#Anxiety is not just a #parentproblem. It is a #writerproblem, too.

“But I don’t KNOW what to do, I don’t KNOW!” Bash sits between me and the occupational therapist, head in his hands. Tears run down his nose and splatter on “Glass Man,” the Unthinkable that blows a small problem way out of proportion.  The space after I can defeat Glass Man by____ is blank.

Click here for more on the Unthinkables, a unique approach for kids to overcome behavioral/social issues.

“All I know is ask the teacher for help!”

The therapist and I trade looks. Bash was all fun and smiles for the initial physical activities, but now that we’re talking about tackling disruptive behaviors, he’s shrinking in his chair. The kid so fearless on the trapeze and crash pad is curled up and shaking, his glasses on the table streaked with dried tears.

Inside I ache, on the verge of crumbling just as he. His hands are too small to be holding his head like that. He shouldn’t feel the Fear like this so soon in life. This is the kind of Fear that crushes imagination, courage, hope.

I should know, carrying the burden as I do now. But not then. Back then I feared climbing a tree, sure, but not reading with my classmates. I may have feared taking my bike down that vertical drop of a gravel road to the park, but I never worried so much about my math that I threw away my test and hid in the school basement, only to find out later I had gotten every answer right.

 I cannot solve this for him, I tell myself time and again as I stroke Bash’s back, doing my damndest to keep my outsides calm as the therapist tries to look into Bash’s face.

“But you did such a great job on Energy Hare-y!” she says, her voice just bubbly enough to be excited without patronizing. Her freckled face and ponytail give her the look of a high school baby-sitter, though her diplomas on the wall reflect a solid ten years of medical education.  “You said you should take a break, and that’s just the thing to help a body get the wiggles out and find new focus.”

“This sounds an awful lot like Rock Brain,” I add, pointing to another Unthinkable. “He’s got you stuck real hard.”

Yup, there’s a whole Rogues Gallery of these guys.

Stuck is right. For every tough behavior—inability to sit still, outbursts over small problems, fleeing in fear of failure—Bash’s answer has been, “Ask the teacher for help.”

Sounds like the right thing to do, doesn’t it? Ask for help. I tell my students that every week. I’ve told Blondie, Bash, and Biff to do this when tackling something new and/or hard. Never be afraid to ask for help!

This is even truer when it comes to matters of mental health. Illnesses like depression and anxiety can isolate a person and make them feel incapable of connecting to another human being. I experienced this first-hand during my years of post-partum depression. Holding one baby boy while another slept, I’d stare out the bedroom window to see other people walking dogs, grilling food, swimming in pools. They were all neighbors, yet impossibly far away. The walls of the house seemed impenetrable. I felt like I was losing my sense of Self, of hope. I’d pray to get through the day, hour, minute without succumbing to the voices inside telling me how easy it was to just walk out of the house and not come back, to make the boys cry for a reason…

Though my sons’ birth cracked open the darkest pieces of me, they were also my inspiration to hammer those pieces to dust. Now Bash is facing his own darkness, one that tells him over and over that he is stupid, that he can’t do anything, that his teacher will be mad because he’s wrong, he’s wrong in everything, that he can’t do ___ because he’s never done it before so he’ll fail and everyone will laugh.

I want so badly to lift the Fear off his shoulders and carry them myself. I want to hold his hand and guide him to the right answers at the right time. I want to see him succeed…

But he will not succeed if I do everything for him.

Some battles must be fought alone. We can provide the tools, the support, the whatever-else-needed, but in the end, the fight is Bash’s and only Bash’s.

It’s not an easy truth for writers to face, either.

Fear looms over us with every submission and book review. For some of us, Fear grips us before we even put the story to the page. I don’t have the time to write well like real authors. I can’t afford to spend time on something that’ll fail. It will fail. No way anyone could like something I write.

It’s a Charlie Brown moment—we just can’t do anything right, not even what we love.

Better to run and hide our creative selves from the world than face the disapproval and derision sure to come.

The therapist gently tugs on Bash’s arm. “Let’s do another break, huh? How about riding the scooter down the ramp five times, and then we’ll try beating Glass Man?”

Bash slowly rolls off my lap. His body’s bent forward so low his hands practically touch the floor as he approaches the scooter. He flops belly first onto the scooter, his legs crooked up into the air. He grunts little grunts, his fingers tap little taps on the scooter, floor, ramp.

He pulls. Just a little. Pulls more. Just a little. Pulls the first two wheels onto the ramp. Just a little.

“Let me help you,” the therapist says, but Bash moves past her hands. Back toward her hands. Away from her hands again. The ramp’s only four feet, and Bash covers those first three feet a lot—up and down, side to side. Yet he does not give up. When he slaps the sticker at the top of the ramp with his palm, he gets there himself.

