reader before you embarked as a writer. What literary pilgrimages have you gone on?

It’s been long and winding path. As a dyslexic, I was constantly told that I was thick and stupid, and that I should leave anything to do with being creative with the written word well alone. (Which is quite funny as I later learned that Agatha Christie, Jules Verne, F Scott Fitzgerald were all Dyslexic) Hence, although I read a lot in my youth, I never did any writing nor was encouraged to. Throughout my twenties and thirties, I continued to read a lot, mainly Fantasy or Science Fiction. It was not until I was in my early forties that I decided to sit down and write Echoes of a Storm and from there I have written 8 books in the Storm Series, 2 sci-fi books and of course my semi-autobiographical novella about being dyslexic in the modern world called. The Rain Dancer. I have spoken to library groups about being dyslexic and being an indie writer. I have also done The Lost Explorers Club podcast. I am now 52, so it has been a long journey. However, it’s one that has been very positive.

What a discovery of such a connection with your favorite writers! It’s wonderful to hear you are now sharing this journey with readers…and hopefully, inspiring other writers, too. If you could tell your younger writing self anything, what would it be?

You are not thick nor stupid. You will just have to wait 30 odd years until technology allows you to tell your tales. Keep reading all those books, it will pay off in years to come.

Let’s continue exploring your reading self a bit more before we explore your current writing self. What’s your favorite under-appreciated novel?

For me it’s a book by an author called Hugh Cook. It was called The Wizards and the Warriors and was the first book in a 10 book fantasy series where all the books had very similar titles for example book two was The Wazir and the Witch. I just loved the way Hugh created his world and the way each book whilst self-contained, built upon the last.

Have you read anything that made you think differently about fiction?

Yes, Richard Matheson’s book I am Legend. We mention short stories later; I am Legend is only about 175 pages, but within those pages it deals with so much and raises so many questions about society, what are monsters and the twist at the end is one of the all-time greats.

What was an early experience where you learned that language had power?

Being Scottish, I love Billy Connolly (A comedian) and here in the UK in the 80’s they was a series of shows called an “An audience with….” And a popular star of the time would come and preform to a celebrity audience. An Audience with Billy Connolly has gone down in history as a master class of storytelling and making people laugh. His use of language, timing and showmanship is impeccable. He had people crying with laughter. Not the fake polite laughter you get with some show, but with real howls of laughter. That, to me, was language and storytelling at its most powerful. As writers, I think sometimes we forget that our tales are there to entertain and for people to enjoy. Yes, you can slip in the occasional social commentary (I’ve done it myself) or create 7 new languages each with their own sub dialects. But if your story is boring then no one will read it. If your story is difficult to read, no one will read it.

I LOVE this point! Readers will forgive much if the story engages and intrigues; that’s why I enjoy working on my own podcast, You’ve Got Five Pages…To Tell Me It’s Good. If we as writers cannot engage readers from the get-go, all the flowery prose and profound ideas in the world will not keep them.

So at this juncture, let’s venture into your writing life. How did publishing your first book change your process of writing?

I self-published Echoes of a Storm over 10 years ago and don’t get me wrong I am very proud of that book and it holds a very special place in my heart. However, I made a lot of mistakes, which most likely cost me over the years. Since Echoes I got myself a really good proofreader, my writing style has improved a 100 fold, and the pacing of my stories is a lot better.

What kind of research do you do, and how long do you spend researching before beginning a book?

I don’t do a lot of research as such. However, I served 12 years in the Royal Air Force, so I have all that experience to draw upon when writing military characters. I’ve been that guard, standing in a guard box at 0200hrs with the raining pouring down on a cold Novembers night. I’ve also got a commendation in the New Years honour list for my work the Royal International Air Tattoo in 2000 . I have been dyslexic all my life and drew upon my experiences of that for The Rain Dancer I have also read a lot of very good fantasy authors like James Gemmell, Richard Matheson (when are they going to do a film that does justice to that fantastic book – I am Legend), Franz Lieber, Terry Pratchett, and many more. All of which have influenced my writing.

I can see by your Storm Series that you enjoy writing both novels and short fiction in a single universe. What is your process for choosing which stories are told in which form?

I started to write short stories and publish them on Amazon as a way of promoting my novels. Then after a year I realised I had enough to put them into a book and hence Stories for a Storm Filled Night came about. I thought it was just going to be a one of thing. Then I got thinking about one of my antihero characters that people really seemed to like. A man called Solomon Pace (I still don’t know why people like him) and suddenly stories involving him started to swirl around my head, and I started to write them down. That is how one of my most popular books came about Tales of Solomon Pace. There is something fantastic and very freeing about writing standalone short stories, that can be place in chronological order which enhance your main novels. You can explore different facet of your main story or a character personality in ways that you just cannot do in a novel. Due to pacing, size or editing issues. The third book of short stories Tales of Salvation and Damnation was a bridge between my two trilogies.

What is the most difficult part of your artistic process?

As an indie writer, simply finding time to do it.

