Happy Saturday, Friends! While Bo and Blondie attend a baseball game and I take the twins to a swimming pool (PRAY FOR ME), please welcome fellow Young Adult author Ann Hunter!
First things first! Tell us a little about yourself, please.
I like to say I’m a Mom first, a writer second, and all around ninja. I’m a dyed and true Hufflepuff #badgerfierce, love dark chocolate and red velvet cake. And I love YA literature. I love mentoring other writers, too, and teens as well. I’m assistant teacher at the Taekwondo Dojang I train at with my daughters, and I’m so grateful for my epic husband– he really is too patient with me.
Oh my g.o.s.h., you serious? My brother is a teacher in Taekwondo! Both of them have black belts. I, however, was enrolled in dance class for a summer.
(Don’t ask how that went.)
Anyway, my own three wee hooligans keep me inspired, not to mention on my toes. One phone call from the principal, though, and my creativity’s shot for the day. What would you call your writing Kryptonite, and how do you overcome it?
My biggest Kryptonite is my ADD (clinically diagnosed in college). I have a hard time getting started and staying focused unless I have my ritual/routine down. I use noise canceling headphones and http://brain.fm.
I also sprint with other writers in a dedicated chat room on slack. It helps a lot to have friends and support.
I struggle with energy, too. My best-selling series, North Oak, is so emotional that it’s very taxing physically and mentally.
I’m currently developing a class that I’ll be presenting at Fyrecon later this month on how to be a word warrior without burning out.
Uffdah, burnout is right. I’m in the midst of overhauling my platform while also grading finals while also having Biff, Bash, and Blondie home for summer break. How on EARTH do you balance writing and parenthood, anyway? I’m always hunting for tips.
Not just a writer and mom, but a ninja too! I also do Taekwondo and I’m working toward my black belt in 2021. I plan on competing at the World Taekwondo Federation National Championships this July. My daughters do Taekwondo with me, so when they’re in class I’m often in the Dojang office working on book stuff.
I’m really blessed that my husband is very supportive of my writing. He’s even my business partner in our publishing LLC. He’s happy to take care of the kids whenever I need to get writing done, usually in the evenings and on weekends. In turn I’m supportive of him and try to let him sleep in and nap on said weekends before I’m working.
That’s so lovely to hear your husband’s been with you throughout the entire writing of your North Oak series!
Now, these novels feature a young protagonist and her relationship with amazing horses. The blurb for Book 1, Born to Run, mentions Walter Farley’s Black Stallion. Is that a favorite book of yours, a source of inspiration, or both?
I had a hard time getting into Black Stallion as a book series when I read them as a kid. My big inspiration is the Thoroughbred Series by Joanna Campbell (and later Mary Newhall Anderson). I liked Dick Francis, as well, and I’m a sucker for the Black Stallion movies and Phar Lap.
My biggest inspiration, however, was my parents breeding Arabians when I was little. I gained a sense of horsemanship by running around half-naked and barefoot with our herd on the Wasatch Front.
Woah! You’ve such a love for horses bred and nurtured in you. I can’t help but wonder, then, if stories had that same kind of connection with you when you were small. What was an early experience where you learned that language had power?
I remember being in first grade and writing a story about a rabbit pulling a carrot out of the ground. I drew a little action “kapow” around the word POP, and my teacher really liked that. I also remember my aunt giving me this gorgeous book on Shakespeare’s works when I was, like, 4, and I desperately wanted to know what the words said. Needless to say, I was reading Shakespeare by age 6.
But it wasn’t until I was ten that I truly realized the power of words, when I had to write my first official story. The words poured out of me as though they came from somewhere else. They weren’t mine. My hand couldn’t keep up with my brain. I spent the next 6 years writing 20 novels in the same fashion.
TWENTY NOVELS?! That. Is. AWESOME! So writing a long-running series like North Oak must be easy peasy, what with Book 7 coming out in July.
Well, I shouldn’t say “must” be easy-peasy, because I imagine every writer has his/her challenges with series writing. What challenges do you face, and how do you overcome them?
I started writing this series 25 years ago at the age of 12 (July 24th– Happy Anniversary!). So I’ve known the whole story for a long time. It’s gone through several incarnations until I finally knew its purpose and what I needed to do with it for today’s youth. My biggest challenge is keeping everyone the right age and not fudging timelines. I’m going to have to make up a chart or something one of these days as I plan to take the series well into book 20 and onward.
What would you say has been the most difficult scene to write in the North Oak series, and why?
Every book has its most challenging scene. I want the books to MEAN something to the reader. I’m writing them so today’s youth have a heroine to look up to who is going through many of the same scary issues they face daily.
North Oak #6: Dark Horse forced me to look at my own demons though, and was very hard to write. I didn’t want to deal with my own depression that Alex, my main character, had to face. A lot of the books in the series have multiple points of view, but Dark Horse only had Alex. I wanted the reader to feel alone, because that’s a big part of depression. You can be in a room full of people who are crazy about you and still feel alone.
In North Oak #5: Far Turn, I made myself cry. I won’t give spoilers, but it was a funeral scene and I chose the song “I Can Only Imagine” as they played the life video of the departed. That was tough.
Oh, character deaths and their memorials are always so painful to write. You dive into some other tough youth issues in your series, too—bullying, suicide, and sexuality, for a start. Are these things you wanted to discuss through your stories, or did the themes just appear because of what the characters were going through?
A little of both I think. I knew today’s youth were facing some scary stuff, and I wanted to give them someone to look up to. I want them to find me someday and say “You wrote this for me.” And I’ll hug them and say “I know.”
Especially the LGBTQ+ community. There’s nothing else like North Oak on the market. I pray every night before I write that I’ll be a vassal for what the Lord wants His youth to hear. And it’s love. Everyone deserves love.
This has been such an awesome chat, Ann! Any closing words of inspiration and encouragement for your fellow writers?
Failure isn’t the opposite of success. It’s part of it.
What follows is a continuation of last month’s installment of free fiction–a dialogue between me and Wynne, a character from my Shield Maidens of Idana fantasy series.Today we learn of her town, her love for music, and a unique friendship that brings light in an otherwise dark life.
Good thing you didn’t vomit on that snob of a rich trader.
Really? I rather wish I had.
I am not strong, you know. Not like Morthwyl and his family, who haul as many plants, logs, and rocks as any oxen.
I am not creative, like the artisans who take bits of hide, metal, and clay and transform them into tools or art.
I am not intelligent, like the farmers who read the whims of soil and air with ease.
What I am, truly, is afraid. I see my family, and I dread that in but a few years time all love of Galene and Morthwyl will be slashed and burned to make room for wealth, comfort, status.
I am afraid of losing my Morthwyl.
I am afraid of losing my freedom.
What meager virtue in my possession can possibly protect us?
Hey, don’t focus on your fears. Focus on the better things. Here, is there something you enjoy doing? Apart from visiting Galene and Morthwyl, I mean.
This will sound foolish, I’m sure, but I rather enjoy music. Not the music of my sisters, which is always some tragic, romantic ballad. No, I mean the music of the land, and of Galene. Even the silence of the world moves in a harmony, when one sits. Here, let us rest beneath the cottonwood.
You may cease your curious glances to my back. No, it is no staff, but a flute. I am not supposed to travel about with it, but I like to show my gratitude to kind passers-by with a brief song.
I remember the moment: my fourth birthday. Almedha had just come of marrying age, and my sisters were already learning music, art, and domestic pleasures. Now it was my turn to become yet another cog amidst the turning wheels of Mother’s industry.
“Now, dear,” Mother licked her thumb and ticked the air. “You’ve one, two sisters on the lyre, so I’m sorry, Wynne, but it simply is not to be for you. And truly, if not for Morwenna’s obsession with Almedha, I’d not have her on the strings, either. Don’t gawp, Morwenna, that’s a commoner’s face, and we are not common.”
