Author #Interview: Let’s Chat with #IndieAuthor @KentWayne108!

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Welcome back, my fellow creatives! I’m thrilled to continue sharing some lovely indie authors I’ve met in our community. This month, please welcome the adventurer cosmic, Kent Wayne!

Let’s begin with your adventures as a reader. What was an early experience where you learned that language had power?

Some early experiences with powerful language come from (now) outdated comic books, specifically Preacher by Garth Ennis, and the early run of Ultimate Spider Man by Brian Michael Bendis. Ennis was able to reinvent a bunch of 1960s and 1970s toxic Americana machismo into something heroic, inspiring, and infused with tolerance (for the 90s). He does allude to underlying problems and hypocrisy, but the parts where Jesse Custer learns what it means to be a hero no matter what the odds, then accompanies the act with a passionate monologue or iconic one-liner, made me aware of how a written story could charge my entire being with hope and purpose. Conversely, Ultimate Spider-Man (the early run) made me aware of how important silence, implication, and organic-sounding speech (even if it’s riddled with ums, dot-dot-dots, and yeahs) could make me want to stand up and cheer for a kid who—despite being saddled with terrible responsibility—is still able to seek out and experience joy. He’s one of the few characters I really felt for, to the point where I wanted him to stay naive and optimistic, and the scene where he almost kisses Mary Jane (Ultimate Spider Man #13) is burned into my brain as the best romantic scene I’ve read or seen.

What authors did you dislike at first but grew into?

When I first read it, I didn’t like the seminal work Dark Knight Returns (by paradigm-shifting comic book author/artist Frank Miller). It was only later, after I realized the significance of his depiction of media, was I able to appreciate the barrage of dialogue between his news pundits.

Have you ever gotten reader’s block? That is, did you ever encounter a story that you just could not finish?

I tried to read Cloud Atlas, thinking it would be similar to the movie, but it was so much slower than I thought it would be. I think I stopped a third of the way through. Other than that, I think I’ve finished every book I’ve read.

Time to dive into your own stories! Your first book, Echo: Approaching Shatter hit virtual shelves in 2015. Please tell us what first inspired this story and motivated you to explore this world and discover the three other stories in this series.

Echo was inspired by Die Hard with a Vengeance, specifically that opening scene where John Mclane is forced to wear an offensive sign in public and it puts his life at risk. I started wondering what would happen if an entire city turned against one person, then that person had to fight their way out? I wanted it to be science fiction (because I’ve always been a fan of robo-suits), and then I had to create a backstory for a sci-fi scene where it was one guy versus an entire city. I didn’t get to the actual scene until the end of Echo 3.

Speaking of series, I’d love to hear more about your methods in discovering whether a story should be a single standalone or a series. We’re so often pushed by the gurus that series will sell over standalones. What are your thoughts on this?

I believe writing is one of the worst ways to make money (if you’re looking to make money), and that it should feed your soul before anything else. That being said, I would say write in a way that brings you the utmost joy and allows you to feel like you’ve honored the characters. Whether that’s a standalone book or a multi-volume series is up to you and your muse. If writing becomes a chore because I’m forcing a series, I’m not sure that I would want to keep doing it.

What is the most unethical practice in the publishing industry?

I’m not too knowledgeable about traditional publishing, but from what I understand, things have vastly changed since Stephen King’s earlier days, where they’d work with you if you showed potential. Nowadays, they might arrange for your book to be turned frontwards instead of sideways for a few weeks at Barnes and Nobles, and possibly arrange some readings or a book tour. That’s not unethical, but I wish publishers would be willing to invest more into budding authors instead of just letting them sink or swim.

Okay, I HAVE to ask about your comic, Kor’Thank: Barbarian Valley Girl. Its premise is so utterly bizarre I cannot help but love it (it also helps I’m a fan of Conan the Barbarian). Where did this story come from in your imagination?

After I wrote Echo, which had plenty of violence and darkness, I wanted to write something fun and silly in the vein of Barry Ween (early 2000s comic). I was playing Kingdom Rush and noticed this primitive, mean-looking goblin guy named Gul Thak, and I started toying with the idea of a Conan-esque character switching bodies with a stereotypical cheerleader. After that, it was just a matter of playing up the ironies (despite outward appearances, she’s the mean one), adding a giant dose of juvenile humor, and sprinkling in some high school sweetness, infused with the eager young outlook and unjaded energy that I wish all high-schoolers were able to enjoy, simply because that’s what I wish defined peoples’ high school experience.

Kor’Thank also gets me wondering about that old chestnut of a writer’s debate regarding originality vs. catching a trend. What are your thoughts on trying to be more original vs. delivering to readers what they want?

This might seem a bit selfish, but I think it’s mainly what brings joy to the author. I’m all for originality, but not if it’s some arthouse-type work that evokes no emotion from me, despite being supposedly brilliant in theme and execution. Conversely, if I watch something that’s full of cliches, then I don’t care so long as it’s engaging.

Kor’Thank ALSO also gets me wondering about your character names. Can you describe your process for finding/selecting character names? I’m always a sucker for selecting historical names with meaning.