Amen to that! I’m currently working on expanding some fantasy storytelling myself while also drafting some short stories for publication. My frustrations with word count and worldbuilding leads me to ask your opinion on the following point: Writing short fiction in fantasy can be extremely challenging due to the restrictions in word count: agree or disagree?

100% disagree. You can write fantastic fiction in only a few words. For example *** Jane kissed her husband passionately on the lips, before placing his severed head back into the fridge. Humming a happy little tune that was currently playing on the radio. She turned off the device, before picking up her car keys and mobile phone from the kitchen table, grabbing her coffee cup, quickly drained it of its contents, and walking swiftly to the front door and exiting her home. Jumping in her car, she started the engine and made her way carefully out of the drive, and onto the road. Where she drove in happy silence along the quiet suburban leafy area in which she lived. The tranquillity was broken when her mobile went off. Jane picked up the phone and answered. “Hello Detective Inspector Jane Grant speaking.” *** Yes, I know it’s a bit rough and needs polishing. However, as an example of the length of short stories it works. You could stop at the first para and have a very short monster horror story, or you could stop at the end of the third para and have a slightly longer psychological horror short story. Or you could add 10’000 words and keep adding layers. For me the skill with short stories is to try and give hints and suggestions for the reader to pick up on and then let their imagination fill in the gaps.

You share your perspective well! You remind me of some wonderful writers who’ve done brief stories in the past: Joy Pixley and J.I. Rogers come to mind. I agree that with the right word choices, you can pack a lot into a tight space, for you can trust your reader’s imagination to fill in a lot of gaps. Sometimes we cannot help wanting to share more detail, though. 🙂 Does writing energize or exhaust you?

Writing definitely energizes me. When I am in the zone and the plotline is being built in my head and the characters are doing their thing. It’s brilliant. When I write, It’s like I am a director making a film and the characters are my actors. I have a general idea of what I want to happen, but there is always a great deal of improvisation by the characters. Which has lead to a few intriguing and thought-provoking outcomes.

Thank you so much for taking the time to share your writing and reading journeys with us, Alan! Let’s end on a fun one here. I’m a HUGE fan of building music playlists for my writing time. Do you have any artists/composers you’d like to recommend for other writers looking for mood-setting music?

Oh yes. I love using music when I write and for each book, I produced a soundtrack. Some examples of the music I use are:

For my main character Nathaniel West:

  • Got you (Where I want you) by the Flys (from the Album Rock Band classics)
  • The Seer by Big Country
  • Behind Blue Eyes by the Who.

For one of my characters called Jane:

  • Deadlock by Tristania (from the album World of Glass)
  • Weak by Skunk Anansie

The last stand of the old guard:

  • Open Book by Gnarls Barkley (from the album The Odd Couple)

For my character Mancer:

  • Don’t let me be misunderstood by Nina Simone

For the Queen:

  • The Other Side by Sirenia (from the album Nine Destinies and a Downfall)

For my character Kathleen:

  • The Howling by Within Temptation

For a battle:

  • Pretend Best Friend by Terrorvision

For Twever the magnificent and his invisible psychopathic pet Ardo…well, there are more but I won’t bore you with them.

No worries, Sir! I’m just thrilled to have more music to seek out for inspiration. “Behind Blue Eyes” has always been the theme for one of my own characters as well, so seeing you share that song here immediately got me excited. 🙂 Thank you again, and Godspeed to you on your future wanderings through story-lands dark and fantastical.

~STAY TUNED!~

Blondie is tidying up her third chapter and I’m tidying up my notes about Death on the Nile and how this story’s adaptations reveal a common writing problem many of us face. We’ll see who finishes first!

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor Dawn Bolton!

A new year means new interviews! I’m excited to share my space with folks who have connected with me through this wonderful writing community. First, let’s meet multi-genre writer Dawn Bolton.

What was an early experience where you learned that language had power?

I played a cat in a poetry reading at school. The audience of younger children went on to read the poetry book in English and loved it.

What’s your favorite under-appreciated novel?

Georgette Heyer’s These Old Shades. Her humourous dialogue and her development of characters fascinated me when I was a teenager. This book stimulated me to write The Spymaster’s Redeemer under the pen name Alexie Bolton. The character is ruthless and sinister like Heyer’s Duke of Avon.

Have you ever gotten reader’s block?

Yes. Sometimes I have read so many books particularly on a review site I need a break from reading or a new genre.

Have you read anything that made you think differently about fiction?

Not in a major way but I have spoken to editors and readers who do expect a particular style and sometimes try to straightjacket authors. I think it is important to develop one’s own voice but I like reading a wide variety of authors and I do adapt my style if I think a change would enrich my book.

That’s an important point! Finding ways to enrich our writing can be a difficult part of the writing process. What would you say is the most difficult part of your artistic process?

The editing and making sure the language is suitable for the various reader groups. The dialogue I have to use is substantially different in books situated in Miami from that of California. Some American readers complain if I use English slang when one of the characters is English but living in America. I have to get the balance right between authenticity and pleasing critical readers.