Bash and Hoppy almost gave me bunny ears for this pic, the goofs 🙂

It’s just a few seconds down the ramp and across the room. But it’s enough to crush the sadness and fill Bash with wild and happy giggles. He runs back to the worksheet, “I can breathe!” he says, and shows us how he can fill his tummy with air and blow out his fingers like birthday candles.

The therapist claps. “That’s great! Say, that’s the perfect way to beat Glass Man.”

Bash grins and hops over to his sheet. He writes BELLY BIRTHDAY BREATHS so big it covers the picture of Glass Man completely.

It’s another Charlie Brown moment, when one’s determination finally eclipses the Fear.

We find the breath in us to move forward across a land of glass and rock and discover we are not such fragile stuff at all. We are capable of incredible feats of imagination and bravery, for there is no greater Fear than the Fear we carry within. Only when we shirk that Fear can we share stories from the deepest, truest places, the kinds of places readers yearn to find.

So take up that kite, writers. You may get tangled, the kite may get torn, but there is always tomorrow and the promise of another chance to fly, and fly far.

~STAY TUNED NEXT WEEK!~

Shall we try a little music by Max Richter? Or an interview from yet another lovely indie author, mayhaps? There’s always the difficult discussion of character traits and thrusting abnormal changes upon established characters for the sake of corporate whimsy. Or maybe, just maybe, Blondie will finally get off her duff and WRITE SOMETHING!

Oh, I kid the kid. She’s been working very hard at school and on the piano. Considering she has a few days off coming up, though, I may very likely put her to work here. Mwa ha ha ha!

Read on, share on, and write on, my friends!

#Whole30 #Writing Log: Day 15

Free Fiction Has Come from the Wilds (3)

Yowza, I nearly forgot to write today! It’s been a mess of school work and Blondie. For the first time in ages, the majority of my students actually give a cheese wedge about their work. For a teacher, this is both awesome and awful all at once.

Awesome: Yay, look at all this in-depth idea-sharing and topic-exploring!

LEARNING!

Awful: I gotta grade ALL this? Dammit.

So you know how on the 8th I wrote about the boys getting into a fight and pulling me away from Blondie’s parent visitation day? I made up for the time lost with Blondie by taking her to the local humane society this afternoon. We learned about being volunteers, and…yup, I signed up to volunteer with her.

I gripe so much here about stealing time from my kids, about trying to make time for them. It hit me watching her with the cats that I need to make time for her. If I don’t make it a thing, then months are going to pass before we have moments like this again.

Dammit, I will NOT let that happen. Come summer, we’re going to the humane society 1-2 times a week, and we’re going to work together to help these animals and clean up the place. She’s going to learn that caring for animals is more than playing with them, and I’m going to learn that my jobs do not have to dominate my life.

LEARNING!

We also learned some hopeful news about the boys from their school’s social worker. Turns out the fight they got into last week could have been prevented: last-minute scrambling for a substitute resulted in all sixty kindergarteners sharing a classroom at one point, where both Biff and Bash usually use the same seat, just one different days. Well both went to “his seat” and no teacher thought beforehand to get a second seat. Fists ensued.

The social worker apologized about that, and also informed me that after talking with some other peers in behavioral studies, she thinks Biff and Bash have what’s known as sensory integration disorder. Basically, it means that new stimuli in their regular environment or a new environment with lots of stimuli can basically overload them and they cannot process it decently. They don’t know how to function, sooooo they get out of control, or they break down, etc. It would take an official diagnosis to find out, but if this is the case, a diagnosis would help the boys get some extra help at school and protections from teachers eager to write up the “naughty” kids and send them home.

For the first time in years, it sounds like we might actually have an answer to what the heck is going on with these guys.

LEARNING!

Okay, back to grading for me. Thank you all for your continued support through this month of blogging, teaching, writing, mothering…and now the kids get to eat cheesy pizza and I can’t touch the crusts and I hate all food and why, WHYYYYYYYYYY?!?!?!

Ahem.

See you tomorrow!

Oh, and check out my fiction if you’re bored. It’s around. The novel’s just 99p, the story on my site’s free, and the short stories are still free on Amazon and other platforms. It’s all good. 🙂

Free Fiction Has Come from the Wilds (2)

PS: I made it to the second round of interviews! I’m guessing the panel doesn’t know I used a Charlie Horse puppet to teach college students about research questions and thesis statements…

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

 

#writerproblems: #sacrifice in #storytelling & in the #writinglife

My NaNoWriMo word count shames me. I owe another writer interview answers. I’m supposed to reach out to a few other writers about co-promotion. I need to market. I need to plan. I need to write.

Yet there’s a tiny, sick little boy at my side, asking for Mommy’s comfort. How long will those tiny hands and tinier voice reach out to me, a source of love in his world?

Oh Bash. You are the source of love today.