I wasn’t so good with names for Echo (I just wanted to get on with writing the story, and select names that wouldn’t be too jarring). Nowadays, because my YA fantasy series hews outside the bounds of traditional fantasy, I’ve placed great emphasis on names, dialogue, and culture in order to evoke the old-school fantasy feel, despite the nontraditional setting. I look for names that are evocative of behavior and background. For example, from my second book, Eralindiany felt like an Elvish, feminine name with a lot of flow and lilt, so that’s why she’s Jon’s half-Elf girlfriend. Syfaedi Kysaire felt like something that had flair and derring-do, so I made her a pirate captain. Raefingham Bask felt Victorian and refined, so I made him a Sherlockian detective. The bottom line is I go by feel. A lot of the time, I’ll use a “placeholder name” then change it in the edit as I get a feel for the character and my mind starts coming up with better names.

I’ve been following your blog for a long time, and I see that you’ve transformed a series within your blogs (Musings) into a book collection. Can you describe your process for bringing your blog to the bookstore, and do you have any other marketing advice for fellow indie writers?

Some of my readers wanted me to compile Musings into a book, so I acquiesced and turned it into a compilation of philosophical pseudo-poems. Once again, my advice on bringing my blog to a bookstore is infuriatingly vague: search your feelings, just like Obi Wan said, and if it feels right to publish, then go ahead and do it. In creative pursuits, I’m of the opinion that going by feel and intuition is of utmost importance. Because arguably, that’s what defines them and/or separates them from technical pursuits.

Your latest book, a YA Fantasy, sounds like a delightful escape from the mundane of our world. Considering how the HUGE variations of worldbuilding within the fantasy genre, did you find it difficult to challenge the reader while also guiding them through your story-world?

Absolutely. Since my main character is from Earth, I wanted to convey the wonder of discovery and adventure through his eyes, without getting bogged down in too much backstory. Also, building out a system of magic was a definite challenge, especially when the plot hinges on different styles of spellcasting.

What would you say was the most difficult scene to write in Evermoor?

The most difficult scene to write in Evermoor was when the hero finally gets to kiss the girl. I’d never gone all in on a romantic scene until then, and I really wanted to get it right. I wanted to convey his excitement at finally getting to experience this joyous moment—possibly the most joyous moment of his teenage existence—with the crush of his life.

Lastly, we all struggle with a writing Kryptonite—that thing that just saps our creativity and prevents us from telling the stories we love. What is your writing Kryptonite, and how do you overcome it?

My writing kryptonite is frustration that no one’s made my books into a movie or tv show, LOL! The scenes are so vivid in my mind, that I desperately want to see them onscreen. I have to deliberately focus on enjoying my story and immersing myself in the joy of writing it, because I can easily go down a depressing rabbit hole if I start obsessing about recognition or movie deals.

Thank you so much for taking the time to chat, Kent, and I can’t wait to see where your creativity takes you next!

~STAY TUNED!~

Nature is on my mind! Whether it’s the music of nature or the landscape of mystery, perhaps it’s time we venture out and explore with the words and sounds of others.

Read on, share on, and write on, my friends!

#WriterProblems: Revisits and Revamps

Hello, my fellow creatives! March is a finicky time in the Midwest. Spring teases us with snow and ice one day and warmer, green days the next. We require snow pants and boots in the morning, but by the afternoon we’re running around without any winter gear at all. I’ve used music to escape the icy mud only to find myself lost in another time, another place…

Sadly, that different time and place was not a crime scene on a riverboat in 1930s Egypt. Our babysitter backed out, so Bo and I were unable to see the new Branagh adaptation which I wanted to include in my analysis of Death on the Nile.

No, I actually found myself going back in time to my early days here as a blogger. Back in 2016 (around 200 posts ago?! Zounds!), I was just finishing up my rough draft of Middler’s Pride, the first of a Young Adult fantasy series set in another realm. The second book, Beauty’s Price, featured characters based heavily on the Bennet sisters, so revisiting this music…rewatching the film—rereading the story…it got me re-evaluating projects past and present.

Storytelling

Many of us work as well as write. When I taught part-time, I managed to have time for writing and publishing while bringing in a little income. Teaching in higher education full-time, though, eats a lot of time, and teaching online means one is never really separated from students or the work. I discussed this struggle in 2021, and that struggle has never subsided. The goals I set for myself were not reached. Sure, I got a short story published in an online magazine, but that wasn’t the same as self-publishing my novel in 2020. We so often beat ourselves up for these misses.

But putting oneself down is not going to lift oneself up. Quite the opposite.

So, I’m putting 2021 down as a year I published SOMEthing. Still a win. 2022? I will still publish SOMEthing. I’ve got a short story I’m proud to query. And listening to Pride and Prejudice has me thinking of my Shield Maidens and wondering…

Perhaps the Princeborns are just going to have to have a break this year. Perhaps Idana is where I need to be.

I have one novel down, a second partially done. Notes on the third, and the fourth…well that one’s in the “I kinda know what I want” stage. Middler’s Pride was in the online reading library Chanillo for a while and had gotten some strong input on the free writing forum Wattpad, so I’m hopeful that a little revision could go a long way in getting Meredydd back to the virtual bookshelves.

I could even share my character brainstorming for her here with you, which would allow time writing blog posts to convert into time with the story. I could re-share some of my old posts, such as the music that inspired my worldbuilding, analyses of the craft that went into the stories to see what has changed, what has not…hmmm…

Platform

Remember back when authors could just worry about telling good stories and someone else handled the other stuff? Anybody remember that?

Nnnneeeeever mind.