Cordelia arranged an armful of spring blossoms in a pitcher yet again. It seemed the Irises were giving her more trouble than one thought possible of flowers. “What of the garden, Mother? I would love a pair of hands willing to cut and prune for me.”
Even then, I noticed it: she wanted “a pair of hands,” not “another pair of hands.” Cordelia’s hands entered the home every evening without a single smudge of dirt. If only our gardener did not worship her so!
“Don’t be silly, Cordelia,” Mother’s eyes bulged a bit more than usual at any idea which began outside her own mind. She shook her hand at the maid for wine as though a fly circled her wimple. “Wynne hasn’t the sense for sharp objects, and she comes home soiled enough as it is.”
Cordelia’s head drooped like the beleaguered irises. “Yes of course, Mother.”
“Can you imagine the laundress? She’d have fits until Hifrea’s Coming if Wynne were in the mud every day!”
“How silly of me, Mother.”
“Now that’s the first word of sense from you all day.”
I took care to sit my straightest with hands primly folded, even as my feet dangled…and I thought what a peculiar sensation it is, to be without ground under one’s feet. Would one’s whole body feel this way were it to dangle? Oh dear, that would mean a noose, wouldn’t it? What a strange feeling for one’s body to know just before death…
“Wynne are you listening?“
“Yes, Mother.” It rarely felt safe to speak truth in my house.
“Oh, whatever shall I do?” Mother’s head often rolled about when she began another fretting spell, as I called them. All was lost, and we daughters were hopeless…until things fell in line with her plans, and then suddenly all turns promising again. It felt as though we were a ship on the ocean, and there was no telling when another storm would hit us. Surely nothing else could compare, what with the slaving crew, the bossing captain, the waves crashing about, and lots of lightning, and wind, and—
Yes, my young self decided. Even the smells of the tannery fit the stories of life a’sea that Caddock told after lessons along Galen’s shore. “I’m listening, Mother.”
“Listening! You! Hmph! Isolde, bring me that blanket you finished trimming, my frail constitution simply cannot withstand this offense. You missed a corner, dear. No, no matter.” Isolda moved always with her head down so that firelight would better capture the tears eternally jeweled at the corners of her eyes. “You are a young woman of style and grace, Wynne. It’s time you showed it.”
“I’m four years old today.” Our housekeeper Heledd and the maid Ysball had said happy birthday to me, so surely other grown-ups thought this worth noting.
Mother nodded. “Exactly. You’re not a child.”
Father looked up from his desk of records for the first time since dinner. “Perhaps the art of a needle is just the thing to keep her attention, my dear.”
“No, no, her fingers are too fat and her lap too thin. And what’s more she’ll never hem straight with such posture.”
Almedha paused in the cleaning of her lyre. “May I make a suggestion, Mother?” Her voice was the softest, and therefore the sweetest. She always sang in the garden during the larger market days and festivals, and if she could sing louder than a cricket, Mother was sure she’d win the first heart of the merchant who heard her.
Mother waved her handkerchief at Almedha, a signal to go on.
“I was thinking of the minstrels who came for Beltane Fair. They had a fiddle, a cwidder, a recorder, and a flute. Perhaps—”
“Aha! Just my thinking, Almedha. Oh Master Adwr, have we not a most excellent firstborn?”
“Indeed we do, Madame Ffanci.” Our parents shared a doting look upon Almedha, who positively glowed.
“If only her chest would come along properly. She hasn’t the look of one who can mother…” Mother had a knack for dowsing kind thoughts. “Ah, but there are wet nurses, I suppose.”
My sisters immediately took to studying their own fronts while my eyes watched my feet dangle and pondered the words “wet nurse”: what a silly idea! Why should someone soak themselves before healing the sick? Wouldn’t the water ruin poultices, or make a mess of the bandages? Not to mention the nurse would catch cold in any wind, and shivering makes dressing a wound nigh impossible—
“Mo-ther, Mo-ther, Wynne can’t bother to be bo-thered!” Morwenna chanted as she plucked two of her lyre strings.
“Morwenna, by the gods, stop that noise! Oh, oh, oh!” Mother’s eyes closed, and the expected streams of tears quickly took course down her pinched cheek bones. A pool soon formed in the folds of her wimple. “We’ll be penniless paupers all thanks to our common, ungrateful children, Master Adwr!”
Father rolled his eyes until they settled on me. “Nonsense. No girl in Idana can possibly match the beauty of our daughters, Madame Ffanci. Wynne is old enough to learn a skill to keep her out of the dirt.” The final word filled his mouth with distaste, as though the sight of my spattered dress and boots were enough to make him ill. “I believe Garnoc has acquired some fresh rosewood. I’ll commission a flute to be made for Wynne in honor of her birthday.”
The wailing “Oh!” tumbled back down Mother’s throat and bubbled up anew as an “Oh!” of ecstasy. “Oh Master Adwr, how intelligently thought! A flute will call attention to Cordelia’s voice, and will harmonize both Almedha and Morwenna’s lyres beautifully. Perfection, my husband, perfection!”
“But who is to teach Wynne?” Cordelia gently spread the iris petals about the table with one hand while holding the pitcher of broken flower stems in the other. “Mistress Carryl only knows the lyre.”
“I’m sure Heledd will know someone,” said Father.
“Hopefully not too low,” added Mother. “I won’t have any tinkers speaking with my children.”
So that is how this flute came to be in my possession.
Am I upset with the choice made for me? Hardly. There is no defeating my mother in battle, especially when I learn my teacher is to be Caddock, who traveled with minstrels before settling in our town, Cairbail. It was a sure scandal that I had to take lessons at a warehouse rather than in our house, but I promised never to sully my tongue or ears with common food or language.
A promise I spoke within the house. And you may recall what I said about words I speak in my house.
Here, let’s take a break from the questions. Take us through Cairbail.
Then let me bid you follow, if you please, through the northern farmlands. The reeds are soft with summer, and Galene sings when the sun shines upon her. Listen with me. Does not the water over stones make you think of seasoned lyre strings? I like to sit here, where the tannery does not hurt the water so. The goddess has been kind so far, but I have no doubt a day will come when she finds herself too sickened by Cairbail’s industry, and we will all wake to find our river gone. Never underestimate a goddess—or any girl, I think—of strong mind.
Here the sun dances like my feet. When the sun warms skin, when the bees feast among the blossoms, when the fish leap from water for dragonflies, I forget the grime and odors of town, and turn to kinder, gentler things. When I think on the beautiful, my heart aches to follow the Galene further north where another heart touches mine as the orpines meet with love’s promise.
But alas, my dance must end, for today my father is due to arrive with a caravan, and my mother has stressed all daughters be present for his arrival. Will you walk with me through town? Let us cross these last fertile, rolling slopes, and bid farewell to spring and all its sweetness. Look to the Galene: her happy waters grow stronger crops here. Take care with your feet lest you trample seedlings or droppings. I care not to task Cairbail’s farmers. Visiting caravans are rarely kind to them, and never face punishment for gleaning.
Step this way, please, to the oxen-path. Oh, Galene, you flow as falling stars before Cairbail, yet we send you off soiled and used. Abused, I should say, but a merchant’s daughter is not allowed such thoughts. Trade is life, and industry is trade. At least the tannery is there, a short ways south of town, so the water is not so terrible until Cairbail’s end. Our mill to the north carries waters to the fields, see it? We already passed it some paces ago. Rather hidden by the trees, it is, but if you ignore the farmer yelling at the mule, you can just hear the clack-clack of the buckets tipping.
