#writerproblems: #characterdeath in #storytelling (Part 1: Noooo, Billy!)

You know the scene.

The kind that makes you go, “NOOOOOOOOOO!” because a beloved and/or cool character is about to die.

Every time. Seriously, every time I see PredatorI say, “Nooo, Billy!” at the screen. As a member of the audience, I’m invested in seeing the characters’ survival against the Predator. I want to see the characters’ skill sets aid them in overcoming the conflicts and obstacles that await them before the journey’s end.

This can be said as a reader of any high-stakes story, really. Look at a few big SFF series for examples. We want Captain Kirk and his crew to survive. We want Harry Potter and all his friends to survive. We want the Fellowship of the Ring to survive. We want Katniss Everdeen and her loved ones to survive. We want Luke Skywalker and his friends to survive.

We know these people are fictional, but there are facets of these characters that connect within us. This makes us care about them, so of course we go “NOOOOO!” when Dumbledore is struck down by Snape, when Prim and dozens of others are bombed by a device made by the Katniss’ oldest friend, Gabe.

And then…

darthvadernooo

…and then there are the deaths that just don’t feel necessary.

Now I just want to pause here that I’m talking about this as both a reader and a writer. I get that pain and consequence have to occur in a high-stakes story. You can’t threaten death without delivering at least a little bit of death or you risk hollowing out the stakes.

What bothers me as a reader and worries me as a writer are those unnecessary character deaths. You know you’ve encountered stories with this problem. That’s why I showed the aforementioned Predator clip of Billy. Billy, the biggest and buffest bad-ass of Dutch’s team, stops on the tree-bridge to face the Predator. Why?

xqbict878a3zOn screen, we’re not given a reason apart from MANLINESS. Just look at him, stripping down and cutting his own chest. It’s the ultimate bad-ass standoff!

Only in the story, it’s not the ultimate bad-ass standoff. That’s for Dutch (also stripped down) and the Predator.

So why did Billy have to die?

As a “reader,” I could shrug to “noble sacrifice,” except no other death has bought the survivors time or advantage. Billy would know that. I could also shrug to “acceptance,” since earlier in the film Billy says, “We’re all going to die.”

But as a writer, I think I really know why.

It’s because you can’t have an ultimate bad-ass standoff between TWO good guys and a bad guy. Plus, in terms of physique, Billy and Dutch are an equal match. Heck, I think Billy could have beaten Dutch in arm wrestling.

So Billy had to die.

hta_animated-book-cover_catching-fire_02It feels like when there has to be a bit of death in the story, writers sometimes choose the character most similar to the protagonist. Take Finnick Odair from the Hunger Games trilogy: he’s strong, knowledgeable, another survivor of the Hunger Games (also: pretty). We meet him in Catching Fire, grow connected to his personality and backstory, root for him when he gets married….aaaaand watch him die on the assault on the Capital. Now it can be argued his arc’s complete, so the audience knows who he is. SOMEone’s got to die in a war; his death will have the strongest emotional impact while primary heroine Katniss can continue on.

Fine. Fair enough. At least Finnick got to die on page/screen, UNLIKE BILLY.

Notice how after all his bad-ass preparation, we never get to see Billy fight the Predator. We just hear his anguished scream, and know he’s dead.  Such off-screen deaths drive me nuts. Harry Potter and the Deathly Hallows is guilty of this, too, both in book and on film, when it comes to characters like Professor Lupin and the Auror Tonks. They die during the battle at Hogwarts while Harry’s elsewhere, so we never see their final moments. They’re just dead.

Wow, I went off longer on this than planned. Dammit, Billy, you got me all wound up!

I get that I have to accept beloved characters dying. I just want those deaths to MATTER. You bet your ass I cry when Beth dies in Little Women. I bawl when Clint Eastwood’s character Walt is shot in Gran Torino. I refused to believe Hercule Poirot was really dead in Curtain until I went online for evidence to prove otherwise…and couldn’t find it. Even Dobby, that goofy little house-elf Dobby, had me sobbing both while reading and watching Harry Potter and the Deathly Hallows. I hated that these characters had to die.

But their deaths help spur the protagonists–and the narrative–forward. Without their deaths, there is less at stake; therefore, there is less concern for the characters.

Now I have waaaaaay more to say about character death, but Bo’s up and given me the giggles by saying, “Billy will always be in the chopper of your heart.” Yes, yes he will!

So let’s pause to talk. Is there a story with a character death that really frustrates you? Should I kill more characters in my own books?

Lastly, be sure to stay tuned to my monthly newsletter. Big changes are coming, and I don’t want you to miss out!

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

#Author #Interviews: #IndieAuthor @wezlo on #family, #faith, #fantasy, & #photography in the #writinglife

image1Reverend Wesley Allen is a delightful friend and fellow indie writer with a new book, In the Land of the Penny Gnomes.  Today we discuss our mutual love of writing fantasy, balancing family and the writing life, and more.  

On Family

I love this line from your “about” page on your site, Painfully Hopeful: “I hope that I can be a decent pastor, geek, father, and husband. It’s just sometimes I’m painfully aware that I’m not quite all that I want to be.” Let’s address your family first. You have a wife, two teenagers, and a baby. Just…I cannot fathom having a baby at this point, let alone with  teenagers in the house. Do you manage to squeak a little writing time in every day, or just on Sunday afternoons, or when? Does your family root you on in the writing process, or do you keep your stories to yourself?

I am also unable to fathom having an infant in the house. Still, he’s pretty cool and I’ve raised kids through adolescence so poopy diapers and crying isn’t as daunting as it used to be. When Bump doesn’t want to sleep at night, though, I get a bit cranky.

