#AuthorInterview: #Indie #Writer Rob D. Scott Discusses #Writing and #Submitting #ShortStories. Thanks, @RDScott9!

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Image from Wisconsin Public Radio

A good morrow to you, my fellow creatives! The cold clouds of April blanket my Wisconsin skies these days. The world is a palette of tans and browns, the wee specks of new green, new life, just barely peeking.

There is, however, always new life to be found in our words. I’m excited to share an indie author who has planted a number of stories across multiple publications. My friends, please welcome Rob D. Scott!

Let’s work through the niceties first. Tell us a bit about yourself, please!

I live in Edinburgh and work in a community college. I only started creative writing three years ago, which is crazy. I should have started years ago. That’s life.

Look for updates from Rob on Facebook as well as Twitter.

It was winter and a period of really awful weather. I started writing a novel for something to do and out of curiosity. I enjoyed it, so kept going. I read books about writing, did a short on-line course, and started submitting short stories to on-line magazines and competitions while I worked on my first novel (which is now hiding in a cupboard). I’ve started a second one, which will hopefully turn out much better.

I find a lot of writing inspiration in the rural landscape of my state, Wisconsin. How would you say the urban setting of Edinburgh—or the countryside of Scotland—inspire your storytelling?

Edinburgh is a beautiful, amazing city and so many writers have used it. I haven’t that much yet. The countryside is more likely to find their way into my stories.

I usually start a new piece of writing using a memory (recent or distant) of a place or moment; that might be in the city or countryside. I write it almost as a factual description and the story develops from there. Stephen King in his book ‘On Writing’ talks about fossils that writers dig up and that’s what I feel I do. Once I find the right fossil, it soon turns into fiction; (to mix my metaphors) it’s like a paper ship floating down a stream. I just go with it and see where it goes. I might have an idea where it’ll end up, but not always.

Image from University of Edinburgh

What literary pilgrimages have you gone on?

When I was twenty-one, I went for a job interview in a town at the other end of the country just so I could visit the Thomas Hardy museum there. That’s not very ethical – especially as they paid for my travel and a hotel! I was first in the museum in my horrible new interview suit and I lingered there too long and was late for the interview. I didn’t get the job, but the museum was great and the countryside from the train ride was amazing. I had forgotten all about that. I should write that up as a story!

Someday, I’ll visit the USA and go to lots of writers’ houses and museums. Carson McCullers is a big favourite, so I would maybe head down there first.

Thomas Hardy’s home (image from The Acorn Inn)

As you should! 🙂
Nothing saps my creativity like a telephone call from my children’s school principal. What is your writing Kryptonite, and how do you overcome it?

I really have no excuses not to produce thousands of words every day. I work but I have free time; especially in lockdown. I am amazed how people with busy lives and family responsibilities (like yourself) manage to write.

Although I don’t think I could live without it now, writing is not the top of my priorities. Work, other people, a day in the countryside, a trip to the cinema, etc make me put down my pen. Life comes first, writing second.

Have you read anything that made you think differently about fiction?

I just absolutely love this Ray Bradbury quote:

“Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for.”

As an amateur/beginner writer, this makes a lot of sense, and is great advice – I guess for successful authors as well. We’re all different – so just do your thing. Give it your best shot. Try to find something that’s meaningful to you in some way to keep yourself going through the trickier times.

Your encouragement here reminds me of the theme of hope I see in your flash fiction “Goodbye, Frenetikov.” The beautiful level of detail in the beginning uniquely balances with the uncertainty felt in the end. Do you find yourself drawn to themes uplifting to readers, or do you take readers into the darker feeling as well?

Thank you for your comments. I wrote a few very sad stories during lockdown. I think I’m out of that, now. In fact, I’ve just started writing a longer piece, and before I started, I decided that it should be something with a very positive theme. If I am going to spend the next few months on it, given what’s happening in the world right now, I feel that’s where I would like to spend my writing time.

In writing short fiction, you have to hook readers to care about characters, ground them in your story’s setting, and leave them pondering about your story’s end all within a few hundred to a thousand words. (“You Die If You Worry” comes to mind.) Can you walk us through the process of crafting your fiction’s pacing and language to accomplish so much so quickly?

I am very much learning the craft and that there are many different ways to produce a successful short story. The word-length requirements (e.g. 300, 500, 750, 1000, 1500, 2000) can influence the plan. I usually write the story to its best, natural length and worry about where to submit to later.

If I pick up a collection of published short stories, what strikes me is the quality of each line, the language. So that is the number one goal for me; the quality of each sentence, the appeal and magic of the jumble of words. For the structure, I really only think in terms of a beginning, middle and ending. You get in the car, start it up, go for a drive and stop somewhere. Apart from that, there is so much variety in short fiction – anything goes. For example, you might have no dialogue or almost all dialogue in a story.

With very short fiction it can be frustrating not being able to fully flesh out character, setting etc, in the way a novel allows you to, but equally that provides much of the fun and challenge of the form – perhaps like poetry – to find evocative/resonant ways to hint at what’s missing, the spaces in between.

You are published in a wide variety of literary magazines and anthologies. Do you have any favorites you’d like to recommend?

The ones that accepted me are the best, of course!

HA! Sorry, go on. 🙂

There really is something for every taste out there. Much of my experience of the writing for the literary world has been for on-line magazines. The creativity and quality right across the board is very impressive.

I have to say Popshot magazine is just a beautiful object, as well as the great writing. It’s a lovely paper magazine with poetry, fiction and illustrations. I was lucky to get in there once. They commissioned an illustrator to produce something to accompany my short story, which was just amazing – that someone would do that.

Thank you for the recommendation! I’ll have to check them out. What would you consider to be common traps for aspiring writers? I imagine there are a few when it comes to short fic submissions.

I had to learn a lot about the technical side of things – voice, point of view, plot and so on. I think it’s good to remember there is a lot to learn (I notice in your other interviews, writers say this, too).

In terms of submitting to litmags, not understanding at first why you get so many rejections can prove very disheartening. And it would be a great shame if beginner writers gave up because of that.

You learn that you have to know your audience and the market to give yourself a chance, so submitting to the right sort of magazines is important. That means reading the stories in the magazines to guess if yours might work for them, which is both enjoyable and a great way to learn from other writers’ work.

I must mention editors here because they really are the superheroes, along with their ‘readers’. They often do the job for love not money and are the people who choose your story. So be nice to them! And when you submit, follow all of their guidelines very carefully about format, word length and so on.

If you’re lucky they will help and even give a little advice. For some reason, I’ve found sci-fi editors to be especially supportive – or perhaps they’re just super-skilled at letting people down gently! I’ve been trying to ‘find a home’ for a couple of sci-fi stories since I started writing, with no luck. When I started, I kept a folder of ‘nice rejections’ to cheer myself up when the piles of rejections got too much.

I think one useful tip is that if there is a ‘themed call’ for an issue, you might have a better chance with that if you have a story to fit the theme.

As an indie author who is also having a go at lit mag submissions, I’d love to ask about your process in searching magazines and sending multiple pieces. Do you find yourself writing your stories first and then finding magazines that fit the story, or do you scope out the magazine themes first and then craft stories to fit them? I noticed you recently published in a “lockdown” themed anthology, for example.

Good luck with your submissions.

Thanks!

I usually write my story then look for a place to submit. The word length is a big decider on where to submit to, along with the house-style of the magazine.

Calls for submissions for a themed issue – with prompts such as ‘Road trip’, ‘First love’ or ‘Winter’ – can be a great way to get going on a story that you can end up submitting to more than one place or developing into something longer. The theme of the ‘Lockdown’ anthology I was published in fitted with something I was writing at the time and I spotted their call.

The submission pages are crucial. They describe the type of story they are looking for and often say ‘read some of our stories to get a feel of what we’re looking for’. That’s a must, but it’s also great to read the stories. You mentioned, Jean, that you’re inspired by the countryside – there are litmags that have a specific focus on that.

After three years of submitting, I have a much better idea of who might consider or accept a particular type of story.

Having said all of that, it is an amazing, random-feeling process, of being in the right place, at the right time, with a story that appeals to a particular editor, in terms of what they are looking for right then. Getting published anywhere – no matter how big or small – is an enormous thrill, but of course you set targets and have favourites you aim to get into.

Receiving acceptances are tremendously encouraging and validating. There really is nothing else like it. There’s more than a little ego and pride involved there, of course. But, it’s also reward for hard work and effort. And for not giving up.

Let’s wrap up with a little inspiration. Writing and reading can, to me, be a transformative experience. Do you view writing as a kind of spiritual practice?

Yes, in a way. It is certainly a deeply personal process, and also both reflective and instinctive. I often find it quite meditative, even therapeutic. It can be fulfilling and quite emotional at times – as you go through your imagined characters’ experiences. Although it’s a solitary activity you are very engaged with memories and thoughts of other people and the world.

Maybe it sounds corny, but I think words and the way they can be strung together really are magical. It expresses who we are.

Making the connection with a reader is very special too – even if you never meet them beyond a ‘like’ on Twitter or Facebook, or a purchased magazine. The thought that people read your work and find something interesting, rewarding, enjoyable makes the whole process more of a communal, shared activity. It must be great to have people buy your book because they know your work and love your characters. That’s something to aim for in future, for me.

A beautiful encouragement we all should aspire to, Rob. Thank you so much for sharing your time and thoughts here!

~STAY TUNED!~

Who else is ready for a month of Wyrd and Wonder-full fantasy? I am!

I’m super stoked to share an interview from a new SFF publisher as well some amazing music to inspire the epic adventurer within you. There’s also a side project of mine in the works that is so close to “publication”…

Every semester I encourage my newest group of students to read for fun to improve their writing skills, but then here I am, not getting much reading in. Oh, I’d just tell myself the excuse that if I commit to a book, I want to get something out of it as a reader and a writer, and how am I to know what book will give me that? I’ll just watch what my favorite book bloggers recommend and just go from there.

But that doesn’t force me to commit to reading, and that’s just not cool. Sure, time has always been that elusive treasure in this life as a mother, teacher, and writer. That’s not an excuse, though. Besides, there are plenty of other writers with jobs who don’t have much time to read and–

Oooooh.

And so, I decided to start a podcast.

Please watch for updates in May while I get this wee podcast off the ground. x

Read on, share on, and write on, my friends!

#AuthorInterview: #indie #writer @julidrevezzo shares her latest #FantasyRomance and #lessonslearned on building a #platform

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Beware the Ides of March, my friends!

I have just been…uffdah, it’s been a March. Nothing bad, thank heaven, but the plagiarism this term has been particularly ugly–students stealing from classmates, cheating with paraphrasing software, buying papers from paper mills, and so on. Some of my hunts for proof have been successful, some not. Either way, it’s extremely frustrating.