Cairbail is neither tulmain nor city. There is a street of homes, true, and it connects to the warehouse street, which turns there, sharply, for the ancestral shrine, annoying river and land caravans alike. We must have good pasture for livestock, a stretch of sand for small boats and long docks for bigger barges. Our high street is dedicated to eateries and artisans. We are a perpetual hayloft for travelers, with our own wares barely noticed. Perhaps that is best. Those attracted to our town are not the sort I care to think about.
Mind our rock fences–they are rather low, I’m afraid, just enough to scrape one’s ankle terribly if not careful. Turn here. Market Street may look wide enough for a joust, but that is only because the selling carts have left for the day. They sit in the middle, and the shops remove their shelf-shutters, and this place soon overflows with traveling caravans, farmer’s wares, the tannery’s wares, and tinkers. Even artisans from villages nearby will come once a month before midday to set up near the edge of market for the sake of shadow from the sun.
See how the tracks stay clear of this shop? I am sure you can smell why now. The tanner Congol comes here with his treated hides, as some merchants care more for the materials than finished goods. A whisp of a man, that Congol, from living so much among the dead and putrid substances. Would you believe he has tried courting Isolda not once but thrice? Father would have enjoyed such a commercial alliance, and Mother was willing to push my sister to accept the smells as necessity of industry and status, but then he had to ride to town with his perfect features and glittering rings…
But let me show you further. I must ask of you to not look upon the mule bleating at us. It is an angry, sickly thing, and also the favorite pet of the leather-tooler Aedh. For a man who takes pleasure in snapping necks of rabbits and deer, he can’t bear to see a single child make fun of his four-legged companion. He holds the breadth and strength of an ox, having broken many doorways in anger and drink. I am quite certain if not for his craft Lord Murdach would have found reason to be rid of him long ago.
Ah, the charcoaler’s here, and there the road up to Lord Murdach’s manor. His officers live here, without the shelf-shutters, as they are still open. This is the only corner of Market Street where my sisters will walk alone, as officers of a Lord have been deemed better company. It also helps that chamberlain’s wife Carryl knows the lyre well, and instructs as Mother pays fit.
At last, the kinder side of Market Street. Do you not smell it? Fertile earth, freshly cut greens, squeezed fruits, drying herbs. The farmers live on this side, ready to sell their latest gatherings from plots and fields alike, but only Adyna’s family takes time to clean her door, baskets, and shelf-shutters daily. Where Market Street turns to Traders Street you’ll see a house of a most curious paring: our sage, and our physician. I must confess, I do not trust a sage who foresees the Galenegaining strength from the tannery. He will sit and smoke his pipe idly as citizens come to his wife for aid, and declares he knows precisely what ails them before they speak. Indeed, there was a time last year when he was even correct in his deductions. Truly theirs is a match made by the gods, for he is often sick, so she is bid to tend him, and she is oft in predicted danger when gathering herbs, so he is bid to save her before danger can fully manifest itself. He arrives so early, in fact, that not one of his visions of terror has been ever witnessed by another. But many see the potential of truth in his words, including Mother. Whenever he sees Mother instructing us in posture, he is certain that whatever tea she drank in the last five days will result in a mild illness ranging from headache to runs and another symptom beginning with the letter Tinne…unless, of course, she would be so kind as to accompany him back to his wife’s surgery for examination.
Ah, here we are. Yes, the house with the wooden fence at waist height. Can’t afford to block the view of potential suitors. Just as an artisan proudly displays his wares, my mother makes an exhibition of her children for potential wooing. We’re quite the collection, my sisters and I.
Yes, well, let’s not go back in there just yet. Is there any other sanctuary in Cairbail besides the Galene?
Hmm.Yes, I will concede to one, one I learned at that tender age of 4 with the promise of music lessons, you may recall.
Heledd showed me the swiftest, simplest route from our home to the warehouses. How large they all seemed then! Full of flying feathers, foul jokes, fouler smells. Sacks of drink, of bean, all spilling about helter skelter while men shrieked for other men to be careful, curse you, that’s money you’re losing! The scales tended by guards and men with brows forever set heavily over their faces.
“Never you mind them, little love. Keep to your business, and they keep to theirs.” Heledd carried her buxom figure like a weapon, and it disarmed many. She was but a few years older than Mother, but she moved with as much ease as Almedha, and drew just as many looks.
“What about the slavers?” I could see one in that moment with a beard deep in drink and lips full of talk with a few others. His other hand dangled a collar too big for any dog.
Heledd saw him, too. “Pfft. No one crosses Caddock.” We stopped before the largest, noisiest, oldest warehouse on the street. It needed no windows with the number of loose boards hanging about, the door had surely been kicked in several times. Even its air was different, sweet, but pungent. Why oh why would Lord Murdach put the most valuable spices in this, surely the poorest of warehouses? Even I knew the guard upon the front door looked a waste of a man, and I was but a four-year-old child! “You there,” Heledd bowed forward and knocked upon the man’s head. A fly fuzzed out of his hair, and he grunted angrily until he looked full upon my companion. “Fetch Caddock, if you please. Tell him it’s Heledd.”
He rolled himself up and through the door with a gurgly “Yes’m.” A moment later the door opened, and there stood a tall man of dark hair and eyes. He wore no braids, and kept his beard short—he seemed strangely tidy for a resident of this street, even wiping his hands of dust before greeting Heledd. “Good afternoon, Mistress. I must confess, I thought your message to me a jest. Surely no daughter of that mule-head Adwr—”
“Ahem.” And she nudged me away from her skirt. I gripped my flute like some sort of, oh, almost like a staff, except I knew nothing of weaponry. All that I knew was that it was big, and heavy, and if I swung it with enough force, I would make him hop and holler like a fool.
Caddock narrowed his eyes for a moment in study of me—or perhaps my flute, for it did hide half my face while I shut up the other—before requesting we follow him in.
What a place! I had never seen such the likes of it before. Any journey with Father was to meet caravans on the road, or perhaps at Quinntoryn, the King’s Stronghold. Mother had not wished her daughters sullied by the looks of laborers in the warehouses and along the docks. Perhaps it best, as I was too young to appreciate the dangers a nefarious will can inflict upon others. But my first steps in that warehouse made me feel as though life in a home was a waste. The roof, as tall as clouds! Boxes and chests and sacks filled with things that moved, things that sparkled, things that emanated smells of life, love, hunger, disgust. All the world had been transported here, kept here. And Caddock moved about the sacks with ease, throwing nuts and fruit into one crate where what looked like a hairy child snatched up the food with glee. He plucked an apple for himself from a barrel and bade us follow him around a tower of crates to a small room with a fire, table, and chairs. Two men had their feet upon the table, laughing over something about a pumping fist. One thumb from Caddock, and they left without a word. He sat, then Heledd, but I knew not how to sit without dragging the flute upon the floor, so I remained standing.
A knife appeared, small and slender, in Caddock’s hand. Its point moved swiftly through the apple and cut a thick slice for Heledd. “What’s all this really about?”
Heledd often chewed and spoke at once, like time could never be wasted on one meager task at a time. “She’s a far different sort, make no mistake. Prefers the Galene to her manor house any day, don’t you, little love?”
I nodded and wiped the juice sprayed upon my cheek.
“A river child?” Caddock slowly worked his knife through the fruit’s flesh. “The river’s shore is no source of comfort for town-folk of your stature.”
“That’s not true,” I said with a mighty thud of the flute’s end upon the floor. “Galene’s shown me all sorts of lovely places. You’ve only to listen to her properly, is all.”
The adults shared a look above my head, something warm and pleasing, I could see, as Caddock’s face lost all the study and came over with a smile—a real smile I’d seen other mothers and fathers have for their children. “She speaks to you often, the river goddess?”
Now I narrowed my eyes at him. “It’s not all in my head, if that’s what you’re thinking.”
“Far from it. Your sisters mock you for this?”
“And her parents.” Heledd rested her hand on my shoulder. “It’s all I can do not to whisk her away from that horrible house.”