I left writing behind that day to nestle with Bash and Hoppy to read Care Bears, talk about school, Christmas, and any thing his little six-year-old mind could think.  At one point he looked outside and saw the half-moon, pale and shy in the blue sky. “Look, Mommy, a Dream Moon!”

What kind of dreams does the Dream Moon give?

“Dreams of looooove,” he says with that sly grin of his, eyes all squinty. Then his forehead furrows. “Or nightmares. That’s why you have to go to the Apple Castle and talk to Prince Hoppy.” And so the story went, filled with candy races and carrot swords.

Most stories we read contain sacrifices a bit more grandiose than lost writing time.

Eight years of love went into this novel. One of the most important themes I got to explore in those eight years was that of family. Families are not always connected by bloodlines. So, so often, families are made with stronger stuff: love, respect, kindness, compassion, and…well, sacrifice. On this day of family and gratitude, I’d like you to have Fallen Princeborn: Stolen for free.

Yup. Totally free.

All I ask in return is that you leave a review on Amazon and Goodreads. Every review, and I mean EVERY review, helps a writer’s visibility in the virtual market.

Read on, share on, and write on, my friends!

#writerproblems: #creating #trauma in #character #histories

Nobody cries crocodile tears quite like Bash.

“This is a SAD BIRTHDAY!” he wails, complete with a “WAAAaaaaAAAAaaaa” that could drown out a fire truck. My mother holds him, soothes him, to no avail.

Why the tears? Because “There are NO TOYS ARE PRESENTS! I WANT A TOY!”

Meanwhile, Biff sits content with his new collection of Disney Cars stories, and Blondie–who already shed her tears over the fact that today isn’t her birthday–eyes the cupcakes, knowing she at least gets sugar and a race car ring out of the deal.

Despite having received toys at the party hosted by in-laws less than 48 hours ago, Bash continues sobbing until bedtime. “This was a SAD BIRTHDAY,” he declares again, thoroughly traumatized.

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Annoyed as I am, I can’t bring myself to scold him for his meltdown. Our basement flooded two weeks before his and Biff’s 6th birthday, sending the house into chaos. Everything is everywhere. Stuff’s crammed into the garage, piled in the living room. There’s a mattress and box spring tipped on their sides in the hallway. Decorations are somewhere in the labyrinth of tubs frantically filled as water seeped up through the seams of the house’s foundation. We’re all stepping on each other’s toys, books, and nerves.

It’s lousy.

But is it traumatic?

Sure, if you spin it right. Horror fiction’s got a knack for taking anything–like a ruined birthday party–and turning it into motivation for a killing spree.

But if you’re not out to birth a slasher, then what qualifies as “traumatic”?

TRAUMA : a very difficult or unpleasant experience that causes someone to have mental or emotional problems usually for a long time. medical : a serious injury to a person’s body.      Merriam-Webster Learner’s Dictionary
So often trauma is used as the seed to germinate our characters’ motivations. We want our pro/antagonists compelled to act in such a manner as to drive the narrative forward. Sometimes that drive comes from the goal that lies ahead: the love interest, the home, the chance for redemption, etc.

But sometimes that drive comes from what lies behind in the histories of the characters, and what lies behind them is often traumatic.

The most popular “trauma” I find in storytelling is personal loss. Take comic books, for instance. How many become superheroes because they lost a loved one? Batman–parents. Spider-Man–uncle. Green Arrow–parents. Punisher–family. Nightwing–parents. Flash–mother. Captain Marvel–parents. Daredevil–father. The list goes on for a looooooong time.

Now I’m not saying that personal loss isn’t traumatizing. I should know: I’ve watched grandparents waste away. I drove to the hospital thinking my father ill only to be told at the door he’d died of heart failure. Everyone else already knew, but didn’t want to say anything until after I’d arrived.

Loss fucking sucks, and you’re damn right it changes you.

But there is something cliche about a backstory of personal loss driving one to heroics. Must a character always become a warrior for justice when his parents are shot in a dark alley?

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No. Take Jude in Holly Black’s The Cruel Prince. A Fae general comes into her house, kills their parents before her eyes, then takes her and her sisters back to the land of the Fae to raise them as his own. Is Jude driven to heroics?

She kills at least two people and readies herself to kill more out of loyalty to her new Fae court. She’s got the drive and calculating mind of her “new” Fae father.

Not sure what Bruce Wayne would make of that.

Trauma doesn’t require death, either. Consider Starlight from the comic book series The Boys. Of all the young superheroes, it is she who’s given the chance to leave her ultra-conservative group Young Americans and join the Seven, the most powerful group of heroes on the planet. She gets there, thrilled to take the last test and make a difference…

…only to discover the test is having oral sex with Homelander and two other members.

Do they force her? Use their own superpowers to render her helpless?

No.

Starlight consents.

And for the rest of the series she has to struggle with that decision and all its consequences.