On the positive side, Biff has found a lot of joy in research writing! He spent weeks gathering facts and drawing pictures for his big research project. I may just have to recruit Biff to help me write titles from now on, as his title gathered quite a bit of attention from family and friends. 🙂

Blondie is still working on her own story involving wolves, foxes, and dragons–hopefully I can get her to type the first installment here, especially considering her laments of, “What can I do during Spring Break? I’ll be so boooored.” Welp, this would give her something to do, lol.

Bash has been doing so wonderfully at school, I could cry. Having the extra support from his IEP (Individual Education Plan) has made all the difference. His support teacher encourages his creativity while also helping him stabilize his reactions, and his teacher’s been extremely flexible while also keeping control in the classroom, which is HUGE.

So writing hasn’t happened much this month, but the blessings definitely outweigh the problems. x

I’m also thankful for each and every one of you, so it’s a joy when I can spread good news about your work. Antique Magic series author Juli D. Revezzo and I had another conversation about her goings on and latest work, and now I can share our conversation with you. Welcome back, Juli!

Thank you. Glad to be here.

We last spoke in October 2019 about your work with historical romance and other magical stories. I see you’ve been continuing two different series with publications in 2020. Before we hear about the books themselves, can you first share your process on how you the character arcs and plots straight for such different story-worlds?

Notes! Tons of notes. I keep most of them in old fashioned spiral bound notebooks, and supplement that with word doc files, when the spiral bounds get too unruly. (I do. I have boxes and cabinets full, if you don’t believe me!)

Luckily, in my Antique Magic series, I kept that to one pov throughout the series, the arcs many revolved around her relationships with the minor characters.

Okay, NOW tell us about your latest work.

The latest, well, since we last spoke, I finished off my other series, the paranormal romance series: Stewards War, so it’s completing Stacy’s war against the evil god Balor. If you haven’t read that one, she owns a sacred battleground for an ongoing battle between the mythical Tuatha dé Danann and Balor. The book we talked about in October, Bitter Thorn Tribe, saw her digesting everything that happened in the previous book, Keeper of the Grove and dealing with an unexpected magical threat, while my soon-to-be-released novel Druid Defiance, sees her making a major parlay against Balor. It will wrap up the series, so I can’t say more than that without spoilers. 😉

Sometimes we need to visit a place, be it the setting of a story or a home of a favorite author, in order to be inspired. What literary pilgrimages have you gone on?

I’ve visited Fort Pickens (which is a feature in my Antique Magic series) and the mountains in Druid Warrior’s Heart and those in …well, the forthcoming last book in Stewards War series (Druid Defiance) are inspired by the mountains of North Carolina, which I’ve visited several times.

Your stories cross multiple centuries, so it’s understandable that names are going to change depending on the time period, culture, and so on. How do you select the names of your characters?

The Stewards War series, I assume you mean. The heroes keep their same names across the centuries, in order to keep from confusing everyone. They…ha. Funny story, but when I wrote the first book, I had no intention of turning it into a series, so I picked names that sounded old and either came from history, or mythology. Thinking the modern sounding ones would be good enough. But they branched out, so the main ones (Stacy, Aaron, Erika, Jim and Isaac) needed more friends and family so I had to do some mythology dives.

 (For instance: Dylen, Lugh, and Brighid all came from Celtic mythology. Éle is a faery queen name; Caírech, Fintan, Dermot, and Gwenevieve are Irish names, Maedus is named for a son of a legendary Iberian prince; Aaron and Isaac, and Ruth well, their names are Biblical, of course. Lilly comes from… just flowers and Diarrt is a spin on dart, because what were good names 7,000 or 8,000 years ago when those characters lived? Who knows? I only wish I’d given Aaron and Isaac better—more Irish—names. 🙂 )

In Antique Magic, their names were contemporary, so they were much easier to choose!

I’m always on the lookout for good books on the writing craft. Do you have any recommendations?

I’m reading The Heroine’s Journey by Gail Carriger. So far, it’s pretty good. And I’ve read 365 days of Writing Prompts for Romance Writers by Kim Knight, over the Thanksgiving holiday. It was helpful—and not just for the romance genre, I think.

Oooo, thanks for the recommendations! I’ll have to check those out. Now when I look back, I see you published your first story in a compilation in 2011. How did publishing your first story change your process of writing?

From what I remember, (2011 was an eon ago!) it didn’t? I just had to have the story finished and out by a deadline so I had to write it fast. Since then, I’ve plotted more than I was doing back then; I’ve become more of a plotser, (plantser?) than a true pantser, but I still usually pants my way through the initial ideas of stories. Usually only the first half of the notes, now, to be honest.

From 2011 onward, you have been constantly putting out awesome stories! I’m lucky if I can get one thing published per year. How do you maintain a strong brainstorm-to-publication routine for yourself so that readers can count on new work from you every year?

Aw, thank you for your kind words, Jean Lee. As you say, I’m constantly working on something. While we’re talking, here, about three different books—two recently released and one in pre-order—I’ve got one manuscript finished that I need to do a first read and edit on, and one I’m not quite that far into (*ducks*), and I’m making notes for beginning another—and I have one that I need to get printed out to revamp. Yes, all at once. I work a little bit on this one one day, a little on that one the next. One might be half done at 40k words while one’s only 2k words; and one might be half-edited. *shrugs* It’s just the way I’ve always done things. Ideas I can’t get to right away, I just scribble them down in notebooks to come back to.

Your years of writing have seen a lot of change to the digital market and concept of “author platform.” Can you share a few lessons you’ve learned about marketing your books?

OMG, how much time do you have??

You can’t not do it, so just get to it. But I differ in one thing that everyone else says is a must. Yakking about your unpublished books online. Waste of time. Why do I say that? Why, I was blogging about the books I was sending out to publishers way back, starting in 2000 (that site’s since crashed and lost, alas), and in 2010, I still didn’t have a book out. And I had a professional fellow say to me. “Why aren’t you blogging it?”

Dude, I had been for years at that point! Total waste of my time. Your mileage may vary, but that was my experience and proof that building a platform years before you have a published product to sell was a waste. All the time I spent blogging and coding and recoding, I could have spent writing.

Lesson two: The minute you think you have something figured out, it changes.

Don’t believe that Facebook and Amazon and the all-important newsletter list providers will be around forever—they probably won’t. Tomorrow, they’ll be today’s Myspace. Just expect it.

Thanks so much for sharing your lovely insights, Juli! Let’s wrap up with something you’ve learned from experience. What would you consider to be common traps for aspiring writers?

Focusing on everything but their writing, and believing the first thing they finish is good. It’s not. Not spellchecking, not proofreading. Thinking that your market will never change. Believe me, it will.

And, conversely, another trap is not writing to market.

(???Do you have a headache yet? So do I!)

Just find the best fit for your story you can and send it out. And remember to keep learning. I remember someone saying (I can’t remember which writer I heard this from—Stephen King? Steinbeck? I forget which) but he said you’re never good enough. All you can do is keep writing, and keep improving on your last work, no matter what. But in the meantime, as Dean Wesley Smith says: do as good as you can, and send the book (or story) out, and write the next one, and do it again. 🙂

Here’s the synopsis of my latest book, Druid Defiance:

Destined for War…

As Steward, Stacy travels to her ancestral home in Ireland to wed. When she is granted access to the family’s sacred site, her presence opens a magical portal that brings her into a new version of the world. Does this mean the gods approve and her wedding can move forward or will the evil Balor object and end the world once and for all?

If you’d like to check it out, it’s available at Amazon:

About Juli D. Revezzo

Juli D. Revezzo loves fantasy and Celtic mythology and writing stories with all kinds of fantastical elements. She is the author of the Antique Magic paranormal series and the Stewards Wars and Celtic Stewards Chronicles series, the historical romances, Camden Girls series, Vesta’s Clockwork Companions, House of Dark Envy, Watchmaker’s Heart, and Lady of the Tarot, and more. She is also a member of the Independent Author Network and the Magic Appreciation Tour.

Website:  https://julidrevezzo.com/
Amazon Author Page: https://www.amazon.com/Juli-D.-Revezzo/e/B008AHVTLO
Newsletter http://bit.ly/signupforJulisnewsletter
Blog: https://julidrevezzo.com/blog/
Twitter: https://twitter.com/julidrevezzo
Facebook: https://www.facebook.com/julidrevezzo
Pinterest: https://www.pinterest.com/jewelsraven/
There’s also a board dedicated specifically to the Stewards War and Celtic Stewards Chronicles series: https://www.pinterest.com/jewelsraven/related-to-the-celtic-stewards-chronicles/
Instagram: https://www.instagram.com/julidrevezzo/
Goodreads: https://www.goodreads.com/author/show/5782712.Juli_D_Revezzo
BookBub: https://www.bookbub.com/authors/juli-d-revezzo

~STAY TUNED!~

I’m excited to share more indie interviews, including a small press fantasy publisher. It feels like the perfect way to help celebrate May’s Wyrd and Wonder!

We’ll also dig into the wonderful worlds opened to us through names, and let’s not forget the joy music brings to exploring new worlds…

Read on, share on, and write on, my friends!

#WriterProblems: Finding #Worldbuilding #Inspiration in #SmallTownLife

Hullo hullo, fellow creative souls! It’s lovely to have you back in this, Wisconsin’s Fake-Out Spring. (Never let the first thaw fool you. We’re bound to be snowed under for Easter.)

Once upon a time I shared some posts about the hidden pieces of historical inspiration as well as the peculiar locations in one’s small town that feel like a piece of fiction come to life.

I’d like to continue on this path today, as this pandemic has kept many in their homes. Some homes are in the midst of a bustling city, others out in the middle of nowhere. I’m not in one, but not quite the other, either. My town has neighborhoods (including one on the other side of the tracks), two gas stations, two bars, a library, and a post office. (We shan’t discuss the curious carnival or rock shop today…or the RV campground someone thought would be great to build between a cornfield and old industrial area. Yup, that’s scenic, all right.)

My town, you could say, is small. Built around a river mill and railroad, like so many other rural towns in this country. Just one of thousands, right? The kind teens are so determined to escape to “find themselves” elsewhere.

Well in all my travels through all the small towns as a kid, two towns always struck me as a little weird. Oh, they looked fine from the car: post offices, gas stations, bars, maybe a little general store, or a mechanic operating out of a shoddy barn. Bait and/or feed supplies. Houses of old siding and older brick with uneven sidewalks and prim gardens. The park playgrounds have lost their happy colors, the benches more often used for sharing crude notes than motherly conversations. I didn’t understand those notes as a kid, thinking them a sort of secret code. I bet such notes could be a secret code in a future story, couldn’t they? We’re so quick to dismiss such scrawlings as adults. We complain that the benches should be replaced, or at least painted. Then we remember that small towns often can’t afford such frivolities, and we let it all pass out of mind, just as we let the small towns we drive by pass from our minds.