Caddock nodded slowly as he popped another slice off and held it to me on knifepoint. “Trade?”
I sat at last, happily munching, as Caddock held the flute to his eyes. “Garnoc knows his craft. A pity Lord Murdach does not commission him to make a few more. The hills of Gleanuaine would welcome such flutes for their shepherds. May I?” Imagine, a man like that asking a little thing like me for permission! Yet he refrained from playing a single note until I bid him play. His fingers explored the flute’s holes, finding their proper homes, and then his eyes closed. His whole face seemed to close as the flute touched his lips, and all expression passed through his breath and into the melody of cottonwood trees and sparrows, of fawns tickling the Galene’s hands as they drink their fill. I laughed and clapped and told him what I saw as he played.
Another look was shared over my head. I feared a joke coming on, but instead Heledd hugged me. “A river child, indeed! So, what say you, Little Brother?”
Little brother! “Have you sisters, too, Heledd?”
“NO, thank the gods, no, child. Caddock and I alone were more trouble than our home could handle, weren’t we?” He laughed and set the flute upon the table, not really looking at me, or his sister, or anyone, it seemed. “And speaking of,” Heledd stood and straightened her shawl, “I best go back to prepare dinner. Have her back by then, or we’ll both of us get another round of poison from Madame Ffanci’s tongue.”
Caddock nodded without looking. I heard Heledd snap “Mind your eyes!” at someone before the door closed. That someone turned the corner: the slaver man.
“Any trouble, Caddock?” He looked at me, his fingers toying with that dreaded collar.
For a heart of courage in that moment! But I am little more than a coward, and remained still, frozen.
Caddock stabbed his apple knife into the table and looked at him. The table apparently received such treatment often. “None. Quite the opposite, actually. This lass is my student, and therefore, under my protection. Is that clear?” A slow, heavy nod came from the slaver, and he shuffled off. “You can breathe now, he’s gone.”
I didn’t know I’d even stopped. “When we’re done, will you please take me home, Sir?”
“And deal with the likes of your parents? Not for three dozen of my sister’s raspberry tarts. No, girl, you’ll walk to and from alone, and you’ll be fine. He’ll tell the others. No one crosses Caddock, and that,” he leaned forward with the flute for me, “includes my friends, and now my pupil. Gods, this is a first.” A smile played upon the corner of his mouth. “You can call me Caddock, if I may call you…”
“Wynne. It’s nice to know the goddess still speaks.” I knew my eyes grew very wide, and I leaned in, too, like we were sharing the most prized of secrets. “We used to talk often, Galene and I. But I stopped listening when arms and coin promised a more adventurous life. I do not regret the adventures, but I do regret losing her ear.” He wrapped my tiny hands around the flute. “And you’ll lose it, too, if you listen to your family. So let’s practice hard, you and I. With a few breaks for air, of course. Out back. By the river.”
And that is how I came to the sanctuary that was Caddock’s warehouse, and how I could move about Hafren’s seediest corners without fear. For a time he was my source of human friendship, but his tales of adventure, of discovered treasures and conquered beasts, made me yearn for adventures of my own, with a friend my own age…
Ever feel like you need to be forgiven for something?
I want to tell you how much I love my family, of the bundle of sticks tied together is never broken by whatever storm or creature befalls upon it. Yet I cannot speak this lie of my own accord, for truly, I do not love them.
This sin is my own, and I must carry it with me always.
Your parents don’t exactly seem to inspire much love, so you shouldn’t be too hard on yourself.
No, ’tis true. And I would not wish to be like Adyna, an old maid of forty years who never set foot off her father’s farm. Her name is the joke of many rhymes I hear the farmers’ children chant as they pick weeds and rocks. A child should grow to separate from her parents, just as the maple’s seeds break free and spin themselves high into the wind to land either near or far to grow. I want to grow far. I need to grow far.
But my sisters…how I wish I could carry them on the wind with me!
But you’re not friends. Why should you care?
Because I think that if not for Mother, their souls would have a chance to grow. They stare into the looking glass, insult each other for the merest blemish, stuff their bodices for deceitful chests, all for the sake of Mother’s approval. To them, beauty is everything. No music, no flower, no tapestry compares to the beauty of their forms. If they are not beautiful, then they may as well be dead.
How can one believe such words and yet manage to really live?
Mother said those words once. Oh yes. Not with Father around, for I think that such an extreme declaration would have stirred even him from his inventory for a mild chastisement. Father travels south once a year on the Galene to the ocean’s shore for dealings with the Sea Barons of the Dracicocht Isles. This time of year is always difficult with Mother, for she thrives upon the echo Father gives to her sentiments. Oh, Heledd, does her best, but her common sense flusters Mother more than anything.
The day those words were uttered was…oh, I must have been six years. My flute play was adequate, but not yet proficient, especially as the instrument was still rather big for my small body. Mother wailed in the first week of my tutelage to not “slay doves in the house,” so thanks to music, I had an easy time escaping her sharp tongue for the Galene. Bless her! No one is so patient with a struggling musician as the river goddess. That she did not send a fish to knock my flute in the river gave me hope that I was marked for improvement.
If only my sisters had come with me, I thought as I trumped in through the kitchens. I felt much better in the kitchen with the maids. They always spoke in whispers, like bees buzzing in the meadow, and gave me such sweet smiles. Any child would think herself blessed to have such women for a mother. They smiled upon me that afternoon, and gave me a bit of bread and honey to nibble on when—
“Isolda, this hill is much too steep! Rip this all out and do it again.”
I still remember the look they shared: Wrinkles filled with flour, juice, and grease, their faces were a bit like those painted for plays on festival days. One was stiff and straight like a narrator; the other all grimace. That was Heledd whenever Mother spoke out of sight.
I continued eating. By then, I thought Mother’s criticisms came and went like a certain other bodily function: foul when it comes out, quickly dispersed, and not spoken of in any company.
“Morwenna, what has happened to your face? Dear, if you pull your braids back too tight you’ll look as though a caravan ox has stepped upon it. You’re ridiculously too stretched and pinched for anyone of good class to take notice of you. Go upstairs and do it again, and if you fail again I’ll have Heledd do it properly, and then she’ll rip it out and you will follow her example.”
Heledd tapped my shoulder and waved her finger in front of her lips. I nodded and huddled by the table, eager to stay there for the next several weeks.
“And Cordelia, what on earth are you doing wearing that flower ring in the house? You’ll bring in the bees!”
“Almedha, daughter, help me with your sisters!”
“And where in Hifrea is Heledd? I need my tea, she knows how I can’t live without my afternoon tea lest the headaches come on, not to mention the shakes and the sweating and the—”
“I’ll see to it, Mother.” And there was Almedha, her own braids perfect, bodice unstuffed as her own chest was progressing to Mother’s approval, wrapped with cords for measuring a new dress. “Ah, Wynne, there you are. I didn’t know you were home.”
“She just got in, Mistress Almedha,” Ysball said before any interrogation could start.
Almedha was sixteen then, already full with ideas of running a rich merchant’s household any day now. “You are a lady of the family, Wynne. You should be entering through the front of the house, not the back like a servant.”
I stuffed the last bit of bread in my mouth. “Ah wash pachktizin.” I must confess, this was not very good manners, and not in any way excusable, but by Galene, I was hungry, and, and—I wanted to finish my food, for goodness’ sake!
“Well now that you’re here, I’m sure Mother would want to see you.” And my sister approached to take my arm.
“No she wouldn’t.”
“Wynne! What a thing to say, honestly.” And up I was taken, honey fingers and all, to the parlor where Mother sat surveying Isolda’s stiches and Cordelia’s flower sachets. “Wynne’s just returned from practicing her flute, Mother.”
Mother’s eyes darted round the room to me as a frog who’s found a fly. “Practicing, my foot! She’s gotten into the larder again, eating us out of house and home. No one wants a fat wife, Wynne, remember that.”
