My previous music post connected with quite a few genres of storytelling: mystery, horror, and adventure. I’d like to spend a touch more time on mystery, as I’m currently writing the third novel of the Fallen Princebornomnibus, whose plot is riddled with mysteries both solved and begun.
Finding the right atmosphere for mysteries is not always simple. Is this a murder mystery with a steady body count, death threats and chases galore? Or is this mystery more slow-burn style, a hunt for the conspiracy with little blood seen but destined to be found if the mystery isn’t solved?
I love both kinds, so of course my book’s a mix of both. While scores like Mad Max: Fury Road, Batman Begins, Bourne Supremacy, and others of heavy percussion help with action-heavy moments, it’s important to find the music to counter-balance that. Mychael Danna’s Breachhas some lovely tension-filled moments, but I’d like to highlight another score of beautiful, unsettling ambiance: Alexandre Desplat’s The Imitation Game.
Once again, Desplat’s use of the piano is superb. Those first few seconds of solo piano and a low running bass note immediately establish a sense of problem, of not-rightness. The repetitive run of four notes throughout the entire track also gives that feeling of mechanization, of clockwork not in our control. The strings that swell in around the 40-second mark bring a bittersweet air to them, harmonizing with the piano, but more often in a minor key than a traditional major one. Woodwinds are held off until the last minute of the track, and here, the oboe gets a chance to shine. I’m usually not a fan of the oboe (I blame one of my elementary school classmates in band who had one and NEVER learned to play it correctly. Honestly, nothing sounds worse than an awful oboe except maybe an awful violin played by me, ahem.), but when done right the oboe provides a strong yet light tragic air to a melody before it subtly fades into the quiet.
Even Desplat’s percussion is kept relatively light.
With another arpeggio, this time in a lower key, and a few percussion instruments like rhythm sticks, Desplat creates a menacing air fitting for the wartime conflict. This story is, after all, not one of the front lines and bomb raids, but the one fought out of sight, where coded words are as deadly as any missile strike. Even xylophones and chimes are put to use, but unlike Danna’s score for Breach, though here patterned melodies provide that feel of mechanization…but not the circuitry of some computer. Here it is time to follow the journeys of logic to decode nature and language.
Whether you are a reader or writer of mysteries, I heartily recommend Desplat’s The Imitation Game to create that air of hidden conflicts and pursuits for truth. Give characters the unspoken need to embrace the mystery.
I connected with P.J. Lazos online as a fellow indie writer of fiction and nonfiction. Her discussions on environmental issues, writing, human virtue, and family are so compelling that I just had to introduce her to all of you.
First, let’s talk about you. Your biography reflects many passions: a passion for truth as a journalist, a passion to fight for what can’t as an environmental lawyer, and a passion for words as a writer. Which of these passions shown itself in you first, and how did it influence your other passions?
I think my strong sense of justice started in childhood. My mother had a baby who died at three months old. I was three years old at the time and remember thinking how unfair it was for our family, but especially for my mother who was devastated by the loss. I think I tried so hard to make it right for her, but of course, what could I do. Maybe the words grew out of that experience — definitely the emotion. I remember journaling when I was a kid although then it was called “keeping a diary” an no where near as in vogue as it is now so clearly the name change helped. As for my bit with the environment, well, my mom used to wrap me in a blanket and tuck me under the big oak tree in the backyard and I would lie there and have a conversation with the tree, or at least that’s what it looked like in the video, so I think that started then, too.
Your Six Sisters series delves into the nuances of family life and all its beautiful imperfections. Now I’m not going to strictly ask if this is autobiographical, but were any characters inspired by family or friends in your life? What drew you to share their stories?
