#Author #Interview: #Wisconsin #Indie #Writer Walter Rhein Discusses #Family, #Reading, & the #WritingLife in the Current #BookPublishing Environment

50572361_575484532926888_3999712917447507968_nThe kids are stuck home for yet another snow day. This is No. 5? 6? In any case, writing’s pretty much out the window.

Thankfully I’m pleased as cheese (that I can’t eat, but still, Wisconsin is the Dairyland State) that I can introduce you to multi-genre author Walter Rhein.

Let’s talk first about reading awesome stuff. What is your favorite childhood book? C’mon, say Voyage of the Dawn Treader, you know you want to! 

Haha, is that your favorite Narnia book? If I was to go with something from C.S. Lewis I’d say Out of the Silent Planet. I’m a big fan of Roald Dahl, it’s hard to pick one, maybe James and the Giant Peach. Also, I’ve been reading Calvin & Hobbes to my kids at night, and I’m always impressed by how much insight Bill Waterson has into the fundamental nature of childhood. Do other people identify that much with Calvin or is it just me?

OH MY GOSH YES! We found all our old Calvin & Hobbes collections when the basement flooded. The kids LOVE reading them, which is awesome…until one starts using some of Calvin’s vocabulary at school and winds up seeing the principal as a result. That’s not so awesome.

Anyway, what authors did you dislike at first but grew into?

I think that The Catcher in the Rye is one of those books where there’s a small window in your life where it really hits you like a punch in the face. I think high schools do it a disservice by teaching it in Sophomore years. I think you need to approach it a bit later. Sooner or later you’ll feel what Holden was feeling, and Catcher is magical if you pick it up at that moment. However, if you’re reading it against your will it becomes absolutely miserable…which is unfortunate.

I know just what you mean. I recall being forced to read The Count of Monte Cristo in college and absolutely loathed it, but when I tried it again a few years ago, I was completely enraptured. It’s like there needs to be a shedding of expectations, an allowance to read for reading’s sake, and allow the story to dictate the pace rather than the reader.

What is the first book that made you cry? Where the Red Fern Grows made me sob when I was a kid.

I remember being pretty upset at the end of The Elfstones of Shannara. I also found the first 6 minutes of Transformers: The Movie completely devastating. I know it was just a big advertisement to get us to buy toy robots…but it meant something to me dang it!

Oh yeah, I made the mistake of showing this “kid’s movie” to my sons. Watch the opening if you dare, folks. This movie opens with an entire planet of living robots BEING EATEN. Kids love death on a planetary scale!

(Gotta say, though, that the theme song is totally metal.)

Bash sobbed for ages after it was done, and I don’t blame him–you’re watching beloved Robots in Disguise MELT TO DEATH throughout this movie! Biff thought it all amusing and wanted to watch it again. (Yes, we are watching him.)

 I’m sure you get a lot of authors and/or stories recommended to you that you just don’t dig—a reader’s block, as it were. Do you fight your way through to finish the story, or do you shelve the story, never to be finished?

The main reason I don’t finish a book these days is just a lack of time. Endings don’t surprise me anymore so the main craft of a book is in the beginning I believe. If an astute reader hasn’t guessed the ending of a book then there are problems with the build up. It’s pretty rare to encounter a book so terrible I have to put it down. Whether a book is published by a small press, a major publisher, or independently, there is almost always a memorable line or scene. Everybody has a worthwhile story to tell.

Excellent point. In all my years I can’t think of more than a few books that I just couldn’t bring myself to finish.  Have you read anything that made you think differently about fiction?

Actually, your book, Fallen Princeborn: Stolen has given me something to think about.

YAAAAAAAAAAAAAAY! Did I mention my book’s on sale this month? 

Free Fiction Has Come from the Wilds (2)

Grab it today!

But I interrupt. Go on, Sir. 🙂

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Walter Rhein with Janet & Chris Morris at the Library of Congress

I like the onomatopoeic words that show interjections of simultaneous action during a dialogue, and the present tense portions create a sense of urgency. Janet Morris does something similar in her Beyond series, although she slips out of it into a more traditional narrative voice. I might try doing a short story in your style just to see how it feels.

That’d be cool! It’s important to test different styles. Yeah, they might not work, but some other excellent character or plot idea may arise in that attempt, and that makes the experiment worth it.

How did publishing your first book change your process of writing?

I think you gain more confidence in the process as you go. Usually there’s a theme or an idea that I want to work through, and I come up with a lot of stories that surround that idea. Once you have a hundred pages of stories, you start to see how they connect in a storyline. I imagine that The Hobbit came as a result of Tolkien saying, “I’d like to daydream about a place called Middle-Earth for a while.” Writing a book is very much taking a journey. You take the journey because you’re curious what the scenery looks like.

You’re currently a member of the St. Croix Writers, a writing group based in the beautiful North Woods of Wisconsin. Can you share a bit about this group and its awesomeness?

