Writer’s Music: Soli Deo Gloria Cantorum

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Few times in the year do we, at least many of us, see magic in the air. Even if one doesn’t believe in the baby Jesus, herald angels singing, and all that jazz, we tell our children that an old guy has flying reindeer and a sled filled with enough toys for hundreds of millions of children and he visits each and every child on the planet over the course of 24 hours. We tell them to believe in the impossible.

The magic.

And the music of the season has a feel unlike any other. Songs of Santa Claus jiggle like a bowl full of jelly, sure, but the carols of religious nature hold a sweet warmth to them like the candles of an advent wreath.

But this particular song takes the magic even further. Last year, I shared a carol sung by the Mormon Tabernacle Choir that transcended, narrowing the gap between this world and Heaven. Today, I want to share the song that thins the divide between our world and magic’s realm.

Yes, it’s still a song about Christ, and yet…it begins with the harp. I initially heard this song sung by the Mormon Tabernacle Choir, who used bells. Bells resonate in the air, and their tin separates their notes  from the voices. The Soli Deo Gloria Cantorum, who sing the version I’m sharing, let the harp flow, the string plucks like trickling water from a fallen log in the stream.

And the choir: the circle of voices carry their harmonies unbroken as though the wind itself sings among trees. One soprano holds the melody as the moon gives light to the land. There’s no dramatic swell as there was with “What Shall We Give to the Babe in the Manger.” This song simply rises and falls as water upon the shore. It is Nature’s carol, quiet and mystical. It beckons one from mankind’s harsh light into the dark forest, where its magical kiss hides in a single snowflake.

Let us find it, you and I.

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Writer’s Music: Mormon Tabernacle Choir

I admit, music with words is rarely great for writing. One can so easily get swept up by the lyrics and the passion of the song itself, rather than take the passion of the orchestration and use it to propel the characters and plot forward.

Still, a unique aura glows around Christmas music. There is innocence and tragedy. Joy and sorrow. One is thrilled in the Coming, yet one knows what has to eventually happen, and one is brought to weep.

This is precisely what I feel when listening to “What Shall We Give to the Babe in the Manger?” as sung by the Mormon Tabernacle Choir. The timid beginning with minimal instrumental back-up has that shy sense of a child first approaching a new sibling. The stanzas that follow introduce more voices and more instruments. The choir returns to its timid state for the final verse, and then…the build. Oh, the build. The orchestra and chorus both swell up, and up, and you’ll find yourself on your knees with your eyes to heaven awaiting the appearance of The Star.

In other words, it’s a pretty cool song, and if you want your characters to be, well, in awe for a moment, this song befits the need and the season. A blessed Christmas to you.

Click here for more on the Mormon Tabernacle Choir.