We all fight like hell to get our stories to others. When my first novel was picked up by a small publisher, I was ecstatic to have the help, but the majority of the marketing was done by me. The time it takes to market, to query, to network, to gather reviews, to format the book, to design the cover…it’s basically a full-time job on top of writing on top of whatever we do to actually earn the money to keep writing. All too often, it’s the actual storytelling that keeps ending up on the backburner in order to prioritize everything else. And it sucks. A lot.

Isn’t the point of writing to WRITE?!

Now folks can say that this is what Fiverr is for, and hire people to do the little stuff so you can focus on the big stuff. That’s all well and good when you can afford the help, but many of us are on tight budgets as it is. Sure, I’ll save up to use Fiverr for a kickin’ book cover, but I can’t hire someone to market for me. Few of us can. That’s why we’re blogging here and sharing pieces of ourselves on social media. Some folks manage to balance TikTok, Instagram, Twitter, Pinterest, Facebook, and Lord knows what else. We’re guest posting and reviewing and collaborating and virtual touring and all the things to connect with one more writer, one more reader. Those who can balance all this, you are AMAZING. Those who are struggling, you are also AMAZING. Why?

Because we all struggle finding that balance and working out what methods fit us and which don’t. I enjoy connecting with fellow creatives here on WordPress. I enjoy sharing things on Twitter. Once in a while I get to Instagram. But don’t ask me about TikTok or those other things. Fellow indie author Anne Clare made an important point she learned that when it comes to the author’s platform, it’s far better to do a little bit well than a lot badly. Considering time and energy here, I am taking that lesson to heart. That’s why you don’t see me on Facebook anymore, and rarely on Instagram.

Which brings us to my experimental venture of 2020…

Podcast

After nearly a year of posting weekly podcasts for Story Cuppings, I wanted to share a couple of takeaways here. This podcast was to “force” me to read more, which it has, but to also reach new readers, which it hasn’t. For those of you who have listened, thank you for always sharing your thoughts and encouragement! I know not everyone has time for this sort of thing, and that is completely acceptable. For those who comment, thank you for sharing your reading journeys with me as well! It’s just that hope to connect with the crowd that does have time for podcasts has not gone the way I hoped, and that got me wondering why. Two major answers come to mind:

  1. I’m not consistent with the material I read.
  2. The podcast title.

I like focusing on first chapters of novels. I stand by that concept. After all, how often are we told as writers that we have to hook readers in the first few pages or we lose them? So focusing on the story and craft in those opening pages is still worthwhile to me. Plenty of other folks do book reviews and book podcasts on the whole story. To me, the first few pages can be incredibly instructive. Plus, it allows the podcasts to be kept reasonably short–mine average between 16-22 minutes–so producing them does not take long.

But I DO need to be more consistent with what I’m reading. I’ve read old things, genre-specific things, indie things, and now library things. Out of all the things, the library-related podcasts have gotten the most reaction, so I think I will just stick with what I find on the New Release shelf. It makes me pick stories that are already in the public eye, and it makes me try genres and authors I’d have never considered before.

Next, the title just doesn’t relay the podcast’s premise well. I thought it did, but upon reflection, who knows what a cupping is? I had to look it up. It sounded novel (pun intended) because the term is used for tasting coffees, and plenty of folks had wine/book themes. Why not a coffee/book theme? But after nearly a year of not hooking listeners from beyond my current community, it’s time to change the title. Just as a book’s title needs to hook readers, so does a podcast title need to hook listeners. The title needs to be crystal clear in relaying the podcast’s intent, soooo let’s try this title out and see how it goes over:

Well, what do you think? I’d love your input! You have been such kind souls and dear supports these seven years. 250-some blog posts later, you are still here with me, sharing these writing wins and woes. You’ve seen me through parenting adventures awful and amazing. Your support is a foundation in my world, and for that, my dearest friends, I cannot thank you enough.

And let us hear from you now, my creative kindreds! Are you reviving old projects, or revealing new untold worlds never explored by your characters? Are you giving yourself time to recollect and refresh, or perhaps a moment to reflect on what deserves a revisit…or a respite?

Here’s to a splendid spring for all of us. To a beautiful year for all of us. To brighter, better days for all.

Read on, share on, and write on, my friends!

There Be a Cantankerous Granddad of a #Dragon on this #Podcast: Picky Eaters by @sjhigbee

Welcome back, my fellow creatives! We’ll continue tasting the wares of fellow indie authors I have gotten to know in this beautiful community through the years.

I’m sure many of us can relate to dealing with bratty children at some point in our lives. (Or, we are raising those little buggers and are surrounded by them EVERY DAY. But I digress.) Let’s take a sip from flavors both relatable and fantastical in the brew Picky Eaters by S.J. Higbee.

What does a reader experience in those opening pages, and what lessons can a writer take away in studying but a few paragraphs? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

If you’re ever in the mood for fascinating book reviews in mystery, science fiction, and fantasy, do check out S.J. Higbee’s kickin’ blog!

Be on the look out for more sweet indie goodness in the autumn podcasts to come! 

Read on, share on, and write on, my friends!

Not all #Fantasy #Adventures Begin with White Rabbits on this #Podcast: Following the Green Rabbit by @ChrissyH_07

Welcome back, my fellow creatives! We’ll continue tasting the wares of fellow indie authors I have gotten to know in this beautiful community through the years.

I’m thrilled to share a bit of fantastical flavor with you today! Let’s take a sip from Following the Green Rabbit by Chris Hall.  