I do write a bit most days, but I’ve managed to write only one short fiction piece for my blog since Bump’s been born. I need to get into a mindset to write, and it’s been hard to find the space to get there. My imagination is still going strong, though, and I’ve got stories running around in my head. I also have to write a sermon every week, so there’s that.

And Sunday afternoons are not good writing days. My introverted brain is basically a bowl of oatmeal by Sunday afternoon. It’s all I can do to scream at the Eagles when they’re playing. (1)

My family really isn’t involved in my projects. My wife isn’t a fantasy fan, my daughter likes to pretend she doesn’t care (2), and my older son just kinda grunts at me when I mention I wrote something. Bump drools on my keyboard. I’m sure if I pushed things a bit more they’d show more interest, but I don’t feel compelled to do so. When I was growing up my family referred to my daydreaming state as “Wes World.” I could dive so deep into my imagination people could be screaming at me and I would barely notice — it was my place to be one my own with my thoughts. As my writing basically emerges from that space it continues to be a solitary endeavor.

Duke of Gloucester Street

Duke of Gloucester Street – Williamsburg

On Faith

As a child of a preacher m’self, I know how one’s life merges to be one with the church sometimes. Personally, I like when storytelling allows me to separate from that environment, but there are ways when faith weaves itself into the fantasy world-building whether intended or not. Do you consider your faith to be a major or minor influence in your writing? How so?

I’m not sure I’d categorized it as “major or minor,” as that would imply faith was merely a component of who I am. Faith is the core of my being, it’s who I am.

But, because I’m quite comfortable with faith being who I am I do not set out to write “Christian stories.” In fact, using the word “Christian” as an adjective to describe a particular set of pop-culture media makes me want to throw up. I guess I’m with Tolkien — too much of what I see in “Christian” pop-culture is reduced to a blunt allegory which has deluded itself into believing it’s subtle. It’s icky.

At the same time, because faith is what I am, of course there are aspects of my faith which can’t help but be seen in my writing. But I try to evoke them as applicable expressions. The idea that good exists, that there is always a larger narrative, and that a people’s story matters all spring into my work though my faith. But I hope they resonate with any reader, and not just “religious” ones.

Having said all that, I am working on a devotional which works around short fiction pieces, but even then the pieces are there to provoke thought and not just telling people what to believe.

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Wissahickon Gorge

About the Pictures

On top of all this, you still find time to get out with your camera! Do you find the images you capture to inspire your storytelling, or do you enjoy time with your camera as a break form words?

Since I love to take Bump for walks, I’ve been able to keep up my photography hobby throughout his early months. I don’t know if photography is a break from words so much as it is permission to pay attention. I live in  my head, photography gives me a window to see the world. At the same time, I hate photographing people. I love landscape, as they don’t look at you funny.

And, yes, photography has inspired me to write. When I share photos on my blog they are accompanied by a short meditation, which helps me process what I’m seeing. And the third world I’ve created, The Kingdom of Parallel, was inspired by a photo I took at  Sunset. The story has evolved away from the inspiration that photo provided, but the world wouldn’t exist without it.

Click here for even more amazing photos!

About Techno-Joy

You’re also keen on using technological resources. I’m hoping to finally start using a program or two m’self, such as Scrivener. As a writer with multiple devices and obligations, which program do you find most useful for building and writing a fantasy world and why?

As you mentioned, Scrivener is huge. I’d be lost without that program, and version 3 on the Mac is superb. All my writing is done inside Scrivener.

For world-building Aeon Timeline is an application which helps me give context to my writing. I love visuals, and the character creation tools inside Aeon Timeline help me visualize how old the characters are at the time of the story. I have to imagine ahead of time, which takes out a lot of the guess work.

And then, interestingly enough, I love minecraft as a world builder. In fact, the first novel I completed, Welcome To The Valleys, was started because I wanted to write the story for the world I’d both explored and created. As I explored villages, terrain, and roadways I could visualize the world as a living space, which made it fun to write.

About the Book

image1 (1)Now let’s talk about your book, In the Land of the Penny Gnomes. Not only do you have an omniscient narrator to tell the story, but the Narrator himself is a character that interacts with the young hero, Will. Can you explain the process that brought you to this writing choice? What have been the challenges of such a choice? The payoffs?

The Narrator is a combination of techniques both Terry Pratchett and Jasper Fforde use in their work. Pratchett is famous for his footnotes, in which the Narrator issues an aside to the audience. So my use of footnotes is an homage to him. At the same time, Jasper Fforde uses footnotes so characters can communicate with one another (3). These two techniques became the genesis of the Narrator, a literal bridge between the reader and the characters in the story.

The main challenge was to not have the Narrator appear to fix everything on every other page. I’m not sure he’s Omniscient in the usual sense, because he’s on the journey with Will. He knows things, but there’s still things for him to discover, which is unusual for the Narrator. The biggest payoff is what Pratchett discovered, breaking the fourth wall to have the Narrator speak with the reader is a great way to add some weight to the connection.

One of my favorite elements in your book are the unique traits that go into the characters, like Professor Nobody, the gnome fixed upon the creation of the perfect snack chip. What on earth (or elsewhere, of course) did you find the inspiration to gather up such traits, let alone names?

Professor Nobody was named because I loved the gag his name creates. The Narrator can say things like “Nobody smiled,” and every time he did it would make me laugh. Nobody is my favorite character to write, there’s a lot of depth in that mad scientist.

Bug was named just because I wanted a name to match his personality. His last name is really bad Koine Greek, and means, “Not of me.” So Bug’s name, though Bug is actually a  nickname, basically means, “Don’t bother me.” He’s unhelpful, grumpy, and points out the foibles of his own people group — which is something we are not supposed to do. Bug’s my hero.