Trauma’s not just about losing a piece from our lives, but a piece of ourselves. I know this first-hand. When your body becomes someone else’s thing, you don’t want it. You don’t want to take care of it. You want it to remain separate, the real you buried in the bile churning at the bottom of your gut. You separate your soul from your body because if you don’t, then your soul’s as worthless as your body, as much a nothing to be spat upon and left in the alley. That separation means survival.

But survival and living with oneself are two very, very different things. Trauma, from my experience, does not inspire love.

More like the opposite.

We survive. And we hate that we survive.

Athanasius, one of the little boys in my first short story “The Boy Who Carried a Forest in His Pocket,” was so desperate to flee his “survival” of an abusive home that he happily left with the first stranger he met. Fallen Princeborn: Stolen opens with Charlotte running away from an abusive home. We learn in the opening pages that she’s a fighter, so much so she’d rather punch out your teeth than listen to you talk.

That drive to violence–to hurt others before they can hurt us–that’s what trauma teaches us. This can easily drive a character to do terrible things to those around her. But it is also this drive that can be nurtured to make one want to defend others before they get hurt. It all depends on the character’s environment when the seed of trauma is planted.

Again, there doesn’t need to be some dark, extraordinary experience for a “traumatic event” with long-lasting impact. In my serialized novel Middler’s Pride, Meredydd recalls a moment in childhood when an evil sorcerer attempted to curse her family’s land, but was thwarted when child Meredydd interrupted the spell. Sounds pretty traumatic, running into an evil sorcerer. Yet Mer’s driven, obstinate attitude was the same before and after this event. Apart from shaking hands, her body’s the same before and after this event. So what drives her onward into the story’s narrative?

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A childhood without affection. No one abused her, killed a loved one in front of her. Heck, the girl never even broke a bone, or went a day without a full belly. But year after year of watching her step-siblings receive love and attention while she must catch scraps of love from others outside her family…that can hurt far more than any magic curse.

So consider carefully, writers, whether or not your character truly needs trauma in her past for present-day motivation. Death can make its mark, but sometimes the mark need only be a scar, a touch, a moment of undulated terror. Or perhaps it need only be the gathering of little things, subtle as water beneath the ground to eventually flood over your character, altering her nature for the better.

Or worse.

Read on, share on, and write on, my friends!

#writing #music: Mark Mothersbaugh

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What makes music epic?

Brass. All those horns just blasting bombastic harmonies.

Strings going to blazes and back.

Percussion pounding the heartbeats of heroes.

And don’t forget the choirs: lots of celestial singing for the unnatural nature of these  more-than-mortals.

What makes music cosmic?

This is where the synthetic can weave something new in the orchestral tapestry.

In the soundtrack to Thor: Ragnarok, Mark Mothersbaugh takes the epic aesthetic one  associates with the Norse gods and braids it gleefully with the cosmic synth to give us an entirely unique aural perception of a displaced hero fighting his way out of an alien environment.

Of all the tracks, I feel this to the best example of synth and orchestra duking it out for story’s sake:

We begin with a synth arpeggio that quickly swells into percussion, choir, brass, and strings. The hero is showing his mettle, but he is not in his element. At 1:00 there is just, oh, this brilliant fall felt in the battle drums and synth arpeggio. The synth occasionally overwhelms the orchestra: the villain is winning. Then right around 2:30 it feels like the strings are changing sides as they finger-slide amidst new arpeggios, challenging the brass to rise up, strike back. Choir and battle drums silence both in the final moment.

Who won?

Story-tellers, that’s who.

Music with this narrative power inspires the most uncertain writer to hand off their beers, roll up their sleeves, and tell their characters, “Now this is how you do it.”

I had this very moment with my hero and heroine not too long ago. Running from the villains they knew, I discovered new characters eager to snatch the heroes out of their environment and drag them into a location deep under water. The heroes are cornered in this alien place. Escape is surely impossible. The logical course of action is surrender.

Not gonna happen, Story-teller Me says. Hold my beer, and let me show you how it’s done.

Who the hell can surrender with this music on? Synth joins drums and calls the heroes to fight the undefeatable with the impossible and come out victorious even as the bars of imprisonment clang shut.

But I should be honest: these aren’t the songs that drove me to call Bo in the middle of his workday and tell him I needed him to hit a music store.

“Wait, you want me to buy music?”

(Bo’s CD collection is, admittedly, immense.)

Yes, I said, I need the score to Thor: Ragnarok.

“But you haven’t seen the movie.”

So?

“Then how do you know the music?”

YouTube. But the commercials suck and I need that music.

“What for?”

WHAT DO YOU THINK?

(I may have growled for good measure.)

“Okay, okay!” He comes home with the last copy (and a really nice Ennio Morricone collection for himself, but blah blah, that’s for another post).