What does a reader experience in those opening pages, and what lessons can a writer take away in studying but a few paragraphs? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

If you’re ever in the mood for unique serial flash fiction and poetry, do check out Chris Hall’s delightful blog!

Be on the look out for more sweet indie goodness in the autumn podcasts to come! 

Read on, share on, and write on, my friends!

A Fun #Fantasy #ReadingRecommendation on this #Podcast: In the Land of the Penny Gnomes by Wesley Allen

Welcome back, my fellow creatives! We’ll continue tasting the wares of fellow indie authors I have gotten to know in this beautiful community through the years.

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We’ll continue with the fantasy undertones, but some bright, humorous flavors are in store for us In the Land of the Penny Gnomes by Wesley T. Allen.

What does a reader experience in those opening pages, and what lessons can a writer take away in studying but a few paragraphs? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

If you’re ever curious about helpful writing/worldbuilding software, fun RPG, matters of family’n’ faith and more, please do check out Wez’s amazing website Painfully Hopeful.

Be on the look out for more sweet indie goodness in the autumn podcasts to come! 

Read on, share on, and write on, my friends!

#RecommendedReads for #August on this #Podcast: The Goblin Emperor by Katherine Addison

Happy Wednesday, one and all! This August I wanted to take a moment to share books recommended to me by you, my wonderful fellow creatives.

The genre tastes here will vary widely, so bring your sparkling water to cleanse the palate between sips. Let’s continue on with…

What does a reader experience in those opening pages, and what lessons can a writer take away in studying but a few paragraphs? Should I be reading these books after long days of grading? Let’s find out!

If you do not see the audio player above, you can access the podcast here.

This book was recommended to me by indie author S.J. Higbee. I do hope you check out her stellar blog and books!

If there are any stories you would like to recommend for sipping on this podcast, let me know in the comments below! I’d also welcome reading any indie authors’ own stories. Let’s all enjoy different genres and styles of storytelling throughout the year, shall we? xxxxxx

Read on, share on, and write on, my friends!

#AuthorInterview: Ian Green shares beloved #reads and the #magic of #writing #fantasy. Thanks, @IantheGreen!

Hello hello, my wonderful fellow creatives! We find ourselves caught in the whirlwind that often billows about in the middle of summer. After a few good swimming lessons, the kids are determined to prove themselves ready for their own Olympic-style marathons in the water. So long as they don’t participate in another round of “Toss the dead fish” as some other kids did at the beach, they’ll be fine. 🙂

While they splash and holler at one another in the lake, allow me to introduce another lovely fantasy author whose debut novel hits bookstores this month. My friends, meet Ian Green!

You can find his website at ianthegreen.com.

Niceties first! Tell us a bit about yourself, please.

Hello! I’m Ian, I’m a writer from Northern Scotland. I have a background in scientific research (working on cancer epigenetics!) and I’m currently based out of Algiers.  Whenever I can I spend my time hiking in the woods or clambering around ruins. My first novel, The Gauntlet and the Fist Beneath, is out this summer. It is an epic fantasy- book one of a new trilogy!

What was an early experience where you learned that language had power?

My dad had an old paperback of The Lord of the Rings- all three volumes in one huge thick book, with an amazing John Howe painting of Gandalf on the front cover looking utterly mysterious and serious. I remember reading that when I was too young to understand most of it, but the cadence of the language and the weight of the words, the way Tolkien’s writing could summon images in my mind astonished me- the imagery of the shire felt true to me in a way I didn’t think fiction could be. That, and perhaps reading Goosebumps in the school library and managing to scare myself- how can a word elicit such strong emotion? I was hooked.

Who ISN’T scared of this?!?!?!

Hey, there are plenty of Goosebumps books that scared me as a kid by their insides–and outsides! I had to stay away from any volume with that ventriloquist doll the cover. (Shivers.) What authors did you dislike at first but grew into?

I struggled with Cixin Liu for a long time- I found the start of The Three-body Problem impassably dense, and the characters didn’t resonate with me throughout. I think I was coming from a long run of character driven SFF and this was such sweeping, concept driven SF that I just couldn’t seem to find a purchase. I’m so glad I stuck with it- the second book in that series, The Dark Forest, is one of my favourite SF books.

What’s your favorite under-appreciated novel?

Malagash by Joey Comeau– I’ve been a huge fan of his work for a long time, and this novel is so tender and sad and brutal and sweet. It delivers perfectly, a dark humour running throughout even as it prises open your heart. Utterly incredible. I want to give a copy to everyone I know.

Have you read anything that made you think differently about fiction?

The book that made me think differently about fiction was The Bridge by Iain Banks. My mum gave me a copy when I was probably too young to understand a lot of it- but I understood the sheer audacity and fun it was having. It was having so much fun with structure and there was such a joy to it. For me fiction can serve so many purposes, from light entertainment and escapism to far heavier explorations. The Bridge to me was a book that did all of those without a thought to convention, and did it all with a smile.

Ah, that sounds like a marvelous story! Any book that not only is run to read but to experience sounds like a perfect find in my, well, my book. 🙂 Speaking of books, Congratulations on your debut fantasy novel The Gauntlet and the Fist Beneath! I love hearing about fellow fantasy writers’ worldbuilding process. Did you base Gauntlet’s world on your Scottish homeland, or was other research involved in creating the story’s setting?

