Welcome back, my fellow creatives! We’ll continue tasting the wares of fellow indie authors I have gotten to know in this beautiful community through the years.
I’m sure many of us can relate to dealing with bratty children at some point in our lives. (Or, we are raising those little buggers and are surrounded by them EVERY DAY. But I digress.) Let’s take a sip from flavors both relatable and fantastical in the brew Picky Eaters by S.J. Higbee.
What does a reader experience in those opening pages, and what lessons can a writer take away in studying but a few paragraphs? Let’s find out!
Happy Wednesday, one and all! This August I wanted to take a moment to share books recommended to me by you, my wonderful fellow creatives.
The genre tastes here will vary widely, so bring your sparkling water to cleanse the palate between sips. Let’s continue on with…
What does a reader experience in those opening pages, and what lessons can a writer take away in studying but a few paragraphs? Should I be reading these books after long days of grading? Let’s find out!
If there are any stories you would like to recommend for sipping on this podcast, let me know in the comments below! I’d also welcome reading any indie authors’ own stories. Let’s all enjoy different genres and styles of storytelling throughout the year, shall we? xxxxxx
Hello hello, my wonderful fellow creatives! We find ourselves caught in the whirlwind that often billows about in the middle of summer. After a few good swimming lessons, the kids are determined to prove themselves ready for their own Olympic-style marathons in the water. So long as they don’t participate in another round of “Toss the dead fish” as some other kids did at the beach, they’ll be fine. 🙂
While they splash and holler at one another in the lake, allow me to introduce another lovely fantasy author whose debut novel hits bookstores this month. My friends, meet Ian Green!
Niceties first! Tell us a bit about yourself, please.
Hello! I’m Ian, I’m a writer from Northern Scotland. I have a background in scientific research (working on cancer epigenetics!) and I’m currently based out of Algiers. Whenever I can I spend my time hiking in the woods or clambering around ruins. My first novel, The Gauntlet and the Fist Beneath, is out this summer. It is an epic fantasy- book one of a new trilogy!
What was an early experience where you learned that language had power?
My dad had an old paperback of The Lord of the Rings- all three volumes in one huge thick book, with an amazing John Howe painting of Gandalf on the front cover looking utterly mysterious and serious. I remember reading that when I was too young to understand most of it, but the cadence of the language and the weight of the words, the way Tolkien’s writing could summon images in my mind astonished me- the imagery of the shire felt true to me in a way I didn’t think fiction could be. That, and perhaps reading Goosebumps in the school library and managing to scare myself- how can a word elicit such strong emotion? I was hooked.
Hey, there are plenty of Goosebumps books that scared me as a kid by their insides–and outsides! I had to stay away from any volume with that ventriloquist doll the cover. (Shivers.) What authors did you dislike at first but grew into?
I struggled with Cixin Liu for a long time- I found the start of The Three-body Problem impassably dense, and the characters didn’t resonate with me throughout. I think I was coming from a long run of character driven SFF and this was such sweeping, concept driven SF that I just couldn’t seem to find a purchase. I’m so glad I stuck with it- the second book in that series, The Dark Forest, is one of my favourite SF books.
What’s your favorite under-appreciated novel?
Malagash by Joey Comeau– I’ve been a huge fan of his work for a long time, and this novel is so tender and sad and brutal and sweet. It delivers perfectly, a dark humour running throughout even as it prises open your heart. Utterly incredible. I want to give a copy to everyone I know.
Have you read anything that made you think differently about fiction?
The book that made me think differently about fiction was The Bridge by Iain Banks. My mum gave me a copy when I was probably too young to understand a lot of it- but I understood the sheer audacity and fun it was having. It was having so much fun with structure and there was such a joy to it. For me fiction can serve so many purposes, from light entertainment and escapism to far heavier explorations. The Bridge to me was a book that did all of those without a thought to convention, and did it all with a smile.
Ah, that sounds like a marvelous story! Any book that not only is run to read but to experience sounds like a perfect find in my, well, my book. 🙂 Speaking of books,Congratulations on your debut fantasy novel The Gauntlet and the Fist Beneath! I love hearing about fellow fantasy writers’ worldbuilding process. Did you base Gauntlet’s world on your Scottish homeland, or was other research involved in creating the story’s setting?