One of the beautiful problems of imagination is that it’s not often a one-road traveler. It wants to go everywhere, meet everyone, see everything. Even in the most boring of places, our imagination sees more. My son taught me that. 

My sons have both been a source of heartache lately. The class bully has decided to target Bash with hurtful friendship. Biff’s teacher and principal have had to speak to me many times about his temper. One wanders friendless around the school yard, talking only to the teachers, while the other’s willing to hurt another child because if he doesn’t, the bully won’t be his friend any more.

I think on this often as I drive Blondie to her school one town over. Would  the boys be dealing with these same problems ten years from now? Good God, fifteen-year-olds, so wonderfully smart and creative, but also distant, violent, and too damn eager to please. Would they ever be friends in their own right? What would drive them to work together, as a team?

And a synth arpeggio flowed through my mind as I saw them on the run for their lives. What chases them? What’s waiting for them? Will they change for the better, or worse?

I dug through Tron Legacy, thinking the notes from Daft Punk, but they weren’t. They seemed to be of  their own creation, but I knew better. I had to have heard them from somewhere.

Providence: After a round of King Arthur, YouTube mixes things up with Thor: Ragnarok. 

There it is: the arpeggio.

And there they are: my sons, fighting, together. Brothers bound in blood, and in soul.

God-willing I’ll have time to write this story in the next few years. These brothers have already run so far through its many lands, met some bloodthirsty and bizarre characters. Like their little selves, they’re eager to sit me down and tell me all about it. I’m so sorry, little loves (for you’ll always be my little loves), that you have to show your patience, and wait for another story to be told first. But I have your fall into adventure. You share it with the heroes born alongside your sister. This music is for you all, and will keep your adventures burning bright inside me until your turn comes to race onto the page.

Read on, share on, and write on, my friends!

#writerproblems: Feed the #writing Flame

Let’s face it: some days, we’re burned out.

God knows I am.

From 4am until 10pm, life is a steady stream of to-dos: grade papers, get kids up, get daughter to school, work on author platform, stop Biff from shoving cars into the fridge, feed twins, get them to school, try to rewrite that &!#@ scene for the umpteenth time, get daughter from school and rush over to the sons’ school, drag Bash out of mud-slush sandpit, scramble a supper, dishes, laundry, bedtime stories, pay attention to spouse, answer student questions, crash.

Repeat.

How in Hades do we keep going? How, in all the needs of family and work, do we find a way to keep inner flame burning?

With a fresh box of matches.

Light the Dark is an amazing collection of essays gathered Joe Fassler, who’s interviewed dozens of writers for The Atlantic. Each essay shares “a moment of transformative reading,” as Fassler puts it–a line the writer read, and is inwardly changed. I was skeptical to read the book–I barely have time to read the novels I should be reviewing. How the heck can I read something for me? Ridiculous.

Buuut I figured I could give the first essay a go while the boys mucked about in the library. Aimee Bender’s “Light in the Dark” shared the physical and spiritual elation felt when memorizing Wallace Stevens’ poem “Final Soliloquy of the Interior Paramour.” She had heard the poem at a funeral, and its first line–“We say God and the imagination are one”–stuck with her. And me.

There’s something beautifully enigmatic about that line: It contains what feels so expansive and mysterious about the imagination to me. I love the way it treats the imagination with an almost religious reverence.

Which is just how I feel about imagination. It is a sacred gift, one not to be denied or squandered. God has given me many hard blessings, but He also gave me something that I knew was special: imagination. Before I knew how to make letters, I knew how to create worlds of adventure, of stories fantastic. And when I learned to make words, I knew them to be powerful, worthy of respect, just like the Scripture I memorized from little on.

And then, too soon, I’m nearing Bender’s conclusion:

That’s the thing I want to do in my own writing: present words that act as a vessel for something more mysterious. I know it’s working when I feel like there’s something hovering beneath the verbal, that mysterious emotional place…

Yes, I thought. Yes, that, just so. To know another writer struggles to find that place of power, of strength beneath the words…the writing life did not feel quite so charred.

I had to try another essay. Just one more, before the boys drove the librarian around the bend (again).

Sherman Alexie’s “Leaving the Reservation of the Mind” floored me. Floored. Me. He shares the context of his world:

There is always this implication that in order to be Indian you must be from the reservation. It’s not true and it’s a notion that limits us–it forces us to define our entire life experiences in terms of how they do or do not relate to the reservation.

I felt the whiplash of memory: the moment from my first year of graduate school when my parents criticized my writing for not putting faith in a good light. For not sounding “nice” enough about it. For having a harsh, raw tone about life in the ministry. How dare I.

For years, the guilt stuck with me. I wasn’t writing about what was appropriate, what fit. I come from a Christian family. I should be setting a good example in my church, teaching good Christian children how to write good, Christian things. Smile sweetly, bring the cookie bars for fellowship hour.  Be content.

