#readers, #celebrate with #BestSelling #RiverVine #stories & Fallen #Princeborn: Stolen– #FREE for a #Thanksgiving #Giveaway!

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As autumn closes with a celebration of gratitude, I’d like to say thank you, fellow readers and creators, for giving my stories so much love. This weekend I found that FOUR of my six Tales of the River Vine hit the top ten in free YA monster fiction ebooks on Amazon, and they’ve stayed there. 

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I’m floored, humbled, and thrilled all at once. To have stories that engage so many people…it’s as beautiful as the first snowfall of the year. I can never say “Thank You” enough!

What I can do is make the Platinum Edition of Fallen Princeborn: Stolen FREE today and tomorrow, Thanksgiving Day.

We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (4)

This particular edition contains the complete first novel, one short story from Tales of the River Vine, AND an excerpt from the second novel, Chosen. 

~A wee excerpt from Fallen Princeborn: Stolen to whet your appetite~

Arlen sits in the other armchair, opposite Charlotte, and sips his tea slowly, all the mischievous sparkle gone. When he fixes upon Charlotte again, her stomach hardens: he bears the same expression as Dad’s partner did when he came to the door ten years ago. “We are not speaking simply of fairies and folk tales. We are speaking of that about which man no longer knows anything at all. Ancient, real, and powerful.”

Dorjan’s eyes drift toward the fire as he sucks the last of the jam off his fingers.

Charlotte spins her finger to spool the air. “Whatever. Just tell me what I need to know so I can get my sister out alive.”

“That is my point, Miss Charlotte. I doubt your sister lived past dawn.”

Need a little music while you read? I got you covered! I wrote about some of the composers and soundtracks that helped me with various points of the narrative of Stolen. Do check out their work for reading, writing, living.

03a21c27d88fe0c12c6b9b291611b68eMychael Danna’s The Sweet Hereafter

Craig Armstrong’s Plunkett & Macleane 

The Who’s Quadrophenia

Peter Gabriel’s “Heroes” and “Wallflower”

Daft Punk’s Tron: Legacy

 

While I wrangle kiddos and candy sweet potatoes for Thanksgiving dinner with my family, please be sure to leave a review on Amazon and Goodreads! Every review, and I mean EVERY review, helps a writer become more visible on the virtual bookshelf.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

An #Author #Interview with @Celine_Kiernan, Part 2: #writing #characters to hook #readers of any age

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199_Celine_webCeline Kiernan’s critically acclaimed work combines fantasy elements with the exploration of political, humanitarian and philosophical themes. She is best known for The Moorehawke Trilogy, a dark, complex trilogy of fantasy YA books set in an alternative renaissance Europe. In this second part of our interview, I ask Kiernan about writing characters and storytelling for a Middle Grade audience in her latest book, Begone the Raggedy Witches.

You created some amazing characters when you wrote The Moorehawke Trilogy. The trio of friends in the first book, The Poison Throne, are delightfully unique, genuine, and engaging. So much can happen in five years, especially when one changes from a child to a teen. What do you feel was the most challenging aspect of writing teenaged characters for The Poison Throne as opposed to writing them younger, or as fully-grown adults?

I didn’t find it a challenge. To be honest, I just write my characters as they are in my head. I make no conscious decisions re market or target audiences or anything. A book occurs to me and I write that book.

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Razi, Christopher, and Wynter of The Poison Throne

I think young characters can be tempting to write about, because it’s a time of life when you’re not too much tied down to the minutia of daily life (paying bills, feeding babies, getting to work on time) and so your mind can be better focused on big issues – and freer to physically engage with changing injustices. Everything is so new too – first love, first sex, first meaningful encounters with death, injustice, triumph, philosophy etc. In Resonance, however, the young characters are very much the working poor and so their minds are on how to get and keep work, how to pay the bills, how to survive in an unsympathetic society, while also battling the uncaring supernatural forces which want to use them up and discard them. In Moorehawke and also in Begone the Raggedy Witches, there are many older and middle-aged side characters which bring balance to the younger, innocent and more idealistic main characters.

Now the heroes of Into the Grey caught my attention for a different reason. Here, the protagonists are twin brothers. Being a mother of twin boys m’self, I find this particular bond both fascinating and exasperating. As a writer, what led you to select this specific kind of protagonist duo to head the story as opposed to, say, twin sisters?