Certainly, Scotland was a huge source of inspiration. When I wrote this book I knew I wanted to set myself a few challenges regarding the culture I created and the story I was telling, but with the world I wanted to take some of the rugged and harsh beauty of Scotland- to make sure that the physicality of the world had an impact on the society and the world that grew around it. So in terms of geography I took a lot of inspiration from Scotland. Historically I think the Pictish stones scattered around Scotland gave me my first ideas of how the magic of the world might work- the old ideas of celtic animism that have been so long lost were a big inspiration. I wanted to create a world where monotheism had never become a dominant force, and to take some of the ideas of animism and craft them into a new and novel magic system and world. In terms of the history and cultures represented, I tried hard to make sure I wasn’t echoing any specific histories- I drew inspiration from a lot of history and myth from around the world, and I didn’t want to create a world that was simply a fantasy version of Scotland- I wanted to create something wholly its own, with its own myth and legend and history and forces pushing and pulling at its people.
Building such a rich, complex world is no small undertaking. Do you think it wise that aspiring writers take on such a project, or is it better they try a different method to sharpen their skills?
I think it can be tempting to start hugely ambitious projects (creating an entire world! A ten book series covering the fall of an empire!) but I found more successful to work on shorter pieces while I was honing my craft and voice. This also let me try out lost of different styles and concepts to see what I wanted to do more with.
Ah yes, your short fiction. We’ll get to that in a bit. 🙂 All this world-building must surely take a lot of time in your writing process. Have you ever experienced a blockage during that research, or have ever become overwhelmed by the sheer volume of it all?
I sometimes need reminding to clarify some points of a world’s lore- when you are so deep into research and worldbuilding it can be easy to forget that someone coming to the material fresh is coming from a totally different context and set of background knowledge! Luckily this is something that can be fixed without too much stress normally.
That’s good to hear! The research involved in building a world can easily intimidate any writer, but writing outside of one’s own experience can REALLY put the pressure on a writer these days. The protagonist of your book, General Floré, is a parent determined to fight through any hell to rescue her child. This is a character many of us readers can root for! What challenges did you face as a writer in writing characters from the opposite sex, and do you have any advice for other writers who want to write outside their living experience?
I don’t think for me writing a character of one sex or another held any more challenge than any other sex. In the world of The Gauntlet and the Fist Beneath sex, gender, and sexuality are of far less consequence than they are in our own world, and so I really just focused on character and motivation. In terms of writing outside of my lived experience, in a lot of ways fantasy as a genre frees me up to not worry so much about accuracy except within the confines of what I’ve created. I’m writing from the perspective of seven foot tall lizard people who live in intricate coral reef cities, and people who live under the weight of an eternal arcane storm- nobody has lived those experiences! There are of course more normal experiences where this might come to bear, but all I can do is rely on research and imagination and beta-readers with different experiences to myself to hopefully make sure I am not straying too far from the mark.
Gauntlet is your debut novel, but as your website shows, you’ve published loads of short fiction as well. When you write short fiction, do you know it’ll be short fiction going in, or do some novel ideas transform into short stories in their creation (or vice versa)?
This is a great question- so when I’m writing short fiction I often know that is what I want to do, I will have simple concepts or plots or ideas that I want to play with. For longer work, before committing to writing a whole novel what I normally do is flesh out a few potential ideas and then try and write a short story in each- I can pretty quickly tell which idea I’m excited about and want to keep going with! I always keep those other fragments though- just because I’m not excited about it right now doesn’t mean it might not be a strong contender to flesh out either as a short story or a longer piece later on.
One of my biggest struggles with writing short fiction comes with the worldbuilding. I wanted to say sooooo much in my story “The Hungry Mother,” but there just wasn’t the space. How do you overcome the restraints on worldbuilding when writing short fiction?
I love the challenge of this- it is so difficult to present world-building that feels deep and real in that shorter setting. I try and pare it back so I’m not presenting details that are unnecessary (are all the window frames in this world black for an obscure historical reason? Does this impact the plot? If not, forget about it!). So anything that impacts the plot or the physicality of the character’s situation I try and expand on a little, but unless it is vital I don’t bother expanding on explanations- the reader’s imagination can do a lot of the heavy lifting!