I do love readers to give me feedback about my books and I do take reviews very seriously. Some reviewers have made me think seriously about how to improve my writing style and provided ideas for books.

I see you use different author names for the different genres you write. When it comes to writing those different genres, what kinds of research do you do, and how long do you spend researching before beginning a book?

I spend a couple of months researching my crime and historical novels. There are wonderful articles about criminal psychology and the way the FBI work which are easy to access online. I am finding accessing materials for my medieval paranormal which I am writing quite difficult but there is a lot of material available for my regency novels. I update my research while I am writing the novel if a new idea comes into my head while I am writing the first draft.

It sounds like your storytelling will appeal to all sorts of different interests! Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

I have two series, one romantic suspense/crime and the other historical. All but one in the crime series are standalones. I also have several paranormal and crime novellas which are standalones.

I do like to link the characters in the books and the minor characters in each book usually become the central characters in another book. I think relationships between the characters over a period of time enrich the novels.

I agree! Sometimes people I meet inspire my stories, too. Do you find people to inspire you, or some other stimuli in the world around you?

An idea that comes out of the blue. A newspaper article mentioned a man who had found behind a wall a doll with a notice pinned to it saying he had killed someone in the house. That will make a great story for me to write one day.

Such a headline has a wealth of potential for various stories in any genre. Would you say the act of writing energizes or exhausts you?

It energizes me but editing tires me.

I can spend FOREVER editing something, that’s for sure! Do you think other aspiring writers fall into this trap?

Yes. They are getting bogged down on tidying the work and becoming disillusioned instead of completing a first draft and then editing it.

What is the most unethical practice in the publishing industry?

A small publisher told an author he would publish her book. She waited a year and then he said there wasn’t sufficient demand for her book and he refused to publish it. The amount of time publishers take to respond to writers is shocking and demoralizes authors.

Thank you so much for this chat, Dawn! Let’s end with something fun. As a writer, what would you choose as your mascot/avatar/spirit animal?

A big cat like a panther or an owl. I love mysterious animals.

~STAY TUNED!~

Blondie’s hard at work on chapter 3 of her Elementals story, and I’m working on a tangled web of a writer problem that becomes painfully clear when studying Agatha Christie’s Death on the Nile. We’ll see who’s done first! 🙂

Read on, share on, and write on, my friends!

#AuthorInterview: C.S. Boyack of @StoryEmpire Discusses #Character Voices and #Writing #SpeculativeFiction

Happy November, my fellow creatives! I hope you’ve found time to explore some fun music and story prompts during this year’s NaNoWriMo.

I’m always happy to cheer you on–especially this year, as I’m recovering from COVID. Thankfully our symptoms are mild and we are pacing ourselves carefully. Be thankful for every healthy moment!

In the meantime, I’m happy to have an author interview with someone I’ve followed for some time in the indie author sphere but have never had a chance to interview until now. My friends, please welcome Craig Boyack!

What was an early experience where you learned that language had power?

This won’t have anything to do with the written word, but it was still powerful. All of my elders went through World War II in some fashion. They would quote statements made by the leaders of the day, and as a child, you knew they were important. Some of this carried through the Kennedy years, but then Nixon came along and everything changed.

Have you read anything that made you think differently about fiction?

Hopefully, everything. I love how new things evolve that capture our imaginations. Things like Steampunk or Cyberpunk come along and get us thinking a new direction. Urban fantasy is another take on this concept.

What literary pilgrimages have you gone on?

Wow! Tough question. I’d have to say none, to be honest. It isn’t like I can actually visit Jurassic Park or Diagon Alley for real. This has to do with the kind of stories I write.

My wife and I visited New Orleans a few years ago. Two of my novels had scenes there, but the visit was after the fact. We took a midnight Voodoo tour with a guide that was quite fun. Got to visit a couple of Voodoo shops along with Lafitte’s Blacksmith Shop. Decent place to visit for someone who’s written pirates.

What’s your favorite under-appreciated novel?

This has to be the hardest question here. I spent many years reading the “appreciated” novels. I worked my way through Jaws, Mountain Man, Clan of the Cave Bear, Jurassic Park, Harry Potter, etc. I didn’t read many that didn’t draw popular attention. I also read a lot of classics.

These days, I mostly read work by friends. All of them are under-appreciated. Such is the life of an indie author.

‘Tis the life of an indie author, indeed! I love that you and several other amazing writers have come together to create an inspiring and educational site for fellow creatives. Can you please tell the tale of the genesis of Story Empire and how this collaboration has benefited your writing life?

Story Empire is something I’m quite proud of. It all started when Mae Clair and I were talking about doing some mutual promotion for the Halloween season. She wanted to bring in some others to share the effort. We never did do that promo, but created the blog instead.

Our goal is to share things we’ve come across with other writers. We don’t charge, and people are allowed to disregard something that doesn’t fit their style. It’s a great place to discuss the topic of the day. We’ve been around long enough that it’s become a good resource for authors. I find myself pointing out the search tool in recent posts, because there is quite a bit that could help a struggling manuscript.