Other names just… came to be. Though Grimby’s name is easy to confuse with “grimey,” which I enjoy.

The snack chip thing. I have no idea. I think Nobody pointed it out to me, if I’m honest, because it makes zero sense. I remember I liked the slogan “Snack Like Nobody’s Business,” which is a great pun on a number of levels, and ran with it.

While I have no idea how I came up with the whole snack chip think, their presence became a sign that he wasn’t giving up on The Realm. Nobody needed something to work toward, and what more ecould a deranged professor of Applied Imagination want than great snack chips?

Now I know you’ve got big plans for Realmian, what with saving imagination–and snack chip creation, and coffee, and Will–from pesky camouflaged lawyers in The Realm. Is there a sequel in the works with Bug, Professor Nobody, and the rest of the Penny Gnomes?

Yes, and I have you to thank for it, as you were the one who told me to keep exploring this world. In the second book the story will center around two the supporting characters I really enjoyed from the first book. It’ll follow Grimby the Dwarf and Fineflen the Darned Elf as they investigate a conspiracy to corrupt the Penny supply. The other characters will shift to supporting roles, with the exception of Sills.

Right now I’m mapping out the story in Aeon Timeline ahead of time, which will allow me to keep two separate story arcs in sync. This is fun, because it’ll be the first time I’ve tried to do this!

This is going to take a while. In the last six months I’ve managed to map out exactly two chapters!

If anyone wants to follow updates on The Realmian Adventures I encourage folks to follow @PennyGnomes on twitter. This is where I’ll be sharing updates, and where the characters sometimes decide they want to hijack the feed to add their own commentary.

1. And that’s if they’re winning. If they’re losing I get downright grumpy.
2. Which she sometimes forgets. She once told me she thinks Penny Gnomes should be a movie, but then remembered herself and shrugged with feigned nonchalance.
3. It’s complicated.

Aw, I was helpful! Well I can’t wait to see where you go next in The Realm, Wes. I think the cast change-up is perfect–just like Diana Wynne Jones in the Howl Trilogy. 🙂

~*~*~*~

THIS HOLIDAY SEASON, GIVE THE GIFT OF WORDS

photo of woman sitting near the christmas tree

Photo by NastyaSensei Sens on Pexels.com

I love giving books for Christmas: they engage and inspire over and over again. My kids are getting books, my husband’s getting books–words for everyone!

Feel free to give my book to people, too, nudge nudge. 😉

We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (3)

Know what? Authors would love to receive YOUR words for Christmas, too. Book reviews help writers reach new readers on Amazon and Goodreads. So spread some cheer this season by sharing your love  of your favorite stories online. We authors will love every word you say!

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

#writerproblems: #sacrifice in #storytelling & in the #writinglife

My NaNoWriMo word count shames me. I owe another writer interview answers. I’m supposed to reach out to a few other writers about co-promotion. I need to market. I need to plan. I need to write.

Yet there’s a tiny, sick little boy at my side, asking for Mommy’s comfort. How long will those tiny hands and tinier voice reach out to me, a source of love in his world?

Oh Bash. You are the source of love today.

I left writing behind that day to nestle with Bash and Hoppy to read Care Bears, talk about school, Christmas, and any think his little six-year-old mind could think.  At one point he looked outside and saw the half-moon, pale and shy in the blue sky. “Look, Mommy, a Dream Moon!”

What kind of dreams does the Dream Moon give?

“Dreams of looooove,” he says with that sly grin of his, eyes all squinty. Then his forehead furrows. “Or nightmares. That’s why you have to go to the Apple Castle and talk to Prince Hoppy.” And so the story went, filled with candy races and carrot swords.

Most stories we read contain sacrifices a bit more grandiose than lost writing time.

~*~

We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (4)Eight years of love went into this novel. One of the most important themes I got to explore in those eight years was that of family. Families are not always connected by bloodlines. So, so often, families are made with stronger stuff: love, respect, kindness, compassion, and…well, sacrifice. On this day of family and gratitude, I’d like you to have Fallen Princeborn: Stolen for free.

Yup. Totally free.

All I ask in return is that you leave a review on Amazon and Goodreads. Every review, and I mean EVERY review, helps a writer’s visibility in the virtual market.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

#readers, #celebrate with #BestSelling #RiverVine #stories & Fallen #Princeborn: Stolen– #FREE for a #Thanksgiving #Giveaway!

As autumn closes with a celebration of gratitude, I’d like to say thank you, fellow readers and creators, for giving my stories so much love. This weekend I found that FOUR of my six Tales of the River Vine hit the top ten in free YA monster fiction ebooks on Amazon, and they’ve stayed there. 

4TRVs in Top6 20Nov18

I’m floored, humbled, and thrilled all at once. To have stories that engage so many people…it’s as beautiful as the first snowfall of the year. I can never say “Thank You” enough!

What I can do is make the Platinum Edition of Fallen Princeborn: Stolen FREE today and tomorrow, Thanksgiving Day.

We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (4)

This particular edition contains the complete first novel, one short story from Tales of the River Vine, AND an excerpt from the second novel, Chosen. 

~A wee excerpt from Fallen Princeborn: Stolen to whet your appetite~

Arlen sits in the other armchair, opposite Charlotte, and sips his tea slowly, all the mischievous sparkle gone. When he fixes upon Charlotte again, her stomach hardens: he bears the same expression as Dad’s partner did when he came to the door ten years ago. “We are not speaking simply of fairies and folk tales. We are speaking of that about which man no longer knows anything at all. Ancient, real, and powerful.”