What is the most unethical practice in the publishing industry?
As I was looking for an agent and publisher for The Gauntlet and the Fist Beneath I came across plenty of agents who would charge reading fees, editors claiming they could increase your chance of publication with their proofreading, and services promising to push your book to the right people. I’m not sure I know what the most unethical practice in the publishing industry is, but in general I think there are plenty of bad actors willing to take advantage of people are trying to break into the more mainstream spaces- caution is often a good thing!
Oh, I agree with you there. I’m sure we could all share a story or two of the bad actors who beguile us as writers. That’s why so many of us just choose to “go it alone,” as it were. This means we’re handling all the steps of publishing as well as marketing, and I’ve got to admit it is HARD. Have you worked out any useful way to market your books?
This is my first novel so I’m not sure I’m the best person to ask! I’ve tried to make myself as available as possible for any opportunity- I’m not famous, I’m not particularly well-connected, and historically my social media profiles have mainly been links to music I like and pictures of mountains, food, dogs, and cats. So switching all of that to focusing more on marketing my work has been a strange idea! There are so many communities where you could potentially interact and grow your audience, but I think it is important to try and partition off specific time for this or else you could spend all of your time marketing rather than actually writing.
I also saw on your site that you co-wrote a story inspired by game play! I’ve heard so many friends tell me how Dungeons and Dragons inspires fun fantasy storytelling for them. Would you ever write another story based on gameplay as you did The Cursed Tomb?
The Cursed Tomb is a very fun wee book that is essentially a transcript of a game me and some friends were playing- certainly not something I would expect other people to buy and spend time on, we actually published it more as a memento for the four of us. I do think it is a lot of fun, and very silly- those gameplay stories benefit from the chaos of multiple creators, each of whom can bring their own ideas and background to play. I’d definitely do so again, but unless it was a lot more organised I think it would end up being another artefact for me and my friends, rather than a book I wanted to send out into the world!
Hello, lovely creatives! It’s been crazy adapting to the new full-time schedule, but I know I’ll find my groove in time. I did get to share a virtual slice of cake along with an interview with fellow indie writer Claire Buss.
I was also fortunate to interview another awesome soul in the midst of crazy remote schooling. Read on to check out my chat with the fantastical F.D. Stewart!
What is your favorite childhood book?
The Beautiful Bible Stories for children book.
I know what you mean. There are some powerful stories in the Bible! I was raised in a preacher’s home, so faith has always been a part of life.You mentioned your family has inspired some of your fantasy writing.
My mascot for this series is Grandma Quinones. She reminds me of my grandmother, who is the backbone of the family, and she keeps us together. She is a grandmother of wisdom and knowledge and does not play at all
What was an early experience where you learned that language had power?
When I was a little girl, I started as a lead singer in the Sunbeam Choir. I went from being a lead singer to one of the lead singers in the Gospel choir with my dad, which was extremely exciting for me. Right then, I realize how powerful your words can be when you put your all into what you are singing and seeing the reaction of the people being blessed by it. Even when I write poetry and reading it in front of people of what’s a part of me, is very successful, and you would be amazed how people who you don’t know and do know approach you afterward. Words alone are productive when it begins to help, encourage, or build up a person who needs to hear you at any given time. So, I will always be careful with my words.
We should all be careful with our words, to be sure! For some of us, it takes time hunting down the information we put into words. What kind of research do you do, and how long do you spend researching before beginning a book?
Well, I had never done any research regarding my book until afterward. My book comes to me like a dream, and within that dream, many things pop out at you. You see yourself directing a story that has never been written or heard, and that is why I keep a notebook at my bedside. When things start happening, my pen starts writing, and later I am looking at words that I never knew existed.
I can just picture this dream-like state! It’s amazing what comes from us when we’re taken over by the story. It’s not always that way, though. What is the most difficult part of your artistic process?
The hard part of the artistic process is trying to match what is in your head. When you can see so many ideas running in your head concerning your work, you want it to be just like that. Even though it would not come out as how you would like it, but it would always be close enough for you to use. So, I learn that my mind would have a clear picture of what I am trying to bring out in reality for others to see, but in real life, things can only come close to what is in your mind.
Would you say you have a writing kryptonite that can interrupt your process?