As a personal benefit, I get to hang out with some incredible authors and hope some of their talent rubs off on me. These people are genuine friends and we chat frequently about all kinds of things.

You have been publishing indie speculative fiction since 2014. In these past seven years observing the publishing industry, what would you say is the most unethical practice that needs to change?

I get disappointed by how many schemes are out there charging for promotion that doesn’t work. There doesn’t seem to be anything that charges less than the promotion might bring back, and most of them are losing propositions. We all want more readers, and are willing to spend a reasonable amount on promo. It seems there is no magic bullet to make that happen.

Would you say publishing your first book, Wild Concept, changed your process of writing? If so, how so?

I hope I’ve changed. I leave these older books online as artifacts of my journey. To be honest, they’re a little rough around the edges compared to what I produce currently. Still, Wild Concept, has an intriguing main character, and a decent theme about prejudice and controlling influences.

The process is much the same. Use my weekends to hack out as much as I can. Spend weeknights trying to repair the speed writing I did. Repeat the process.

I’ve taken up some changes, like storyboarding and working ahead, but the process is largely the same.

I love how your characters have also inspired you in unique ways beyond their stories. Lisa from Wild Concept, for instance, had her own voice on your website for quite a while, and she even interviewed characters from other novelist’s stories. She’s since retired, and that’s okay, but that series must have been fun for you both. What other collaboration and/or marketing strategies would you recommend to your fellow creatives?

Lisa Burton will always be with me. She still shows up on the blog when I have some spare time to dedicate. She still poses for posters to advertise my new books, and goes on the occasional blog tour.

Lisa Burton Radio was a ton of fun, and it moved books for indie authors. The best part is that it was free. Eventually, I started begging authors to participate to keep it going. I decided those authors had to have skin in the game, too. If they didn’t put some effort into my free promos, why should I. Those hours are best spent elsewhere.

I would encourage authors to try something different. Lisa’s posters are still quite popular, and they give someone an image for Pinterest. They look good on social media. Since there is a link to my work, it does nothing but help me.

As one who’s a big fan of writing music, I got a big kick out of the playlist you share in correlation with your Hat series. Firstly–do you struggle writing while people sing? I always get muddled with my words when someone else is singing words. 🙂 Secondly–do you prefer to build the music playlist before you begin drafting, or does the playlist grow as you write?

I’ve often considered taking the playlist down, and haven’t updated it for a while. I think it has three likes in two years. Music inspires me like nothing else. I like to reference it in my stories.

Having said that, I can’t write with it either. Even instrumental pieces steal my focus. These days, I have an extensive playlist on my phone. I listen to that during my commute, and it entices the Muse to ride along.

Speaking of the Hat series, you recently published the fourth book of the series earlier this year. What inspires your selection of supernatural villains for Lizzie and her transdimensional hat to face?

It comes from things I’ve enjoyed over the years, but I take effort to put a new spin on them. If I write about a popular movie-class monster, readers automatically know what I’m talking about. I’m not afraid to create my own, but those can be a lot harder to sell. When my vampires turn out to be rodeo cowboys, I think readers are pleasantly surprised.

You have a fair amount of novels as well as short story and microfiction collections. Can you share a bit of your process in working out whether a story requires a few hundred words or a few hundred thousand?

Process? What process? I believe a story should be as long as it needs to be. Obviously, I put some thought into it, but if I wind up with a short story instead of a novel, I’m not disappointed. I will say, The Hat Series consists of short novels on purpose. My reasons are two-fold.

First, I like to have something for everyone. If all a reader has time for is a bit of micro-fiction, I like to have something available. Short novels are a good market for me.

Second, because of the style of comedy, I’d rather leave readers wanting more than wear them out with it. That way they come back next year to see what the characters are up to. Lizzie and the hat bickering are funny, but there is a chance of having it go on too long.

Let’s face it–we all have that writing Kryptonite. Mine strikes me down in the form of a phone call from my sons’ principal. What’s yours, and how do you overcome it?

It’s hard to complain about it, but I need solo time to write. Someone else watching television, music in another room, even company will stop me cold. I find that I get what I need, and make room for all the other things. Sometimes we just have to put it aside and take life as it comes.

Speculative fiction can be a tough gig. You have to ground readers somehow, but you also want to push the limits of the suspension of their disbelief. How do you balance leaving readers to work things out with taking care of the reader and guiding them by the hand through your story-worlds?

That is tough, and you have to understand that every reader is different. I want to net as many happy customers as possible, but have to allow for a few to escape. Some tales require more work than others. Science Fiction, or Fantasy come to mind. Since The Hat Series is more Urban Fantasy, I don’t have to dedicate as much space to world building. We all understand parking garages, roundabouts, and food trucks.

What would you say are common traps many aspiring writers fall into, and how can they avoid them?

The biggest one I hear about is writer’s block. I took steps years ago to combat that. The Muse serves me well. I get more ideas than I know what to do with. If I find myself dwelling on one, I write it down. They start in the Notes app on my phone.