Except, for me, the Ashippuns.

Let me explain.

First, there would be Old Ashippun.

Then, barely a few miles later, there would be…Ashippun.

Why on earth are there two Ashippuns, and why are they so close to one another? Was there some vicious family feud? Did someone lose land in a legendary poker game? I bet if you look at your state, province, county, parish, etc., you may just find your own version of the Ashippuns, too. Perhaps their origin stories tell the tales of escaped convicts, smuggled ales, or buried treasure. Or, perhaps their origins are blandly pleasant, full of nothing but nice people nicely settling down to build a nice town just a little ways up from the other nice town.

Or not.

Come on, I just HAD to share a bit of Hot Fuzz in a post like this. And if you haven’t seen Hot Fuzz, do. (Not with little kids, for the record.) It’s a masterpiece.

Are the Wisconsin Ashippuns rooted in seedy beginnings? Sadly, Wikipedia says we can blame the railroad for not coming close enough to the original settlement, founded a few years before Wisconsin achieved statehood. Still…the whole town didn’t move, just a portion. And the portion left behind was left to the past, to decay into posterity among the grassy hills and broken county roads. It reminds me of the small farming town where I grew up, a tiny gathering of homes around a railroad station hardly used, held at the mercy of a river that can irrigate plenty of cattle and corn farms one season or simply flood over all of them the next. No one stops at such a place, not when all the highways bypass it. Who would care about strange goings-on in a nothing sort of town with nothing sort of people?

I wondered about that as a kid. I wondered about that a lot as an adult. I wondered so hard I had to make up my own versions of the Ashippuns and put them in a story.

Old Sanctuary had never bothered with paved roads, let alone road signs. Who needed them in this dirt hole of a so-called town?

It would take a certain kind of soul to visit such the old, forgotten town, let alone live there. That certain kind of soul wouldn’t visit on a whim, either. There’d have to be a purpose, a special purpose, to come to a “so-called town” like this one. I was reminded of the Autumn Carnival in Ray Bradbury’s Something Wicked This Way Comes, its Autumn People eager to harvest desperate souls from small towns along its travels. Stephen King had a similar approach with the nefarious demon LeLand Gaunt selling people the one thing they desired most in Needful Things. Then another book came to mind: Kate Milford’s The Boneshaker.

And I knew what I needed to write.

See, The Boneshaker is a fascinating story. You’ve a young girl named Natalie coming into her own but still fiercely protective of her sick mother as they make ends meet in a small town. Many have their own little problems in a small town, problems that surely can be solved by the miracle cures advertised by the stranger Jake Limberleg and his traveling medicine show. But those cures come at a price. They always do.

We still see people paying that price in the real world, don’t we? Just replace “tonic” with “essential oil.” “Mixture” for “shake.” “Sure thing” for “time freedom.”

You’ve probably seen the ads on your social media, or gotten the messages from a person you went to school with ages ago. Social media has blessed those in every small town with the ability to reach out and connect with anyone anywhere, so they gather up the school year books and find the names online, and ding! The messages pour in. They say they want to catch up…and then invite you to a “business opportunity.”

All too often, people drink the dream. All too often, people drink nothing but poison.

Herbalife. Younique. Avon. LuLaRoe. Amway. Beachbody. Mary Kay. Scentsy. Shaklee. It Works. La Vel. Monat. DoTerra. Young Living. Optavia. Norwex. Color Street. There are dozens more, rising and collapsing every few years. They promise you the world by “social selling.” You can “change the world” by working in “pockets of your time” on your phone selling cosmetics. Insurance. Vitamins. Kids’ books. Weight Loss. Shampoo. Cleaning products. They have oils that can cure Autism and cancer. They have silver cloths that can be used to clean a toilet and your face in one go. They have wax melts to calm animals and plastic wraps to eliminate your fat.

They have everything the evil doctors and big corporations don’t want you to have. Capitalist society is such a crime. You can escape it and come to the real people who care about you and want you to succeed in the true way. You can be a part of the multi-level marketing family…for a start-up fee. For a monthly renewal fee. And be sure to get your inventory updated. Be sure to try the products for yourself. Be sure to sell the life to your family, your friends, your neighbors. And if your loved ones don’t support you? They’re toxic. Cut them out of your life. You don’t need them, you have your new family…

Nicole points to her Suzy Ray! bag with her drink straw and smiles extra-wide. “Suzy Ray! Living is, well, it’s not just body care. It’s really a way of life.” Nicole leans back and closes her eyes as usual, emphasizing her one-ness with the sunlight. “Suzy Ray! can heal your hair or skin, your gut, your muscles, your spine. Their specialized formulas that no other doctor’s been able to match bring vital nutrients to your marrow. They even,” Nicole opens her eyes slowly and looks upon the water pump and those sitting by it, “can bring function back to muscles that haven’t worked before.”

There are many YouTube creators warning people of these multi-level marketing (MLM) scams, and plenty of news outlets continue to show just how many people who cannot afford to lose money are giving hundreds and even thousands to these companies in the hopes of “financial freedom.” The creator Munecat’s deep dive into the company Arbonne is an excellent one, I think, as it shows how this company not only scams people, but grips them tight with cult tactics. Click here if you’d like to see it. I’m still working out how I can talk to my own family members and friends involved with the companies like Norwex and Optavia. They’re spending hundreds to have the right nutrition powders and latest cleaning cloths on the off-chance someone on their Facebook pages will buy them. There are women in my church who swear by Shaklee vitamins to the point they won’t take their own kids to the doctor because “those are just pills. These vitamins are made from plants, from God’s earth.” Heck, I have a friend who keeps changing MLMs, always changing her “business” to whatever sounds good at the time and insisting that “this time” it will work. Right now? Board games. Yes, there’s an MLM for frickin’ board games.

I suppose “The Hungry Mother” is born out of that frustrated confusion, that desire to show my loved ones they are not in any sort of family with those companies. To an MLM, they are nothing but dollar signs.

Nicole looks past the water pump. Beyond the road and wall of tall shrubs is a trailer park full of people, poor and desperate people praying for easy answers. And Nicole’s bag is just full of easy answers, priced to catch and never release. All it takes is one yes to snag the rest, and that yes is due any minute.

When I queried journals about “The Hungry Mother,” I emphasized the current double-pandemic of our country: the grip of COVID, and the grip of MLMs taking advantage of frightened, unemployed people. I’d like to think this is why a Wisconsin e-zine accepted “The Hungry Mother” for its Spring 2021 issue available March 1st.

I hope you’ll check the story out, and please, PLEASE do what you can to encourage loved ones to leave these MLMs. Such “business opportunities” promise nothing but loss: loss of money, loss of friends, loss of family, and loss of one’s own integrity.

~*~

Admittedly, I get weary of the small town life at times. The kids, too. It’s just the same library, the same playground, the same streets day after day. I’m very blessed the three little Bs enjoy taking off into their own imaginations, using whatever space ship, robot, or dragon will carry them into any Elsewhere they can think up.

Thank goodness they enjoy drawing! I wish I could say the same. When Aionios Books asked me to make a map for my first book Fallen Princeborn: Stolen, I cringed the whoooole time. It makes sense in MY head, I wanted to say. Who needs a map?

But after studying Tolkien’s The Art of The Lord of the Rings at our small town library, I better understand why such maps can be so important.

The book is a lovely collection of Tolkien’s brainstorming in art form. From sketches on scraps to detailed drawings with color and scale, the book reflects on just how immersed Tolkien was in Middle Earth. As the magazine Wired‘s review of the book explains:

HOW DID J.R.R. Tolkien create The Lord of the Rings? The simple answer is that he wrote it….The more complicated answer is that in addition to writing the story, he drew it. The many maps and sketches he made while drafting The Lord of the Rings informed his storytelling, allowing him to test narrative ideas and illustrate scenes he needed to capture in words. For Tolkien, the art of writing and the art of drawing were inextricably intertwined.

This is such a vital point, one that I need to remember as I dive into series writing with multiple lands and locations. Though these places only reveal themselves to me as I write them, I must still map their locations and details so they are not simply forgotten like the small towns of the real world. Readers need the guide, and frankly, so do writers. We can’t afford to switch locations around or forget where the mountains are. Even if the mystery of borders is a part of the story, the writer needs to know them. And if you’re a writer like me who doesn’t really know them until the story’s done, then you better map them as you go so that when the time comes to revise, you can walk the same road without losing a step.

I suppose the biggest obstacle I face with drawing is, well, my pride. I am NOT an artist. I am fine with that. But to be required to look at my own drawings, even for reference, just makes me squirm as one may squirm with having to dissect a dead frog. Blech. And Tolkien makes it look so bloody easy!

But The Art of the Lord of the Rings is an important reminder that Tolkien wasn’t aiming for perfection every time. Just look at that drawing of Helm’s Deep. He did that on a student’s examination paper! He didn’t care. It came to mind, and he drew it. How much detail and how “good” it was didn’t matter. He just had to get it down so he wouldn’t forget it when he did have the chance to write.

The world [Tolkien] built extended into his art. His art breathed life into the corners of that world he would never find the time to write about. At the same time, those drawings, maps, and doodles also helped readers immerse themselves in his never-before-seen invented realm, “a world,” Tolkien’s friend C.S. Lewis once noted, “that seems to have been going on before we stumbled into it.”

From Wired

THAT is the lesson to be learned here. What one draws and how one draws it shouldn’t prevent a writer from exploring a story-world, especially when one is building anew. Besides, technology allows writers new options if they don’t wish to draw their own. My fellow indie fantasy authors Wesley Allen and Michael Dellert both have extensive maps for their stories, but they didn’t publish their own sketches. Wes loves using special map-making software, and I confess–it looks pretty sweet! Michael commissioned a designer online to craft a polished map, and it’s a perfect reference to include with any of his stories.

So, it’s time I “Suck it up, Buttercup” and get mapping. After all, Charlotte’s not the only one who must explore the unknown. Two brothers must win a race through worlds to beat the crying sky, and Meredydd and her comrades must find where the Cat Man hides before he poisons the gods of their land.

Time for these teens to leave their small towns behind and discover what they are truly capable of.

~STAY TUNED!~

More interviews on the way, of course! I’ve also got to do a school presentation on names, and considering the importance of naming characters, I thought I’d share some points of discussion with you, too, you lucky devils. 🙂 I’ve also been reveling in some fantastic adventure music which is bound to get your own characters racing to victory, so don’t stray far! We’re too close to Hell to back down now…

Read on, share on, and write on, my friends!