No one dared look at Mother’s pear-shaped body squeezed into the chair.
“I just gave the girl a bite as she wasn’t here for lunch, Madame,” Heledd said as she set Mother’s tea firmly—very firmly—upon the table. “Your tea.”
Mother rolled her eyes and drank. “Well you certainly reek of the river. There again?”
I nodded. How did I reek? I was north by the mill, where all the dead animal urine and bile of the tannery didn’t go.
Almedha nudged me. “Speak when spoken to, Wynne.”
“Well? Prove it, then.”
“Oh, child, have a sense. Play me something!”
Mother gargled and croaked, “But of course now, when else?”
“But…” And I held up my fingers, sticking together from the honey bread.
“Do as Mother says!” Almedha hissed. I heard a door open above us—Morwenna must have stepped out. Cordelia paused with her roses, Isolda with her thread.
Couldn’t they see past Mother’s commands? I even held my hands up to Almedha so she could see the honey. “But I’m—”
“Confounded, stupid girl.” Mother banged her tea cup and pried herself free of the chair. “All of you, confounded and stupid. You’re all lucky you’ve got some beauty, otherwise you’d be better off dead.”
“Madame!” Heledd stood in the doorway as Ysball brought the tea in for the rest of us.
Once, just this once, has Heledd openly defied my mother. My sisters stood agape, horrified that one of lower class would be so imprudent. I’m sure Mother thought so, too, but perhaps, and I do hope this to be the case, even Mother realized she had gone too far. Nothing was said by anyone, even Mother, for the rest of the day. The natural order of life within our fence had been utterly upheaved, so much so that Isolda left her sewing in a pile on the floor, Almedha’s lyre went unpolished, Cordelia’s bouquet received no water, and Morwenna’s braids laid against her face half-finished.
I rushed back to the Galene to wash and tell her all that had passed. The current wrapped round my hands and seemed to squeeze an assurance to me: life would get better. Somehow, life would get better. I had only to listen to her, follow her lead northward, beyond Cairbail…
If you didn’t catch the Pride and Prejudice vibes before, I bet you do now! Mrs. Bennet was a HUGE inspiration for Madame Ffanci. I welcome any and all thoughts on Wynne, her family, the setting of Cairbail–any thoughts, at all, really. Reader input rocks!
A few years back, I was challenged to take on a Young Adult series featuring teenage girls endeavoring to become Shield Maidens in the fantasy land of Idana. It took about a year to complete the first installment,Middler’s Pride. Oh yeah, pride’s a big deal in that story: self-centered Meredydd has to learn stop seeing herself as a legend and work with others as a team in order to defeat a nasty dark sorcerer. (Friendship is magic, you know.) When Middler’s Pride became a serialized novel on Channillo. I began work on the next volume, Beauty’s Price.As I once blogged:
Wynne has motives wholly unlike Mer’s for joining the Shield Maidens. She is a sweet soul, a lover of nature with a desire to live life without the rules a class society dictates.
While Meredydd came from a mix of the flawed and firey heroines in Diana Wynne Jones’ fantasy novels, Wynne came from a newer love in my library: Jane Austen.
Yes, yes, I know Austen’s a classic, but I hadn’t read her until the last few years. Yes, I’m a horrible person. 🙂
The Bennets of Pride and Prejudice were a wonderful source of inspiration for Wynne’s family. They are…well. I think I’ll let Wynne describe them herself. There’s a lot to be learned of a character when one asks her to dig deep into her own home and heart. For this month’s free fiction, I’d love to share this excerpt of a long’n’lovely dialogue Narrator Me had with Wynne. She introduces us to her four sisters, the love of her life, and the rich, handsome gentleman whose arrival heralds unnerving changes to Wynne’s world.
NARRATOR ME: How would you describe yourself?
WYNNE: I would rather not, but as you are insistent, I will say I am the youngest of five sisters. My father is a merchant who deals with the caravans and artisans who live near us. My mother is also of a business, but that business is to marry my sisters and I to eligible, rich suitors.
We are all of us trained to be pleasing to the eyes and ears. Neither my mother nor my father saw need to train us in ways to be pleasing to the heart.
Your parents sound like long-term planners. Well, it can’t be easy raising five daughters, especially if they’re all like you.
Like me? My apologies, but that is a viewpoint in need of swift correction. Let us leave the kitchens and walk around the house—I avoid using the proper rooms as much as possible. Now, look over the fence as we move past the house for Traders Street. You can see my family there, in the courtyard inside the fence. My mother often instructs that it is good business to be on display, so there my sisters sit, poised for admiration. Some hours they sit so still I wonder if I live inside a tapestry woven by the gods.
Every one of them aspires to be the idyllic wife: clean, soft, and beautiful. Almedha strums a lyre. Cordelia weaves flower chains because their colors shine against her chestnut hair. Isolda prefers her needle, giving a fairy’s kiss to kerchiefs and cloaks. Morwenna strums another lyre, for she copies Almedha in all manners.
Among these four you will not find a single thought that did not first come from Mother. She dictates who sits where, for the sunlight best compliments Cordelia, while cloudy days give Isolda’s eyes a unique glow.
I must tell you, for I must tell someone lest my mouth be overwhelmed with vitriol. I find this all to be the purest of poppycock.
So, not exactly friends with your sisters.
Myself? I must say no. I am as civil as I must be, but I find the constant speak of suitors and wealth more than tiresome. What good is wealth to a man who squanders it, or even worse, hordes it from all but himself? Such men are not fit to be husbands or fathers, yet my sisters always watch the travelers for lords, chiefs, and merchants. If one has fur about his collar, he is worth a careful gaze. If one has a gold chain around his neck, he is worth a smile. If one travels with more than three servants, he is worth The Shy Drop Introduction. If one has a herald, a private cart, and a squadron of guards, he is worth The Sly Accident Introduction.
Oh, Mother has created several strategies to initiate interaction with a potential husband, and we each of us have been tested and tested late into the night to ensure their success when the time is right.
Do you have any friends around here?
Only the River Galene.
To be seen with others in town is to bring scandal and shame upon my family. I have not yet discerned how such scandal would come about, as many of the farmers and artisans have always been kind in their greetings to me in the market. They always offer compliments to my family, inquire of their health. Yet when I linger to watch the leather’s tooling, or the forge’s fire-storm, I am deeply chastised and kept in the fence for days afterward. How are such friendships scandalous? “Their hands are coarse and they live in dirt,” Mother says. “They know nothing of the finer things in life, as well they shouldn’t. But no daughter of mine’s going to know anything else, I’ll make certain of that, won’t I, Master Adwr?”
“Yes, Mistress Ffanci,” says Father, who thusly returns to his sums and calendars.
So here I must be, the fifth maiden of the set, situated upon the left with Cordelia to mirror Morwenna and Isolda, for it is Almedha’s turn in the center today. The flowers in Cordelia’s hair still sparkle with morning dew. Almedha takes lead with a new ballad filled with sweet romance. Morwenna quickly finds the harmony, but knows she is not allowed to sing louder than the eldest. Isolda hums and sews in rhythm. I hold the flute to my lips and fill it with sound, but not life. There is no life in such art.
The way you’re glaring at that fence, I’m betting you’ve found life somewhere. You did something incredible, and you found it.
What I may consider incredible could differ vastly from your consideration. You may think of heroic deeds, marches into battle and overtaking beastly fire. Sometimes the incredible comes in the little things, if you quiet yourself long enough to notice.