StCroixWritersI just met those folks as a result of a concerted effort I’m making in 2019 to be more active in writing groups. I found a web page that listed all the writing groups in the state of Wisconsin and I wrote all of them a message. Thomas Wayne King sent me his phone number and encouraged me to call for a chat which I thought was very nice. I plan on attending their next meeting. I think a lot of writing groups could come into the 20th century a little more. There are a lot of ways that writers can support each other and I think that needs to be encouraged.

Yes, indeed! Especially because it’s easy to feel a bit cut off where we are, the “backwaters” that “real writers” don’t live in.

So of course I have to ask about Wisconsin, too, being a “Cheesehead” myself (yet not a Packer fan. I know, I know, I’m lucky not to be banished to Illinois for that.) Do you feel there’s something about Wisconsin’s land, people, or culture that inspires your storytelling? How so?

I think a lot of stories from rural Wisconsin are overlooked or dismissed. There’s quite a bit of arrogance in the writing community, and an impulse to disregard certain stories, which is unfortunate. Everyone has a story to tell, and all of those stories are very important and deserve attention. Actually, if you want to read more about my thoughts on this matter, check out my article “Not Worthy of Study: The Catastrophic Arrogance of the Literary Community.” Go Packers!

Ugh, don’t even TALK to me about the Packers after this lousy excuse of a season!

Aaaaaaanyway… 😛

It can be a huge struggle balancing the writing side of life with that of family. Does your family inspire your stories, or support you in your writing endeavors? In what way(s)?

I’ll often read my stories to my girls at night before they go to sleep. If they pay attention all the way to the end, I know I have something good. If they drift off, I know I have to rewrite. They’re very honest and that’s vital.

Aw, that’s so awesome! I haven’t dared share my writing with my kids. When I see them, the fear of disappointing them digs too deep.

You regularly travel between the United States and Peru to visit family. How amazing to be immersed in such different cultures! What kinds of inspiration do you draw from the Peruvian landscape, culture, and people?

I went to Peru when I was 26 and it was super helpful to me because it was so inexpensive to live there. As a writer, you need a lot of time, not just for writing, but for reflection. Also, you can go a lot time between pay days writing, so it’s nice not to have a lot of financial pressure. Being in a foreign country is great for anyone because it shows that whole societies are built on radically different ideas. This is useful to see in person if you’re one of those people who walks around thinking, “So many things in our society seem wrong to me.” People will tell you that you’re crazy if you point out an error. “That’s the way it’s always been,” they say. It’s a massive existential boost to see that, no, it HASN’T always been that way in other parts of the world.

As much as I love my kids, they can be my writing Kryptonite: nothing zaps the creative drive like a call from the principal or a kid waking waaaay too early for his own good. What is your writing Kryptonite?

The internet.

HA! 

I’m the first to admit I “Google as I go” as far as researching is concerned. How long do you spend researching before beginning a book?

I think research is more important to a tech type writer, somebody like Tom Clancy where historical items are far more important to the plot. I’m a character type writer, so research doesn’t play that big a role. However, my most recent release, Paperclip, required some research. We did it on the fly, and we found exactly what we were looking for. It turns out there were some documents that were supposed to be shredded by the government but got misfiled instead—you can’t make stuff like that up!

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Oh, what a lucky find!

You and I are both published via small presses, which are different than self-publishing programs or the “traditional” publishing houses, so we see things a bit differently in the publishing industry. What do you think is the most unethical practice in the publishing industry, and what can be done to change it?

There are a lot of things I’d like to change in the publishing industry. One of the things I really dislike is that people seem to be afraid to express their own opinions. A narrative gets created about a book, and people fall in step with what the narrative states. I’ve been fortunate where I’ve felt the tidal effect of a positive narrative, but it still is a disquieting feeling. I used to get in trouble in college classes a lot because I like to offer nuanced opinions, but the mass of people want to reassign you to a larger, dumbed down narrative. “Well it sounds like you’re saying this…” they say, when you aren’t saying anything of the sort.

Oh yes, I’ve noticed that, these “narratives.” There’s hype that will lump the book into a certain group, and if you disagree than you’re an awful person. There’s no nuance anymore, no “I liked Element A in the book but not B, and here’s why.” It’s all or nothing.

Mostly, I’d like to see new authors get more of a fair shake, but part of advertising is to take customers away from the competition. The thing I’m doing to change it is to read and engage with as many new authors as I can. I’ve become pretty bored with major Hollywood releases, there are some fascinating works out there in small-press and independent publishing.

Kudos to you, Sir! There’s such a wealth of amazing tales out there that the mainstream media never touches. It’s up to us to dig them up!

Lastly, what are common traps for aspiring writers, and how can they avoid them?

A lot of the general beliefs about what it means to be a writer are just flat out wrong, and there are a lot of people giving bad advice. The big thing to remember is that the money is supposed to flow TO the writer, not FROM the writer. Even if it’s not a lot of money, it needs to be going TO you. The other thing to keep in mind is that your work will often be rejected without being read. There are some agents and publishers who send out really snooty form letters, and you’ll get these even from an email query that doesn’t even include an attachment of your work. It’s pretty much a rigged game with no chance of success, but play it anyway. Maybe we should all be thankful for that because I think too much attention is just as destructive to your ability to do important work as too little. Every story is important, and every story has an audience. Thanks for having me!