Certainly, Scotland was a huge source of inspiration. When I wrote this book I knew I wanted to set myself a few challenges regarding the culture I created and the story I was telling, but with the world I wanted to take some of the rugged and harsh beauty of Scotland- to make sure that the physicality of the world had an impact on the society and the world that grew around it. So in terms of geography I took a lot of inspiration from Scotland. Historically I think the Pictish stones scattered around Scotland gave me my first ideas of how the magic of the world might work- the old ideas of celtic animism that have been so long lost were a big inspiration. I wanted to create a world where monotheism had never become a dominant force, and to take some of the ideas of animism and craft them into a new and novel magic system and world. In terms of the history and cultures represented, I tried hard to make sure I wasn’t echoing any specific histories- I drew inspiration from a lot of history and myth from around the world, and I didn’t want to create a world that was simply a fantasy version of Scotland- I wanted to create something wholly its own, with its own myth and legend and history and forces pushing and pulling at its people.

Building such a rich, complex world is no small undertaking. Do you think it wise that aspiring writers take on such a project, or is it better they try a different method to sharpen their skills?

I think it can be tempting to start hugely ambitious projects (creating an entire world! A ten book series covering the fall of an empire!) but I found more successful to work on shorter pieces while I was honing my craft and voice. This also let me try out lost of different styles and concepts to see what I wanted to do more with.

Ah yes, your short fiction. We’ll get to that in a bit. 🙂 All this world-building must surely take a lot of time in your writing process. Have you ever experienced a blockage during that research, or have ever become overwhelmed by the sheer volume of it all?

I sometimes need reminding to clarify some points of a world’s lore- when you are so deep into research and worldbuilding it can be easy to forget that someone coming to the material fresh is coming from a totally different context and set of background knowledge! Luckily this is something that can be fixed without too much stress normally.

That’s good to hear! The research involved in building a world can easily intimidate any writer, but writing outside of one’s own experience can REALLY put the pressure on a writer these days. The protagonist of your book, General Floré, is a parent determined to fight through any hell to rescue her child. This is a character many of us readers can root for! What challenges did you face as a writer in writing characters from the opposite sex, and do you have any advice for other writers who want to write outside their living experience?

I don’t think for me writing a character of one sex or another held any more challenge than any other sex. In the world of The Gauntlet and the Fist Beneath sex, gender, and sexuality are of far less consequence than they are in our own world, and so I really just focused on character and motivation. In terms of writing outside of my lived experience, in a lot of ways fantasy as a genre frees me up to not worry so much about accuracy except within the confines of what I’ve created. I’m writing from the perspective of seven foot tall lizard people who live in intricate coral reef cities, and people who live under the weight of an eternal arcane storm- nobody has lived those experiences! There are of course more normal experiences where this might come to bear, but all I can do is rely on research and imagination and beta-readers with different experiences to myself to hopefully make sure I am not straying too far from the mark.

Ian has a story in this anthology. Click here for more info!

Gauntlet is your debut novel, but as your website shows, you’ve published loads of short fiction as well. When you write short fiction, do you know it’ll be short fiction going in, or do some novel ideas transform into short stories in their creation (or vice versa)?

This is a great question- so when I’m writing short fiction I often know that is what I want to do, I will have simple concepts or plots or ideas that I want to play with. For longer work, before committing to writing a whole novel what I normally do is flesh out a few potential ideas and then try and write a short story in each- I can pretty quickly tell which idea I’m excited about and want to keep going with! I always keep those other fragments though- just because I’m not excited about it right now doesn’t mean it might not be a strong contender to flesh out either as a short story or a longer piece later on.

One of my biggest struggles with writing short fiction comes with the worldbuilding. I wanted to say sooooo much in my story “The Hungry Mother,” but there just wasn’t the space. How do you overcome the restraints on worldbuilding when writing short fiction?

Yup, he’s got a story in here, too! Click here for more info!

I love the challenge of this- it is so difficult to present world-building that feels deep and real in that shorter setting. I try and pare it back so I’m not presenting details that are unnecessary (are all the window frames in this world black for an obscure historical reason? Does this impact the plot? If not, forget about it!). So anything that impacts the plot or the physicality of the character’s situation I try and expand on a little, but unless it is vital I don’t bother expanding on explanations- the reader’s imagination can do a lot of the heavy lifting!

What is the most unethical practice in the publishing industry?

As I was looking for an agent and publisher for The Gauntlet and the Fist Beneath I came across plenty of agents who would charge reading fees, editors claiming they could increase your chance of publication with their proofreading, and services promising to push your book to the right people. I’m not sure I know what the most unethical practice in the publishing industry is, but in general I think there are plenty of bad actors willing to take advantage of people are trying to break into the more mainstream spaces- caution is often a good thing!

Oh, I agree with you there. I’m sure we could all share a story or two of the bad actors who beguile us as writers. That’s why so many of us just choose to “go it alone,” as it were. This means we’re handling all the steps of publishing as well as marketing, and I’ve got to admit it is HARD. Have you worked out any useful way to market your books?

This is my first novel so I’m not sure I’m the best person to ask! I’ve tried to make myself as available as possible for any opportunity- I’m not famous, I’m not particularly well-connected, and historically my social media profiles have mainly been links to music I like and pictures of mountains, food, dogs, and cats. So switching all of that to focusing more on marketing my work has been a strange idea! There are so many communities where you could potentially interact and grow your audience, but I think it is important to try and partition off specific time for this or else you could spend all of your time marketing rather than actually writing.