41qspFfxpCL._SY346_Funnily enough there are a lot of twins in my books. Ashkr and Embla, the twin brother and sister, in Moorehawke; Dom and Pat, the twins in Into the Grey. Though it’s never made much of in the book I also always think of Aunty and the Queen in Begone the Raggedy Witches as being twins. I also have twins in two of my unpublished novels (brothers in one, sisters in the other) It had never occurred to me before to explore why, but I do think it’s probably because of my fascination with the different paths people take in life. What could be more interesting than two identical people, starting from an identical base-line, growing into individuals?

The twins in Into the Grey had to be boys as it was specifically a boy’s experience of war which I needed to explore in that narrative.

Now this year you published Begone the Raggedy Witches, the first book of a new trilogy. Unlike your previous works, this trilogy is geared for Middle-Grade readers. What are the benefits—and challenges—of writing this story for a slightly younger audience?

None really, to be honest. I just approached it as I always do. There was no historical research to these books, though, I guess that’s one difference. I was writing purely to explore personal and sociological themes within a pure fantasy set up. But the books didn’t feel easier to write than the more historically based ones. In fact, they’ve taken me longer than most of my other books to complete. (Mind you, this is happening more and more – I think it’s because I’m better aware of the craft now. My first draft takes longer to produce, but nowadays they’re more complete and better polished than previously.)

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Okay, I just have to end on the first line of Begone the Raggedy Witches, because it is KILLER:

“The moon was strange the night the witches came and Aunty died.”

Ye gods, we’ve got time, intrigue, magic, and doom all packed into one sentence! How on earth did you create this first sentence, and do you have any tips for other writers in creating that killer hook of an opening line?

The first chapter is nearly always the last thing I write. That’s not to say I have written a first chapter ( I write liner narrative, so I work from the start to the finish of every book) It’s just to say that I always go back to the first chapter and refocus it so that it better leads into the narrative. By the time you get to the end of your novel you’re always so much better tuned in to what the themes are, what the characters’ motivations and personalities are etc. etc., the first chapter should evoke or foreshadow these things, I think. Make a promise to the reader as to what journey this novel will bring them on. Often you can’t do that properly until you’ve taken the journey yourself. Funnily enough though, the first lines of most of my books have stayed the same through all the drafts. I can’t explain why. I think it might be because they’ve always been the point from which I enthusiastically dived into the process of starting a new novel. That excitement and enthusiasm doesn’t always last for the whole long, siege-like process, but its almost always there for the first line.

“The moon was strange the night the witches came and Aunty died.”

“We were watching telly, the night Nana burnt the house down.’

‘The sentry would not let them pass.’

‘For a moment, the Angel looked directly at him, and Cornelius’s heart leapt with joy and dread.’

All these lines were bringing me somewhere. All of them were promising me something – I had no choice but to follow them onwards.

My deepest thanks to Celine Kiernan for sharing her stories and experience in the writing craft. It’s an honor to speak with one whose creativity has influenced my own imagination for decades. Please check out her books & her site at https://celinekiernan.wordpress.com/.  Be sure to share a review when you read her, too!

Every Reader Matters!Thank you, dear readers, for buying Fallen Princeborn: Stolen! 

We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams.It’s still hard to believe my debut novel is out in the world. This story was born the same year as my daughter. Like Blondie, Stolen has gone through many growing pains before setting out to forge its way through the world (or elementary school–that’s epic enough for Blondie). Every time I see a purchase or read a review, my soul goes runnin’ through the clouds. To those who’ve read Tales of the River Vine or Stolenplease share your thoughts with me on Amazon or GoodreadsYour reflections mean all the world to new writers like me!

Shouting for Shout-Outs Again!

Now that we’re halfway through November, I’d like to start gathering up kudos and plugs from fellow creators to share on my newsletter on the 1st of the month. If you’ve a book, an album, a site, or all of the above you’d like to share with new readers, please email me and I’ll hook you up. 😉

Read on, share on, and write on, my friends!JeanLee-nameLogoBoxed

 

 

 

 

#writing #music: #TheWho

A rare gift comes to the writer when the story and its mixed tape of music ka-chunk and transform. No longer is the music merely the writer’s atmosphere, her source of ambience while storytelling. Oh no. The music is the heroine. The music is the villain. The music is the tension. The music is the scene.

Quadrophenia_(album)This happened to me during 2010’s National Novel Writing Month when I first began drafting Fallen Princeborn: Stolen. At the time I was only using instrumental music for storytelling, while  music like The Who’s Quadrophenia helped me survive the piles of grading in my dropbox. The month had barely started, so I was early in the story of Charlotte and her sister leaving their abusive family in the Dakotas for Wisconsin. Their coach bus breaks down in the middle of nowhere. Another peculiar bus appears with far-too-friendly good Samaritans, and despite Charlotte’s suspicions, she gets on, too.