No.

We’re all cursed to haunt and revisit the people and places that confine us. But when you can pick and choose the terms of that confinement, you, and not your prison, hold the power.

I left the library with Light the Dark. I had to. Not just because the boys were shouting over checkers next to the old curmudgeon at the stamp table, but because I was reading words that burned me deeper than my imagination. This isn’t just about craft–this is about living. Literally, it’s the writing life: these authors are sharing the moments words branded themselves onto their internal skin, and shaped their futures.

And now here I was, blasting Tron for the boys and humming off-rhythm inside because for the first time in ages, I could feel a spark of hope, of need. A microcosmic brightness just between the gut and the lungs. Oh yes, it is cosmic, and it will come from me, from you, from all of us who live for words, burning sacred, to light the imaginations of  tomorrow, and every tomorrow thereafter.

Read on, share on, and write on, my friends!

#Writers, Find the #Adventure in No-#Writing Time.

“Didn’t you know school’s cancelled for today?”

My sons’ backpacks sit alone by the door. My car is the only one in the parking lot. Biff and Bash ask yet again where the other kids are, why can’t they say hi to Mrs. L., why can’t they stay…and I’m wondering all these same things inside, but outside I say, “No, I thought, you know, since they had three days off last week, they had school this week.”

“Oh, never for parent-teacher conferences,” Mrs. A., says with a wave of her hand and a doughy grin. She’s the shape of a cupcake, and just as sweet–Bash adores her, which has helped make the shift to a new school all the smoother. But out of two months, the boys have only had three full weeks of school. There’s always been something to cancel pre-school: screenings, conferences, in-service. For all the teachers’ talk about routine and structure, how on earth is a kid supposed to know that structure if his school can’t function for more than a week at a time?

I could go on. I was ready to go on then, but another parent had come for conferences. I had to figure out what the hell to do with two little guys who didn’t want to leave. The playground was still wet from rain earlier that morning, the air chilly. But by the look of them running up and down the halls, locking them indoors was out of the question. So:

Nature walk!

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I take them down the path I visited alone just a few weeks ago. It was a peaceful refuge then.

Now, not so much.

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“Mommy, I can give the forest raspberries!”

Yes, I suppose so, Biff.

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Bash takes a break from his hunt for caterpillars and wooly bears. I try to tell him it was too cold, but he would not be daunted.

Keeping up with these two is nigh impossible, and there isn’t much for color…

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But I remembered my foolish disappointment from cloudy days before. Even in these days, where autumn wraps itself in a mourning shroud, I find life.

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Even in the days we have no control, the days where writing time is all but forgotten, there is life. There is life with the little ones who imagine worlds all their own…

“Mommy, this is where we go up!”

Up where, Bash?

“Up into the trees! We’ll walk into the sky!”

Biff is skeptical.

Yet there it is: a story. We could sit and tell a tale of a boy who walked the trees into the sky, who found his wooly bears and caterpillars, who helped them become the rainbow butterflies of dreams.

We could sit. And talk.

Or we could explore and see what else awaits us round the bend.

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It is such a day as this, filled with raspberries, chilled fingers, and leaf-covered suckers, that reminds us the no-writing time is just as important as the writing time.

Never squander it.

Conflict of Interest

“Don’t waste your time on something you don’t care about,” Michael Dellert warns as I pour through my old posts on Diana Wynne JonesMy presentation for N– University’s Literary Conference is in just a few days. The theme for 2017 is Lessons Learned–perfect, right? Half of what I do on this site is share lessons I learned from novels. Surely I’ve got SOMETHING to offer a literary conference. I want my colleagues to see that I give a damn about myself as a reader, and as a writer.

I receive notice of the conference schedule: my nonfiction reading is midday. My DWJ presentation is just after Blondie’s school gets out.

Four hours apart. I’m solo with the kids. Bo can’t get out of work. I can’t hire a babysitter for that long when the presentations themselves are barely twenty minutes each. My appeal for a schedule change is denied. If I’m going to do it, I have to do it with the kids, and trust them to not burn the house down.

~*~

I’ve written before about the rare gift that is time for writing, but I don’t think I’ve ever said how bloody hard it’s been to maintain a job while being a full-time parent, let alone a job like college adjunct. Maternity leave, vacation? Those words mean nothing for those paid only $1,700-3,000 for a semester’s worth of class. If you take a break, you are out of the loop for upcoming courses, and Lord knows when you can get another one. I graded student outlines hours after giving birth to my daughter. I hauled myself from the hospital room to a computer lab during the boys’ first day in the world to lead a discussion on critical reading. A term only lasts a few months, and you don’t know if you’re teaching the next term until it starts. As far as stable employment, it’s about as unstable as it gets.