I always try to avoid distraction, but sometimes that does not work. My family is my kryptonite. I love them, but I always carry a notebook everywhere I go. So, I can continue to write something down regarding my story when I am away from my office and have time to do so.
Oh yes! Notebooks are a must when we’re away from screens and spending time with family–you never know when you’ll get an idea! Does writing energize or exhaust you?
Energize me. It makes me feel alive that I can bring non-existence characters to life. You can create and design anything you put your mind to do. Sometimes, if I do not watch the time, I can write all day and forget to eat until my stomach starts to growl.
Ha! That’s a very important writing tip–don’t forget to eat! What are some other common traps for aspiring writers?
I am still learning about the common traps as I continue to write my novel, but I can share the ones that I overcome.
A) I learn to overcome your fear of what you are writing. Meaning: Everyone is not going to like/love your work, or what you write, or your style of writing, and the way you write your story.
B) I learn to never speak negatively about what you write or accomplish. Meaning: All the effort that you put in your work is worth more than you realize. It does not matter how long you have work on a story. The point is you accomplish something that is the first of its kind and a part of your legacy of who you are.
C)Never question yourself whether you have written enough. Meaning: It does not matter if the story is long or short. Your way of writing your book is different from how everyone writes. So, never compare yourself to anyone because you are an original writer/Author, who’s doing your own thing.
YES! We need to build our stories our own way with our own processes. One process that always fascinates me is word-building in fantasy. Can you explain your process in building the setting and rules of magic for the Wizard’s Estate?
Everything is based upon scripture that is common among everyone. Death and life are in the power of the tongue, and those who love it will eat its fruit. Proverbs 18: 21 NKJV
The story begins way before Livingston University. There was an owner who created the Wizard’s Estate. He was a wealthy man, and he established many things in the town of Livingston, but as the story goes… in which you will be reading it in the prequel of the series, the owner ended up dealing with the people later on throughout his life. Several decades had passed in the new owner took over the wizard’s estate.
Now, the story begins at Livingston University. There are no rules to the game. Everyone must find themselves. Each and everyone have a purpose in life, but the choice is theirs. They can either accept who they are or get destroyed by who they are not.
These characters must find themselves before they get destroyed by the words of their enemy.
Their words are deadly than magic alone, and every sorcerer knows it very well. It takes a small seed to be planted by an evil sorcerer to cause chaos in a person’s life who is struggling with their identity, and it’s going to take these characters to accept who they are to overcome who they are up against in this series.
There are no rules when it comes to building magic in this series. Every character goes through challenges that allow them to build up themselves and produce their own words from experience.
Welcome to my world!
I’m feeling most welcome, indeed! Putting characters through challenges can be difficult to write, though. What was your hardest scene to write? I know battle scenes are always tough for me.
My hardest scene that I have ever written for this series was when an evil sorcerer violated one of my female characters. It was incredibly detailed that it made me feel uncomfortable.
I know just what you mean. I had to crawl through the darkest natures inside my characters in order to start them on the road to redemption. It’s not pretty, what we learn inFallen Princeborn: Chosen, but it matters to the characters and story, so readers must go there, too.
Through Charlotte’s broken door and across the hall, Arlen stands in Liam’s quarters, mouth agape. “How did you fly through….” He inches towards them, eyes roaming the glass, his student, Charlotte. His head cocks towards the stairwell, then back. “You must face your bloody days, Liam,” he says pointedly. “There will not be another chance. I’ll stall them.” He leans the door into place. Rose House unrolls the wallpaper across the space, removing the door completely once more.
Liam’s hands still grip Charlotte like his talons when he first rescued her from the Pits. “Guess that Bloody Prince thing had to start somewhere,” she says. A sob bursts out, taking any energy to stand with it.
Liam crumples to the floor with her. “I was…” His hands slowly slide down Charlotte’s arms to her wrists. A tear escapes his eye only to be cradled in his scar like a captured star. “I was so…” He pulls out his blood dagger, holds it between them. Grinds his teeth. “…angry.”
My deepest thanks to F.D. Stewart to taking the time to chat with me! You can check her out on Twitter and Amazon. You can also check out my newest release Chosen on Amazon, too.Author Anne Clare left a marvelous review!
