You’ve Got Five Pages, Wayward by #BlakeCrouch, to Tell Me You’re Good. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

Wayward by Black Crouch

So in my podcast I note the peculiarity of the publication and how it’s tied to Amazon publishing. It looks like a new edition of this book is coming out later this year through Ballantine, so I wonder if Blake Crouch started with self-publishing and has since gone traditional. Either way, good for him! Still wonder how my library got a hold of the old edition, though…

If you do not see the audio player above, you can access the podcast here.

Honestly, this was a curious find. It’s plain to see we’re not starting with the regular protagonist, but that outsider perspective does provide a unique look at the setting for this trilogy. For all the quaint beauty of this small town, there is a very real, very lethal menace in all the razor wire and posted snipers. To begin the story with one of those snipers immediately establishes the high stakes involved with surviving this mystery. We may be entering this story arc in the middle (it is Book 2, after all), but the first chapter does its job in establishing some major ground rules for a reader uncertain of the road ahead. We have action, we have monsters, and we have an unsuspecting populace.

Sounds like a recipe for mischievous disaster to me!

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #TheShatteredSkies by John Birmingham. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

The Shattered Skies by John Birmingham

We have a unique situation here. This is a new release in Science Fiction, but it’s also the second book of a trilogy, which means a lot of establishment of character, conflict, and setting have already been accomplished. So, we’ve got to seriously temper our expectations when it comes to worldbuilding and character development, for much of that could be present in the first book, The Cruel Stars.

What will you, fellow creatives, make of these first five pages? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

The conflicts and worldbuilding alluded to by the first chapter’s primary character sound epic in their scope, and the character’s voice certainly fits a military mind. I just wish this character could have interacted with someone instead of only inwardly reflecting on all the epic conflicts and political intrigue. Let the man talk to a subordinate officer or some other henchman while waiting to land on a planet! You know me–I’m a sucker for a beginning with some action. 🙂

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #RileysGhost by John David Anderson. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

Riley’s Ghost by John David Anderson

Yes, this is a Middle-Grade (MG) novel, but a paranormal mystery for a kid can be a fun read for an adult, too! My daughter Blondie has been on my case to share this book on the podcast, so this week I’m buckling and here we are. 🙂 Honestly, though, I’m glad I did.

If you do not see the audio player above, you can access the podcast here.

The story begins with a graphic description of a dead body…a dead frog body. It’s a wonderful way to set the tone for this school setting: the “barbarian” seventh grades, the disconnected teachers, and Riley, who just doesn’t feel like she belongs and would rather forge an adult’s signature to escape accountability rather than get help. Blondie promises very creepy moments are in store for anyone who loves a ghostly read, and if you’ve listened to my December 2021 collabs with Blondie, you know she wouldn’t gush about a story if it wasn’t worth reading! 

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #Revelator by Daryl Gregory. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

Revelator by Daryl Gregory

The first sentence of Revelator by Daryl Gregory alludes to a kid meeting “the family god,” so I just don’t know how the stakes can go down from there. What will you, fellow creatives, make of these first five pages? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

This story’s got a feeling of the Southern Gothic in its voice and style, a dark, murky magic hidden in its green Kentucky valleys. The setting is beautiful, but it is not safe. I find Gregory’s prose in this tale to be positively intoxicating with its various rhythms and inflections, the dropped words and intention alliterations. The first pages not only provide an authentic voice for the little girl Stella, but a sense of true dread as we follow the adventurous child down a path into a church embedded in the mountain. What could possibly go wrong in such a place? I’m going to guess a lot.

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #JoanIsOkay by Weike Wang. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

Joan is Okay: A Novel by Weike Wang

The first pages of Joan is Okay by Weike Wang are unlike anything we’ve read on previous episodes of this podcast. We’re not diving into genre fiction here–no fantasy, no science fiction, no horror, etc. This is life, and it’s the life of an Asian American woman who is forced to take on the journey of grief by returning to China for her father’s funeral. What will you, fellow creatives, make of these first five pages? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

The prose is sharp and cuts to the bone in its lack of emotion, which makes readers wonder just what the relationship between the narrator and her family had been. As one who also lost her father suddenly, the journey of grief is not an easy one to walk alone, so I am naturally drawn to Wang’s storytelling here. The blurbs on the back promise wit and humor, which I didn’t see in the opening pages, but I found the narrator’s fixation on the surface-level aspects of her coworkers rather intriguing. It makes me wonder just how well this narrator knows the people in her life–and how well she truly knows herself.

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

Author #Interview: Let’s Chat with #IndieAuthor Bryan R. Quinn!

Featured

Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the mysterious Bryan R. Quinn!

You have a unique history in the publishing industry as well as in technical writing. From your experience, what do you consider to be the most unethical practice in the publishing industry, and what can be done about it?

Vanity publishing scams that milk naïve and, perhaps, desperate writers dry who haven’t done their due diligence are concerning. I hate to see writers, or anyone for that matter, get swindled. Writers need to investigate online publishers before trusting them with their hard-earned money.

Do you see your work as a technical writer influence your prose style as a fiction writer? Technical writing must be precise and concise, so I apply this precision and concision to my prose. At least I believe I do. I try to make my sentences lean as possible, even when they are long.

What other authors are you friends with, and how do they help you become a better writer? Sandra Johnson and Wendy Waters, who I met on Twitter, reviewed NO GOOD DEED GOES UNPUNISHED before I published it. They gave me valuable advice about some of the characters and their motivations.

What is your writing Kryptonite? (Mine is a call from my sons’ school principal.) When my wife tells me to find a real job. I’ve been out of the workforce for eight years now, so it’s real tough getting back in.

Have you ever gotten reader’s block? Original question. There are times, and they are rare, when I don’t feel like reading a book, whether fiction or non-fiction. In those moments I’ll watch a DVD or surf the Web.

I think it’s safe to say we all have those moments when we need that visual stimulation over the written word! Still, that doesn’t mean language has no hold on us. What was an early experience where you learned that language had power? Way back when I wrote a young woman a farewell letter that had sprung from my heart. We lived far apart at the time. Through a mutual friend I learned she felt my letter read like poetry. That was a real surprise to me. I wish I had a copy of that letter.

What’s your favorite under-appreciated novel? Fields of Grace by Wendy Waters. Sublime writing and original storytelling.

How about your favorite childhood book? I know I always loved to adventure the fantastical lands in The Voyage of the Dawn Treader time and time again. The Adventures of Huckleberry Finn. I received a copy of it from my parents on my 8th birthday. Many years later, I studied the hidden themes in this novel in an American literature course at university. It was a fascinating intellectual journey.

You have written both short fiction as well as novels. What process do you undertake to see how many words a story truly requires in order to be told? I look for gaps in the story much as one would look for missing pieces in a puzzle. Conversely, just like a puzzle, every piece in a story must belong there. To that end, I look for fat, that is, if I remove a chapter, would the story improve or worsen? I like to keep my stories as lean as my prose.

What is the most difficult part of your artistic process? I always know how my stories begin and end. How the story moves from beginning to end without seeming contrived is the difficult part.

Oh yes, that’s a familiar trouble. Goodness knows I’ve had my share of mishaps in plotting my way from first scene to last. Still, you’ve successfully conquered this journey recently for your new noir thriller. Congratulations! Please tell us all about it and what inspired it. The germ of NO GOOD DEED GOES UNPUNISHED, a tale set in New York City, was planted by a sister. I polled my sisters for story ideas. My youngest sister suggested a story about the Mob’s treatment of its foot soldiers. The Mob is always good fodder for a story, so I combined that premise with the premise of a Manhattan billionaire falling into the clutches of the Mafia. But more than that, this is a cautionary tale about wealth and its seeming guarantee of protection from the vicissitudes of life; it is this false sense of security, this chink in the armor of the wealthy, that evil, in the guise of a Mafia don, exploits in this story.

Sounds like a delightfully dangerous read, Bryan! Thank you so much for stopping by for this chat. May your future storytelling take down other alleys unknown of mystery, murder, and mayhem.

~STAY TUNED!~

I’m still waiting on that frickin’ copy of the new Death on the Nile, but that’s okay. I’ve been finishing a trilogy a friend recommended, and it’s got me wondering about yet another problem many writers face: worldbuilding vs. character-building. Let’s discuss, shall we?

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #DeadSilence by S.A. Barnes. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

Dead Silence by S.A. Barnes

The first pages of Dead Silence by S.A. Barnes are brilliant. In the first three sentences alone, we have an injured protagonist hallucinating a dead person. By the end of two pages, we find out our protagonist is being interrogated because the rest of the character’s crew was murdered…in space! What will you, fellow creatives, make of these first few pages? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

If you do not see the audio player above, you can access the podcast here.

Mystery fills the cosmos here, for we do not know how much we can trust this crew, this company, or the very soul telling us this story. The unreliable narrator can be a tricky element to utilize in storytelling, but when done right, it keeps both the story’s cast and reader on their toes. In the first few pages. Barnes nails it, so I’m excited to see where the story goes from here. It’s the perfect–albeit terrifying–escape to take during my brief term break!

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: The Berlin Exchange by #JosephKanon. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

The Berlin Exchange by Joseph Kanon

The first pages of The Berlin Exchange by Joseph Kanon bring readers to the 1960s and the height of the Cold War. We are to witness a prisoner exchange…only we are quickly transported back in time to before that exchange with the briefest allusions of what has brought one of the prisoners to that moment of exchange. Despite Kanon’s writing choices not following my preference for sensory detail and action in the first paragraph, I cannot help but be intrigued with both our narrator and enigmatic protagonist, Martin. What will you, fellow creatives, make of these first five pages? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

I’ll always be a sucker for Cold War-era espionage, but it’s the voice here that intrigued me the most. The stream-of-conscious paragraph on the fourth page reminded me of prose poetry, while the curt inserts in the exposition have me wondering just who is telling us the story. Is it Martin? Is it a separate narrator? I have to know!

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #TheTenant by Katrine Engberg. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

The Tenant by Katrine Engberg

I saw the words “grisly discovery” in the blurb and thought, I’m in! As promised, the discovery is indeed grisly, and it does indeed happen in those first five pages. What will you, fellow creatives, make of this tale’s opener? Let’s find out!

The first pages of The Tenant by Katrine Engberg are…well the first THREE pages are marvelously done. I was lulled into impatience following an elderly character, but by the end of the third page we made the “grisly discovery” and I found myself happily corrected on pacing.

Then the next two pages happened.

So this story’s start is something of a mixed bag. Perhaps I’m being too nitpicky, though, so feel free to let me know your thoughts!

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!

You Have Five Pages to Tell Me It’s Good: #TheSilentSisters by Robert Dugoni. #FirstChapter #BookReview #Podcast

Hello, amazing fellow creatives! Here’s to more fun perusing the library’s new releases to see what strikes our fancy. As I mentioned in an earlier post, I’ve retitled Story Cuppings to better fit the premise of the podcast.

As writers, we hear all the time that we’ve got to hook readers in just the first few pages or else. We’ve got to hook agents in the first few pages or else.

Whether you’re looking to get published or just hoping to hook your reader, first impressions are vital. Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.

JEFF GERKE, THE FIRST 50 PAGES

Well then, let’s study those first few pages in other people’s stories, shall we?

Today I snagged from the New Release shelf:

The Silent Sisters by Robert Dugoni

Being a fan of John le Carre’, I immediately found myself drawn to this particular book. Cloak and dagger “espionage writing,” as the Providence Journal blurb puts it, is a lovely branch of mystery writing when done right. What will you, fellow creatives, make of these first five pages? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

The first pages of The Silent Sisters by Robert Dugoni transport us immediately into dangerous, bloody territory. Who is really on the meathook–the enemy, or the ally? We do not know. While I do have a minor niggle about the pacing, this prologue definitely promises a taut thriller for all the espionage-lovers out there.

As always, I love hearing what’s on the shelves of your own libraries. Libraries Rock!

Read on, share on, and write on, my friends!