The ability to teach from home made it tolerable, in its way. I could do schoolwork when kids slept. Audio classes only happen once a week, so I scheduled those for when Bo was home, or when the kids were in bed for the night.

But as the kids got older, they needed more of me. And more. And more. And the postpartum depression snicker-snacked through, and creative writing gave my soul strength…at the cost of more time.

Which, until that point, had been for school work. You know, the thing that earns the grocery money around here.

~*~

“Can we go to the library after school?”

“No, Mommy’s got a special presentation for her school today.”

“Let’s go to the park!”

“No, Mommy has to talk to other teachers today.”

“But I don’t wanna go home!”

None of them want to go home. It’s a beautiful day, Blondie just finished her first day of 2nd grade, but Mommy can’t care. She’s got to drive through construction while dodging the books flying in from the back seat because we’re not going to the park, we’re going to fight, we never want to go home….

“Here, watch Dragons,” I give Blondie a kiss on the head as I hop over a pile of wrecked cars to open the DVD player. “When my presentation’s done, I want to hear all about 2nd grade.” Because I do want to know, but that presentation just eats the forefront of all thoughts. Don’t forget to mention this, and note that book, and make this reference to that event, this thing about her father, that quote about Tolkien.

“Snack?” Biff throws himself at the rocking chair where his posse of Blanket, Grandpere, and Mel the Koala await. “Let’s have a snack. Fruit Loops!”

“Can I go outside?” Bash asks as he runs out the screen door.

“Bash get in here NOW! Fruit Loops and Dragons, come on, dude!” I say as I hoist him up and under one arm while thrusting the door open and I’ve got FUCK ONLY FIFTEEN MINUTES.

Cereal dumped in bowls. Dragons on. “I’ll be in my room. Just…please, sit nicely, and stay inside. We’ll go outside and talk about school stuff when I’m done,” I say as I back-run down the hall, trip into the Mother’s Day flower Blondie had taped to my door. I use tape from one of the fishy Father’s Day pictures to fix it (“We’re hooked on you, Daddy!”) and then frantically press computer buttons. My mic is a go, I’ve got my notes set, T-minus two minutes…

“Mommy I WANT to go outside!” Bash stamps in the doorway.

“Jean, everything okay?”

“Fine!” I say into the mic as I hiss at Bash. “When. Mommy’s. DONE.”

“No. NOW!”

“Bash, I am not doing this now. Go watch Dragons.”

He fights as I close the door. He bangs the door. Kicks the door. Screams into the door.

“Ladies and gentleman, please welcome Jean Lee as the next presenter of–“

Screaming triples. Blondie’s voice pierces: “Mommy, you have to open up! Open up NOW!”

Oh for fuck’s sake–

“Jean, is something wrong?”

“I am so sorry, just one moment while I deal with…” I have no word for what I’m dealing with. I’m too angry, nervous, frustrated–all the things I feel when the boys erupt and try to destroy something a family member’s done for them, or when they lash out at a complete stranger for coming too close. I rip open the door, where all three of them stand with tears streaming down their faces.

“Biff threw a toy at me. And Dragons is done.”

“And I am in my meeting right now, and you’re just going to have to handle it.”

“No I don’t, YOU have to!” Blondie says with all the authority a seven-year-old musters.

And I’m…I’m done. “No. You have to work it out with Biff. Bash, move.” And I close the door in their faces. Lock it.

The banging is downright thunderous. Comments have sprung up in the presentation: Uh oh, someone’s in trouble. Oh those poor little guys! Sounds like someone misses Mommy. Etc.

“Again, I apologize for that delay.” I can barely hear myself above their roar. I carry my books in one hand and the computer with the other into the bathroom, where I close the door.

This professional, literary conference. This chance to showcase research and criticism to colleagues. Me, presenting next to the toilet.

~*~

Twenty minutes later, I open the door. Screaming and fighting: over. Biff plays with cars in the boys’ room. Blondie’s door is shut, but I hear her talking to her “pet puppies.” Bash sits alone, sniffling, rubbing his eyes, legs and floor littered with shreds of construction paper.

“Bash, what did you…” My voice crumples. Tears.

The door is bare.

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A #summer of #writing & #motherhood, part 4: Know When to Collaborate.

Time is not my friend this month. Hell, it ain’t even a church acquaintance. It’s more like the medical assistant at the kids’ clinic that I had to call once a week for two months straight due to stitches in and stitches out and sickness and more stitches in and more stitches out: initially helpful, then busily surprised, then downright annoyed I need time made for me yet again.

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Good morning!

So yesterday I woke up, struggling to keep my face above the flood of first week student issues, and wondered: What can I possibly blog about this month? I really want to study Agatha Christie’s use of multiple povs in And Then There Were None and how despite being inside everyone’s heads, we still didn’t know the killer until the epilogue. I want to explore the struggle of following God’s Calling in life when all the certainty of that road is thrown asunder by yet another Calling…also, apparently, from God.