If they want to grow, I usually start a rudimentary storyboard. I add to this over time, and eventually, they start looking like finished outlines. I never find myself lacking for something to work on that way.

Thank you for inviting me over. I love that our community supports each other, and I try to return the favors.

Thank you so much for chatting with me this fall, Craig! I hope your writing adventures are as magical as the season ahead. Stay tuned to my podcast–I’ll be highlighting one of your books!

~STAY TUNED!~

Blondie promises to collaborate with me this December! What is she going to give us? I’m honestly not sure, but I’m really excited!

Read on, share on, and write on, my friends!

#IndieAuthor #Interview: Jason Savin Shares the #Magic of His #Reading and #Writing Journeys. Thanks, @KingsofMunster!

Welcome back, my fellow creatives!

Autumn is slowly but surely falling to our feet.

It’s been a joy to read indie authors on my podcast Story Cuppings these past few weeks. The tasting began with Jason Savin, who reached out to me about his book Beyond the Elven Gate: A trilogy of works. Not only was it a joy to read his book, but it was a treat to interview Jason as well! My friends, it is an honor to introduce you to Jason Savin!

Thank you so much for taking time to chat here, Jason! Let’s start with your journey through literature. What is your favorite childhood book?

I only began reading Wind in the Willows and Peter Pan about 20 years ago, when I was in my early 30s, and really loved them. But from my own childhood I loved The Folk of the Faraway Tree by Enid Blyton. Those exciting tales of Moonface and his friends really transformed my dull childhood into a world where excitement could be found.

Ah, I didn’t read those classics as a child, either. Oddly enough I didn’t read as much fantasy in my child as I do now; back then it was all Nancy Drew, lol. I don’t recall any deep emotional connection to the characters–I just enjoyed a fun mystery! Did you ever feel yourself overwhelmed with emotion while reading?

It may have been To Kill a Mockingbird. The court scene was so unjust, knowing that an innocent man was going to jail for such a vicious crime that he clearly hadn’t committed. It is still a very powerful book today.

Indeed, Jason, it really is! I’m sure many other readers would agree with you, too. Is there a story you love that you feel is under-appreciated today?

Many years ago, I bought a book called Period Piece written by Gwen Raverat, who was a grand-daughter of Charles Darwin. It’s not really a novel, as it’s autobiographical, but it takes the reader to a different world of long ago. It’s filled with little artistic sketches drawn by Gwen herself and it is so beautifully written. I own almost a thousand books and this is one of my favourites.

Have you ever gotten reader’s block?

I regularly get this, when I’m reading a passage and my mind begins to wander. I then have to re-read sometimes a few times before I can get through the ‘block’ to find out what is actually happening in the story.

I’ve had that same experience! It usually happens when I have to read something about teaching philosophies….or when I’m reading final exams, but that should be a given. 🙂 What was an early experience where you learned that language had power?

I really don’t remember the first time, but I am acutely aware of many incidents when people have tried to vocally put me down. It’s probably because I’m quite quiet so I can sometimes appear to be an easy victim. And I have verbally ripped those people apart. Not noisily, just in a more intellectual way than they are prepared for, and anything that they say back to me, I can turn those words on their head and use it like a weapon against them. I sometimes find it a little annoying how much enjoyment I get when this happens. But I really can’t stand bullies.

You and me both, my friend. You and me both. I think that’s why I love words so much: Words Have Power. They have the power to amuse, to intrigue, to seduce, to inform, to enrage, to inspire, to…well, to do anything. I know my own spirit is always lifted whenever I have the chance to write. Does writing energize or exhaust you?

Mostly energize. Hours can pass very quickly when I’m writing. And when I’m finished, it is usually only because of some pressing chore that needs doing, and I feel a little peeved that I can’t continue with my creativity.

I feel that way every time I have to focus on school work than writing! Such time is so very precious; in fact, I’d have to say that one of the toughest pieces of my writing life is finding time to write. What would you say is the most difficult part of your own artistic process?

That’s an easy question. The most difficult part is trying to find the time to write, too. It is hard to empty your mind to fully concentrate on writing knowing that you’ve got housework to do, or a needy dog that needs some love and attention.

Let’s ignore that housework just a bit longer and discuss your book. Beyond the Elven Gate: A Trilogy of Works includes a history of the Elven race that you researched from “historical records.” I love the variety of sources you used to create this history–from burial records to newspapers and everything in between. What first spurred you to start this project, and how do you shift yourself from the researching process to the writing process? I know my research can overwhelm my own creativity, to be sure!

Thank you for that. That particular piece called A Treatise on the Evolution of the Fairy began when I was writing another book, called Kings of Munster. (I’m still writing this other book and have been working on it for over 10 years now). But this history of the Elven race was basically a lot of information that I had found whilst researching my other book. I was fascinated by what I was reading and thought that many other people might also be interested, so I tried to write the information in date order to see what this evolution of the fairy race would look like. I was quite astounded by my findings. 