Consider a time many summers ago, when one is but a child, with few duties or directions. Many my age in town were considered beneath rank by my family, so I was forbidden to play with them in their fields or yards. Imagine whole days watching children immersed in adventures and warfare, and I could not take a single step among them! Such agony is what sent me north alongside the river Galene. She was my friend for many, many seasons, sharing her harmony with my songs and her whispers with those from my own heart. She encouraged me to walk beyond the town’s borders without escort or knowledge of the land, to walk northward through a dark wood where rocks the size of men peer from shadowed glens, to a new town I have never seen. I felt so very brave that day, so brave that without any word of introduction or family name, I walked up to the first child I saw and said, “What do you know about adventures?” And I did not blush despite my haggard appearance, though much of my body was dirtied with mud, petals, and sweat.
He seemed only to notice my eyes, this reed of a boy, for he never looked away when he said, “Loads.”
“Right,” I said, and I had no clue what else to say, except “Wh-what about adventures by the river Galene? Do you have them there?” My tongue loosened with the river’s name.
“Sometimes,” he said.
“Do you ever speak more than one word?” How impudent of me! Yet I found myself wanting an answer, for gods knew when my father would gallop in, hoist me up, and put me back inside the house among small chairs and stiff manners.
The boy’s smile reminded me of the Galene in winter’s thaw. “Depends.”
“Well then,” I crossed my arms as Father often did when he was declaring the finality of his offer, “let’s go.”
That may not seem very incredible to you, embarking on a game with another child. But to me, that day marked the first day I knew life instead of merely living.
Compared to sitting inside a fence on display all day, that is incredible. Would you consider this moment the turning point of your life, or is that something else?
Did I not already share this with you?
Well, I may not have shared all.
Harvest time always promises many caravans both on river and road. At this time, I was too young to be put before the eye of suitors, so my absence was never noted. I trust you to assume I took full advantage of this throughout the year, but especially every harvest.
Galene wears many crowns, if you have a care to look. In spring, she carries stars upon her head, and in summer, ribbons of light. In winter the ice thins and folds into jewelry so delicate I never dare breathe upon it.
But in fall, she moves as fire. I dipped my hands often into that crimson glow. The current felt as fingers around mine, even changing course to pull me northward.
I moved through the dark forest with people-stones. That sounds silly, I grant you, but I remember that particular day the stones looked, yes, like people: heads, necks, shoulders. Whenever sunlight cast its shadows, I felt sure I saw the markings of faces upon them.
No, I did not tarry to investigate. That was one adventure I could not bear to do alone.
No. I must not dwell on what has happened. What is done is done.
Do you wish to see the rocks? I cannot promise they will be there.
You smile at me as if I jest. No, Idana has no giants, not that I have seen. But I have never seen the ocean, either, yet I have no doubt about its presence. Nor do I doubt mountains touch the sky to the north. So it is with giants, thundering their way through lands past the river Galene. Oh, what a world there must be beyond this place! But dark and nasty things have found my country of Idana to their liking, so here they come to make tanneries filled with carcasses and animal piss, and…
You can see it, and smell it still. Look behind us now. Just past the town, to the south, there. Where Galene struggles for breath as they spill all manners of disgusting filth into her for the sake of industry.
My father is proud of that tannery. Mother, too. I am told I will grow accustomed to the smell in time. I often reply that the day I grow accustomed to the smell of piss and death is the day my soul dies.
I am told husbands aren’t looking for souls. And that is that.
Look no more to that wretched tannery. S-stay close to me, and to the river, please. Especially if we are to meet another.
Your boy, the friend? Nudge nudge?
Why do you wink at me so? Cease such actions, and pay heed to Galene, if you please.
And besides, he only comes south with his village’s weekly market cart.
You know, I get a feeling you don’t want to talk about the real turning point very much.
Oh, but I do, I do. There are simply so many turns to this point, you see. The day wound about me so tightly my soul nearly burst free of my chest, and I thought I had fallen into underworld of Hifrea.
I spoke already of the people-stones, that I did not want to look at them alone, did I not? I came to the village, and to Morthwyl–yes, the boy, the friend. My friend, my boy.
Galene had carved a small bay for herself not far from Morthwyl’s family home, where sparks shot into the air and the clangs of his father’s hammer sang while the morning clung to night’s chill. Six years, Morthwyl’s home welcomed me with this song. I grew to love the smell of woodsmoke and iron: simple industry that thrives as it both gives and takes goodness of the earth. These scents hid themselves in Morthwyl’s clothing and hair when he came down to meet me by the bay. Neither of us ever spoke in sight of the house.
In the woods along the Galene, however, Morthwyl’s lips spoke much without speaking: Never had I known someone to smile so. Some smiles promised mischief, some hope. Some a joke, with laughter eager to break through all. Some sadness. In his home, I saw no smiles, but heard many words. None ever seemed to quite translate into a pure, clear truth.
But this is not about Morthwyl’s family, not this day.
Morthwyl’s braids looked fresh, but one lock had broken free, curling round his right eye. His eyes were deep and clear, like the river.
A short walk from the shore was a patch of herbs and flowers different members of the village used. It seemed folks took turns to care for the patch as well as harvest it. Morthwyl knelt in the damp earth and cupped the bud of a tall flower. He looked up at me with such earnestness that I joined him there upon the ground. My instinct was to reach out, to hold, to care for he who had made this world sweet in spite of industry’s poison flooding the land. His cupped hands were spotted by freckles and burn marks from the forge. I studied that which he cupped in his hands. “A thistle, is it not?”
The earnestness spread to his chest, which began to flutter as though he were running. “Orpine.”
“Oh…” Mother spoke of orpines often, often promising we would plant them in our garden to divine who my sisters would marry. The three times she actually did instruct Father to purchase orpine for planting, however, one set grew straight as corn, one grew sick, and one simply died. Not one flower grew to touch another, and therefore promise marriage. Now I sat with one orpine resting upon my arm. Morthwyl released his, and it leaned forward to grace the petals’ tips in the most chaste of kisses.
Then Morthwyl’s hands blossomed with a new gift: two orpines forged of iron. They were but the length of our thumbs, woven round one another, leaves embracing, heads touching intimately.
Oh how my own heart wrapped round us in that moment! I could not breathe or speak. My soul swam through his eyes, feeling them purify me of past sorrow and bitterness. All that remained was joy so very sweet that I brought my lips to his own so that he may taste what happiness felt to me. His fingertips trembled along my cheek as his lips stayed with mine. In my heart, that moment has never ended.
But somewhere out of sight a branch snapped, pulling me away in fear. Had my father followed me at last? A horse trotted in haste, but not towards us. When a command thundered through the wood, it sounded like some lord demanding his servant. Father had no such depth or power in his commands, so I at last allowed myself to exhale and look again upon my Morthwyl.
A small smile appeared, relieved, and he placed the orpines in my hands. His own long fingers pressed a place in the stems, and I heard a small ting. The orpines came apart. One for each of us.
“Perfect,” I said. For in that moment, it was.
Oh, Wynne. No wonder it’s a turning moment.
I am not finished.
The horse whinnied such that I feared it right behind me. Morthwyl rolled into the garden and kept to his knees, hand round a weed. I uprooted the orpines and held them as children, already doomed to die in my arms. My heart cried out, but I gritted my teeth against the sorrows. No one else would know their love. Better to keep them together in their final moments than transplanted to somewhere far and alien, alone.
The horse jingled into view at full gallop. The rider pulled hard upon the belled reins, halting at garden’s edge. Beast and master shone with golden hounds embroidered upon crimson cloak and covers. Rings of red and orange gems glittered round every gloved finger. Such wealth displayed with such ease and without a single guard felt wrong, very wrong. I took one step back, eager to run, but such impudence would make me memorable, and I did not want whomever hid beneath that hood to remember me. So I curtsied, and kept my eyes to the orpines.
Morthwyl, too, bowed his head. He spoke with the quiet clarity that I knew only to come when he defended me from the insults of other lads. “My lord, the High King’s Road is far from this place. If you wish I will lead you to it.”