Dark, dangerous and immersive–the River Vine grabs hold and won’t let go. The second installment of the story of Charlotte- a survivor of beatings and abuse who now has to face down deadly dangerous magical shapeshifters- doesn’t disappoint. From the River Vine to an underwater realm that is horrifyingly imaginative (and gives me the creeps!) to a family reunion that is anything but welcome, author Jean Lee’s action packed sequel kept me up reading late- partially because I was afraid of what creatures might visit my dreams! The story does deal with childhood abuse suffered by some of the characters-for this and for the intense narrative and language, I’d recommend the story for older readers who enjoy dark, high-stakes fantasy stories.
Anne Clare, Author of Whom Shall I Fear?
~STAY TUNED NEXT WEEK!~
Ack, I can’t believe the end of the year is nigh! I’m so excited for Christmas my husband can’t stand it. 🙂 We’ll see what quirky little analysis I can cook up in the midst of finals, but first I have another interview with an indie writer who started her own awesome line of kid’s story books to support rescue animals. I also unearthed a forgotten soundtrack in my archive that I’d love to share for those embarking on thirty days and nights of literary abandon. I hope you’ll be back to check it out!
Good morning, all, from a wintry Wisconsin! At long last, snow’s found my corner of the Midwest. Biff, Bash, and Blondie had a blast sledding upon our wee hill. It’s the sort of blizzardy day that encourages one to tuck into a blanket and a book–not that I can, with my pile of student projects requiring grades and the kids now planning to convert the house into one giant Gotham City/Sodor hybrid because I was fool enough to leave those old toys out. Still, isn’t it a lovely thought to just wile away the day with a cozy mystery? Or, perhaps an epic adventure into the Elsewhere…
Dark Crystalis a film I’ve only watched a handful of times, and yet I can still remember the awe of my first encounter. Everything glowed, moved, lived. I knew these were puppets, and yet they felt real to me, so real that their torture under the Skeksis scared the pants off of me. Heck, I still have the occasional nightmare about that chair.
Dark Crystal is also one of the few creations by Jim Henson Disney doesn’t own, which is why Netflix was able to produce its own prequel series. I’ll be the first to admit I was skeptical, but the music alone has won me over.
To the lovers of fantasy, the lovers of adventure: here is a theme to call you over that threshold for a hero’s journey.
Oh, Daniel Pemberton, you do not disappoint. The mix of zither and medieval instruments atop a foundation of strings inspire the feeling of a dirt track beneath leather boots, of dusty wind whipping rain-washed hair. We close our eyes to a sun first rising over old forests and older mountains, the road lost in a valley of thorns and uncertainty.
I’m such a sucker for the medieval flair in this score. The feel of history, I think, and the simplicity in its emotional expression.
The score to Dark Crystal: Age of Resistance doesn’t just count on the medieval flavor, however. The moments of synthesized melodies seems to hearken back to the 80s while also remaining distinctly…distinctly itself. “Unnatural” would be my description, an antithesis for the skin drumheads and soft flutes of before. The result unsettles the imagination, cracking it as a clawed foot cracks the ice.
When winter turns our real world bleak with cold, music like Pemberton’s reminds us there’s magic both frightening and fragile beyond the snow. We’ve only to turn our writing eyes inward, and watch music awaken Story’s Landscape.
That, and there’s nothing quite so lovely as a fluttering solo violin. 🙂
Someday, I hope to see the story actually paired with Pemberton’s music (Yes, I’m one of thooose people who has no streaming service of any kind.) Until then, I’m thrilled Pemberton’s found a way to bring the music of Henson’s original story together with his own, just as the writers of Age of Resistance found a way to create a new story in Henson’s universe.
May your own stories, whether unique to you or inspired by others, contain such magic as to enchant your readers and leave them breathless in a land of hope and shadows.
~STAY TUNED NEXT WEEK!~
I’m keen to get back into my Star Wars series by studying some plot holes in The Force Awakens and how those holes affect the strength of the trilogy overall. I’ve also got some FANTASTIC interviews lined up, with the first to be posted in the next few weeks. Blondie’s also been pestering me to write on here, too, so you may be hearing from her soon. xxxxxx
…just in time for our Christmas church service, no less! At least Blondie’s ready and raring to recite Luke 2 and sing oodles of carols.
But enough whinging over fevers.