It was quite easy to shift from researching to writing, as I was keep trying to write whilst I was researching. Until finally I was doing mostly writing, and only researching the odd fact or detail. But I had to consciously stop researching really, as it is a subject that I could easily have spent years working on and would never get my Kings of Munster finished.

One tale in Beyond the Elven Gate is about a mother’s search for her adopted son at the time when the Fairy-Mounds are open.  What’s the most difficult thing about writing characters from the opposite sex?

I began writing this tale, as normal, until I realised that I was writing from a Mother’s perspective. I tried to change it, but quickly realised that this was the voice that the story needed. Obviously writing characters from the opposite sex in some ways will always be impossible, because most people only live their life as one sex, but as I trained as an actor and have inhabited many different characters over the years, who are all very different to myself, some of them even being women, I find that I can somehow morph into different people when I’m writing. Whether or not I’m any good at it I really don’t know; I’ll leave that to the reader to decide.

Let’s wrap up looking at another tale in Beyond the Elven Gate. “Good People” takes readers on a journey with an elderly gentleman as he deals with challenges put to him by the Good People. Such a variety of characters and character types in a single volume is so delightful for the reader! Do you feel yourself drawn to write a certain aged character? What process do you have to help you enter that older–or younger–mindset in order to make the language and mannerisms remain true?

When I was writing this character of Wilfred, I partly based him upon my own Grandad, who I was very close to. Due to this closeness, I was naturally drawn to writing this elderly character this way, probably in a bid to bring him back alive, in the only way that I can. To enter into the mindset of these different characters I tend to use an acting technique called ‘the Magic If’. Which is basically if I was that character how would I feel, how would I think, how would I react. This helps me to try to become that person whom I’m writing about.

Thank you so much, Jean, for asking me such thought provoking questions. It has been a joy to answer them.

And many thanks to you, Jason, for taking time to chat with us! I’ll be watching for Kings of Munster to appear at my virtual bookshop. If you, my friends, haven’t had a chance to hear a sample of Beyond the Elven Gate, you can listen to my podcast episode on Story Cuppings.

~STAY TUNED!~

October is coming! We simply must get a bit spooky. I’m keen to share the roads diverging on that “Blue House Doll” snippet I shared with you in my last post. Perhaps we’ll uncover some music to inspire a fright, or perhaps visit a beloved tale from my childhood. Or shall we wander Wisconsin to find a haunted home both beautiful and lonely? Let us see. x

Read on, share on, and write on, my friends!

#AuthorInterview: #Wisconsin #Mystery #Writer Patricia Skalka Shares Setting Inspiration and Tips on Writing a Unique Detective

A stormy August has descended upon us here in Wisconsin, my friends. Not only has rain come at last to our parched farmlands, but so has the lightning, thunder, and even tornados. We’ve had to huddle in our basement a few times in the last week around the transistor radio to hear of funnel clouds taking shape, of lightning striking power poles blocks away, of tornados destroying homes miles away. But we are all safe and well, and no deaths as of yet been reported. A prayer of thanks for that!

While storms will always trigger memories of flooding in our home, I know storms can also be an amazing inspiration for storytelling. There is something about that dark and stormy night that puts us all in the mood for a good ol’ whodunit…

…and I cannot think of a better series to tuck into during the next storm than the Dave Cubiak Door County Mystery series by Patricia Skalka. Not only was her first book a delight to sip on my podcast Story Cuppings, but I was happily surprised–and yet not surprised at all–to find out USA Today selected her first book, Death Stalks Door County, as THE story readers “traveling” the States through fiction should read to experience the Wisconsin setting. My fellow creatives, I am pleased as beer cheese to introduce you to the one and only, Patricia Skalka.

Niceties first! Please tell us about yourself.

I was born and raised in a blue-collar Chicago neighborhood, so I’m a city girl from way back, but I have a strong connection to rural Wisconsin thanks to my mother. Her parents, my grandparents, were Polish immigrants whose pursuit of the American dream led them to a small dairy farm in the north central part of the state, near the paper-mill town of Mosinee. I spent many summers on that hard-scrabble farm: milking cows, driving the tractor, baling hay, and staring at a night sky filled with stars. On one memorable night I even saw the aurora borealis flicker and dance above the horizon. To me, Wisconsin was always a magical place. I didn’t discover Door County until I was a young adult, but the majesty and sheer beauty of the area reinforced the notion.

Oh, yes, there is something magical in this land of forests and fireflies, I agree! Let’s get back to that in a moment. First, let’s explore the magic of the stories you enjoyed as a child.

When I was growing up books were a luxury we couldn’t afford. But I was a reader, and the books I enjoyed came from the library. Every Tuesday the bookmobile parked outside the neighborhood A&P grocery store and opened for business. Every week I walked in the front door –a seven-year-old proud to have her very own library card — and then marched out the back door with five books, the most you were allowed to check out. For the longest time, I was fixated by the biographies of famous women – women like Clara Barton, Betsy Ross, Molly Pitcher, and Florence Nightingale. Then one day, my Aunt Jean loaned me her childhood copy of The Secret Garden.  

