At some point, I hope, your characters seek something that will help fulfill a goal, or quest, or what have you. In my case, my characters are seeking a member of their group who’s been taken. Stakes are always high in such situations, and it gives a writer the challenge of laying clues that readers MUST be able to see without feeling obvious, for characters to drop verbal clues without sounding like they’re being dropped. It’s a delicate balance, not often achieved in a single draft. Still, that doesn’t mean we can’t try, and if a little bit of mysterious air can help, all the better. Let Alexandre Desplat’s music from the final Harry Potter story help provide the necessary ambiance for the mystery woven in your plot.
John Powell again? You bet.
In celebration of reaching the halfway point of my story, I think it’s time for a chase. Any story, especially one with murder, kidnapping, and other intrigues, has got to have a chase. Plus, this chase from BOURNE SUPREMACY has some excellent percussion/string sequences for fighting. Now, set a fire under those characters and set them a’runnin’.
PS: BOURNE SUPREMACY is one of THE great scores from the last few decades because the tracks create a complete and compelling narrative arc. I usually don’t press that you must own such’n’such CD, but seriously: buy this CD.
In celebration of passing the 15,000 word mark, some music.
There’s something blissfully cool about the first meeting of two companions, be they friends or moreso. John Powell’s How to Train Your Dragon has one of the most beautiful themes ever created in the spirit of friendship, and that this friendship transcends the ordinary makes it all the more powerful. Treat your characters to a first meeting that is nothing short of memorable.
National Novel Writing Month is upon us. You’ll have to pardon me as I wish to dedicate my time write–feeble as it is–to the challenge of 50,000 words in 30 days.
So rather than blog, per say, I shall share music I find useful for various elements of story. For starters, a starter: music that marks the beginning of adventure. James Newton Howard’s score for PETER PAN has an excellent bit of fantastic to inspire you: a light giddiness that builds into the dramatic departure of the known for the unknown.
Are you ready to embark on Thirty Days and Nights of Literary Abandon? Don’t be afraid. Let your story hold out its hand. Take it, and fly.