I also saw on your site that you co-wrote a story inspired by game play! I’ve heard so many friends tell me how Dungeons and Dragons inspires fun fantasy storytelling for them. Would you ever write another story based on gameplay as you did The Cursed Tomb?

The Cursed Tomb is a very fun wee book that is essentially a transcript of a game me and some friends were playing- certainly not something I would expect other people to buy and spend time on, we actually published it more as a memento for the four of us. I do think it is a lot of fun, and very silly- those gameplay stories benefit from the chaos of multiple creators, each of whom can bring their own ideas and background to play. I’d definitely do so again, but unless it was a lot more organised I think it would end up being another artefact for me and my friends, rather than a book I wanted to send out into the world!

Thank you so much for sharing your time, tales, and talent with us, Ian, and congrats once more on your debut novel! Folks, you can check out Ian’s site for more on his fiction, his social media platforms, and more.

~STAY TUNED!~

The Hero of No Name but a Thousand Faces is lingering in the wild dusk. Do we dare let him in?

Yes, let’s. x

Read on, share on, and write on, my friends!

#Indie #AuthorInterview: @FDS_NaturallyMe shares her love of #writing #fantasy while I share my love of #storytelling with @Grasshopper2407

Hello, lovely creatives! It’s been crazy adapting to the new full-time schedule, but I know I’ll find my groove in time. I did get to share a virtual slice of cake along with an interview with fellow indie writer Claire Buss.

Click here to check out the interview.

I was also fortunate to interview another awesome soul in the midst of crazy remote schooling. Read on to check out my chat with the fantastical F.D. Stewart!

What is your favorite childhood book?

The Beautiful Bible Stories for children book.

I know what you mean. There are some powerful stories in the Bible! I was raised in a preacher’s home, so faith has always been a part of life. You mentioned your family has inspired some of your fantasy writing.

My mascot for this series is Grandma Quinones. She reminds me of my grandmother, who is the backbone of the family, and she keeps us together. She is a grandmother of wisdom and knowledge and does not play at all

What was an early experience where you learned that language had power?

 When I was a little girl, I started as a lead singer in the Sunbeam Choir. I went from being a lead singer to one of the lead singers in the Gospel choir with my dad, which was extremely exciting for me. Right then, I realize how powerful your words can be when you put your all into what you are singing and seeing the reaction of the people being blessed by it. Even when I write poetry and reading it in front of people of what’s a part of me, is very successful, and you would be amazed how people who you don’t know and do know approach you afterward. Words alone are productive when it begins to help, encourage, or build up a person who needs to hear you at any given time. So, I will always be careful with my words.

We should all be careful with our words, to be sure! For some of us, it takes time hunting down the information we put into words. What kind of research do you do, and how long do you spend researching before beginning a book?

Well, I had never done any research regarding my book until afterward. My book comes to me like a dream, and within that dream, many things pop out at you. You see yourself directing a story that has never been written or heard, and that is why I keep a notebook at my bedside.  When things start happening, my pen starts writing, and later I am looking at words that I never knew existed.

I can just picture this dream-like state! It’s amazing what comes from us when we’re taken over by the story. It’s not always that way, though. What is the most difficult part of your artistic process?

The hard part of the artistic process is trying to match what is in your head. When you can see so many ideas running in your head concerning your work, you want it to be just like that. Even though it would not come out as how you would like it, but it would always be close enough for you to use. So, I learn that my mind would have a clear picture of what I am trying to bring out in reality for others to see, but in real life, things can only come close to what is in your mind.

Would you say you have a writing kryptonite that can interrupt your process?

I always try to avoid distraction, but sometimes that does not work. My family is my kryptonite. I love them, but I always carry a notebook everywhere I go. So, I can continue to write something down regarding my story when I am away from my office and have time to do so.

Oh yes! Notebooks are a must when we’re away from screens and spending time with family–you never know when you’ll get an idea! Does writing energize or exhaust you?

Energize me. It makes me feel alive that I can bring non-existence characters to life. You can create and design anything you put your mind to do. Sometimes, if I do not watch the time, I can write all day and forget to eat until my stomach starts to growl.

Ha! That’s a very important writing tip–don’t forget to eat! What are some other common traps for aspiring writers?

  I am still learning about the common traps as I continue to write my novel, but I can share the ones that I overcome.

A) I learn to overcome your fear of what you are writing. Meaning: Everyone is not going to like/love your work, or what you write, or your style of writing, and the way you write your story.

B) I learn to never speak negatively about what you write or accomplish. Meaning: All the effort that you put in your work is worth more than you realize. It does not matter how long you have work on a story. The point is you accomplish something that is the first of its kind and a part of your legacy of who you are.

C)Never question yourself whether you have written enough. Meaning: It does not matter if the story is long or short. Your way of writing your book is different from how everyone writes. So, never compare yourself to anyone because you are an original writer/Author, who’s doing your own thing.

YES! We need to build our stories our own way with our own processes. One process that always fascinates me is word-building in fantasy. Can you explain your process in building the setting and rules of magic for the Wizard’s Estate?

 Everything is based upon scripture that is common among everyone. Death and life are in the power of the tongue, and those who love it will eat its fruit. Proverbs 18: 21 NKJV 

The story begins way before Livingston University. There was an owner who created the Wizard’s Estate. He was a wealthy man, and he established many things in the town of Livingston, but as the story goes… in which you will be reading it in the prequel of the series, the owner ended up dealing with the people later on throughout his life. Several decades had passed in the new owner took over the wizard’s estate.