That’s funny. My brother-in-law from my first marriage — I still maintain a solid relationship with my ex-husband and former in-laws — asked me the same question about List of 55. The answer is complicated. No, in that the over-the-top behaviors of the characters in that story were definitely not us, but yes in that the underlying emotion behind a break-up was definitely there. You don’t have to have a specific experience to write about it convincingly as long as you can access the emotion behind it. For example, I remarried and my now husband’s first wife died when their two kids were very young. Hearing that story from his POV allowed me to access his unbearable loss and I created a character — David Hartos in Oil and Water — loosely based on my husband who was also a commercial diver. He provided me with insight into how a heart completely busted open by grief struggled to raise two kids as well as how the world of commercial diving worked. I think that as writers, a piece of you lands in every story you ever write, but some are just more autobiographical than others. The part of List of 55 where the central character has a miscarriage — that precise situation did not happen to me, but I did have a miscarriage in a bathroom stall at 30th St. Station in Philadelphia and I think it may have been the saddest, most horrific moment of my life. I tried to write about it before, but it never came out with the gravity I wanted to convey so I put all that angst into Belinda’s character and that’s what I got. Sometimes it’s easier to process your own pain through a made up character. Isn’t that a staple of psychological counseling for kids, and aren’t we all just kids walking around in adult bodies, still harboring all the crap and still relishing all the joys we experienced in childhood?
Now, your most recent novel, Oil and Water,is an environmental thriller. Considering your legal expertise, I imagine you didn’t have to do a ton of research for this novel…or is that being presumptuous?
Yeah, I wish it worked that way for me, but it doesn’t. I started with doing some initial research about converting trash into oil and about the Marsh Arabs and the wetlands in the Fertile Crescent (which you would remember from studying Egypt or Mesopotamia), but a lot of the rest, like you, I googled as I went. I have enough information in my head to get me started, but my memory isn’t always a straight arrow so I need to fact check. My favorite kind of fiction is where you learn something so I wanted to be sure I was passing on real time information.
As the premise of Oil and Water brings readers to difficult questions about our dependence on fossil fuels, your website Green Life Blue Wateralso informs readers of some amazing environmental initiatives that are doing their communities some good. Are there any current programs you’d like to highlight right now?
Rain gardens and aquaponics! I’m a member of the Junior League of Lancaster, a group that’s been operating in Lancaster since 1923. This is my 8th year in the League and I love being part of a volunteer women’s organization. We are doing some really cutting edge stuff like building rain gardens which are basically bowl-like depressions planted with hydrophytic plants that hold stormwater and rain water in high flow times as a way to divert it out of combined sewer system.
This year we’re adding aquaponics to the mix which is basically a fish tank with food growing on top — veggies, herbs, whatever you want (well, maybe not pumpkins). The fish poop fertilizes the plants so it’s a self-contained system. We’re doing a pilot project at an elementary school here in Lancaster, installing four tanks in four second grade classrooms and putting together some curriculum to go with it. We want to make a “pizza garden” with basil, oregano, cherries tomatoes, and a few other things so when the kids harvest the food in the tank we can throw them a pizza party. So lots happening: how ecosystems interact, close up look tan water and nutrients, nutrition, and more, I’m sure. Hands on learning is really the best way to get those kind of lessons across. I just learned that the Aztecs were the first to do aquaponics. The called it Chinampas. So you see, I’m learning something, too.
You are also a member of the Insecure Writers’ Support Group, correct? Can you tell us a little about this program and how writers can join?
I actually don’t do that anymore. It was quite fun, but a friend of mine asked me what I had to be insecure about since she loved my writing. That started me thinking about The Law of Attraction and how what you think about all day long is what manifests in your life so I stopped participating in IWSG and started participating in WATWB, We Are the World Blogfest, which had just started. WATWB happens on the last Friday of every month and it showcases positive news stories as a way to counteract all the negativity in the world, an “accentuate the positive” approach to news and life. I also found this group to be more “my people”, writers all, but focused on social justice, environmental issues, a better life for all people. Plus you get a real lift from reading the stories people post.
Lastly, what advice would you like to share with those who are unsure how to explore their family or other passions with writing?