#AuthorInterview: #indie #fantasy #writer @miladyronel discusses #writing #upsanddowns, #redflags in #publishing, and other journeys spurred by #books.

Put that Wisconsin snow globe down already!

Hello hello, fellow creatives! I hope you are well and safe where you are. As a friend of mine said on Facebook, Wisconsin seems to be stuck in a snow globe that some cosmic child keeps shaking.

Winter may be magical, but I think we’re all up for a different kind of magic, wouldn’t you say? Let’s add some fantastic wonder to our writing and reading lives with the help of the ever-magical dark fantasy author Ronel Janse van Vuuren.

Thank you for taking time to share your thoughts, Ronel, as well as your stories. I see you’ve got a stunning free ebook available for those who sign up for your newsletter. You describe Unseen as a trio of stories that dive into folklore about the mistress of the veil. I love how deep you dig into folklore and mythology to craft unique stories for modern readers. What kinds of research do you do, and how long do you spend researching before beginning a book?

Thank you. I get an idea for a story. Then I flip through one of my folklore books (whichever one catches my eye that day) and I’ll read through the entries until something clicks. Then I’ll go and research whatever I found on sacredtexts.com where all the books about folklore and mythology that have lapsed copyright live online. To keep everything organised and backed up, I’ll create a blog post about it (even if it’s something that has to be scheduled for two years from now) and look at how the thing was used recently in books, movies or games. It takes about two days to do all the research for a blog post and to write it. So, for example, for “Once and Future Queen” there’s the background of the Rift, Faerie, Seelie and Unseelie Courts, Solitary Fae and magic (all which already have their place in previous books and are all fully researched with blog posts written). But the Season Courts and the Elementals were only vague ideas when I planned this book. So four days for the folklore.

But I also used acid attacks, pottery, police procedure, and gardening in the book. I didn’t have to do much research on gardening – only the meaning of flowers – or any research on police procedure (know enough from personal experience). Which left acid attacks and pottery. Both subjects can pull you down the Pinterest rabbit hole. For the acid attacks, though, I just stick to following @stopacidattacks on Instagram because there are so many resources – and heart-breaking photos.

So for “Once and Future Queen”, I took a week to research everything I needed to know before writing. Plotting is a whole other beast!

Noooo kidding. I was just working on a synopsis for a new trilogy, and worldbuilding the hazy bits is EXHAUSTING. Do you consider plotting to be the toughest part of your artistic process, or would it be something else?

To stop dreaming and to start doing. I create all these stories in my head, talking to characters for hours – and then I remember that I can’t plug a USB cable into my head and download the story to my computer, I actually have to type it. And my head works a lot faster than my fingers (despite typing at a crazy speed that means replacing my keyboard three times a year).

Heavens, that’s a lot of keyboards! I wish I could type that fast, but I get distracted by kids learning from home…or a phone call from the principal when they’re at school. (Sigh) That just does my creativity in. What is your writing Kryptonite?

Shiny new ideas. And stationary! Weird, but these can keep me distracted from what I’m actually working on. I shouldn’t be left alone anywhere that notebooks, pens or anything else deemed “stationary” can be found. I even have a Pinterest board about stationary… https://za.pinterest.com/miladyronel/got-to-love-stationary/

Ha! This is why I can’t hang out in used bookstores or at library sales. I’m always distracted by the possibilities! You mention another big struggle with focus, though, regarding your ADHD, especially after you published your first book. How did publication change your process of writing?

Yes! First, I had to rein in my ADHD. It meant that I had to change the set-up of my writing cave (desk faced away from windows, drapes drawn during the day, internet access hidden until nightfall, phone set to aeroplane mode, etc.) to optimise focus. Then I had to work out an editorial and a writing calendar. It took some time, but I finally have one that is flexible enough to be changed if I have sick days (I hate getting flu because someone two streets away sneezed) or if I get the chance to join an online writing summit (the Women in Publishing Summit the first week of March every year is well-worth attending). I’m usually six months ahead with my work. Before I made this shift, I would jump from project-to-project never finishing anything – I still have folders full of half-finished ideas that I’m turning into amazing stories.

I have quite the list of half-finished ideas, too. Heck, some of them are even on this site, if one wishes to check out What Happened when Grandmother Failed to Die. 🙂 Would you say writing energizes you, or does it exhaust you?

Planning, plotting and researching are energising phases, mainly because it’s all new and shiny – and I can do it in any order which suits my ADHD quite nicely. Writing, on the other hand, is exhausting. Not only does it require me to slip into the mind and skin of the character, feeling what the character is feeling, experiencing what the character is experiencing, and going through time at hyperspeed, it also takes a lot out of me mentally, emotionally and physically to be in that mental space for hours at a time (and it’s painful on my carpal tunnel, leaving me with swollen hands at the end of the writing day). For example: after writing one complete story line in one sitting in “Once and Future Queen”, I was in tears à la Joan Wilder in the opening scene of “Romancing the Stone”. Yeah. Hopefully readers will have the same reaction.

I think we all hope our books pull at something deep within our readers, just as other books have done to us. What’s your favorite under-appreciated novel and why?

“Ushig” by Annemarie Allan is my favourite novel that seems to be invisible on Goodreads. I bought it a decade ago on an online store (as a paperback – I love paperbacks!) and it was so dark and thrilling I just had to read it again to figure out whether I liked or hated it. It introduced me to the Celtic water horse, the ushig, and made me want to learn more about the different types of water horses across cultures.

Have you ever gotten reader’s block?

Unfortunately, yes. For a long time, almost a year, I struggled to read. I pretended that it was because of bad grammar or something silly story-wise that pulled me from the book, but it was as if I just couldn’t read. Then I found this amazing series about faeries by another South African author and it was like coming up for air. Maybe the books are better in my head than they actually are, but after reading three (there are nine primary works and three companion books) I felt like I loved reading again. So I space reading the books out in case reading becomes dull again (it took me two years doing it like that to read the entire series).

Click here to read my reviews about the “Creepy Hollow” series.

Thank you for the recommendation! Such books really motivate us to find the settings that inspire their authors. What literary pilgrimages have you gone on?

I’ve done virtual pilgrimages to New Orleans (vampires, am I right?), several locations in France (the Bastille, anyone?), and Bath (Jane Austen knew her stuff). My first literary pilgrimage happened by chance when I was a tween: I read this amazing book I had borrowed from the school library (can’t remember the title, though it had something about running in it) and it mentioned a local stadium. A few weeks later, my primary school had a sporting event there and I could see the characters from the book competing in their final sprint. It was absolutely amazing. One day I’d like to do those virtual tours in person so I can experience the physical and imaginary spaces meet as I did that day when I was twelve.

YES–I’d love to visit the lands that inspire my favorite stories. Folks, if there is a place you would love to visit on a literary pilgrimage, please share it in the comments below!
Now, back to writing. You write a good deal of fantasy, both in series form and as standalone stories. Series writing is often the “hot” thing to do from a marketing perspective, but let’s face it–a lot of stories can be told in one book! Can you describe your process for choosing whether a story requires one book or more? 

With my current on-going series, the decision was made to do several short books as it isn’t conforming to any publishing norms: the first book (for free on most online retailers) has a couple of flash fiction pieces (defined as a story shorter than a thousand words) followed by the folklore from original (very old!) sources. It serves as an introduction to the series. The second book, exclusive to newsletter subscribers, contains three connected short stories followed by a bit of folklore. Books three and four are flash fiction collections, books five, six and seven are short story collections, books eight, nine and ten are novellas, and the last five will be even longer as they connect storylines from all the books before them.

Readers will either love or hate this way of telling the story. But with so many storylines and characters that tell the bigger story, it was the best way for me to tell it and for readers to consume it (in bite-size pieces). I’ll probably release a box-set when all the books are done (hopefully by the end of this year!).

But for other stories, I stick with one escalating problem per book. In “Magic at Midnight”, Amy saving her pegasi no matter the cost was the core problem, everything else just sort of happened and anything that would have dragged the story beyond one book was cut. There might be more books set in that universe at a future date, but then the series will be connected through a shared universe, not because Amy’s story was dragged out.

Personally, I like to look at TV series to see when they’re dragging a thing out too long. For example: “The Vampire Diaries” ends perfectly at the end of season four when Damon and Elena end up together. The point of the series was to get her to choose her true love between the Salvatore boys, and when she chose the Salvatore I liked, it should have ended. Torturing Damon in season five, Elena being removed from the series in season six, mama Salvatore coming to town in season seven, and the Sirens in season eight were all filler until Damon and Elena end up together anyway. The point? Know what your story is about and cut anything that doesn’t belong.

Excellent advice! There are many traps for writers aspiring and established alike, and we all fall into them at some point. What are the worst you’ve seen?

Most traps are set in “everyone knows” or strongly believing something because it is “what everyone says.” As you move deeper into the writing world and especially the dark side, as Mark Dawson calls indie publishing (he’s a big-name indie author, FYI), you learn that you have to forge your own path and do things your own way. But here are the biggies that is especially prevalent among South African aspiring writers and I believe everywhere else:

  • Believing everything Stephen King says in “On Writing” to be gospel. (It’s a good book, but there are other great books about writing, too. See my Goodreads shelf for inspiration.
  • Believing that being published through a big publishing house is the only right way to be published.
  • Believing that having an online presence as an author shouldn’t be done until a publisher tells you to do so.
  • Being so desperate to have that publishing deal, that they’ll sign their rights away without thinking twice.

These are definitely major assumptions we’ve got to work on changing. Considering your experience in writing and publishing, what would you say is the most unethical practice in the publishing industry?

There are several. Some I even fell for as a newbie author. To be absolutely safe, I suggest checking out “Writer Beware” run by Victoria Strauss.

Two I would warn about, though, as they aren’t talked about enough.

  • Reviewers asking for money. It happens. It’s even acceptable in some places. Even on BookSirens (the best place to find reviewers in one spot) has good reviewers asking for a fee. But here’s the thing: Amazon doesn’t like paid reviews. And if a reviewer contacts you because “they love the blurb and the cover is so gorgeous” you shouldn’t feel flattered: just delete the email. This was a costly lesson. Not only didn’t the reviewer deliver on her end (despite shining testimonials and seeing all the proof that it is money well spent), she got my surname wrong. Building your own review team organically is the best way to get honest, proper reviews for your books.
  • Sponsors of competitions offering more services for your book. Look, at first I didn’t think twice about it. I knew nothing about indie publishing and thought the amount the “self-publishing with support” company was asking to convert my book into an ebook was reasonable (the prize of printed books I’d won was worth more than twice that). The promises of promotion and all the other things that sound good (getting your book into a brick-and-mortar store) didn’t happen. And despite telling them what the price for the ebook should be, I found it for five times the price on the (only) store they’d published it to. With Amazon, you can easily convert your own ebooks (with Kindle Create) and your paperbacks (either with Kindle Create or with their templates) for free, you can hire freelancers on Upwork to do it for you, and you can format your ebooks easily on Draft2Digital for free. It doesn’t have to cost as much as the printing of a couple dozen books – for an epub “that you can load to Amazon” (tip: Amazon prefers mobi or Kindle Create (kpf) files).