Dorjan’s eyes drift toward the fire as he sucks the last of the jam off his fingers.

Charlotte spins her finger to spool the air. “Whatever. Just tell me what I need to know so I can get my sister out alive.”

“That is my point, Miss Charlotte. I doubt your sister lived past dawn.”

Need a little music while you read? I got you covered! I wrote about some of the composers and soundtracks that helped me with various points of the narrative of Stolen. Do check out their work for reading, writing, living.

03a21c27d88fe0c12c6b9b291611b68eMychael Danna’s The Sweet Hereafter

Craig Armstrong’s Plunkett & Macleane 

The Who’s Quadrophenia

Peter Gabriel’s “Heroes” and “Wallflower”

Daft Punk’s Tron: Legacy

 

While I wrangle kiddos and candy sweet potatoes for Thanksgiving dinner with my family, please be sure to leave a review on Amazon and Goodreads! Every review, and I mean EVERY review, helps a writer become more visible on the virtual bookshelf.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

An #Author #Interview with @Celine_Kiernan, Part 2: #writing #characters to hook #readers of any age

199_Celine_webCeline Kiernan’s critically acclaimed work combines fantasy elements with the exploration of political, humanitarian and philosophical themes. She is best known for The Moorehawke Trilogy, a dark, complex trilogy of fantasy YA books set in an alternative renaissance Europe. In this second part of our interview, I ask Kiernan about writing characters and storytelling for a Middle Grade audience in her latest book, Begone the Raggedy Witches.

You created some amazing characters when you wrote The Moorehawke Trilogy. The trio of friends in the first book, The Poison Throne, are delightfully unique, genuine, and engaging. So much can happen in five years, especially when one changes from a child to a teen. What do you feel was the most challenging aspect of writing teenaged characters for The Poison Throne as opposed to writing them younger, or as fully-grown adults?

I didn’t find it a challenge. To be honest, I just write my characters as they are in my head. I make no conscious decisions re market or target audiences or anything. A book occurs to me and I write that book.

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Razi, Christopher, and Wynter of The Poison Throne

I think young characters can be tempting to write about, because it’s a time of life when you’re not too much tied down to the minutia of daily life (paying bills, feeding babies, getting to work on time) and so your mind can be better focused on big issues – and freer to physically engage with changing injustices. Everything is so new too – first love, first sex, first meaningful encounters with death, injustice, triumph, philosophy etc. In Resonance, however, the young characters are very much the working poor and so their minds are on how to get and keep work, how to pay the bills, how to survive in an unsympathetic society, while also battling the uncaring supernatural forces which want to use them up and discard them. In Moorehawke and also in Begone the Raggedy Witches, there are many older and middle-aged side characters which bring balance to the younger, innocent and more idealistic main characters.

Now the heroes of Into the Grey caught my attention for a different reason. Here, the protagonists are twin brothers. Being a mother of twin boys m’self, I find this particular bond both fascinating and exasperating. As a writer, what led you to select this specific kind of protagonist duo to head the story as opposed to, say, twin sisters?

41qspFfxpCL._SY346_Funnily enough there are a lot of twins in my books. Ashkr and Embla, the twin brother and sister, in Moorehawke; Dom and Pat, the twins in Into the Grey. Though it’s never made much of in the book I also always think of Aunty and the Queen in Begone the Raggedy Witches as being twins. I also have twins in two of my unpublished novels (brothers in one, sisters in the other) It had never occurred to me before to explore why, but I do think it’s probably because of my fascination with the different paths people take in life. What could be more interesting than two identical people, starting from an identical base-line, growing into individuals?

The twins in Into the Grey had to be boys as it was specifically a boy’s experience of war which I needed to explore in that narrative.

Now this year you published Begone the Raggedy Witches, the first book of a new trilogy. Unlike your previous works, this trilogy is geared for Middle-Grade readers. What are the benefits—and challenges—of writing this story for a slightly younger audience?

None really, to be honest. I just approached it as I always do. There was no historical research to these books, though, I guess that’s one difference. I was writing purely to explore personal and sociological themes within a pure fantasy set up. But the books didn’t feel easier to write than the more historically based ones. In fact, they’ve taken me longer than most of my other books to complete. (Mind you, this is happening more and more – I think it’s because I’m better aware of the craft now. My first draft takes longer to produce, but nowadays they’re more complete and better polished than previously.)

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Okay, I just have to end on the first line of Begone the Raggedy Witches, because it is KILLER:

“The moon was strange the night the witches came and Aunty died.”

Ye gods, we’ve got time, intrigue, magic, and doom all packed into one sentence! How on earth did you create this first sentence, and do you have any tips for other writers in creating that killer hook of an opening line?

The first chapter is nearly always the last thing I write. That’s not to say I have written a first chapter ( I write liner narrative, so I work from the start to the finish of every book) It’s just to say that I always go back to the first chapter and refocus it so that it better leads into the narrative. By the time you get to the end of your novel you’re always so much better tuned in to what the themes are, what the characters’ motivations and personalities are etc. etc., the first chapter should evoke or foreshadow these things, I think. Make a promise to the reader as to what journey this novel will bring them on. Often you can’t do that properly until you’ve taken the journey yourself. Funnily enough though, the first lines of most of my books have stayed the same through all the drafts. I can’t explain why. I think it might be because they’ve always been the point from which I enthusiastically dived into the process of starting a new novel. That excitement and enthusiasm doesn’t always last for the whole long, siege-like process, but its almost always there for the first line.

“The moon was strange the night the witches came and Aunty died.”