Journaling is always a great way to get started. I always kept a kind-of notebook, but when my daughter was born, a friend gave me a beautiful black sketch book with lovely, creamy paper. I had four months off from work, plus another four on a very part-time basis, I wrote a journal in earnest, a love letter to my kid that I intend to give her one of these days when she’s ready to read it. Her dad and I split before she was born and I wanted to get everything I was feeling down on paper. We joke now that she came out screaming because I was so angry when I was pregnant. Unless I’m reading her wrong, today, like me, she laughs readily and sees both the irony and the gifts in most situations. I don’t write in a journal as much as I used to, but I have a blog and much of what I would write in the journal goes in the blog. One thing I would suggest and that I myself need to get back to is morning pages, something Julia Cameron suggested in “the Artist’s way.” A brain dump every morning to get the gook out and start fresh — something that both reaps and sows benefits. Your mind is clearer, and you’re not as much of a jerk to the the person behind the counter who gets your order wrong or the one who cuts you off in traffic. It helps you to be more chill, in addition to generating ideas, and we all could use more of that.
My deepest thanks to P.J. for taking time to time to talk to us! You can find her Amazon page here and her Twitter page here.
Would you like to be interviewed on Jean Lee’s World, or plug your creative work in my newsletter? Contact meand let me know!
Oh, and I just gotta say how cool it is that four of my Tales of the River Vine are STILL in the Top 10 Free YA Fantasy Monster Fiction.
That’s two months now, and going strong! Thank you thank you THANK YOU! I do hope you’ll leave a review letting me know which characters you dig–and which you want to see more of! I’m brainstorming up some more Tales while working on the novels, and would love a little reader input. xxxxxx
Ah, January 2019, you give me so much hope for the coming year! We must begin with stories, for of course we must. Whether you love to read or to write, you are here to experience a story.
Have I got the stories for you!
Not just my own fiction–I’ll get to that. No, I’d like to introduce you to some wonderful indie writers who have been publishing on Channillo, a subscription-based publishing platform stocked with hundreds of stories written by talented writers from around the world. A few Channillo writers have stopped by to share their stories as well as why they feel serialized fiction is awesome for readers and writers alike.
Let’s start with some basics. Your name and title(s) on Channillo, please!
Nick and Amy have been married for seventeen years which is a big deal because marriage is hard and messy and a fifty percent divorce rate and all. Nick and Amy live with their three kids in the middle of the United States, in a place like Iowa or Ohio or some other smallish, flat state with too many vowels, growing corn and soybeans, making it basically indistinguishable from any of the other states around it and uninteresting to anyone that didn’t grow up there. Nick is a procrastinator by nature which drives Amy crazy and Amy is spicy when she gets annoyed, which Nick adores. Together they are every marriage still trying to keep it real after almost two decades together while dealing with the not-so-fun parts of everyday life.
Leda, a young woman who moved to Japan to escape her abusive family, is slowly adjusting to her new life. She’s learning Japanese, making friends, and enjoying the summer festivals. On the day of the famous Tanabata festival, she finds a small shrine – but when she steps out of the shrine, she steps into Edo Era Japan.
Trapped 400 years in Japan’s past, what follows is half fantasy, half historical fiction. Is her coming here an accident? Or does it have something to do with the sudden appearance of European ships off the coast? Leda must discover how she ended up in this situation, and how she can get back home – or if she even wants to go back.
What made you choose publishing your work as a serial as opposed to a collection/novel?
Seitz: I do write novels in the traditional way, but writing Nick & Amy as a short story serial on Channillo gave me the opportunity to put something out every other week and get immediate feedback, which is not how writing a novel works. It’s quite refreshing to show the world what I’ve been working on for a week, get a laugh or two, and then do it all over again, while working simultaneously on a novel project that no one will see for months.
Oga: I choose to publish my work as a serial because I don’t have a complete manuscript. It gives me to the opportunity to share the parts I have written and see how interested people are in the work. Also, the pressure to publish the next installment in the series is a good motivation to write. Writers love deadlines.