Thanks you SO much for taking time to chat with me, Ronel! Let’s wrap up with a little marketing advice that helps fellow indie authors avoid those unethical practices and helps them connect their stories to readers. What have you found to work with marketing your own books? 

Being authentic. Readers want to connect with the person behind the words. It’s not always easy. I mean, going through the process of your furbaby dying is excruciating enough without sharing it on Instagram, but sharing those real moments in your life help readers to feel like they really know you. The same with sharing a new haircut. Some things are off-limits, like the parts of my life connected to others who don’t want to be on the internet, but I share enough without over-sharing. It works a lot better than doing cover reveals, blog tours and all the other “must-do” marketing things put together. (Though I still love doing cover reveals and blog tours.)

Thank you for having me.

Anytime, Ronel! Folks, I hope you can check out Ronel’s site and all her amazing books.

~STAY TUNED!~

A random library selection has taken me down some new roads of worldbuilding. I hope you’ll join me as I ride the rails and roads through some fantasies of other-wheres…

Read on, share on, and write on, my friends!

#AuthorInteriew: #Indie #Writer Claire Buss Chats About #HopefulDystopia, #ShortStories, and #Writing In the Midst of #Motherhood

Hello once again, my fellow creatives! While Wisconsin shivers beneath the hoarfrost, let’s travel over to the United Kingdom to meet a wonderful indie author who manages to balance writing and parenting on her own terms. She was very kind to host me on her blog last fall when I released my new novel, and now I’m excited to host her here. Please welcome Claire Buss!

Your bibliography shows you love crafting a wide variety of poetry and prose. For instance, your series The Gaia Collection explores what happens when the global environment is completely under commercial control. Can you describe your writing process for creating this dystopian setting?

The Gaia Effect, the first book in the series, was an idea I had for a long time just sort of kicking about in my head. I don’t know why it went the way it did, I’m a discovery writer not a planner and I literally had no idea what was going to happen next when I was writing. I just followed the characters. I realise authors aren’t supposed to admit that they don’t know what they’re doing lol. With each subsequent novel I write, I tend to plan a little bit more but then I have had two kids since I started writing so I find it harder to remember everything now.

After being an author for over five years, what would you say are common traps for aspiring writers?

Thinking that they know everything, I don’t think you ever stop learning about the craft of writing and storytelling. And also, not being able to take critique – figuring out that it’s different from criticism and that other people (writers and readers) can see things that you don’t. I do find it difficult to put that first draft out there and I often get highly defensive at feedback but that’s usually because they’re right and I just don’t want to admit I need to make the changes lol.

Ha! I get pretty defensive about my own writing, too, but you’re right–that feedback is crucial in ensuring a plot line, a character arc, or whatever else actually makes sense. Would you consider this to be the most difficult part of your artistic process, or would you consider that to be something else?

Not being able to find enough time to work on my writing. At the moment, I have to squeeze things in between being a stay-at-home mum and oftentimes I am super tired in the evenings so trying to be creative can be tough. Also, my kids get up at 5am so trying to join in the 5am writers club is difficult as well. But you know, if you love doing something, you find the time for it.

OH MY GOSH I KNOW JUST WHAT YOU MEAN. Seriously, I totally do. I started blogging in 2015 when my kids were teeny. That was likely a crazy thing to do, but blogging helped me preserve what little sanity I had left, and eventually helped me re-ignite my creativity. Even though my kids are older now (well, still 10 and under, but still), they are my writing Kryptonite just as much as they are my writing inspiration. What is your writing Kryptonite?

Ironically, procrastination! I am an excellent procrastinator. I have even cleaned the oven instead of sitting down to write. But then at other times I’m in the writing zone and nothing can stop me.

I have a feeling you and I would be friends, because that’s just what I do on some days, too. Suddenly the floor absolutely must be cleaned that day because in my imagination, I just haven’t worked out a plot kink yet and it’s easier to clean than to sit and stare at my notes about fantastical elsewheres. I noticed that you enjoy writing all sorts of fantastical stories like Ye Olde Magick Shoppe, but you also enjoy exploring the “commonplace” kind of life. Now most people–me included–write to escape this sort of place, but you found so much inspiration you created a collection called Tales From Surburbia. Can you share that particular inspiration with us?

I had released my first book The Gaia Effect and although I thought there might be another book in the series, I didn’t feel ready to write it straight away but I wanted to maintain the momentum I felt I’d created by publishing a book. I decided to look back over short stories, plays and blog posts that I’d written previously and grouped together those that had a similar theme. I wrote a couple of new pieces and voila! I had a shorts collection on the theme of humorous observation of life in the suburbs. All of it is inspired in some way by real events that happened to me or happened where I lived at the time.

Life in the suburbs certainly has its own wacky misadventures, like when toddler Biff decided to just join our new neighbors housewarming party and started tooting through their toddler’s toys. Heavens, that was so mortifying! The most common thread of the misadventures around our neighborhood, however, would have to be the animals. There’s a fox that occasionally wanders through our backyard; I like to imagine where he comes from and what brings him hunting about our yard. As a writer, what would you choose as your mascot/avatar/spirit animal?

My writer mascot? Hmm… that’s a good question. I have absolutely no idea. Maybe a dragon, which is probably a little cliché. I’d actually love a dog

Ah, there is a history of beloved dogs among amazing writers! I’ll always remember my favoritest of favorite writers, Diana Wynne Jones, writing an entire fantasy novel inspired by her own dog. When we have the right inspiration, we cannot help but tell stories, you know? Does writing energize or exhaust you?

It depends – when the muse is with me, the words seem to run out of my fingertips into my keyboard and dance across my computer screen. Those are the days when I can write 2000 words in less than an hour and get to the end of the writing session feeling happy but wiped. Other days it’s a struggle and it feels like I’m pulling the words out. Those days are exhausting and filled with doubt. I think if writing doesn’t energise and exhaust you then you’re just not doing it right.

I completely agree, Claire. Thank you so much for sharing your thoughts, your stories, and your life with us! My friends, you can learn more about Claire and her work via the various social media links below.

~STAY TUNED!~

Let’s explore some worldbuilding in the mystery genre, written by an author who embodied a time, a mindset, a world that feels long ago, but for some of us is not so long ago at all.

Read on, share on, and write on, my friends!

#Grateful For A #NewYear, One #Writer #Plots #NewGoals With #OldStories And #OldFriends.

Good morning to you, one and all, on this Happy New Year’s Day!

After spending most of December digging my way out of a mountain of grading (finishing Christmas Eve of all days), I awarded myself a chance to visit your online studios to balance with the lack of physical travel here. Everyone chose to come to our house for Christmas instead–in spurts–which meant my three young Bs reveled in FIVE Christmases. Bo did his darndest to keep the house clean while I did my darndest not to give everyone food poisoning for the holidays. (Thank God for slow cookers.)

We. Are. Tired.

But we are also healthy, warm, and safe, all blessings to be thankful for.

With the departure of Christmases and the arrival of snow, I returned to my writing goals from this past summer with fresh perspective. With better understanding of the time involved for both the boys’ schooling as well as my own, I brainstormed a writing to-do list for the next five months of 2021.

  • Academic article. Not a creative endeavor, but still a writing task worth the mention. A colleague and I had presented for a literacy conference in summer and hoped to utilize our research for an educator’s textbook this winter, but the project fell through. Still, it would do our professional development good to submit our work as an article for a journal, and it would be nice to let the educators I interviewed that their lessons learned would be shared with others somehow. This is priority work to be completed before Easter.
  • Fallen Princeborn 3. Finish the novel’s outline, especially regarding a major character’s transformation. My hope is to have a draft completed by the end of 2021 or early 2022, so having an outline done before summer will make drafting much easier.
  • Author Platform. I like my website, and don’t intend on changing its format any time soon. It’s just a matter of staying on course with bi-monthly posting. Facebook, however, is another matter. It just isn’t my bag as an author, and I’m hoping I can lose it and still utilize Instagram for a live feed idea that’s been buzzing in my brain for a while. It all depends on schools opening and the twins returning to the classroom…
  • Middler’s Pride. God-willing, I’d like to revise, expand, and publish this on Amazon before 2021 ends, so I need to be finished with revisions before the children’s summer break.
  • What Happened When Grandmother Failed to Die. Our recent snowstorms have carried my thoughts to this story often. I’d like to get back to it, if only for brief intervals, to see if its cast can survive one night in the Crow’s Nest.

If 2020 taught us anything–apart from WASH YOUR F’ING HANDS–it’s that we must be flexible to survive. Sure, thriving would be great, but let’s just work on surviving right now. I sound like a broken record, I’m sure, speaking of goals so often and surviving the writing life. But adapting to an ever-changing environment–especially one with a pandemic involved–requires a fluidity that stubborn minds like mine struggle to keep. Writing it out helps me find hope in the plan, and so perhaps reading this helps inspire you be okay with trading the grandiose plans for small-scale goals like these.

It also helps to work with old stories, plots the imagination has walked many times and won’t stumble upon too often when drafting time appears. Starting a new story with all-new worldbuilding, characters, and so on would be certain overload at this point. I suppose that’s one reason I have the Grandmother novella on the to-do list–it’s a one-off I’d like to see done so my imagination can stamp FINISHED on it and re-distribute those energies elsewhere. If you have any tips on keeping old stories fresh until you can return to them, I’d love to hear it in the comments below! Or, you’ve perhaps talked about this already on your own sites. If so, please share the links with me so I can check them out. Many thanks!

~*~

As I spent Christmas weekend reading your poems, stories, analyses, and updates, a anxious niggle started to grow in my mind. What if my next term of 150 students would drive me into another hiatus? I’d hate to get lost in yet another realm of static and monotony without connection to the kindred spirits who bring creative joy to my life. Such connections are what keep us alight and alive, are they not?

I was reminded of this, all too deeply, just before Christmas.

The phone rang in the morning just as Biff and Bash were logging onto their chrome books for lessons. I hate answering the phone. I hate trying to keep the boys in line while talking on the phone, my attention always split and missing important points and then feeling a fool for having to ask those points be repeated, thus prolonging the phone call and keeping the boys in line and sounding like a witch when a child inevitably brings a cup of juice/cocoa/water too close to the computer and practically spills it everywhere while the speaker on the phone must rehash the call’s purpose AGAIN thus prolonging the bloody phone call more and the vicious cycle goes on and JUST DON’T CALL ME IN THE MORNING EVER.