And….now what?

I tried magical feathers. I tried mysterious goo in the axles. How could I get Charlotte and her sister to the Wall if I can’t make this frickin’ Samaritan trap–I mean, bus–have a plausible reason (for humans, anyway) to break down near the farmland by the Wall? I shoved the story aside and opened up a batch of essays. In the midst of telling the umpteenth student to please remember her thesis statement in the introduction, The Who’s “The Real Me” came on…

…and I saw it.

I saw the scene. I saw it all, frame by frame like a movie trailer. I knew what had to happen:  utilize the shapeshifters’ gifts,  the song to feel Charlotte’s fear race like a heartbeat.

For this song, I realized, embodies Charlotte.

The percussion, guitar, and style of singing are defiant to the point of raging. The song demands anyone, everyone, to look past the surface and see the pain, confusion, and ambition to be.  

In this snippet of the story, though, it is Charlotte who does the seeing. Only she sees the bus driver’s inhumane ability, and realizes they’re all trapped. I could feel all this when I first drafted the scene with the song on repeat in 2010.

Eight years later, little’s changed.

~*~ From Fallen Princeborn: Stolen ~*~

Stolen-KindleCvr-MARKETINGCharlotte bites back the snark and hides in her headphones again. She starts “The Real
Me,” thinking, The bus SMELLS old and gross, but nothing FEELS old and gross. Give me two seconds and I’d be out cold, it’s so damn comfortable.…

At least food has settled Anna down. Now she’s content to walk that quarter from Uncle Mattie up and down the fingers of her right hand. Then flips to her left. The quarter continues its deliberate tumble from pinky to ring to middle to forefinger to thumb and back again. Up and down. Then down and up.
Like practicing scales on a piano, observes Charlotte.
“Nice moves.” Studchin’s face betrays a lack of skills with a napkin.
“Thanks. My uncle taught me.”
Charlotte does a quick passenger check: Potential Homicidal Maniac sits as far from Anna as possible. Twitchy is de-threading his own coat. Mumbles starts singing “Lizzy likes locked things.” The Sweenils argue over who won that Waters Meet Bingo tournament. Mr. Smith sings too softly for her to hear.

Black feathers fly across their window. Violet flashes, a cackle rumbles.
Charlotte spins ’round and stares at the back of the bus.
Jamie is gone.
“Where is he?”
Anna bats those damn glitter-lashes at Studchin one more time before asking, “Who?” Slurp.
“The crazy acne boy with the bags. Where is he?”
Anna opens another cake. “Probably bathroom. Why, wanna ask for his number?”
“What’s this about numbers?” Studchin’s breath reeks of mouse turds and sugar. “Cuz I’ve got one, if you want it.” |Charlotte’s chest burns beneath the pendant. It’s burning like hell, she’s going to pass out— “Can you see the real me, can ya? Can ya?”
What the—? Who the—? Who has the audacity to sing a Who song OVER The Who? Charlotte swivels around in her seat, trying to locate the source. Not Studchin, he wouldn’t know good music if a chorus of show girls sang it from a Jacuzzi of custard. Not his bandmates and, thank god, not Mumbles. Potential Homicidal Maniac? Nope. Dead silent, head still.
It’s Mr. Smith, singing right along with Roger. But how can he hear what she’s listening to on her headphones, from that far up front? Charlotte shakes her head and stares at the back of Burly Man’s head. He stares right back at her from the rearview mirror. Not even the Sweenils notice him singing. No one but Charlotte, always Charlotte.
“Charlie?” Slu-urp. “What’s going on?”
“Shut it.”
“Char—”
“Can you see, can you see the real me?”
“SHUT IT.” To Anna or to Mr. Smith—Charlotte doesn’t care. Get away from my music, my head, my sister. Get away.
Ash-wind pulls on Charlotte’s nose. Black, green, black, green, black: the raven’s circling again. Get AWAY!
“Can you see the real me, Preacher?”
“I mean it, where is that Jamie guy?”
“I don’t know, Charlie. Why do you care?”
“Dude, what is up with your sister?” Studchin to Anna.
“Can you see the real me, Doctor?”
Ash chokes, feathers fly, song deafens, eyes glitter— “Can you see the
real me, Mother?”
Charlotte sees Mr. Smith’s fingers drum along in perfect sync with the song.
And he stares right back. His teeth are painted, ablaze in his smile.
“Can you see the real me me me me me me?”
The raven strikes.