Lee: I wanted to write a serialization. I guess I was inspired by things like manga, which have contained stories within an overall larger arc – and can go on indefinitely. I was also romanticizing the turn of the century, where authors like Charles Dickens would publish their novels as serials, sometimes not even knowing the ending or how long it would be.
I like how flexible serialization is.
I found this quote published in The Washington Post back in 2015, and I’d like you to comment on it:
Critics will undoubtedly moan that serialization would favor literature that’s heavy on cliffhangers and light on subtlety — and that it would corrupt more “serious” works. … Yet it requires the same characteristic any worthy novelist already seeks: momentum — a value that needn’t come at the expense of integrity. -Hillary Kelly, “Bring Back the Serialized Novel”
Seitz: There is truth that serial literature requires a reason for the reader to keep coming back for more, and maybe it works best as a cliff hanger for many serial stories. But at the heart of any story, a hard cover NYT Best Seller or an online serial, isn’t that exactly what every author is striving for? Spinning a story so thrilling or hilarious or mind-blowing that their reader can’t stop turning the pages though it’s hours past their bedtime.
Lee: You can’t tell me that modern novels don’t rely on cliffhangers. Have you ever read a YA novel? Look, cliffhangers aren’t bad, tension is not bad, motivating your readers to read the next instalment by getting them emotionally invested in a character is not bad.
A novel is like a movie, it comes out all at once. A serial is like a TV shows, building anticipation for the next chapter every week.
What benefits have arisen with plot, character development, and/or voice as you write a serial?
Seitz: I wanted to write Nick & Amy as a series of realistic fiction vignettes, every day funny stories about a regular married couple that don’t necessarily build on each other, but add another layer to the relationship with each new installment. As a serial, it’s been a fun way to play with building strong character development little by little in Nick and Amy, exposing deeper aspects of their marriage, relationships, and personalities through whatever daily adventure I’m putting them through.
Lee: I can experiment a lot more. I can have story arcs that focus on one particular character, or do a fun story that really has nothing to do with the overall arc, but adds to the atmosphere and the tension in the story. I feel like I just have so much more liberty telling this story.
What do you think draws readers to read serial (non)fiction?
Oga: Brevity. Our attention span is getting shorter as there are more and more things vying for it. People are drawn to serial works because the instalments are succinct. Serial successfully heighten pace and suspense. It enlightens and entertains long enough to hold the reader’s attention. It gives readers breaks between instalments to get them interested again. Each instalment starts strong, finishes strong, and creates suspense to intensify anticipation for the next.
People also like the participation in following a serial. Without the ability to read ahead, people are on the same page in terms of discussions of the work. Everyone tries to keep up with the reading in order to keep up with the conversations.
Lee: I think people like the anticipation. They like being rewarded every week with a new instalment. They like to wonder between instalments about what’s going to happen next. It’s a kind of interactive way to read a novel.
What advice do you have for fellow writers who want to give serialization a go?
As with anything artistic: just do it. If you don’t like it, or it fails, you have nothing to lose. It’s all experience that will help you with your next project.
Do you receive any reader feedback on your writing as it’s posted? What do you do with those reader comments?
Oga: Comments are important. Good or bad, they reveal how readers perceive my work. I cherish comments a lot because they help me better understand my expression of thought and plots. Comments help answer a lot of questions for me. Did my work inspired the emotions I hoped to raise? Did it enlighten the reader as I’d hoped? What is the reader expecting in the next installments? Is my work gripping enough?
I use comments to write better.
What advice do you have for fellow writers who want to give serialization a go?
Seitz: Give it a try! Serial fiction certainly wasn’t in my wheelhouse, but it’s helped me grow as an author, forcing me to work harder at making a story tight, concise, and well done in less time and in less words. It’s sharpened my skills as a writer and it’s been a fun learning curve. It certainly helps to do some planning beforehand to decide what you want the series to look like, but beyond that the freedom it gives you makes the writing rewarding. It helps to find it a good home for your serial, like Channillo, where the diversity of material, styles and authors is celebrated and embraced.