The area code for the phone number, though…it looked old and familiar. This person did not live around here, or in Wisconsin at all. Yet I…I knew there was something familiar, something homey about it…but what?

I answered. “Hello?”

“Jean?” The voice creaked with age. “It’s Ed. Ed Smith, your neighbor from Escanaba.”

Recognition shocked me. Ed and his wife had looked 100 when Bo and I lived in a remodeled (and possibly haunted) bakery up in the Upper Peninsula of Michigan ten years ago. “Ed! Hello, my goodness, it’s lovely to hear from you!” My mouth was full of bubbly incoherent greetings. Heaven knows what Ed made of them.

“I wanted to call and say thank you for the Christmas card. Gosh, your kids are looking so big. Quite a handful, I bet.”

Biff and Bash’s fight over who got the Snoopy Halloween pencil for the math lesson was loud enough to be heard across the street, let alone the phone, so I just laughed and said, “Every day is an adventure. How’s Molly?”

“Oh. Well…” Papers shuffled near him. He grunted–I imagined he had found a place to sit in their little living room of green chairs and giant crocheted doilies. “Well she still has Alzheimer’s pretty bad. She lives in the nursing home, you know the one down T__ Street. Been there three years now.”

“Mom, Bash won’t give me the pencil!”

“Biff is teasing me!”

I held the phone away from my face long enough to give a low, heavily enunciated command: “Work it out. NOW.” I went to my room and closed the door, mentally running through Christmas cards of the past. Did they ever mention Molly having Alzheimer’s? Did they ever send one to mention it? I couldn’t remember, damn my memory…I said something about proximity, that it was good he was still nearby to see her.

“Oh yes. Harder now, though, with the snow.” A faint tapping on his end–drumming his fingers, perhaps. “Still can’t go in, so I stand by her window. Plows don’t always get the sidewalks, and my cane, can’t always navigate.

“Calling gets, oh, a few minutes talking. She’ll remember enough to chide me for somethin’,” he said with a chuckle. “But she can’t grip the phone much, see, so most of the time I’m just sayin’ her name while she tries to pick it up. Nurse usually comes in around then and we can’t talk much longer.”

Memories of my own grandmother and her last year of life plagued by severe dementia fogged this avenue of talk. I couldn’t go down this way. I would only cry, and this man did not need to hear more sorrow. So I asked about their children and grandchildren, and he explained how they visit once a week to help around the house and visit.

Not that he wanted the help, mind. “I’m doin’ just fine, I tell them, but they keep coming in and muddlin’ up my order of things.” He sighed. “Nice, though, having the company.” He grunted again–standing up?–and I heard more paper rustling. “Yup, I was reading through all the cards, and saw your kids growin’ so old. I can’t write that good, see, but thought hey, maybe those numbers in Molly’s book are still good. And here we are!” He chuckled again, though I wouldn’t say for good humor. No, this felt more like his way of sharing relief. “Got, let’s see…Bo’s number here, and this other one. Bo’s dad, I think. They still good, too?”

He read them to me. I concurred about Bo, and explained Bo’s father passing some time ago. It was not something Bo wanted to write in that year’s Christmas card.

“Well, I best not be keepin’ you. You’ve got your hands full.”

I could not bear for this conversation to end on death. “We’re doing our best with what we can. Just like you and Molly, right? Any special Christmas plans?”

“That’s right.” A little clanging–coat hangers. “All this talk on vaccines for the nursing homes, sure hope they get it here soon. It’d be nice starting the new year holding Moll’s hand again. I,” he paused, “I haven’t been able to hold her hand since March.”

I was a mess again of garbled encouragements and holiday wishes until he clicked off. And I cried.

Such a little thing, holding another’s hand. Yet not a little thing.

Not at all.

Our old friends, our old loved ones–they need to know they have not been shut away no matter what restrictions the world places upon us. Let this New Year be a time to re-connect with those you’ve not spoken to in a year or ten. Let them know they matter in your world.

Just as you, each and every one of you, matter in mine.

Read on, share on, and write on, my friends. Here’s to a promising New Year of hope and light for us all.

#Indie #AuthorInterview: @SavyLeiser Discusses Tough #Storytelling, the Importance of #OwnVoices, and the Joy in #Writing #RealStories of #RescueDogs in @FureverBooks

Happy December, one and all! I think we would all love to enjoy some stories with our morning dish of treats, wouldn’t you say?

Luckily I have just the thing.

As I was researching the murky world of network marketing (aka, multi-level marketing) for my short story “The Hungry Mother,” I came across an indie author who spreads awareness of networking marketing’s scams while also writing YA novels and books dedicated to rescue dogs and funding rescue shelters. My friends, please welcome Savy Leiser!

Let’s jump first into how hard you help promote other writers and voices. I was deeply moved by your June video on OwnVoices and Diversity in fiction. You emphasize the vital role sensitivity readers play in bringing a story to bookshelves—and how publishing companies need to pay more attention to them. Have you noticed any shifts in the publishing world to be more inclusive, or no?

Thank you! I’m glad you liked that video. From my perspective, I’d say yes, there has been a shift to be more inclusive. However, I’m always cynical regarding big corporations. A lot of the pushes for diversity by larger publishing houses seem to be performative. I recently posted a video called “Books I’m Reading for Bisexual Visibility Day,” and after reading A LOT OF BOOKS, I noticed a consistent pattern: the books that were self-published or published by small presses had way better representation. I think a lot of times, big publishers study and adapt to market trends (which is reasonable from a business perspective) but a lot of the push for inclusion comes from indie authors writing what they want to write and putting it out there, not taking no for an answer. I’ve talked about this in other videos too; sometimes I worry that publishing houses are scared to publish m/f romances with bisexual characters because it’s easier to box something into the market as a “LGBTQ+ romance” or a “straight romance” — but indie authors are doing a great job with that already.

It definitely seems to make a big difference when indie authors have that extra creative control. I remember you saying something about a neat new way readers can get a hold of awesome indie reads. What was it, again?

Yes! Another YouTuber, Amara Franklin, just launched an indie books subscription box! It’s called the Indie Bookworm. Here’s the website: https://theindiebookworm.com/

Ah, that was it–thank you! Let’s peruse your own books for a bit. You first published The Making of a Small Town Beauty King back in 2016. This coming-of-age novel brings to life many family struggles in a small-town setting many of us can relate to. What inspired the seed of this story to take root in you, and how did publishing Beauty King change your process of writing?

My original inspiration for this novel was the town where I went to high school. Most people know I’m from Chicago (and still live here!) but when I was younger, my family moved to rural Pennsylvania for a few years, and I went to high school in a Philadelphia suburb with a town fair. Our fair had a beauty pageant, where a few of my friends won awards over the years. I always considered entering but I was never good at adapting to traditional beauty standards. As a teenager, I had that constant conflict of what empowerment for women meant; did it mean a lack of pressure to adhere to beauty standards, or freedom to adhere to those if you choose? (This is a theme I explore in Sculpt Yourself as well.) When I was in college, I decided to explore these feelings in a screenplay for a class, and after I graduated I decided to turn it into a novella.

As one who helped care for her grandmother during her last years suffering dementia, the premise of your novel One Final Vinyl really struck a cord with me. Does this story have roots in your own life? What inspired the road trip your protagonists (a teen and a ninety-year-old woman) take?

Yes! This book has two main inspirations: my own grandmother and another 86-year-old woman I met and never saw again. My grandmother, Kasia (my parents recently adopted a new dog that they named after her! And I’m planning out a big tattoo of her name to get on my arm soon) was one of my primary guardians during my early years. When my mom was working 4 shifts, I spent most of my time at my grandma’s house, so she and I were really close. She started showing signs of dementia when I was in high school and she passed away when I was 19, which took a huge toll on me. A couple years later, an 86-year-old woman appeared at my front door in the middle of the night. She had driven away from her retirement home and gotten lost, and she also seemed to show signs of dementia. While we waited for her daughter to come get her, she and I spent the evening having Christmas cookies and tea while she told me about her childhood in the Great Depression. I’ve never seen her since then, and I’m not sure if she’s still alive, but that kind of interaction, where two people randomly cross paths like that, hit me really hard emotionally, especially since she reminded me of my grandma whom I’d lost recently. Sometimes I’d ponder, what would happen if I’d spent more time with her? What would’ve happened if someone randomly met another person like this and ended up on a road trip? Eventually, the pieces for the story came together for me.

You work damn hard taking readers into places they may not have been ready to go on their own, but through your characters they can tackle issues like self-worth and body image. Sculpt Yourself is a powerful example of this. As a writer, how do you balance telling a good story while also sharing an important message with readers?

I like to think of writing as my way to normalize a more equal world. We all have specialties and our own strengths we can use to make the world better. I’m not going to change laws; I’m not a politician or a lawyer. But I AM a writer, so I can use my storytelling abilities to get someone to think about an issue through a new perspective or to portray a world where those ideologies would be possible. To strike that balance, I focus on the characters and their relationships to one another first. In Sculpt Yourself, the focus is much more on Amber’s relationship with her sister and with her new girlfriend than it is with the sci-fi elements of Lipamorph’s development. I tried to create well rounded characters with a variety of viewpoints that could discuss these topics in an authentic context; that way, it feels like a story, not like I’m hitting the reader over the head with a message.

And thank you for that! I’m all for having an important message in a story, but not at the cost of telling the story well. Would you say writing energizes or exhausts you?

Both, LOL

HA! Fair enough. I know I’ve gone through those same spells where I can get a rush from a flurry of writing only to want a nap a few hours later. (Not that my kids would ever allow that, but I digress.) Establishing a creative atmosphere has been a HUGE challenge with the twins remote learning this year. What would you say is the most difficult part of your own artistic process?

Being lonely. I’m a hardcore extrovert. I used to do my work in public, at coffee shops, or at random places throughout Chicago. But now there’s a pandemic going on. I also used to sell books primarily at events, like conventions and art fairs. But now there’s a pandemic going on! The pandemic has been REALLY rough on my business and my creative process and I’ve had to adapt a lot.

I could loan you my kids for a week if you’d like to re-create the hum of social noise, lol! Even reading can be a struggle sometimes. Have you ever gotten reader’s block?

Definitely! I go through periods where I’ll read like 12 books on my Kindle in one day, and then go months without reading anything. My reading habits definitely aren’t consistent.

Have you read anything that made you think differently about fiction?

I read the book Two Boys Kissing by David Levithan for Pride Month in 2018. That book uses POV in one of the most interesting ways I’ve ever seen: a combination of plural first-person POV through a Greek-chorus style setup, combined with an omniscient third-person POV of all the main characters. That book sticks with me because of how much it made me reflect on how authors can use character points of view to their advantage in storytelling.

