#Indie #AuthorInterview: Mansu Edwards talks #storytelling in different #genres, #worldbuilding in his #YA #series, & the joy of #writing

Greetings, lovely readers! An unexpected flood of school work’s swamped my desk, and there’s a threat of storms severe enough to send animals hunting for an Ark. While I float upon the course prep and stare at our sump pump for the next 36 hours, please welcome the amazing indie author and filmmaker Mansu Edwards!

You are a creator in many forms: I love seeing how you weave in and out of genres like science fiction, young adult, and suspense. Do you feel the genre definitions in today’s market limit writers or help them?

Thank you Jean. I never focused on genre definitions. I use my instincts. I think Writers should create their own definitions. Genre definitions can limit Writers because it can prevent the Creator from producing a unique story. Readers don’t care about definitions. They care about good storytelling. Then again, not having a specific genre definition can hurt Author sales. People want to know what their reading and won’t spend money on surprises. However, there have been many instances where my story didn’t fit a specific genre or the genre didn’t reveal itself until midway in the story.

Your bio also mentions you recently created a short film, Texting in New York City. What challenges did you face as a storytelling in a visual medium? Does your experience as a filmmaker help inform your craft choices as a writer?  

Texting In New York City is based on my book under the same name. The book consisted of random text conversations between New Yorkers. When creating the short film, I developed an idea and wrote a script. I understood the significance of brevity and pacing in film due to my Screenwriting background. I showed the 1st draft to an Exhibitor at a Trade Show. She explained the parts of the story that were unclear. I rewrote it and began hiring actors, actresses and a production team. The cinematographer, John Morgan pitched a couple of ideas; I watched a ton of short films and a popular webseries: Money And Violence to improve pacing and storytelling. The series made me retool the script. I eliminated and shortened certain scenes. It was a huge mental shift working on the visual version of Texting In New York City because I normally work alone when writing a book. Of course, I outsource certain parts of the process. Since, I have a Screenwriter’s mindset, I do my best to get to the point as quickly as possible. I don’t want to lose my audience. 

You’ve been publishing works since 2009. With ten years of experience as an author, what would you say is the most unethical practice in the publishing industry, and how can we as the writing community overcome it?

Unscrupulous companies charging writers exorbitant fees to produce a book. I think its unnecessary and a terrible experience for novice authors. We can overcome it by offering writers a discount or providing advertisement for a reduced cost.

Have you read anything that made you think differently about fiction?

Yes, I read Fates and Furies by Lauren Groff. It interweaves the present and the past between two lovers. How their personal strengths and weaknesses affect their relationship. Also, the importance of making the correct decisions in life.

Let’s talk about your YA series, Emojis vs. Punctuation Marks. What a great concept of a story to share with young adult readers—especially those who forget punctuation even exists! (I teach writing, so I notice this problem. A LOT.) What first inspired you to write this series?

Thank you Jean. The Most High (God) inspired me. I’m sitting at the counter and an idea flashes in my mind. I hear the title Emojis Vs. Punctuation Marks: Battle Of The Keyboard . I’m thinking this is a cool and unusual concept. Also, I noticed the change in online communication over the years. Senders and receivers using Emoticons to express feelings and emotions. And the story sounded fun, so I knew I had to write it.

Book 2 of the series, Land of Refrigeration, expands the universe of these wee characters to include insects and produce. I would love to hear you breakdown the worldbuilding process you went through to create this new level of the EPM universe!

I had an incomplete version of Emojis Vs. Punctuation Marks: Land Of Refrigeration. I decided to have the Emojis battle the fruits and vegetables for territorial positioning while trying to find a way back to their unique world. I rewrote the story a few times. I wanted to show the survivors of Emojis Vs. Punctuation Marks: Battle Of The Keyboard attempting to adjust on Planet Earth. But, their ultimate goal is to return to their digital world. Also, I provided a backstory on the relationship between the Punctuation Marks and Danna’s father, Menelik which began during his adolescent years. Then, I began  reread another story I wrote, but didn’t quite finish. It was completely different concept. The story didn’t have a title. I decided to incorporate it with the Emojis story. The tale takes place in Outer Space. So, I thought why not have the Insect, Centipede McGhee design a portal for the Emojis and Punctuation Marks to travel to a exciting, unfamiliar, digital world.

Where do you see the third entry of this series taking you—and readers? Any other projects you’d like to highlight for us?

Very good question. The third entry is a work in progress. I may change the story’s trajectory. I haven’t decided yet. Nevertheless, I have a new Ebook entitled Plush Couches. It’s about a young man who has a serious gas attack on his way to a job interview. I’m currently working on an untitled piece about a Superhero.  

Lastly, please expand upon the age-old storyteller conundrum: Does writing energize or exhaust you, and why?

Writing is both energizing and exhausting. It uses mental, emotional and spiritual faculties. It’s a relationship that has its ups and downs. You never know what to expect. Sometimes your pen is sailing on calm seas and other times it’s swimming in turbulent waters. It’s a gift from God. People’s positive responses to my story energizes me. Of course, all the responses aren’t positive, but, I can’t let it demotivate me. I write the story. Finish it. Then work on the next book.    

Thank you so much for your time and thoughts, Mansu! Godspeed to you on your upcoming writing adventures.

~STAY TUNED NEXT WEEK!~

Would you believe there’s an important lesson to be learned in TV theme songs? Yes, I’m serious. Then we’re going to ponder the structure of the fairy tale and how it can help add a darkly magical chapter to a story-world’s history.

Read on, share on, and write on, my friends!

29 thoughts on “#Indie #AuthorInterview: Mansu Edwards talks #storytelling in different #genres, #worldbuilding in his #YA #series, & the joy of #writing

    • Thank you! So far, so good. The vicious storm-front that was supposed to hit us last night lost a lot of its power by the Mississippi River, which means *those* towns are at great risk of flooding, so I’m praying for them while the second front is gearing up to hit us tonight. Uffdah.

      Liked by 1 person

  1. I’m cursed. Not at home right now and to tweet this as I wanted to do means I need my passwords which I haven’t got to hand! I’ll sort this when I get back. I just didn’t want you to think I’ve forgotten you ~ George

    Liked by 2 people

  2. What a fascinating interview, Mansu and Jean.
    Your thoughts on genre seem particularly appropriate at the moment. I keep reading discussions about cross-over novels and fusion stories. We seem to be obsessed with putting things in neat boxes.

    Liked by 2 people

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