Many thanks to my fellow Channillo writers for their time! It’s important for us to challenge our writerly selves, just as it’s vital to expand our reading horizons. Channillo gives the opportunity for both. I do hope you’ll check them out…and perhaps my own books, too, nudge nudge. 😉
Reverend Wesley Allen is a delightful friend and fellow indie writer with a new book,In the Land of the Penny Gnomes.Today we discuss our mutual love of writing fantasy, balancing family and the writing life, and more.
I love this line from your “about” page on your site, Painfully Hopeful: “I hope that I can be a decent pastor, geek, father, and husband. It’s just sometimes I’m painfully aware that I’m not quite all that I want to be.” Let’s address your family first. You have a wife, two teenagers, and a baby. Just…I cannot fathom having a baby at this point, let alone with teenagers in the house. Do you manage to squeak a little writing time in every day, or just on Sunday afternoons, or when? Does your family root you on in the writing process, or do you keep your stories to yourself?
I am also unable to fathom having an infant in the house. Still, he’s pretty cool and I’ve raised kids through adolescence so poopy diapers and crying isn’t as daunting as it used to be. When Bump doesn’t want to sleep at night, though, I get a bit cranky.
I do write a bit most days, but I’ve managed to write only one short fiction piece for my blog since Bump’s been born. I need to get into a mindset to write, and it’s been hard to find the space to get there. My imagination is still going strong, though, and I’ve got stories running around in my head. I also have to write a sermon every week, so there’s that.
And Sunday afternoons are not good writing days. My introverted brain is basically a bowl of oatmeal by Sunday afternoon. It’s all I can do to scream at the Eagles when they’re playing. (1)
My family really isn’t involved in my projects. My wife isn’t a fantasy fan, my daughter likes to pretend she doesn’t care (2), and my older son just kinda grunts at me when I mention I wrote something. Bump drools on my keyboard. I’m sure if I pushed things a bit more they’d show more interest, but I don’t feel compelled to do so. When I was growing up my family referred to my daydreaming state as “Wes World.” I could dive so deep into my imagination people could be screaming at me and I would barely notice — it was my place to be one my own with my thoughts. As my writing basically emerges from that space it continues to be a solitary endeavor.
As a child of a preacher m’self, I know how one’s life merges to be one with the church sometimes. Personally, I like when storytelling allows me to separate from that environment, but there are ways when faith weaves itself into the fantasy world-building whether intended or not. Do you consider your faith to be a major or minor influence in your writing? How so?
I’m not sure I’d categorized it as “major or minor,” as that would imply faith was merely a component of who I am. Faith is the core of my being, it’s who I am.
But, because I’m quite comfortable with faith being who I am I do not set out to write “Christian stories.” In fact, using the word “Christian” as an adjective to describe a particular set of pop-culture media makes me want to throw up. I guess I’m with Tolkien — too much of what I see in “Christian” pop-culture is reduced to a blunt allegory which has deluded itself into believing it’s subtle. It’s icky.
At the same time, because faith is what I am, of course there are aspects of my faith which can’t help but be seen in my writing. But I try to evoke them as applicable expressions. The idea that good exists, that there is always a larger narrative, and that a people’s story matters all spring into my work though my faith. But I hope they resonate with any reader, and not just “religious” ones.
Having said all that, I am working on a devotional which works around short fiction pieces, but even then the pieces are there to provoke thought and not just telling people what to believe.
About the Pictures
On top of all this, you still find time to get out with your camera! Do you find the images you capture to inspire your storytelling, or do you enjoy time with your camera as a break form words?
Since I love to take Bump for walks, I’ve been able to keep up my photography hobby throughout his early months. I don’t know if photography is a break from words so much as it is permission to pay attention. I live in my head, photography gives me a window to see the world. At the same time, I hate photographing people. I love landscape, as they don’t look at you funny.