What is your favorite childhood book?

I loved the American Girl books, and that company was actually a huge inspiration for the model I followed with Furever Home Friends. (Books and toys combined to help kids learn!) I loved the series about Molly from World War II. I have my doll of her displayed on top of my bookshelf.

Oh my gosh! I looooved the American Girl books, and I still have my Kirsten and Addy dolls. I learned so much about life in the 1800s and the struggle to build a new life after traumatic experiences. I’ve dabbled with writing historical fiction with my own novella Night’s Tooth, but I threw enough fantasy into it that the history’s a bit, um, loosey-goosey. What kind of research do you do, and how long do you spend researching before beginning a book?

That depends a lot on the book. For the 4th Furever Home Friends book, Kringle’s Christmas, the research was completed in one afternoon when I interviewed the owner of the shelter where he was living all about his story. For #SavvyBusinessOwner, I talked mostly about my own personal experiences, so I just launched into that book without a whole lot of research. It depends a lot on the project.

What would you say are common traps for aspiring writers?

Twitter!

Darn tootin’. I have to set a timer for myself so I don’t fall down the social media rabbit hole. It’s so tempting when we tell ourselves “but that’s where the small presses are! I could query!” Then here we are, two hours later, still reading reaction tweets about DC comics or something. As an indie author who has launched her own books as well as recently signed on with an indie press, what do you consider to be the most unethical practice in the publishing industry?

That’s hard to say. The industry is vast and includes a lot of different types of companies, writers, creators, and readers. I don’t want to publicly trash talk any specific publications right now, but I do have a problem with the barriers put up to keep small businesses from achieving success on the level of the established big 5 publishing corporations. For example, if your book gets published with a big press, you’re more likely to get reviews in established periodicals that schools and libraries receive in the mail and use to make their purchasing decisions. Some reviewers will only accept books sent to them by publishing companies rather than individual authors.

I suppose that’s partly why you do a LOT as an indie writer when it comes to maintaining and building your platform. Could you share at least one method of marketing that, after three books and your awesome new #SavvyBusinessOwner: A Book for Small Business Owners!, you’ve found to be effective?

Thank you! Honestly, my YouTube channel has been the most effective form of marketing for me. With the internet being such a prevalent force in people’s lives (especially during the pandemic!) people are more likely to become fans of content they can receive for free. I think of all the webcomics I read for free online, and then went on to buy that creator’s book when they released one, or the YouTubers who created entertaining videos, who I eventually bought merch from or joined their Patreon. My YouTube channel is at almost 10,000 subscribers, which happens because I gave people video content for free. As a result, 10,000 people now know who I am and are AWARE that I have books out, even if they’re not interested in them. The hardest part of marketing is making people aware you exist. I talk about this process a lot in the “Screaming into the Void” chapter of #SavvyBusinessOwner.

Now I may be going out on a limb here, but if I were to guess your writing mascot, it would be your dog. One of the reasons I wanted to interview you was I LOVED the drive behind your book series Furever Home Friends. Please share what this wonderful series is about—and how there are matching comfy dogs and accessories that would make perfect presents for the dog-lovers in our lives!

Thank you! Furever Home Friends is my biggest, longest-running project, and I’m really proud to see this business growing.

For some background, Furever Home Friends is a series of picture books, stuffed animals, toys, and accessories based on real rescue dogs. Each book tells the story of a dog’s journey to adoption and includes a photo of the real-life dog in the back.

For each of our main book characters, we have a plushie friend of that dog that you can “adopt” on our website (that’s just a cute way of saying you’re buying the plushie, LOL) and accessorize with little dog-sized accessories that I created on a 3D printer. We donate 10% of our profits to animal shelters.

Thank you so much for sharing your incredible stories, Savy! I can’t wait to see what your imagination creates next. For those excited to check out Savy’s work, visit her YouTube Channel for a hub of her social media links as well as her Furever Home Friends series.

~STAY TUNED!~

I’m determined to visit with you all before December ends because by golly, Christmas is my favorite holiday and I MISS YOU ALL. I want to talk about music and holiday storytelling, AND I’ve almost won Bo over to the idea of baking a Christmas Pudding. We shall see!

Read on, share on, and write on, my friends!

#Indie #AuthorInterview: @FDS_NaturallyMe shares her love of #writing #fantasy while I share my love of #storytelling with @Grasshopper2407

Hello, lovely creatives! It’s been crazy adapting to the new full-time schedule, but I know I’ll find my groove in time. I did get to share a virtual slice of cake along with an interview with fellow indie writer Claire Buss.

Click here to check out the interview.

I was also fortunate to interview another awesome soul in the midst of crazy remote schooling. Read on to check out my chat with the fantastical F.D. Stewart!

What is your favorite childhood book?

The Beautiful Bible Stories for children book.

I know what you mean. There are some powerful stories in the Bible! I was raised in a preacher’s home, so faith has always been a part of life. You mentioned your family has inspired some of your fantasy writing.

My mascot for this series is Grandma Quinones. She reminds me of my grandmother, who is the backbone of the family, and she keeps us together. She is a grandmother of wisdom and knowledge and does not play at all

What was an early experience where you learned that language had power?

 When I was a little girl, I started as a lead singer in the Sunbeam Choir. I went from being a lead singer to one of the lead singers in the Gospel choir with my dad, which was extremely exciting for me. Right then, I realize how powerful your words can be when you put your all into what you are singing and seeing the reaction of the people being blessed by it. Even when I write poetry and reading it in front of people of what’s a part of me, is very successful, and you would be amazed how people who you don’t know and do know approach you afterward. Words alone are productive when it begins to help, encourage, or build up a person who needs to hear you at any given time. So, I will always be careful with my words.

We should all be careful with our words, to be sure! For some of us, it takes time hunting down the information we put into words. What kind of research do you do, and how long do you spend researching before beginning a book?

Well, I had never done any research regarding my book until afterward. My book comes to me like a dream, and within that dream, many things pop out at you. You see yourself directing a story that has never been written or heard, and that is why I keep a notebook at my bedside.  When things start happening, my pen starts writing, and later I am looking at words that I never knew existed.

I can just picture this dream-like state! It’s amazing what comes from us when we’re taken over by the story. It’s not always that way, though. What is the most difficult part of your artistic process?

The hard part of the artistic process is trying to match what is in your head. When you can see so many ideas running in your head concerning your work, you want it to be just like that. Even though it would not come out as how you would like it, but it would always be close enough for you to use. So, I learn that my mind would have a clear picture of what I am trying to bring out in reality for others to see, but in real life, things can only come close to what is in your mind.

Would you say you have a writing kryptonite that can interrupt your process?

I always try to avoid distraction, but sometimes that does not work. My family is my kryptonite. I love them, but I always carry a notebook everywhere I go. So, I can continue to write something down regarding my story when I am away from my office and have time to do so.

Oh yes! Notebooks are a must when we’re away from screens and spending time with family–you never know when you’ll get an idea! Does writing energize or exhaust you?

Energize me. It makes me feel alive that I can bring non-existence characters to life. You can create and design anything you put your mind to do. Sometimes, if I do not watch the time, I can write all day and forget to eat until my stomach starts to growl.

Ha! That’s a very important writing tip–don’t forget to eat! What are some other common traps for aspiring writers?

  I am still learning about the common traps as I continue to write my novel, but I can share the ones that I overcome.

A) I learn to overcome your fear of what you are writing. Meaning: Everyone is not going to like/love your work, or what you write, or your style of writing, and the way you write your story.

B) I learn to never speak negatively about what you write or accomplish. Meaning: All the effort that you put in your work is worth more than you realize. It does not matter how long you have work on a story. The point is you accomplish something that is the first of its kind and a part of your legacy of who you are.

C)Never question yourself whether you have written enough. Meaning: It does not matter if the story is long or short. Your way of writing your book is different from how everyone writes. So, never compare yourself to anyone because you are an original writer/Author, who’s doing your own thing.

YES! We need to build our stories our own way with our own processes. One process that always fascinates me is word-building in fantasy. Can you explain your process in building the setting and rules of magic for the Wizard’s Estate?

 Everything is based upon scripture that is common among everyone. Death and life are in the power of the tongue, and those who love it will eat its fruit. Proverbs 18: 21 NKJV 

The story begins way before Livingston University. There was an owner who created the Wizard’s Estate. He was a wealthy man, and he established many things in the town of Livingston, but as the story goes… in which you will be reading it in the prequel of the series, the owner ended up dealing with the people later on throughout his life. Several decades had passed in the new owner took over the wizard’s estate.

 **************************************************

Now, the story begins at Livingston University. There are no rules to the game. Everyone must find themselves. Each and everyone have a purpose in life, but the choice is theirs. They can either accept who they are or get destroyed by who they are not.

These characters must find themselves before they get destroyed by the words of their enemy.

Their words are deadly than magic alone, and every sorcerer knows it very well. It takes a small seed to be planted by an evil sorcerer to cause chaos in a person’s life who is struggling with their identity, and it’s going to take these characters to accept who they are to overcome who they are up against in this series.

There are no rules when it comes to building magic in this series. Every character goes through challenges that allow them to build up themselves and produce their own words from experience.

Welcome to my world!

I’m feeling most welcome, indeed! Putting characters through challenges can be difficult to write, though. What was your hardest scene to write? I know battle scenes are always tough for me.

 My hardest scene that I have ever written for this series was when an evil sorcerer violated one of my female characters. It was incredibly detailed that it made me feel uncomfortable.

~*~

I know just what you mean. I had to crawl through the darkest natures inside my characters in order to start them on the road to redemption. It’s not pretty, what we learn in Fallen Princeborn: Chosen, but it matters to the characters and story, so readers must go there, too.

Through Charlotte’s broken door and across the hall, Arlen stands in Liam’s quarters, mouth agape. “How did you fly through….” He inches towards them, eyes roaming the glass, his student, Charlotte. His head cocks towards the stairwell, then back. “You must face your bloody days, Liam,” he says pointedly. “There will not be another chance. I’ll stall them.” He leans the door into place. Rose House unrolls the wallpaper across the space, removing the door completely once more.

Liam’s hands still grip Charlotte like his talons when he first rescued her from the Pits. “Guess that Bloody Prince thing had to start somewhere,” she says. A sob bursts out, taking any energy to stand with it.

Liam crumples to the floor with her. “I was…” His hands slowly slide down Charlotte’s arms to her wrists. A tear escapes his eye only to be cradled in his scar like a captured star. “I was so…” He pulls out his blood dagger, holds it between them. Grinds his teeth. “…angry.”