Firstly, I wanted to thank you for supporting me through what’s been a very bumpy year. My publisher discontinued my series, which meant I had to pull my free short stories Tales of the River Vine and overhaul my platform. You held me up when I felt like the game was over, and you encouraged me to write on and fight on.
So I did, and got a novella published in the process.
It seems so bloody easy to walk away. To give up the battle because the world says we’re just not good enough. I’ve seen these faces of defeat in many classrooms over the past few months: eight-year-olds who still cannot connect letters to sounds. Twelve-year-olds who’d rather throw books than read them out loud. Eighteen-year-olds who’ve never learned to use an index, let alone critically dissect a few textbook paragraphs. And the teachers? The teachers will move them onward and outward whether the students are ready or not.
We live in illiterate times, my friends. You may know proficiency rates are low where you live, but do you know how low? I learned last week that in the public schools of Wisconsin’s capital, only 36.6% tested proficient in reading.
Think about that for a second.
Only three in ten can read at grade level. And that’s just the basic stuff without all the critical thinking skills to go with it. These kids are graduating high school without the skills to read literature appropriate to any profession, let alone write a resumé. They’re simply dumped into the workforce and expected to survive.
Not for lack of trying, mind. Teachers in Madison, Wisconsin, and anywhere are in a terrible place. When I see what they’re up against, I can’t help but think of World War 1: embedded in trenches dug by faulty philosophy, living with almost no resources, struggling through the barbed wire that is parental criticism with little support from administration, their very livelihood determined by the results of tests created without their input.
This Christmas, let’s tell our kids stories by the light of the Christmas tree. Let’s enchant them, spook them, tickle them. Let’s engage them with characters and places realer than real. Whether it’s a story about Christmas or a story to love all year long, it is time to give the sweet gift of story…with cookies. Never forget the cookies!
From our sniffly house to yours, may you have a most blessed Christmas and an adventurous new year!
~STAY TUNED NEXT WEEK!~
It’s so exciting to see my author interviews fill up for 2020! I can’t wait to share these wonderful writers with you. I also got an early Christmas present of music I MUST share with you next month. First, however, we need to discuss a serious writer’s problem, one which has gotten lots, and lots, and LOTS of press lately.
Oh yes. Next week, we are going to a galaxy far, far away to discuss what went wrong with Disney’s sequel trilogy…and no, I’m not just going to bash Rian Johnson and/or JJ Abrams for a thousand words.
Hullo hullo, everyone! While most of the Midwest is buried beneath vast amounts of the white stuff, southern Wisconsin remains primarily bare. Cold, and bare. Cold, drab, and bare. Cold, drab, starless, and bare.
Whether you love Christmas for Christ or Claus or whatever else, the music of the season always carries an extra touch of magic. This year, I want to take you on a ride with that music, but not through carols or reindeer. This year, let’s take a train.
I first learned of The Polar Express via its Robert Zemeckis film adaptation in 2004. I got kids, and those kid love trains, so borrowing this film from the library was a no-brainer. The film came out during the 3-D craze, so there are several roller-coaster style sequences thrown in for…reasons.
Still, there’s a lot to love here. The original illustrations in the book are simple and elegant, so when the film brings those illustrations to life, the story glows on the screen.
Silvestri utilizes the caroler element of Christmas music to build a majestic sound to compliment the orchestra: like “Carol of the Bells” or “Deck the Halls,” a portion of the choir sings onomatopoeia bell sounds while the others maintain a traditional harmony as they sing “Spirit of the Season.” When you combine the choir with a bit of brass and bells on top of sweeping strings, you have a song of majesty unbounded.
Of all the tracks, however, my favorite comes from near the film’s end. Will Santa Claus appear to these children after their adventures on the Polar Express? Do these kids truly, truly believe in the magic?
Unlike the opening to “Spirit of the Season,” Silvestri starts low, almost ominous. The bells aren’t quite traditional harmony–more like playing in fifths, perhaps, with the same low note playing over, and over, and over, so when the percussion and low brass begin it feels like a train slowly building steam to go. Something is building to happen…it picks up speed…and a melody. And drums.