And, yes, photography has inspired me to write. When I share photos on my blog they are accompanied by a short meditation, which helps me process what I’m seeing. And the third world I’ve created, The Kingdom of Parallel, was inspired by a photo I took at Sunset. The story has evolved away from the inspiration that photo provided, but the world wouldn’t exist without it.
You’re also keen on using technological resources. I’m hoping to finally start using a program or two m’self, such as Scrivener. As a writer with multiple devices and obligations, which program do you find most useful for building and writing a fantasy world and why?
As you mentioned, Scrivener is huge. I’d be lost without that program, and version 3 on the Mac is superb. All my writing is done inside Scrivener.
For world-building Aeon Timeline is an application which helps me give context to my writing. I love visuals, and the character creation tools inside Aeon Timeline help me visualize how old the characters are at the time of the story. I have to imagine ahead of time, which takes out a lot of the guess work.
And then, interestingly enough, I love minecraft as a world builder. In fact, the first novel I completed, Welcome To The Valleys, was started because I wanted to write the story for the world I’d both explored and created. As I explored villages, terrain, and roadways I could visualize the world as a living space, which made it fun to write.
About the Book
Now let’s talk about your book, In the Land of the Penny Gnomes. Not only do you have an omniscient narrator to tell the story, but the Narrator himself is a character that interacts with the young hero, Will. Can you explain the process that brought you to this writing choice? What have been the challenges of such a choice? The payoffs?
The Narrator is a combination of techniques both Terry Pratchett and Jasper Fforde use in their work. Pratchett is famous for his footnotes, in which the Narrator issues an aside to the audience. So my use of footnotes is an homage to him. At the same time, Jasper Fforde uses footnotes so characters can communicate with one another (3). These two techniques became the genesis of the Narrator, a literal bridge between the reader and the characters in the story.
The main challenge was to not have the Narrator appear to fix everything on every other page. I’m not sure he’s Omniscient in the usual sense, because he’s on the journey with Will. He knows things, but there’s still things for him to discover, which is unusual for the Narrator. The biggest payoff is what Pratchett discovered, breaking the fourth wall to have the Narrator speak with the reader is a great way to add some weight to the connection.
One of my favorite elements in your book are the unique traits that go into the characters, like Professor Nobody, the gnome fixed upon the creation of the perfect snack chip. What on earth (or elsewhere, of course) did you find the inspiration to gather up such traits, let alone names?
Professor Nobody was named because I loved the gag his name creates. The Narrator can say things like “Nobody smiled,” and every time he did it would make me laugh. Nobody is my favorite character to write, there’s a lot of depth in that mad scientist.
Bug was named just because I wanted a name to match his personality. His last name is really bad Koine Greek, and means, “Not of me.” So Bug’s name, though Bug is actually a nickname, basically means, “Don’t bother me.” He’s unhelpful, grumpy, and points out the foibles of his own people group — which is something we are not supposed to do. Bug’s my hero.
Other names just… came to be. Though Grimby’s name is easy to confuse with “grimey,” which I enjoy.
The snack chip thing. I have no idea. I think Nobody pointed it out to me, if I’m honest, because it makes zero sense. I remember I liked the slogan “Snack Like Nobody’s Business,” which is a great pun on a number of levels, and ran with it.
While I have no idea how I came up with the whole snack chip think, their presence became a sign that he wasn’t giving up on The Realm. Nobody needed something to work toward, and what more ecould a deranged professor of Applied Imagination want than great snack chips?
Now I know you’ve got big plans for Realmian, what with saving imagination–and snack chip creation, and coffee, and Will–from pesky camouflaged lawyers in The Realm. Is there a sequel in the works with Bug, Professor Nobody, and the rest of the Penny Gnomes?
Yes, and I have you to thank for it, as you were the one who told me to keep exploring this world. In the second book the story will center around two the supporting characters I really enjoyed from the first book. It’ll follow Grimby the Dwarf and Fineflen the Darned Elf as they investigate a conspiracy to corrupt the Penny supply. The other characters will shift to supporting roles, with the exception of Sills.