 **************************************************

Now, the story begins at Livingston University. There are no rules to the game. Everyone must find themselves. Each and everyone have a purpose in life, but the choice is theirs. They can either accept who they are or get destroyed by who they are not.

These characters must find themselves before they get destroyed by the words of their enemy.

Their words are deadly than magic alone, and every sorcerer knows it very well. It takes a small seed to be planted by an evil sorcerer to cause chaos in a person’s life who is struggling with their identity, and it’s going to take these characters to accept who they are to overcome who they are up against in this series.

There are no rules when it comes to building magic in this series. Every character goes through challenges that allow them to build up themselves and produce their own words from experience.

Welcome to my world!

I’m feeling most welcome, indeed! Putting characters through challenges can be difficult to write, though. What was your hardest scene to write? I know battle scenes are always tough for me.

 My hardest scene that I have ever written for this series was when an evil sorcerer violated one of my female characters. It was incredibly detailed that it made me feel uncomfortable.

~*~

I know just what you mean. I had to crawl through the darkest natures inside my characters in order to start them on the road to redemption. It’s not pretty, what we learn in Fallen Princeborn: Chosen, but it matters to the characters and story, so readers must go there, too.

Through Charlotte’s broken door and across the hall, Arlen stands in Liam’s quarters, mouth agape. “How did you fly through….” He inches towards them, eyes roaming the glass, his student, Charlotte. His head cocks towards the stairwell, then back. “You must face your bloody days, Liam,” he says pointedly. “There will not be another chance. I’ll stall them.” He leans the door into place. Rose House unrolls the wallpaper across the space, removing the door completely once more.

Liam’s hands still grip Charlotte like his talons when he first rescued her from the Pits. “Guess that Bloody Prince thing had to start somewhere,” she says. A sob bursts out, taking any energy to stand with it.

Liam crumples to the floor with her. “I was…” His hands slowly slide down Charlotte’s arms to her wrists. A tear escapes his eye only to be cradled in his scar like a captured star. “I was so…” He pulls out his blood dagger, holds it between them. Grinds his teeth. “…angry.”

My deepest thanks to F.D. Stewart to taking the time to chat with me! You can check her out on Twitter and Amazon. You can also check out my newest release Chosen on Amazon, too. Author Anne Clare left a marvelous review!

Dark, dangerous and immersive–the River Vine grabs hold and won’t let go. The second installment of the story of Charlotte- a survivor of beatings and abuse who now has to face down deadly dangerous magical shapeshifters- doesn’t disappoint. From the River Vine to an underwater realm that is horrifyingly imaginative (and gives me the creeps!) to a family reunion that is anything but welcome, author Jean Lee’s action packed sequel kept me up reading late- partially because I was afraid of what creatures might visit my dreams! The story does deal with childhood abuse suffered by some of the characters-for this and for the intense narrative and language, I’d recommend the story for older readers who enjoy dark, high-stakes fantasy stories.

Anne Clare, Author of Whom Shall I Fear?

~STAY TUNED NEXT WEEK!~

Ack, I can’t believe the end of the year is nigh! I’m so excited for Christmas my husband can’t stand it. 🙂 We’ll see what quirky little analysis I can cook up in the midst of finals, but first I have another interview with an indie writer who started her own awesome line of kid’s story books to support rescue animals. I also unearthed a forgotten soundtrack in my archive that I’d love to share for those embarking on thirty days and nights of literary abandon. I hope you’ll be back to check it out!

Read on, share on, and write on, my friends!

#writing #music: #DarkCrystal by @DANIELPEMBERTON

Good morning, all, from a wintry Wisconsin! At long last, snow’s found my corner of the Midwest. Biff, Bash, and Blondie had a blast sledding upon our wee hill. It’s the sort of blizzardy day that encourages one to tuck into a blanket and a book–not that I can, with my pile of student projects requiring grades and the kids now planning to convert the house into one giant Gotham City/Sodor hybrid because I was fool enough to leave those old toys out. Still, isn’t it a lovely thought to just wile away the day with a cozy mystery? Or, perhaps an epic adventure into the Elsewhere…

Dark Crystal is a film I’ve only watched a handful of times, and yet I can still remember the awe of my first encounter. Everything glowed, moved, lived. I knew these were puppets, and yet they felt real to me, so real that their torture under the Skeksis scared the pants off of me. Heck, I still have the occasional nightmare about that chair.

AAAAAAAAAAAAAAHHHHH!

Dark Crystal is also one of the few creations by Jim Henson Disney doesn’t own, which is why Netflix was able to produce its own prequel series. I’ll be the first to admit I was skeptical, but the music alone has won me over.

To the lovers of fantasy, the lovers of adventure: here is a theme to call you over that threshold for a hero’s journey.

Oh, Daniel Pemberton, you do not disappoint. The mix of zither and medieval instruments atop a foundation of strings inspire the feeling of a dirt track beneath leather boots, of dusty wind whipping rain-washed hair. We close our eyes to a sun first rising over old forests and older mountains, the road lost in a valley of thorns and uncertainty.

I’m such a sucker for the medieval flair in this score. The feel of history, I think, and the simplicity in its emotional expression.