But, as said, time is not my friend, not with a literary conference to prep for, school prep for my own kids, my own school to work for, some birthdays to celebrate, and grieve, too.

My mind remained muddled as the boys launched themselves out of bed and right into their sister’s room. Blondie was having a special sleepover at Grandma’s, which meant all her toys were up for grabs. Eventually I lured them out with breakfast and books, especially Truckery Rhymes, our latest acquisition from the library.

Mornings are slow-going here even on school days, so I didn’t think much of their gabbing instead of eating. But then I listened…

Mind you, this isn’t all of it, and of course I wrecked the moment by opening my big mouth. In those minutes, though, I forgot my stress…well most of it. Collaborative story-telling can quickly digress into fighting when Bash won’t say what Biff tells him to. But this moment of imagination shared reminded me what a difference a partner makes.

Writing can be like that.

I still haven’t told many friends, and hardly any family, about the writing life. That lack of “real life” support means more freedom to write about the raw, festering pieces of my past, but also means I can’t count on others to help me in, well, months like this, when time is too beleaguered by “real life” to give any more for our passions.

That’s why I thank God every day for you, Friends, for being here. For sharing how you struggle to balance writing with everything else. How despite it all you still create because you must. Me, too. And that “me, too” ties all the unseen in me with you.

Now sometimes, that sharing goes one step further. Last year Michael Dellert gave me a character and a corner of his fantasy world to make my own. It seems he approves of what I’ve done so far with Middler’s Pride, for he’s asked to co-write a short story starring some of his Droma natives and my pompous–but decent (mostly decent)–Shield Maiden. It promises to be quite an adventure for me, since I’ve never written a story with another writer before.

Like Blondie, I usually do my creating solo.

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Blondie & her first epic, “The Wrong Pants.”

Currently she’s got her heart set on making comic books, starting with a special edition collection of Super Mario Brothers stories. Me? I try to write about Mer’s  fellow Shield Maidens whenever I can, which hasn’t been more than once a week, if I’m lucky. But I’ll be damned if I give that scrap of time up to despair. If I only get one hour a month to write, then that’s what I get. The light is brighter in me when I write, stronger, happier. To give this up will only darken the way I see the world and myself. My family will not be submitted to that darkness, not again.

Bloodshed aside, summer has not been without illumination. Books are explored, toilets are used without a battle, and friendship continues its tenuous wrappings from one child to the next. They drive each other crazy. They make each other laugh. They lock each other out. They smell each other’s feet. They thrive together. They thrive apart.

And I love it.

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Biff of words, Bash of action, Blondie…um, gone at Grandma’s. 🙂

 

 

A #summer of #writing & #motherhood, part 1: Every Pebble Has Potential.

“Mommy, look! It’s a magical stick!”

“That’s nice, Bash.”

“Can I take it home?”

“No.”

“Can I pleeeeease take it home?”

“Look, you can put it on the porch, okay?”

Bash’s speech follows two patterns: wistful questions and squeals of delight. (Flat out screeching is a separate matter.)

“Look, a pinecone! Can I keep it?”

“Look, Mommy, a red rock! I’ve always wanted a red rock!”

“What a pretty flower! Can we take it home?”

“Is this a rock, or is this bird poop?” (He takes special care to ask this before picking up the “rock”…he does now, anyway.)

So it grows, Bash’s collection: flower petals, bits of chalk, wood chips and tire bits from other parks, broken toys, pine cones, walnut shells, feathers, nests, little crab apples, those wee white tables put in the middle of a pizza to keep the delivery box from crushing it, wilted berries, stickers whose adhesive sides are coated by hair, fuzz, and crumbs, fragments of plastic left in the dirt by the previous homeowners, nuts, rocks, dirt clumps that look like rocks: all must be gathered up, for all are precious somehow. He’ll build rock factories, line up the sticks according to size, put his own plush animals into the nests and dirt and make himself a zoo. In Bash’s world, every single itty bitty whatzit has potential. Even torn up bits of boxes can become treats for animals or meteors from space. Every scrap of paper is a map, a note, a ticket to somewhere. My son hoards like a magpie, but with a purpose, too.

Writing’s rather like that.

For all the freewriting we muck through, there is always a find: maybe a name, a sentence, a detail, that has all the potential in the world—or in this case, in a story. Drafts always come out with quite a few holes, slanted walls, plumbing mixed with the wiring. It may as well have been created by the Three Stooges. But it’s in those moments where we dig into our collection of rescued words, a collection we could never live without, and discover just the patch, the nut, the stone that fits in a way we never thought possible.

I can’t imagine my home without Bash’s collection on the front porch. My eyes watch how his little hands reach into the grass of our yard and hold up yet another treasure the rest of the world overlooked. These tangibles feed his imagination in ways I can never predict.

And I love it.

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