“We were watching telly, the night Nana burnt the house down.’

‘The sentry would not let them pass.’

‘For a moment, the Angel looked directly at him, and Cornelius’s heart leapt with joy and dread.’

All these lines were bringing me somewhere. All of them were promising me something – I had no choice but to follow them onwards.

My deepest thanks to Celine Kiernan for sharing her stories and experience in the writing craft. It’s an honor to speak with one whose creativity has influenced my own imagination for decades. Please check out her books & her site at https://celinekiernan.wordpress.com/.  Be sure to share a review when you read her, too!

Every Reader Matters!Thank you, dear readers, for buying Fallen Princeborn: Stolen! 

We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams.It’s still hard to believe my debut novel is out in the world. This story was born the same year as my daughter. Like Blondie, Stolen has gone through many growing pains before setting out to forge its way through the world (or elementary school–that’s epic enough for Blondie). Every time I see a purchase or read a review, my soul goes runnin’ through the clouds. To those who’ve read Tales of the River Vine or Stolenplease share your thoughts with me on Amazon or GoodreadsYour reflections mean all the world to new writers like me!

Shouting for Shout-Outs Again!

Now that we’re halfway through November, I’d like to start gathering up kudos and plugs from fellow creators to share on my newsletter on the 1st of the month. If you’ve a book, an album, a site, or all of the above you’d like to share with new readers, please email me and I’ll hook you up. 😉

Read on, share on, and write on, my friends!JeanLee-nameLogoBoxed

 

 

 

 

An #Author #Interview with @Celine_Kiernan, Part 1: #writing & #worldbuilding in #fantasy #fiction with a little help from #history

199_Celine_webBorn in Dublin, Ireland, 1967, Celine has spent the majority of her working life in the film business, and her career as a classical feature character animator spanned over seventeen years, before she became a full-time writer. I am honored to spend this week and next sharing her thoughts on world-building, research, character, audience, and hooks.

First, let’s talk about the imagination behind the worlds. I see on your biography you spent years in film and animation. What drew you to visual storytelling as a profession before written storytelling? How does your work as an animator influence the way you write today?

 

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Illustration of Chris and Wynter from Poison Throne

From the moment I could hold a pencil I was always either drawing or writing. In terms of satisfaction, I don’t think there’s a dividing line between the two disciplines for me. But at different stages in my life one has dominated the other by the simple fact of making me a living. At the age of nineteen I left college for an apprenticeship with the brilliant Sullivan Bluth Studios, and as a consequence of that went on to a 25 year career as a classical character animator (Land Before Time, All Dogs Go to Heaven, Anastasia, etc.). Animation is a great love of mine ( I animated the book trailer for Raggedy Witches and it was tremendous fun)–

 

 

–but it’s not really ‘story telling’ for me. It’s more akin to acting or dancing, where you’re using your skill to enhance or express someone else’s story. To me writing is my true story-telling outlet. You’re god of your own universe in writing. You get to explore the themes you want to explore, with the characters you most want to be with, in a world entirely of your own invention. Its purity has no equal. (I am a compete sucker for graphic novels, though. The combination of pure story telling and visual representation there is intoxicating. One day someone will offer to pay me to sit down and draw up one of my own scripts, at which stage I may just implode with happiness. Until then I get great joy in drawing bookplates and small illustrations for readers who contact me about my stories.)

I love utilizing the world around me as a foundation for world-building, which means Wisconsin’s landscape is a heavy influence in my work. Into the Grey and Resonance are both set in different historical periods of Ireland: the former in the 1970s, and the latter in the 1890s. What logic led you to choose these particular periods for these stories? Are there any pieces of the Ireland around you that helped inspire the settings? 

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Book plate for Into the Grey

Both Into the Grey and Resonance are set in very specific time periods due to the long and involved back stories which feed into the protagonists’ experiences. Although they are both readable simply as supernatural adventures (Into the Grey is a haunted house tale of ghostly possession; Resonance a story of inter-dimensional aliens and ‘vampiric’ immortal humans) there are deep historical roots to both that not only feed the story, but also the themes that I was exploring as a writer. For instance, Into the Grey explores the divided nature of Ireland’s history and the way our view of our selves and our lives is warped by the stories history tells about us. Resonance explores the value human beings place on themselves and on others, what does it mean to be alive, to be ‘worthy’ in other peoples eyes, etc. These underlying themes are the reason I write in the first place – I write in order to explore the world around me. But I love the stories to be readable as adventures too, to be scary and fun and exciting (in as far as you can ever anticipate what others will find scary and fun and exciting. I’ve found it’s best to just please myself in that respect and hope at least some others will enjoy them too.).

OLYMPUS DIGITAL CAMERAThe mansion in Resonance was deeply influenced by the exterior of Belvedere House in Co Meath and the fabulous interior of Bantry House in Cork, in which my son shot the linked video. (Bantry House is not at all spooky, but this video was shot as a specific tribute to Italian horror movies, so it gives the place the exact frantic, off kilter vibe that the I wanted for the later scenes of the book. It even has a dollhouse – though, admittedly, this one lacking a blood soaked four-poster bed!)

Question about your Moorehawke Trilogy: research. Clearly you did your share of research on medieval life to transport readers into the castle’s kitchens and secret passages. Ugh, that research! I know some writers love the research—friend and author Shehanne Moore does a ton of research for her historical romances, whereas I only research when I have absolutely no other choice. Now granted, that’s partly because I just want to write and work out the nitpicky things later, but the other part is that I get so overwhelmed in the data I can’t decide what details are necessary for the narrative’s clarity and what’s minutiae. Can you share some tips on how to research productively and selecting the best details to ground your readers in the setting?