Right now I’m mapping out the story in Aeon Timeline ahead of time, which will allow me to keep two separate story arcs in sync. This is fun, because it’ll be the first time I’ve tried to do this!
This is going to take a while. In the last six months I’ve managed to map out exactly two chapters!
If anyone wants to follow updates on The Realmian Adventures I encourage folks to follow @PennyGnomes on twitter. This is where I’ll be sharing updates, and where the characters sometimes decide they want to hijack the feed to add their own commentary.
1. And that’s if they’re winning. If they’re losing I get downright grumpy.
2. Which she sometimes forgets. She once told me she thinks Penny Gnomes should be a movie, but then remembered herself and shrugged with feigned nonchalance.
3. It’s complicated.
I love giving books for Christmas: they engage and inspire over and over again. My kids are getting books, my husband’s getting books–words for everyone!
Feel free to give my book to people, too, nudge nudge. 😉
Know what? Authors would love to receive YOUR words for Christmas, too. Book reviews help writers reach new readers on Amazon and Goodreads. So spread some cheer this season by sharing your love of your favorite stories online. We authors will love every word you say!
Pretty sure I’m not going to be breathing much today.
Today, from sunrise to sundown this Halloween, Fallen Princeborn: Stolen is yours.
What’s particularly awesome about this release of freeness (new word!) is that the platinum edition includes “Tattered Rhapsody” from Tales of the River Vine as well as an excerpt from the second novel, Chosen.
Not sure you want to snatch it up? Check out what these amazing writers and readers have to say about it:
The rich sensory images and tight POV kept me so tangled in the story that I had to keep reading to see what would happen next. I particularly enjoyed the dynamic between Charlotte and her sister, Anna- the love and pain and frustration that can only come from family. Charlotte’s determination to protect Anna, whatever the personal cost, endeared her to me. The dark world beyond the Wall is fascinating, the shadowy characters an intriguing blend between Light and Dark. While the story arc had a satisfying wrap-up, it also left me eagerly awaiting the next installment! –Amazon Reader
“This gripping YA fantasy about Charlotte’s encounter with the fae comes complete with a prince… but he’s no Prince Charming, while they’re definitely nothing like Tinkerbell.” —S.J. Higbee, Sunblinded trilogy
I love that this novel takes place in a fantasy realm quite different than most out there, which makes it harder to guess what’s going to happen next. Charlotte is an interesting heroine to root for, and the book is an overall good mix of adventure, humor, and romance. I got caught up in the story and read this in just a day or two, and now I can’t wait to read the next one! –Amazon Reader
“Part psycho hitchhiker movie, part road trip to Rylyeh, Fallen Princeborn: Stolen drags the reader deep into Faerie, burns it down, and caramelizes expectations.” —Moss Whelan, Gray Hawk of Terrapin
Lee writes from a third-person, present-tense point of view, but the tale is still told very much from Charlotte’s perspective, spurning exposition in favor of snippets of teenage angst. Charlotte emerges as a believable survivor—strong, determined, and devoted to her sister, but also vulnerable, with a deeply buried sense of hope…. Anna is similarly convincing as the resentful younger sister, while the fairy folk walk the line between being straightforward villains and antiheroes. The fairy realm itself is more grim than enchanting (think the Upside Down from the Netflix TV series Stranger Things), and the fact that Charlotte is trapped there—an echo of her family situation—lends an uneasy edge to the would-be romance. –Kirkus Reviews
So, whatcha waitin’ for, folks? Halloween comes but once a year. When Halloween ends, so does this offer for a free adventure into a world of magic and mayhem, family and feeling. Don’t miss out!
If you would rather read Stolen in separate parts, check out the Green and Gold editions. Be sure to leave your thoughts on Amazonand Goodreads, too, because seriously, every review means the world to writers.