And thank you for taking the time to chat! Lord willing I can drive up to Chippewa Falls sometime for a chat. 🙂

If you’re in northern Midwest, Rhein and co-author Dan Woll are having a talk about writing and marketing thrillers. 

Check it out on February 18th!

About the Author:

Walter Rhein maintains a web page about travel, musings on writing, and other things at StreetsOfLima.com. His novels with Perseid Press include: The Reader of Acheron, The Literate Thief, and Reckless Traveler. His novel The Bone Sword was published with Harren Press, and his novel Beyond Birkie Fever was originally published with Rhemalda Publishing. He currently splits his time between the US and Peru, and can be reached for questions or comments at: WalterRhein@gmail.com.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

#Celebrate #Halloween2018 with #adventure & #romance in a #darkfantasy. Fallen #Princeborn: Stolen will be #FREE for #onedayonly!

Good morning, fellow readers and writers! Thanks so much for clicking on this post.

Stolen-KindleCvr-MARKETINGYes, you read that title correctly. Fallen Princeborn: Stolen will be free for 24 hours. Not only do you get the entire novel, but one of my short stories from Tales of the River Vine as well as a preview of the second novel, Chosen.  I promise you, you won’t wind up like Charlie Brown with a bag full of rocks this Halloween. Grab this treat tomorrow while the grabbing’s good!

 

 

 

 

 

So many wonderful fellow writers and readers have been sharing their thoughts on my stories, or sharing their space with my writing. Please check out these amazing authors today!

cropped-for-webSally Cronin’s shared a lovely “getting to know you” post on her site, Smorgasbord Blog Magazine. 

 

 

 

 

 

jayJames Cudney provided a kind review of my first Tale of the River Vine. I hope you stop by to see it on his site, This is My Truth Now.

 

 

 

 

 

bookshop-ruth-annie-e1534711218698Cath Humphris asked me how Stolen came to be published. I share the story on her site, Driven to Read: Driven to Write.  

 

 

 

 

 

 

My undying gratitude to these wonderful people–and to you, reader! If you have already read one of my stories, please be sure to share your thoughts on Goodreads and Amazon .

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

This #NewYear, Visit Old #Fiction To Renew Your #Writing Life.

For all the jokes out there about stories being a writer’s children there rings a subtle truth: we want every story to be its best. Like a sniffly child on timeout, they whine, “I want to be nice!” Then show you are nice, we say. “I don’t know how!” they wail.

And while my kids sure as Hades do know that kicking one another in the face does not qualify as “nice,” some stories are genuinely stumped. Is it the voice, the setting, the age of the characters, the villain? All it takes is one off-element to throw the entire body out of whack.

Such was the case with one particular WIP of mine. I first drafted it during NaNoWriMo the year of my daughter’s birth. It helped me break from my postpartum, but it also stumped me as a writer. Something always felt off: not enough gravitas. Too much gravitas. Too many points of view. Too narrow a perspective. Not enough action. Not enough quiet time.  With every draft, the story grew as I created and destroyed characters. I pulled dark bones from my past and formed the heroine round them, re-defining her psyche and voice. Could be done for my hero? Let’s try…

But all of this has taken years of coming and going, always needing time to re-settle my writing eye and ear with the heroine, remember what the heck I was thinking. When I started this site two years ago I hoped to see this WIP through its last editing stage and meet the printed page somehow, but then, well, more motherhood came, and other WIPs captured what little attention I had. Before I knew it, two years passed without a glance.

Then, shortly after Thanksgiving, in a fit of what assuredly was Shooting for the moon (heck, for Alpha Centauri B), I submitted a portion of a New Adult fantasy to Aionios Books, an independent publishing house in California.

They accepted.

I’m still tingling.

Fallen Princeborn: Stolen, my first WIP, one that’s experienced countless growing pains, will be shared with readers–READERS! (Insert mad giggles and hopping in coffee-stained sweats here) But I also know that 2018 is going to be one of the hardest years of my life. Not only am I writing here, with you and for you, and teaching, and parenting, but I must now also answer to editors and see the story from their perspective as professional readers.

Is there a lot of work to do? Hell, yes.

writing

Thanks to a two-year hiatus, I can tell that the voice wants to be first person present for the intimate immediacy, but I kept writing in third for eventual shifts to another character’s point of view. And I wrote in past tense for…reasons? Thanks to a long, long break, I can argue with Past Me and see there’s just no justification for such writing choices.

Of course my new fear is that I cannot find the hidden path between my hero and heroine’s voices: the path of the narrator’s voice. It’s there, but hidden under superfluous phrases and awkward description. Time to clean up the deadwood and find new footing in the old haunt.

What WIPs lay buried in your hard drive and desk drawers? Now that time has passed, pull them out. Take a look with New You’s eyes. The story still breathes. Stirs.

Wake it up.