I usually have a book in my head for a long time before I start writing it. For example, when my first agent took me on I was just finishing up writing The Poison Throne, the first of the Moorehawke trilogy. I still had to clean up draft one of Crowded Shadows and still had to write all of Rebel Prince. There was years of work ahead of me on Moorehawke (taking into account editing etc.) but I arrived at the agent’s with a biography of Harry Houdini in my hand, my reading material at the time. I’d already consumed many books on the history of the American slave trade and was nibbling away at websites and articles about the history of Jewish persecution in Europe. I knew that all of these things would feed into the characters and setting of Resonance, which was the book I planned to write after Moorehawke.

download (2)If memory serves me, it would be at least two years before I started draft one of Resonance, but at that stage I would have had over three years of historical research floating around in my head. I do this with all my books, this years of reading before writing. It means that when I start to write, my story and characters are already pretty firmly grounded in a time, place and setting. They live for me already. So, in a way, it feels like I’m writing about contemporaries. I’m used to the world they live in, and the relevant details settle naturally into the narrative. As I write then, it will be small things that need clarifying – was that type of knife available then? Did they eat that kind of bread? Would they have had access to carriages, to time pieces etc. etc. – and those things only crop up in the narrative if they’re important to the scene. You can quickly check them and move on with the story.

I do the same with all my novels (at the moment – while writing the Wild Magic trilogy – I’m consuming biographies from the 1700s, trying to understand the lifestyle and mindset of the people I hope to populate a future novel with.).

Don’t forget too that editing is a writer’s best friend. You should feel free to put as much useless trash into the first draft as possible. If it makes you happy or interests you, put it onto the page. You can always cut it later (as I’ve got more experience, I’ve learned to cut more and more. I’m far more spare a writer now than I was at the beginning.)

Another element in The Moorehawke Trilogy I LOVE is your world-building. You base the world in an alternative medieval Europe, where cats can talk to people and ghosts are common to see, but religions such as Christianity and Islam have a strong presence. You also explained much of the inner workings of castle life without making readers feel like they had wallowed into info dumps. Exposition can be such a dangerous line to walk in epic fantasy—how on earth did you craft those paragraphs to help readers learn your world without slowing down the narrative?

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Tattoo design for a Moorehawke reader

 Thank you, that’s so nice of  you to say. I do feel that one person’s excruciatingly slow narrative is another person’s meaty delight, so I think the best approach is to write as you like to read and try and be honest to that. However, it’s a good idea to ask yourself in edits whether the information is truly important to the story itself – whether it furthers the readers understanding of the characters, or the plot; or whether it nudges them deeper into the mood or atmosphere of the scene. If it does any of those things, then it’s working for you and you might consider keeping it. Get honest beta readers too – people who will tell you where and when the story has begun to slow or drag for them. Try and get a few of them. If they all tell you that a specific portion of the narrative is a slog for them, then you need to consider cutting a little deeper or refocusing. Make sure the narrative is telling the reader something new or important, and that they feel rewarded by the read.

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Stay tuned next week for more from Celine Kiernan! Now pardon me while I, an 80s child raised on Bluth films, fan-girl squeal for the next several hours. To meet a storyteller of powerful fiction who also helped create the visual stories from my own childhood is soooooo awesome! EEEEEEEEEEEEEEEEEE!

Ahem.

Time to be professional.

Stolen-KindleCvr-MARKETINGI’ve more thanks to share with wonderful indie writers who took time to talk to me about my novel, Fallen Princeborn: Stolen. 

+ Writer and Environmental Lawyer Pam Lazos shared such a lovely interview–I blushed when she called me “a writer’s writer!” Thanks, Friend!

+ Young-Adult Sci-Fi Author S.J. Higbee wrote both an interview and book reviewThank you SO much!

+ Writer and fellow Wisconsinite Jon also wrote both an interview and book review, and on top of shepherding a church, too! You’re too kind.

These are talented writers with stories of their own to tell, so I hope you check them out. Please be sure to share your own thoughts on Stolen or my FREE collection Tales of the River Vine on Goodreads or Amazon–I’d love to hear what you think. 🙂

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

 

#Halloween2018 is here. Fallen #Princeborn: Stolen is here. #FREE. #onedayonly. Enjoy a little #trickortreat, #readers, with some #adventure & #romance in this #darkfantasy #BookLaunch!

Good morning, folks!

Pretty sure I’m not going to be breathing much today.

Today, from sunrise to sundown this Halloween, Fallen Princeborn: Stolen is yours.

Free.

Copy of We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams.

What’s particularly awesome about this release of freeness (new word!) is that the platinum edition includes “Tattered Rhapsody” from Tales of the River Vine as well as an excerpt from the second novel, Chosen. 

Not sure you want to snatch it up? Check out what these amazing writers and readers have to say about it:

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The rich sensory images and tight POV kept me so tangled in the story that I had to keep reading to see what would happen next. I particularly enjoyed the dynamic between Charlotte and her sister, Anna- the love and pain and frustration that can only come from family. Charlotte’s determination to protect Anna, whatever the personal cost, endeared her to me. The dark world beyond the Wall is fascinating, the shadowy characters an intriguing blend between Light and Dark. While the story arc had a satisfying wrap-up, it also left me eagerly awaiting the next installment! –Amazon Reader

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Copy of We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (1)“This gripping YA fantasy about Charlotte’s encounter with the fae comes complete with a prince… but he’s no Prince Charming, while they’re definitely nothing like Tinkerbell.” —S.J. Higbee, Sunblinded trilogy