“That will not be necessary, boy.” The rubied hand pulled the hood aside, revealing a face that looked far too young for its voice. His beard was barely grown, and his hair, as golden as his hounds, remained tied back into a single short tail. “Merely exploring the extant of my land. But it appears I have trespassed upon your borders, this village of…”
“Little Innean, my lord.”
“Yes of course.” I could feel his gaze upon us, unrelenting as the sun in the heat of summer. If not for the horse’s content chewing, I would have screamed but to break the silence. “Pray forgive me, but I feel as if I should know you both.” He clicked his tongue, and the horse closed the distance between us. I could see every thread of his hounds, down to the points of their teeth. He had approached me, so there was no choice: I had to look up at his clean, polished face. “Perhaps my business has brought me to this town in the past. My memories are not always my own.” His smile revealed teeth white enough to be pearls.
No lord looked so perfect, not in body or status. He needed to get away, back to his land and away from this village, away from my Morthwyl. “Assuredly not, my lord,” I said. “This is but a small town of farmers and of no consequence to any of your stature.”
The rider smiled warmly as he took in my countenance, orpines and all. “A merchant such as myself trades with all walks, my lady. You, more than the boy, are far more familiar. I am now certain I have met you before.”
No, you are wrong! I wanted cry out, to leap into the Gasirad and beg sanctuary, but my mind, curse it, thought otherwise. “Perhaps you think of my sisters? They meet many who do business with my father, Master Adwr.” Surely he was thinking of them. Let him deal with their Sly Accidents before his horse, forcing him to carry them in all weak and wounded and be compelled to attend them. Let them coo and paw upon his chiseled jaw and ringed fingers. He can have their choice of them, for all I cared.
“Sisters?” He swallowed the word down. My own stomach burned. “How many?” The question came hard and fast. No smile, however warm and easy covered the odd strike that came with such a question.
And what was I to think in such a question? Yes, odd, but there surely could be no harm in it. “I am one of five sisters, my lord.”
Thank the gods for that “Sir.” I allowed myself to turn to the voice and see five large men, all clothed in crimson and golden hounds. Their hair was silver, and their features hard and angled round dull, red eyes. Yet in such mass and strength, their skin looked grey as corpses.
The one who spoke stepped forward and bowed at the waist. “Master, all corners of the border are now marked. Will trespassers be killed, or simply beheaded?”
The rider nodded along. “Yes, we’ll—what?” He cared not what Morthwyl’s reaction to such a question was, which I did see: as stalwart as oak. He would give these strangers nothing. It strengthened me to do the same. “Commander, such jests are wholly inappropriate among such intelligence…and beauty.” His rubied hand let go the reins, and opened its palm to me.
I wanted to cower. I wanted to run. I wanted to do anything, anything but place my hand in his.
But to not would mark me for punishment under his hands. And Morthwyl would not stand for such a thing without a fight, and then they would kill him. If they want to behead mere trespassers, what evils would they unleash for assault?
So I gave him my soiled hand, with my iron orpine hidden safely beneath the stalks of dying ones. His fingers closed fast and tight, and when the thumb stroked away a clump of dirt, I thought certain I would faint, or vomit, or by Galene, both. He brought his face close enough that I felt the chill of his breath, but he did not touch me with his lips. “A young beauty such as yours is to be cared for, my dear, not soiled by labor.” I curtsied to acknowledge, but said nothing. “I must speak to your father on it.”
Oh! “That is not necessary, my lord, it—”
“Tut tut, I insist. Now Commander, let us see if you’ve marked my lands clearly enough for the innocents.” He bowed as he drew his hood forward. “Until we meet again, my lady.” He rode past the five guards. Their eyes stared at us blankly for a moment, and then they turned to march silently into the trees.
Any thoughts, comments? Please share them with my thanks!
blinks once, twice, to living color dancing about the library.
Yes, she’s sitting at Liam’s feet, having fallen asleep with her head resting on his knee. Liam’s fingers have wound themselves into her hair.
hearth is cold, and the stale food… unsettling. Shouldn’t Arlen be in the
kitchen by now, scolding Dorjan for raiding the fridge? Shouldn’t there be a
kettle whistling for the velifol tea? How
in brewin’ blazes are they going to defend Rose House against Campion and the Lady?
slowly slips her hand beneath Liam’s to free his fingers from her hair. Still
too many cuts and burns for her liking on his calloused skin. The Lady’s claws
must have struck near his neck, where angry red inflammation peeks out from
under Liam’s white tunic. The leather brace for his blood dagger seems to
restrict the rise and fall of Liam’s chest, so Charlotte holds her hand up to
Liam’s mouth and nose, and feels fitful breaths. Dreaming, maybe.
The teeniest, teeniest bit of space buffers her palm and his lips. She could close that space. Not, not too much: Charlotte’s thumb caresses Liam’s upper lip. Just once. It’d be nice to know his lips feel… oh yes, they feel so very different when not covered by musty facial hair. A dull violet glow emanates from just beneath Liam’s chair: the stone from Orna’s ring. Charlotte bends forward, chin on the floor, eyes almost crossing as she gazes deep into such a simple little thing, like marble, opaque with an inner shine. That shine’s got a power even Arlen doesn’t wanna touch. We better hide this, House, before a nasty Incomplete snatches it from Liam. She poises her thumb behind the stone, sticks out her tongue as she aims, and with a flick, the stone rolls into a little hole in the wall beneath the stained glass window. One eyeblink later, and the hole’s gone. Eight ball in the corner pocket. Thanks, House.
hugs herself against the chilly summer morning as her feet pad softly down the
corridor into the kitchen. No Arlen, no Dorjan.
clings to the Rose House’s walls, wary. Scared.
where are they?”
of silence. Then voices and distant footfalls: the third floor. But not Arlen
or Dorjan: the gravelly voice booming orders has got to be Devyn, leading the
other scouts to harvest the velifol flowers.
Charlotte checks the patio. It did sound like the uncle and nephew went outside
last night. Maybe they’re harvesting mint, or parsley, or whatever it is they
use for pies—Charlotte never really paid attention to the cooking stuff.
“Arlen?” She cups her hands to yell, “Dorjan!” Frost glitters upon the flowers beneath
Rose House’s shadow, but under Charlotte’s feet the frost feels different.
there is a rhythm.
run through the silent halls and out into the kitchen: Poppy as her mouse self,
going on?” Charlotte asks as Poppy changes before her. Though I think I can guess.
Miss Charlotte, Danger!” Poppy says before her whiskers have the chance to
vanish. “Terrible, terrible things below. Campion and the Lady, they got all
juiced up and stronger than before and they’re just totally super angry, and
they wanna get the Incomplete meanies up here, and they wanna just, they wanna,
oh, they wanna—”
“Retaliate.” The human version of Ember lands on a patio chair, feathers not fully transformed into orange patchwork fabric. Her skin reflects the early morning sun from the hall window, turning her white with the frost. “Something’s helped the Lady regain her strength. Eating an Incomplete, perhaps, heart’s fire knows, but she’s moving through the tunnels, and Campion’s at her side,” she says, her voice cracking under her former friend’s name.
“So Devyn’s getting the scouts to take the
thunder rumbles under a blue sky. Then Charlotte realizes the thunder’s not
from above. Oh. Shit. “Arlen and Dorjan,
where are they?”
Ember’s voice remains smooth, but biting her lip doesn’t hide the trembling of her chin. “Not in Rose House, we’ve looked. The wolf kin can protect Arlen, I’m sure.”