Oh, those drums at 1:52 are my favorite. Like the pounding of reindeer hooves, the drums signal a change to a smashing of Christmas songs galloping by us, around us, spinning us like tops for Santa’s toy sack. While the choir dances in and out of these songs, the brass are the heroes in this track. Those trumpets nail the intense run from carol to carol with precision so perfect I fear many must have needed ice packs for their mouths after playing. 🙂 But back to the music. After the fantastic gallop of carols we return to the sweeping theme of majesty and flying magic. Santa cracks a whip made of the Northern Lights, and color splashes across the sky as his sleigh snaps out of sight into the night.
As you embark on your own seasonal adventures real or imagined, always keep the right music ready to transport you to the furthest reaches of snowy magic…or to return you to your home’s hearth of warmth and laughter.
~ STAY TUNED NEXT WEEK! ~
Blondie’s excited to share her writing and reading updates with you! I’m also eager to share more music and storytelling joys. Oh, and if you’re interested in one of my 2020 Author Interview slots, let me know!
Lastly, if you haven’t written a review for your favorite writers in a while, please be sure to do so. No gift is as meaningful to any writer, indie or mainstream, like a review from a reader. I‘ve got my two books, sure, but this is a gift that means to world to ALL writers. x
Only a few days of November remain, my friends! Clearly this novella won’t be done by then. For sake of time, then, I think I’d like to jump, just a smidge, to another critical moment. (If you need to catch up, here’s a list of current chapters for What Happened When Grandmother Failed to Die.)
Sal and Chloe flew through the sliding doors. “We have to close these,” Sal called to Thomas, “NOW.”
“What happened?” Thomas was almost lost to the darkness of the room, too far for the firelight’s reach. Only his eyes glowed to Chloe, wide with fear when he saw the blood on her hand, the panic in her face.
The fear locked Chloe’s jaw but she fought it as the men fought time and warped wood to close the doors. “A b-b-body, Dad. They ch-ch-chopped someone up.”
Laughter: Reg hopped up, a smile so big on his face you’d think it was Christmas Anywhere-But-Here. “It’s done!” He clapped and leapt over the sofa to hug his sister tight. “It must be done done done! The signs, they worked!”
But Chloe ran to join Sal at the doors. Stuck. So damn stuck. The wood groaned, denying them. “The Sumac guy and the doctor–”
CRACK. Thomas’ side splintered free above him. He slammed his side to the center and said, “I knew that damn plowman was no good.” He came to help Sal and Chloe, but his strength only made the wood louder, louder, its moans surely echoing throughout the Crow’s Nest. “Get furniture. We’ll block the rest.”
“What about your mom?” Chloe asked Sal as they took the ends of the sofa.
“It’s her bloody curse.” Sal grunted under the load, faltering after only a few steps. “Let her face it.”
Thomas rushed to Sal’s side and shoved him towards Chloe. “Ang, come on!”
But Angela’s shape stayed to the window, her darkness one with Reg’s, her fingers spread out upon the glass.
Oh, the caws.
It began as one, lone but strong. Then another. Another. Another. And in a heartbeat it was a chorus of murder ringing through the air. A cloud of black feathers beat the windows as the crows flew by. Their song seemed to wrap around the house, filling its rooms and all their hidden spaces–
The walking shroud of Madame Yana Perdido stood, hands upon her cane, in the last space of the sliding doors.
Sal dropped the sofa and stood, empty and limp as a scarecrow after a storm. Reg let out a cry and buried himself in Angela’s arms.
Only Angela held her chin high…though she did not move one inch from the window. “Mother.” The word fell, small and hard, into the air.
The grandmother’s head slowly swiveled from adult to adult until at last she stopped with Choe. “Has the sign been made?” That the sofa was but a few inches away from blocking her entry apparently meant nothing.
Chloe pointed at the pile of drawings about the desk. “Reg has made a hundred, all right? You need to get in here before that doctor–”
Thock. “He means nothing. Did you make the sign?”
“We need to call–”
“Did you make the sign?!”
“NO I DIDN’T MAKE NO DAMN SIGN!”
Not a caw.
Not a groan.
Not a flutter.
Only a single, long, growl. Very deep. And very near.
Word Count: 513 Total Count: 12,324
Gah, I didn’t get to my part yet! Here’s hoping the kids behave well enough tomorrow for me to write before we venture off to another Grandmother’s house… xxxxxx