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I love that this novel takes place in a fantasy realm quite different than most out there, which makes it harder to guess what’s going to happen next. Charlotte is an interesting heroine to root for, and the book is an overall good mix of adventure, humor, and romance. I got caught up in the story and read this in just a day or two, and now I can’t wait to read the next one! –Amazon Reader

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“Part psycho hitchhiker movie, part road trip to Rylyeh, Fallen Princeborn: Stolen drags the reader deep into Faerie, burns it down, and caramelizes expectations.” —Moss Whelan, Gray Hawk of Terrapin

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Copy of Copy of We have all of us had our bloody days, Charlotte. For many it is easier to remain in them than to change. To change requires to face a past stained by screams. (1)Lee writes from a third-person, present-tense point of view, but the tale is still told very much from Charlotte’s perspective, spurning exposition in favor of snippets of teenage angst. Charlotte emerges as a believable survivor—strong, determined, and devoted to her sister, but also vulnerable, with a deeply buried sense of hope…. Anna is similarly convincing as the resentful younger sister, while the fairy folk walk the line between being straightforward villains and antiheroes. The fairy realm itself is more grim than enchanting (think the Upside Down from the Netflix TV series Stranger Things), and the fact that Charlotte is trapped there—an echo of her family situation—lends an uneasy edge to the would-be romance. –Kirkus Reviews

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So, whatcha waitin’ for, folks? Halloween comes but once a year. When Halloween ends, so does this offer for a free adventure into a world of magic and mayhem, family and feeling. Don’t miss out!

If you would rather read Stolen in separate parts, check out the Green and Gold editions. Be sure to leave your thoughts on Amazon and Goodreads, too, because seriously, every review means the world to writers.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

 

#Celebrate #Halloween2018 with #adventure & #romance in a #darkfantasy. Fallen #Princeborn: Stolen will be #FREE for #onedayonly!

Good morning, fellow readers and writers! Thanks so much for clicking on this post.

Stolen-KindleCvr-MARKETINGYes, you read that title correctly. Fallen Princeborn: Stolen will be free for 24 hours. Not only do you get the entire novel, but one of my short stories from Tales of the River Vine as well as a preview of the second novel, Chosen.  I promise you, you won’t wind up like Charlie Brown with a bag full of rocks this Halloween. Grab this treat tomorrow while the grabbing’s good!

 

 

 

 

 

So many wonderful fellow writers and readers have been sharing their thoughts on my stories, or sharing their space with my writing. Please check out these amazing authors today!

cropped-for-webSally Cronin’s shared a lovely “getting to know you” post on her site, Smorgasbord Blog Magazine. 

 

 

 

 

 

jayJames Cudney provided a kind review of my first Tale of the River Vine. I hope you stop by to see it on his site, This is My Truth Now.

 

 

 

 

 

bookshop-ruth-annie-e1534711218698Cath Humphris asked me how Stolen came to be published. I share the story on her site, Driven to Read: Driven to Write.  

 

 

 

 

 

 

My undying gratitude to these wonderful people–and to you, reader! If you have already read one of my stories, please be sure to share your thoughts on Goodreads and Amazon .

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

Surprise #Countdown! My #debut #darkfantasy #YA #novel Fallen #Princeborn: Stolen will be #FREE on #Halloween!

Eight years of writing. Rewriting. Creating. Destroying. Crying. Laughing. Dreaming.

Now, after all those years, it’s just a couple more days until Fallen Princeborn: Stolen is released.

Let’s get into the mood for tricks and treats by stepping out and enjoying the bounteous harvest of pumpkins…and fellow writers. 🙂

My many, many thanks to these comrades in words for sharing their thoughts on my writing, or letting me share a bit of myself on their sites.

TalesRiverVine-Cover-COLLECTION-wBranchesWriter and reader Cath Humphris provided a lovely book review of one of my Tales of the River Vine some time ago. I’d love to share it here now!

 

 

 

 

 

Laurel Wanrow_author photoFellow Indie fantasy author Laurel Wanrow interviewed me on her site not too long ago. Read it here!

 

 

 

 

warmerstar21Painter and writer Sue Vincent invited me to share some imagery from Wisconsin and how the landscape inspires my writing. Check out the post here!

 

 

 

 

More guest post links and reviews will be harvested and shared over the next few days. If you have already read one of my stories, I’d love to hear what you think! There’s plenty of room on Goodreads and Amazon for your thoughts.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed

#writerproblems: #writing the cracks into the tough exteriors of #character

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My sons dress in their Transformer costumes  with giggling hops. “Trick or treating!” They chime over and over, so thrilled to begin the candy feast early with a special Halloween event at the zoo. My little Optimus Prime and Bumblebee are ready to roll out against Decepticons and other devious evildoers in the name of candy.

20181013_160513Our exteriors say so much about us. I’m not just talking about donning the armor of alien transforming heroes, but our behaviors around other people. How we are around others can differ vastly with how we think, act, and exist in solitude. We–and our characters–are so often “more than meets the eye.”

 

hungergamescover.jpgLet’s consider a few examples, beginning with the well-known Katniss Everdeen of Hunger GamesThe story opens with Kat being tender to her younger sister Primrose on the morning before the Reaping, when candidates are selected for the Hunger Games. When Prim’s name is chosen, Kat cries out to volunteer in her sister’s place. Prim tries to stop her, but Kat refuses to give in.

“Prim, let go,” I say harshly, because this is upsetting me and I don’t want to cry. When they televise the replay of the reapings tonight, everyone will make note of my tears, and I’ll be marked as an easy target. A weakling. I will give no one that satisfaction. “Let go!” (23)

From here on out, Kat is about as gruff and curt as she can be with nearly every other character in the book. She knows what it means to hunt, starve, and lose a loved one.  Kat’s determined to survive for her family’s sake, which means she will not let any other tributes figure out her skill set or weaknesses.