Charlotte nods, but this idea of the Lady of the Pits somehow getting out again and acquiring new power despite Liam slicing her face off and taking that magic violet stone from her ring…. How the hell does she find more power inside a bunch of tunnels? And Campion’s bones were broken to bits. Something is wrong, way too damn wrong. “Okay. You’re right. They can take care of themselves.” Because to say it out loud makes it feel more possible, more true. She will not allow her body to shake as Poppy’s does, even And Poppy’s shaking only makes it worse with the thunder rippling through the ground again, this time upsetting the patio stones. She will not let the fear freeze her as frost does a flower.
nods curtly. “We must hope Master Liam’s tree withstands the attack. Come,
Poppy, we need to carry what we can.”
grabs Charlotte’s arm. “But we can’t leave Miss Charlotte! She’s my bestest
friend, and she’s so nice, and she could come with us and be super helpful and—”
Charlotte shoves Poppy towards Ember. “No, stay together. I’ll get out with
right, Poppy.” Feathers tuft through Ember’s neck and hands. “Upstairs.”
rumble. A patio chair topples.
gulps a breath, then two, then takes off, changing as she goes.
takes a steadying breath. “You will hide,” she turns to Charlotte, “won’t you?”
Well what do you know. She kinda actually cares about the human in these here parts. A little. Maybe.
The frost thickens, latching onto Charlotte’s toes. “Long enough to see what that snake bitch’s hatched, yeah.” Another rumble bumps them both up and down. “You go, the House’n’I will buy you some time.”
Ember’s exhale mingles with the cloud of ash and feather already taking shape round her body. “We’re going to the far side of Lake Aranina. It is hopefully too far for the misshapen limbs of the Incomplete to run.”
wings, legs are shrinking. “Let us hope your luck carries us all through this
day.” The orange bird soars up, plucks something from the rooftop, and darts
south for the lake and beyond.
Ashes touch the air.
shriek, far and away.
entrances out of the Pits, both unlocked. One out in the woods.
And one inside Rose House.
“Liam!” Charlotte slams the patio
door, locks it—idiot, it’s fucking glass—and
bolts for the library.
yet to move, eyes closed, breath still slow.
you have to wake up!” Charlotte shakes him, cups his cheeks, brings her face
close—dammit, this isn’t time for that, so
she slaps his cheek. “Liam!” She yells in his ear.
pounding below her feet.
They are coming.
Any thoughts, comments? Please share them below with my thanks!
When there’s deadlines for two novels and six short stories, it can be pretty easy to forget about little things like family time or relaxation.
It’s bloody hard to write when the kids are home, but sometimes they manage to occupy themselves creatively while I work. Blondie works on her comic book starring Ruff Ruff and Stormfly…
…while Bash draws picture after picture of Star Wars droids. “Is that R2-D2?” I’ll ask. “No, that’s Q3-5A,” I’m corrected. Okie dokie!
Biff loves to read, but he’s not much for writing or drawing like his siblings. He gets his creativity on with Legos, which suits me find for this little engineer.
We’ve taken the kids to the North Woods a few times, and hope to do so once more before the school year starts. Princeton’s not far from the family cabin, and it hosts a weekly flea market throughout the summer. Bo has many treasured childhood memories of this market, so we always take care to visit it at least once a summer. He gets to dig through old comic tubs, and I get to take a gander at all the people.
The booths are filled with everything from liquidation buyouts, bottomless tubs of toys from the last fifty years, handmade doll clothes, or antler home decor. Who wouldn’t want a fireplace poker made of deer antler?
Plus there’s always a few tables laden with books–hooray! I didn’t know I needed a cookbook by the Dixie Diamond Baton Corps, but come on–you know there’s got to be good stuff in there.
I don’t know what qualifies as “antique” outside the US, but I just cannot consider ’90s nonsense as “antique.” (I went to elementary school with people who wore those buttons, for cryin’ out loud.)
Now I do not know how this guy does it. Poetry on demand? Brilliant! And he always had someone waiting for a poem. Either he’s that good a writer, or Wisconsinites are just that tired of all the booths selling crocheted Green Bay Packer hand towels and beer cozies.
Speaking of writing on demand, let’s see what could make for some awesome reading for August. I’ve added these to my TBR list–I hope you will, too!
George has been an amazing support over the years in the blogosphere, so when he announced he put a book together, I had to give it a shout-out! He shares pieces of life and inspiration that help him create his lyrics for his three published albums. Do check this out!
Zoolon, the alter ego of George Blamey-Steeden, is a musician & sound artist living in Dover. He has a number of albums to his name, ‘Liquid Truth’ (2012), a concept album themed around Plato’s ‘Allegory of The Cave’; ‘Cosa Nostra’ (2014) a sound art creation based upon ‘Romeo & Juliet’, plus his two latest albums displaying his songwriting skills, presently on sale via Bandcamp, namely ‘Dream Rescuer’ (2017) & ‘Rainbows End’ (2017). http://www./zoolon.bandcamp.com An accomplished musician, he has a BA (Hons) Creative Music Technology (1st Class Degree) and his passion for composing is only matched by his love of wildlife and his support of The Arsenal football club. http://www.zoolonhub.com
I saw this at the bookstore under “Local Authors” and became intrigued. There’s a supernatural element here, but a family drama at the heart. The allure of such a mix can’t be denied!
If you knew the date of your death, how would you live your life?
It’s 1969 in New York City’s Lower East Side, and word has spread of the arrival of a mystical woman, a traveling psychic who claims to be able to tell anyone the day they will die. The Gold children—four adolescents on the cusp of self-awareness—sneak out to hear their fortunes.
The prophecies inform their next five decades. Golden-boy Simon escapes to the West Coast, searching for love in ’80s San Francisco; dreamy Klara becomes a Las Vegas magician, obsessed with blurring reality and fantasy; eldest son Daniel seeks security as an army doctor post-9/11; and bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality.
A sweeping novel of remarkable ambition and depth, The Immortalists probes the line between destiny and choice, reality and illusion, this world and the next. It is a deeply moving testament to the power of story, the nature of belief, and the unrelenting pull of familial bonds.
I am so stoked about Novik’s latest! Uprooted was a joy, reminiscent of Diana Wynne Jones’ quests and battles with quirky yet complete characters, so when I heard Novik’s got another fairy tale in bookstores, I had add it to my list.
Miryem is the daughter and granddaughter of moneylenders… but her father isn’t a very good one. Free to lend and reluctant to collect, he has loaned out most of his wife’s dowry and left the family on the edge of poverty–until Miryem steps in. Hardening her heart against her fellow villagers’ pleas, she sets out to collect what is owed–and finds herself more than up to the task. When her grandfather loans her a pouch of silver pennies, she brings it back full of gold.
But having the reputation of being able to change silver to gold can be more trouble than it’s worth–especially when her fate becomes tangled with the cold creatures that haunt the wood, and whose king has learned of her reputation and wants to exploit it for reasons Miryem cannot understand.
While it’s great getting perspective on strictly characters or strictly world-building, I want to study the art that is storytelling. Writing beautiful prose always a sweet endeavor, but to keep readers gripped, to keep them from putting down the book because they need to know what’s happening to characters they care about–now thatmakes me writer-proud. I’m looking forward to this one!
What do Luke Skywalker, John McClane, and a lonely dog on Ho‘okipa Beach have in common?
Simply put, we care about them.
Great storytelling is making readers care about your characters, the choices they make, and what happens to them. It’s making your audience feel the tension and emotion of a situation right alongside your protagonist. And to tell a damn fine story, you need to understand why and how that caring happens.
Using a mix of personal stories, pop fiction examples, and traditional storytelling terms, New York Times best-selling author Chuck Wendig will help you internalize the feel of powerful storytelling.
And of course, because I’m a writer…
If you’d like a little breather from your typical summer reading fare, try my serialized novel Middler’s Prideon Channillo or Fallen Princeborn: Stolen,FREE on KindleUnlimited! 2019 Update: Due to recent changes in the publishing relationship between Aionios Books and myself, Tales of the River Vine has been pulled from the market to be repackaged and distributed in fresh editions.