The score to Dark Crystal: Age of Resistance doesn’t just count on the medieval flavor, however. The moments of synthesized melodies seems to hearken back to the 80s while also remaining distinctly…distinctly itself. “Unnatural” would be my description, an antithesis for the skin drumheads and soft flutes of before. The result unsettles the imagination, cracking it as a clawed foot cracks the ice.

When winter turns our real world bleak with cold, music like Pemberton’s reminds us there’s magic both frightening and fragile beyond the snow. We’ve only to turn our writing eyes inward, and watch music awaken Story’s Landscape.

That, and there’s nothing quite so lovely as a fluttering solo violin. 🙂

Someday, I hope to see the story actually paired with Pemberton’s music (Yes, I’m one of thooose people who has no streaming service of any kind.) Until then, I’m thrilled Pemberton’s found a way to bring the music of Henson’s original story together with his own, just as the writers of Age of Resistance found a way to create a new story in Henson’s universe.

May your own stories, whether unique to you or inspired by others, contain such magic as to enchant your readers and leave them breathless in a land of hope and shadows.

~STAY TUNED NEXT WEEK!~

I’m keen to get back into my Star Wars series by studying some plot holes in The Force Awakens and how those holes affect the strength of the trilogy overall. I’ve also got some FANTASTIC interviews lined up, with the first to be posted in the next few weeks. Blondie’s also been pestering me to write on here, too, so you may be hearing from her soon. xxxxxx

Read on, share on, and write on, my friends!

#seasonsgreetings! Let’s #celebrate #Christmas with the #Gift of #ChristmasStories, #Fantasy #FreeFiction, and Whatever #Storytelling You Love Because this #December, #LiteracyMatters.

Greetings, greetings, one and all! I hope you have your health this season, because right now that’s lacking in the Lee house. We did manage a trip to Watertown to visit Santa before a virus grabbed Bash, then Biff…

Bash (with hat), Santa Claus (with different hat), Biff (with hidden hat), and Blondie (with hat hair) in Santa’s house in Watertown.

…just in time for our Christmas church service, no less! At least Blondie’s ready and raring to recite Luke 2 and sing oodles of carols.

But enough whinging over fevers.

Firstly, I wanted to thank you for supporting me through what’s been a very bumpy year. My publisher discontinued my series, which meant I had to pull my free short stories Tales of the River Vine and overhaul my platform. You held me up when I felt like the game was over, and you encouraged me to write on and fight on.

So I did, and got a novella published in the process.

It seems so bloody easy to walk away. To give up the battle because the world says we’re just not good enough. I’ve seen these faces of defeat in many classrooms over the past few months: eight-year-olds who still cannot connect letters to sounds. Twelve-year-olds who’d rather throw books than read them out loud. Eighteen-year-olds who’ve never learned to use an index, let alone critically dissect a few textbook paragraphs. And the teachers? The teachers will move them onward and outward whether the students are ready or not.

We live in illiterate times, my friends. You may know proficiency rates are low where you live, but do you know how low? I learned last week that in the public schools of Wisconsin’s capital, only 36.6% tested proficient in reading.

Think about that for a second.

Only three in ten can read at grade level. And that’s just the basic stuff without all the critical thinking skills to go with it. These kids are graduating high school without the skills to read literature appropriate to any profession, let alone write a resumé. They’re simply dumped into the workforce and expected to survive.

Not for lack of trying, mind. Teachers in Madison, Wisconsin, and anywhere are in a terrible place. When I see what they’re up against, I can’t help but think of World War 1: embedded in trenches dug by faulty philosophy, living with almost no resources, struggling through the barbed wire that is parental criticism with little support from administration, their very livelihood determined by the results of tests created without their input.

But let’s save education for the new year.

Right now, we must step up. If you can’t turn the little ones’ screens off without a meltdown, then switch up games with storytelling apps. If they’re dyslexic or have difficulty focusing with their eyes, then turn their ears to audio books. According to the US Department of Education, Children who were read to at least three times a week by a family member were almost twice as likely to score in the top 25% in reading compared to children who were read to less than 3 times a week. If they’re seeking escape in games of adventure, mayhem, fantasy, or all of the above, then give them the authors who tell such stories. Thousands of stories of every genre are within our grasp thanks to e-book publishers like Kobo, Nook, and Kindle. It is our duty as readers and writers to give these stories to those too small to reach them on their own.

And what better time to give these stories than the winter holiday break?

This week, Night’s Tooth will be free on Amazon.

As for the novel Fallen Princeborn: Stolen, the e-book copy will be $2.99 until New Year’s Day.

This Christmas, let’s tell our kids stories by the light of the Christmas tree. Let’s enchant them, spook them, tickle them. Let’s engage them with characters and places realer than real. Whether it’s a story about Christmas or a story to love all year long, it is time to give the sweet gift of story…with cookies. Never forget the cookies!

Don’t Bo’s Christmas tree cookies look scrumptious?

From our sniffly house to yours, may you have a most blessed Christmas and an adventurous new year!

~STAY TUNED NEXT WEEK!~

It’s so exciting to see my author interviews fill up for 2020! I can’t wait to share these wonderful writers with you. I also got an early Christmas present of music I MUST share with you next month. First, however, we need to discuss a serious writer’s problem, one which has gotten lots, and lots, and LOTS of press lately.

Oh yes. Next week, we are going to a galaxy far, far away to discuss what went wrong with Disney’s sequel trilogy…and no, I’m not just going to bash Rian Johnson and/or JJ Abrams for a thousand words.

Read on, share on, and write on, my friends!