My love of fiction began with that classic children’s story. The Secret Garden took me to a different time and place in a way that the biographies did not. Maybe it was the language or the fact that the story was about characters closer to my age, but I fell in love with the book. Just as Mary and Colin discovered the door to the hidden garden, I discovered a door to a limitless universe of literature, one that demonstrated the power of imagination.

Ah, so you were a frequent visitor of the library as a kid as well. I distinctly remember getting a small illustrated version of Sherlock Holmes mysteries, and that cinched it for me as far as the genre went. After going through all the Nancy Drew stories the library had on hand, I devoured Colin Dexter’s Morse stories, P.D. James’ Dalgleish stories, and of course, Agatha Christie’s Poirot. Did you experience a similar journey through the mystery genre?

Growing up I loved the Nancy Drew, Sherlock Holmes, and Miss Marple stories. Here were people following clues and solving puzzles, figuring things out.  Then I read Dorothy L. Sayers, and my sense of what a mystery could be shifted to something more.  Her books about Peter Whimsey and Harriet Vane did so much more than simply solve the crime. They revealed the pain and struggle of the human heart. They were windows to the soul.

I’ve had the same experience reading other mysteries, books such as The Honourable Schoolboy by John le Carre, Gorky Park, by Martin Cruz Smith, and The Secret History, by Donna Tartt. In each instance, the mystery was essential to the story, but in each instance the story encompassed more. These are tales of human strength and weakness, stories of internal conflict and struggle.

Thank you for these recommendations! I’ve not read Tartt or Smith, but I’ve enjoyed a number of Le Carré novels in the last few years. Now, what of your own fascinating mystery series? Just as Sherlock tells Watson in “The Adventure of the Copper Beeches”–

“It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside.”

–you create suspenseful tales of murder not in the urban land of Chicago, but the quiet, rural peninsula of Door County. What inspired that choice?

I always wanted to write a mystery, but I had no idea of where, who, or what it would entail. One day, I was sitting on a Door County beach looking out at Lake Michigan. It was a perfect day – blue sky, blue water, warm sun. The kind you could sell for a million dollars if only you could bottle it up. That night I sat in the same spot. Heavy cloud cover obscured the moon and stars; it was inky dark – and eerie. I kept looking over my shoulder and thinking: anything can happen here. The contrast between day and night prompted thoughts of light and dark, good and evil. And the idea was born: I’d write a mystery about a picture perfect location (Door County) where sinister forces were at work beneath the surface.

What were the sinister forces; who was responsible for them; what happened as a result; who suffered and why; who stood to benefit?  I wanted to write a story in which the contemporary crimes were linked to past events. People in Door County tend to know each other’s histories. My protagonist had to be a stranger –enter Dave Cubiak. A former cop from Chicago who could track a killer, a man with his own burdens, a man who didn’t know anyone and would have to ferret out the clues and follow their trail until he stood before the culprit and asked Why?

Death Stalks Door County was meant to be a stand alone. One and done. When I began my career as a mystery writer, I couldn’t imagine writing a series. But as I was going through the long initial process of writing and revising and hoping to find a publisher, different story ideas kept popping up and slowly the notion of writing a series loomed not as an impossibility but as a logical next step. By the time I had signed a contract for the first book, I was half way through the initial draft of the second book.

Along with Cubiak, I, too have been on a journey. Writing his story, his books, has taught me two lessons that I believe every writer must learn and embrace: one, believe in your story and two, believe in your ability to tell it even as you continue to hone your craft.

Dave Cubiak is indeed on a journey! Meeting him in the opening pages of your first book gave me such a powerful picture of a man trying to hide from his grief as much as move on from it.

(If the above podcast link does not appear, you can click here for my post with the podcast episode.)

Do you find it difficult to write a protagonist of a different gender? What tips do you have for other writers who struggle to write outside of their gender?

I don’t find it more difficult to write a male protagonist than a female protagonist. Either way, I need to know them fully – who they are, where they come from, their struggles, dreams, disappointments, weaknesses, strengths, values, foibles, fears, how they walk and talk and think.  Dave Cubiak evolved with the idea for Death Stalks Door County. He was an integral part of the story before I wrote a single word. In many ways, the book – and then eventually the series – is his story.

My books are more than mysteries; taken as a whole they trace Cubiak’s journey from the pivotal moment that changed his life to all that came after. One male reader said he felt they were stories of hope for anyone struggling with loss. Another man said he liked Cubiak because “he’s real.”

The challenge, then, is not to write either a male or female protagonist, but to write one that is real, one that belongs in the story.

The keys to writing outside your gender are empathy and observation. Try to understand that character; walk in their shoes; feel for them.  Watch how they act; listen to how they talk. Invite them into your imagination and live with them for a while. Put them in different situations (finding an injured kitten; stumbling on a wallet stuffed with cash; getting a letter from an old lover seeking forgiveness for the unforgiveable) and see how they react. If you can do all that, you can write the character.