But I want to note here that Kat does have a tender heart. It’s been burned, yes, but it’s there, visible any time Kat’s with her sister (and her eventual love interests, but blah blah on that for this post). Had Suzanne Collins merely wrote Kat as a hunter without family–that is, made Kat nothing but her tough shell–then what would Kat’s motivation be? The entire tone of the narrative would change from one of survival to protect to…acceptance? Glory? Who knows?

Heroes and villains both can have these tough exteriors with the occasional crack. And cracks they must have, or again, readers will think the character nothing but the tough shell. Take two of the primary characters in The Boys— Homelander, leader of the elite superhero group The Seven who is also the primary antagonist of the series, and Butcher, leader of The Boys, the group created to keep superheroes in line.

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Each has their tough exterior: Butcher can be a right bastard to people, ready to literally rip someone to shreds for being a “supe.” Homelander, all posh and elegance in front of the cameras, is all too eager to make Starlight have oral sex with him in order to join The Seven. He’s also gathering up all the superheros to support a takeover of the American government, all too eager to cut the corporate leash upon him with a blink of his eye lazers.

Yet this same Homelander will cry in a fetal position in the bathroom, asking himself why he can’t remember ripping up human beings with his teeth. This same Butcher didn’t always swing fists or revel in pain. He had a wife once. He had love once. And because Butcher once knew love, he’s willing to give his fellow Boy and friend Hughie a chance to save his girlfriend Starlight before Butcher attempts to wipe every supe off the planet.

These cracks don’t have to appear often. If they did, then readers and other characters aren’t going to see a “tough” exterior at all. These cracks need only be visible at a few important moments for the sake of plot, conflict, or other narrative element.

0ec02f8f9ecca578aff44696813f0596.jpgConsider the classic A Christmas Carol (Yes, I know it’s only October, but hey, there’s ghosts in this.) The Ghost of Christmas Past has brought Scrooge to his years of apprenticeship under Fezziwig. The Ghost points at Apprentice Scrooge and the other youths praising and thanking Fezziwig and says:

“A small matter…to make these silly folks so full of gratitude…He has spent but a few pounds of your mortal money: three or four, perhaps. Is that so much that he deserves this praise?”

“It isn’t that,” said Scrooge, heated by the remark, and speaking unconsciously like his former, not his latter self. “It isn’t that, Spirit. He has the power to render us happy or unhappy; to make our service light or burdensome; a pleasure or a toil. Say that his power lies in words and looks; in things so slight and insignificant that it is impossible to add and count’em up: what then? The happiness he gives is quite as great as if it cost a fortune.”

He felt the Spirit’s glance, and stopped.

“What is the matter?” asked the Ghost.

“Nothing particular,” said Scrooge. (49)

See that? For a brief moment, Scrooge is no longer the “Scrooge” we saw at the beginning. The bitter miser has been replaced with a man of passion for his first employer and mentor. Only when the Ghost of Christmas Past studies him and calls attention to the crack does Scrooge seal his exterior back up again. But thanks to this moment, the Spirit and readers both know there is more to Scrooge than the opening pages suggest.

I’ve been thinking about these tough exteriors a good deal with my Fallen Princeborn series, especially with my latest short story,  “Tattered Rhapsody.” The last story in my collection Tales of the River Vine centers on heroine Charlotte: her ragged, “goblin-bent” form of broken fingers and boney limbs. Her quick words and quicker fists. Her music. Her sister. And, at last, a moment of true hope.

One of the elements within a timeless story are complete characters: not just HEROES made only of dash and daring, or VILLAINS only vile and wicked, but people. People who don an armor to protect their inner selves, who only reveal those inner selves when least expected by readers–or themselves. What hopes and fears hide behind your characters’ armor? Set them alight, and let readers see–just for a moment–the cracks in the tough exterior.TatteredRhapsody-TitleImage

Thanks so much for reading. As previously mentioned, the last short story in my collection is now available FREE on Amazon, Nookand other outlets.

TalesRiverVine-Cover-COLLECTION-wBranchesShe’s only eighteen, yet scars cover her body.
Both hands are cut and bruised. One finger is broken.
Yet when she touches a keyboard, angels and demons collide.

She has only two cares: her music and her younger sister.
Because they’re all she’s got—
They give her life meaning.

Meet Charlotte Aegir, a gifted pianist, a troubled teen trapped in an abusive home with no way out—
Until she’s offered the chance of a lifetime, a chance to save herself and her sister.

But little does she know that she’s headed for River Vine, an enchanted land where an ancient race of predatory shapeshifters reside, and where protecting those she loves comes at the awful price of sacrificing everything she holds dear.

This is Charlotte’s story: that turning point in her hard, young life before she awakens into the world of the Fallen Princeborn.

Grandma's Special Herbs

Stolen-KindleCvr-MARKETINGIt’s been so exciting to read comments and reviews from readers. If you snatched a free copy of Fallen Princeborn: Stolen during my ARC giveaway, I hope you’ll share your thoughts on Amazon and Goodreads! You can share your thoughts on the short stories there, too. Seriously, every review makes a HUGE difference for these stories’ visibility on the global bookshelf. Even Kirkus Reviews has some pretty sweet things to say about Stolenclick here and see!

For those waiting to purchase a copy: next week, folks. Next. Week.

AAAAAAAAAAAAAAAAAAAAAAAAH!

Ahem.

Read on, share on, and write on, my friends!

JeanLee-nameLogoBoxed