~*~*~*~

Of course, using a song in a story is one thing. Getting permission to use that song is another matter entirely, as I explain in “Days of Walkmans Past.” 

I hope you take deeper look at Fallen Princeborn: Stolen on Amazon, and perhaps grab a copy to keep! Click here for paperback, Part 1 of the e-book, Part 2 of the e-book, or the complete e-book with bonus material. Please don’t forget to leave a review on Goodreads or Amazon, too!

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Blondie the Skeleton helps me say thank you!

My deepest thanks to all fellow writers and readers who have been sharing my stories and thoughts on craft. No matter how much I beat myself up for not writing enough, reading enough, living enough, you step up and share my words and make every struggle matter. Folks, these are writers well worth sharing, reading, and befriending, I promise you.

Historical Smexy Romance Writer Shehanne Moore

Family Drama & Mystery Writer James Cudney

Short Fiction Writer Cath Humphris

Short Fiction Writer Sally Cronin

Young Adult Fantasy Writer Laurel Wanrow

Poet & Photographer Sue Vincent

Fantasy Writer Michael Dellert

nanoIn the meantime, I’ve signed up for NaNoWriMo for the first time in years. It’s time to rewrite the third novel of the Fallen Princeborn Omnibus. I promise you even more mystery and mayhem, perhaps even a murder or two in the dank Pits dark and deep…

Are you joining thirty days and nights of literary abandon? Let me know so we can be writing buddies!

 

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

 

#Halloween2018 is here. Fallen #Princeborn: Stolen is here. #FREE. #onedayonly. Enjoy a little #trickortreat, #readers, with some #adventure & #romance in this #darkfantasy #BookLaunch!

Good morning, folks!

Pretty sure I’m not going to be breathing much today.

Today, from sunrise to sundown this Halloween, Fallen Princeborn: Stolen is yours.

Free.

Copy of We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams.

What’s particularly awesome about this release of freeness (new word!) is that the platinum edition includes “Tattered Rhapsody” from Tales of the River Vine as well as an excerpt from the second novel, Chosen. 

Not sure you want to snatch it up? Check out what these amazing writers and readers have to say about it:

~*~

The rich sensory images and tight POV kept me so tangled in the story that I had to keep reading to see what would happen next. I particularly enjoyed the dynamic between Charlotte and her sister, Anna- the love and pain and frustration that can only come from family. Charlotte’s determination to protect Anna, whatever the personal cost, endeared her to me. The dark world beyond the Wall is fascinating, the shadowy characters an intriguing blend between Light and Dark. While the story arc had a satisfying wrap-up, it also left me eagerly awaiting the next installment! –Amazon Reader

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Copy of We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (1)“This gripping YA fantasy about Charlotte’s encounter with the fae comes complete with a prince… but he’s no Prince Charming, while they’re definitely nothing like Tinkerbell.” —S.J. Higbee, Sunblinded trilogy

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I love that this novel takes place in a fantasy realm quite different than most out there, which makes it harder to guess what’s going to happen next. Charlotte is an interesting heroine to root for, and the book is an overall good mix of adventure, humor, and romance. I got caught up in the story and read this in just a day or two, and now I can’t wait to read the next one! –Amazon Reader

~*~

“Part psycho hitchhiker movie, part road trip to Rylyeh, Fallen Princeborn: Stolen drags the reader deep into Faerie, burns it down, and caramelizes expectations.” —Moss Whelan, Gray Hawk of Terrapin

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Copy of Copy of We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (1)Lee writes from a third-person, present-tense point of view, but the tale is still told very much from Charlotte’s perspective, spurning exposition in favor of snippets of teenage angst. Charlotte emerges as a believable survivor—strong, determined, and devoted to her sister, but also vulnerable, with a deeply buried sense of hope…. Anna is similarly convincing as the resentful younger sister, while the fairy folk walk the line between being straightforward villains and antiheroes. The fairy realm itself is more grim than enchanting (think the Upside Down from the Netflix TV series Stranger Things), and the fact that Charlotte is trapped there—an echo of her family situation—lends an uneasy edge to the would-be romance. –Kirkus Reviews

~*~

So, whatcha waitin’ for, folks? Halloween comes but once a year. When Halloween ends, so does this offer for a free adventure into a world of magic and mayhem, family and feeling. Don’t miss out!

If you would rather read Stolen in separate parts, check out the Green and Gold editions. Be sure to leave your thoughts on Amazon and Goodreads, too, because seriously, every review means the world to writers.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed