#Writing #Music for the #FirstChapter in your #NewAdventure: @HansZimmer, #DavidHirschfelder, @Junkie_XL, & #StephenFlaherty

Gosh, did I score on music this winter.

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Sure, there’s some sweet Christmas music in there (Yay, more Alan Silvestri!) but also plenty of fantasy and adventure, too. It’s the sort of gathering that makes me eager to close my invites me to hide from my kids for a few minutes with headphones, a chance to close my eyes and explore the possibilities…

…but which way do I go?

It’s a crossroads moment, to be sure. Maybe I need to be like Anastasia, and wait for a sign, like a magically house-trained dog covered in Don Bluth cuteness.

Whenever I feel tired of writing, this song makes me excited to get back into it again. There’s adventure in the mind, hidden deep in trees born of words and dreams. One just needs to take that first step in to see.

Perhaps that first step transports you into the night. Something stalks you in the dark…or perhaps you are the stalker, hunting the threat before It escapes among the Innocents.

Rain begins to fall, and you fall into line, the world unsuspecting of the mystery that runs amok in night’s grit and fervor.

Or…

Perhaps that first step transports you to impossible heights. Clouds kiss your feet.

Your comrades call to you, waiting for you to join them in the descent down, down to where adventure rides sunbeams and waterfalls, tunnels through ancient tombs of fallen kings.

Or…

Perhaps that first step transports you into the heart of The Storm. Lightning flashes, and you see the grey, grassy field you’re in goes on, and on, and on in all directions but one.

Lightning flashes, and you see you are not alone.

Lightning flashes, and you see nothing.

You hear a breathing not your own.

Lightning flashes, and–

Who knows?

So many stories, so little time!

But I’ll make the time. I have to, since now I’m creating new fiction to be shared with newsletter subscribers. You can see the hub for it on the home page of my website now: “Free Exclusive Fiction from the Wilds.” When you click there, you’ll see whatever the new fiction is for the month: a Fallen Princeborn story, maybe, or something for my Shield Maidens of Idana. A character dialogue, perhaps, or maybe just a standalone story I felt like writing. Every month will bring something awesome, so awesome it’s gotta be locked up with passwords, mwa ha ha ha! The newsletter will have the password to unlock the fiction.

(And now I suddenly feel like I’m in a Zelda game, going to such’n’such place for the yadda yadda key to unlock the neato treasure. Ah well, you get me.)

In the meantime, I’m still working on the novels for my Fallen Princeborn Omnibus. Still teaching and family-ing. But Bo’s got me mixed up in a challenge that, by default, I’m going to inflict on you.

The Whole30 Diet.

In the briefest of terms, Whole30 says eat meat and produce, nothing else: no dairy, no grains. Coffee and tea are okay so long as you’re not adding stuff to them. You do this for 30 days to “reset your gut,” as it were, training it to burn fat instead of sugar for energy.

Bo really wants to tackle his weight this year, and I want to support him by doing it, too. I think we all learned last year that I’m not the best at adhering to diets, so I’m hoping that by holding myself accountable here, I can stay on task and therefore help Bo stay on task.

This means I’m going to try blogging for 30 days straight.

Not, you know, extensive pontificating for 30 days. Just honest reflection on how it’s going. Maybe something cool I’ve read, or some awesome quotes to get you thinking as you write or read. Some interviews of amazing Indie writers, some more music to inspire, and hopefully a “lessons learned” post about series writing that touches on a legit gripe many readers have about storytelling today.

And since I’m try to trim m’self down with Bo, then let’s just top this off with a sale on my novel, Fallen Princeborn: Stolen. For the entire month of February, Stolen will be 99 cents.

we have all of us had our bloody days, charlotte. for many it is easier to remain in them than to change. to change requires to face a past stained by screams. (15)

So, bring on the February! Bring on the cold, the coffee, and the dreams of stories not yet finished, not yet begun!

Something tells me it’s going to be a crazy-beautiful adventure. 🙂

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

Writer’s Music: Hans Zimmer II

81hlcdsuknl-_sl1500_Showdowns are, I find, one of the most necessary elements of story, as well as one of the trickiest. Actions are a blur, emotions and motivations impossible to explain, don’t let it go too long or the pacing drags, don’t let it go too short or you’re better off not bothering at all, the setting’s impacted so you better talk about that, and what about the OTHER characters outside the showdown you can’t forget them and ARGH.

Oh, and it’s not like you can only have ONE showdown.

Music is a savior here, one which I’ll happily share over the next few “Writer’s Music” posts. Every showdown must be unique: there is no one quite like your protagonist in this moment, for he/she is either a) barely understanding the world right now, b) still learning his/her abilities, or c) ready, impassioned. These moments of growth influence the showdown, so the music should reflect that.

Your antagonist may be on a similar arc, or not. Some prefer the antagonist to be impossibly powerful so the final showdown and defeat is all the more satisfying, but I think it’s interesting to watch the antagonist grow, too. Any earlier interaction with the protagonist should affect the antagonist, and make him/her more intelligent, wary, etc.

Hans Zimmer’s “Air” is a favorite showdown track for me because, being a longer track, it does allow the characters to think and feel. To realize. Such moments are important, I think, when the protagonist doesn’t really get what’s going on; therefore, those breaths in the action help ground the reader, too.

I am also a sucker for ominous choirs, which Zimmer uses in abundance here. Strings carry the main weight of melody here, but when it’s time for the true tension to arise, percussion and choir overwhelm; you can feel the physical battle here. The eerie soft moments in the choir’s absence only add more to the tension—a moment of dialogue here, perhaps? Or perhaps a moment to run and hide? Give your characters “Air” and see what they do.

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