You mentioned earlier that Death Stalks Door County was meant to be a standalone, but your imagination created more conundrums for Cubiak and inspired you to write a series instead. A happy change in plans, I’d say! Yet I should think such a change in plans requires a change to one’s writing process. How would you say your writing process changed after publishing Death Stalks Door County?

I’d been a staff writer for the Readers’ Digest and a professional nonfiction writer for nearly twenty years when I decided to write my first mystery.  Death Stalks Door County was years in the making. I’d read plenty of mysteries and literary novels, but I’d always written nonfiction articles. Even a seven-thousand-word piece pales by comparison to a book of seventy-thousand plus words. With the first book I had a lot to learn. I wrote and edited; I revised and submitted. I got rejected. Repeat. And then again. At one point, I printed the manuscript and let it sit on a shelf for two years. One day I picked it up, fully intending to toss it in the trash. But as I flipped through, I realized that (1) it was decently written; (2) I really liked my characters; and, (3) I was the only person in the world who knew the story and if I didn’t tell it, then it would never be told. Sitting on the floor of my office, I decided that I would give it one more try. One more read through; one more edit; one more round of queries. And that’s when the magic happened. The email read: “Please send full manuscript.” Music to any writer’s ears.

I wrote Death Stalks Door County as a pantser. I had an idea and started writing a book. As I struggled with the process, I slowly evolved into a plotter. I began to think in terms of chapters, then scenes. Bit by bit, I broke the story down into pieces. The smaller the pieces and the more of them that I had, the better handle I had on the story and the more confident I became.

Last month I finished book seven and what changed from writing the first book to the way I wrote the rest of the series was my approach. Starting with Death at Gills Rock, the second volume, I realized that I needed to know the details of the story before I could write it, so I began to plot every step of the action. In essence, I created a road map that carried me from beginning to end.

There are writers who shudder at the thought of plotting the story first, and it’s not a technique that will work for everyone. But many will benefit from it. There are very clear advantages: Plotting ultimately eliminates writer’s block – with a well plotted story, you never sit in front of a blank screen or empty page and wonder now what because you know what comes next. Instead of writer’s block, however, you will have thinker’s block. Working out the kinks and inconsistencies and struggling to make sense of the story line takes work. It’s not easy but ultimately it means that you don’t toss out ten or twenty thousand words because you changed your mind midway through chapter three.  

I was once asked if detailed plotting doesn’t take the fun out of writing. Not for me, it doesn’t. In fact, it makes me more comfortable and confident and eager to write.

A seventh book in the works? Huzzah and congrats! I know just what you mean about pantsing. I enjoyed this style of writing quite a bit during the years I participated in National Novel Writing Month, but you’re absolutely right that when it comes to crafting a strong story–especially a mystery!–one needs to know where the clues are hidden, which characters are where and when, how the reveals happen, and so on. Having the plot planned takes a lot of the panic out of writing, to be sure.

You have been such a joy to converse with here, Patricia–thank you so much for sharing your time and talent with us! May we please close with any other tips you have for aspiring writers? There are so, so many traps writers can fall into, and any trap sprung often wounds, even scars, a writer’s imagination and motivation.

Based on what I have learned from presenting and attending various workshops and listening to aspiring writers discuss their work, I’d say there are three common traps.

  1. Not being clear on the kind of book you’re writing – this is most likely to be a problem for  first-time writers. To paraphrase Socrates, “To know thy book is the beginning of intelligent writing.”  Different types of books have different rules. Something as simple as word count varies from one kind of book to another. Taking the time to figure out what you want your book to be – memoir or historical fiction, cozy mystery or thriller – helps the writer focus and start and stay on the right track.
  2. Misinterpreting the advice to “show don’t tell.” We’ll all heard this dozens of times. Unfortunately, many new writers interpret the advice to mean that you show everything, but that is not what is meant. As a writer, you show the important parts and tell everything that happens in between. As I see it, we have a responsibility to hand the reader a finished story on a silver platter, not to present the verbal equivalent of an unedited video of everything that happens in a character’s life and expect the reader to ferret out the story.
  3. Trying to please everyone. After Death Stalks Door County, my first mystery, was published I was invited to a book club whose members included both men and women. Listening to the book club members discuss my work was an enlightening experience. One woman said she really like X about the book; her husband said X was what he liked least. Then a man said he wished I had included more Y, and the woman across the table said, oh, no there was quite enough of Y for her. As the back and forth continued, I asked myself: which of these people should I be trying to please? It didn’t take long to realize the futility of trying to write to accommodate the preferences of a specific individual or type of reader. My takeaway from the experience: Write the book you want to read. Write to please yourself.

And so we shall, Patricia. So we shall. x

My fellow creatives, you are welcome to visit Patricia Skalka’s author site as well as book review site for more information on what she writes and reads.


~STAY TUNED!~

Blondie and I are keen to share our own writing updates! It’s also high time, methinks, for a bit of creative nonfiction crafting when it comes to those everyday absurdities. x

Read on, share on, and write on, my friends!