My deepest thanks to F.D. Stewart to taking the time to chat with me! You can check her out on Twitter and Amazon. You can also check out my newest release Chosen on Amazon, too. Author Anne Clare left a marvelous review!

Dark, dangerous and immersive–the River Vine grabs hold and won’t let go. The second installment of the story of Charlotte- a survivor of beatings and abuse who now has to face down deadly dangerous magical shapeshifters- doesn’t disappoint. From the River Vine to an underwater realm that is horrifyingly imaginative (and gives me the creeps!) to a family reunion that is anything but welcome, author Jean Lee’s action packed sequel kept me up reading late- partially because I was afraid of what creatures might visit my dreams! The story does deal with childhood abuse suffered by some of the characters-for this and for the intense narrative and language, I’d recommend the story for older readers who enjoy dark, high-stakes fantasy stories.

Anne Clare, Author of Whom Shall I Fear?

~STAY TUNED NEXT WEEK!~

Ack, I can’t believe the end of the year is nigh! I’m so excited for Christmas my husband can’t stand it. 🙂 We’ll see what quirky little analysis I can cook up in the midst of finals, but first I have another interview with an indie writer who started her own awesome line of kid’s story books to support rescue animals. I also unearthed a forgotten soundtrack in my archive that I’d love to share for those embarking on thirty days and nights of literary abandon. I hope you’ll be back to check it out!

Read on, share on, and write on, my friends!

At Last, the Time Has Come! #FallenPrinceborn: Chosen is Here. Add some #Indie #DarkFantasy to your #FallReads today!

Once upon a time, I made this banner.

When plans changed, I wasn’t sure I could follow through on that banner, if this book would be “coming” at all.

But it has come. Thanks to the support of amazing souls like you, I was able to bring this book together and put it on the virtual bookshelf.

You wouldn’t let me give up. You saw something in me worth saving. You gave me hope.

You are the community that keeps me reading, writing, sharing, exploring. Your friendship is a blessing I thank God for each and every day.

You’ve even been sharing your reviews on Booksprout, Goodreads, and Amazon!

Already captivated by Jean Lee’s first book in the ‘Fallen Princeborn’ series, I was excited to get my hands on the ARC of ‘Fallen Princeborn: Chosen’. And I was not disappointed at all; what a richly told tale this continues to be.

The reader is launched straight back to where we left Charlotte and Liam at the close of ‘Fallen Princeborn: Stolen’. The action is intense and the wonderful world-building welcomes the reader back to this highly original, magical fantasy world.

The story continues and the action ramps up another notch. We are in familiar, yet unfamiliar territory of shape-shifting creatures, dark magic, old friends and even older and more frightening foes. Real page-turning excitement (and dread). How will Charlotte, and the magical folk, who are now her surrogate family, survive?

Not only is the story immersive, the principle characters are complex and the author’s depth of description provide a camera-roll of powerful images for the reader. From the Stellaqui sea creatures to the celestial Celestine and the House, we have a spellbinding array of classy cast members. Battles are fought and guts are ripped out; dark and dreadful scenes of sexual abuse and violence are played out too. These scenes are not for the faint-hearted, but not one of them is gratuitous.

Some ‘middle’ novels don’t quite cut it, but this one certainly does. So much more of this rich series plays out and the reader is left breathless for more.
“Nothing smells as amazing as hope,” says one of the characters. It’s my hope that book three will not be too long in coming.

I received a free copy of this book via Booksprout and am voluntarily leaving a review.

You rock, Chris Hall! She’s got her own awesome series of stories, too–please click here to check them out. I’m looking forward to sharing more of your reviews over the next couple of months.

In the meantime, there’s school work to tend to, so allow me to leave you with the first chapter. If you like what you see here, I hope you’ll give this series a go!

~*~*~*~*~

Cold Dawn, Colder Drums

Ashes. Paper. Tea. Pie.

Charlotte blinks once, twice, to living color dancing about the library.

The library?

Yes, she’s sitting at Liam’s feet, having fallen asleep with her head resting on his knee. Liam’s fingers have wound themselves into her hair.

The hearth is cold, and the stale food… unsettling. Shouldn’t Arlen be in the kitchen by now, scolding Dorjan for raiding the fridge? Shouldn’t there be a kettle whistling for the velifol tea? How in brewin’ blazes are they going to defend Rose House against Campion and the Lady?

Charlotte slowly slips her hand beneath Liam’s to free his fingers from her hair. Still too many cuts and burns for her liking on his calloused skin. The Lady’s claws must have struck near his neck, where angry red inflammation peeks out from under Liam’s white tunic. The leather brace for his blood dagger seems to restrict the rise and fall of Liam’s chest, so Charlotte holds her hand up to Liam’s mouth and nose, and feels fitful breaths. Dreaming, maybe.

The teeniest, teeniest bit of space buffers her palm and his lips. She could close that space. Not, not too much: Charlotte’s thumb caresses Liam’s upper lip. Just once. It’d be nice to know his lips feel… oh yes, they feel so very different when not covered by musty facial hair. A dull violet glow emanates from just beneath Liam’s chair: the stone from Orna’s ring. Charlotte bends forward, chin on the floor, eyes almost crossing as she gazes deep into such a simple little thing, like marble, opaque with an inner shine. That shine’s got a power even Arlen doesn’t wanna touch. We better hide this, House, before a nasty Incomplete snatches it from Liam. She poises her thumb behind the stone, sticks out her tongue as she aims, and with a flick, the stone rolls into a little hole in the wall beneath the stained glass window. One eyeblink later, and the hole’s gone. Eight ball in the corner pocket. Thanks, House.

Time to find Arlen.

Charlotte hugs herself against the chilly summer morning as her feet pad softly down the corridor into the kitchen. No Arlen, no Dorjan.

Morning air clings to the Rose House’s walls, wary. Scared.

“House, where are they?”

A moment of silence. Then voices and distant footfalls: the third floor. But not Arlen or Dorjan: the gravelly voice booming orders has got to be Devyn, leading the other scouts to harvest the velifol flowers.

So Charlotte checks the patio. It did sound like the uncle and nephew went outside last night. Maybe they’re harvesting mint, or parsley, or whatever it is they use for pies—Charlotte never really paid attention to the cooking stuff. “Arlen?” She cups her hands to yell, “Dorjan!” Frost glitters upon the flowers beneath Rose House’s shadow, but under Charlotte’s feet the frost feels different.

It’s not melting.

And there is a rhythm.

A drumming.

Squeaks run through the silent halls and out into the kitchen: Poppy as her mouse self, scared.

“What’s going on?” Charlotte asks as Poppy changes before her. Though I think I can guess.

“Danger, Miss Charlotte, Danger!” Poppy says before her whiskers have the chance to vanish. “Terrible, terrible things below. Campion and the Lady, they got all juiced up and stronger than before and they’re just totally super angry, and they wanna get the Incomplete meanies up here, and they wanna just, they wanna, oh, they wanna—”

“Retaliate.” The human version of Ember lands on a patio chair, feathers not fully transformed into orange patchwork fabric. Her skin reflects the early morning sun from the hall window, turning her white with the frost. “Something’s helped the Lady regain her strength. Eating an Incomplete, perhaps, heart’s fire knows, but she’s moving through the tunnels, and Campion’s at her side,” she says, her voice cracking under her former friend’s name.

 “So Devyn’s getting the scouts to take the velifol?”

Distant thunder rumbles under a blue sky. Then Charlotte realizes the thunder’s not from above. Oh. Shit. “Arlen and Dorjan, where are they?”

Ember’s voice remains smooth, but biting her lip doesn’t hide the trembling of her chin. “Not in Rose House, we’ve looked. The wolf kin can protect Arlen, I’m sure.”

Charlotte nods, but this idea of the Lady of the Pits somehow getting out again and acquiring new power despite Liam slicing her face off and taking that magic violet stone from her ring…. How the hell does she find more power inside a bunch of tunnelsAnd Campion’s bones were broken to bits. Something is wrong, way too damn wrong. “Okay. You’re right. They can take care of themselves.” Because to say it out loud makes it feel more possible, more true. She will not allow her body to shake as Poppy’s does, even  And Poppy’s shaking only makes it worse with the thunder rippling through the ground again, this time upsetting the patio stones. She will not let the fear freeze her as frost does a flower.

Ember nods curtly. “We must hope Master Liam’s tree withstands the attack. Come, Poppy, we need to carry what we can.”

Poppy grabs Charlotte’s arm. “But we can’t leave Miss Charlotte! She’s my bestest friend, and she’s so nice, and she could come with us and be super helpful and—”

But Charlotte shoves Poppy towards Ember. “No, stay together. I’ll get out with Liam.”

“But Miss—”

“She is right, Poppy.” Feathers tuft through Ember’s neck and hands. “Upstairs.”

“But—”

“NOW.”

Another rumble. A patio chair topples.

Poppy gulps a breath, then two, then takes off, changing as she goes.

Ember takes a steadying breath. “You will hide,” she turns to Charlotte, “won’t you?”

Well what do you know. She kinda actually cares about the human in these here parts. A little. Maybe.

The frost thickens, latching onto Charlotte’s toes. “Long enough to see what that snake bitch’s hatched, yeah.” Another rumble bumps them both up and down. “You go, the House’n’I will buy you some time.”

Ember’s exhale mingles with the cloud of ash and feather already taking shape round her body. “We’re going to the far side of Lake Aranina. It is hopefully too far for the misshapen limbs of the Incomplete to run.”

“Far side, got it.”

Arms are wings, legs are shrinking. “Let us hope your luck carries us all through this day.” The orange bird soars up, plucks something from the rooftop, and darts south for the lake and beyond.

~*~

Ashes touch the air.

And a cackle.

A shriek, far and away.

Two entrances out of the Pits, both unlocked. One out in the woods.

And one inside Rose House.

“Liam!” Charlotte slams the patio door, locks it—idiot, it’s fucking glass—and bolts for the library.

Liam has yet to move, eyes closed, breath still slow.

“Liam you have to wake up!” Charlotte shakes him, cups his cheeks, brings her face close—dammit, this isn’t time for that, so she slaps his cheek. “Liam!” She yells in his ear.

Pounding, pounding below her feet.

They are coming.

~*~*~*~*~

Click here to scope out Fallen Princeborn: Chosen‘s Amazon, Booksprout, and Goodreads pages. If you read the ARC already, I can’t wait to see your review appear. Again, thank you all for your support! Stay safe, stay sane, and be the reason someone smiles today–you’ve already blessed me with a happy creative heart. x

Read on, share on, and write on, my friends!

#Fantasy #Podcast! Talking #WritingInspiration and #CharacterDevelopment as the #Countdown to #FallenPrinceborn: Chosen’s #BookLaunch Continues. Includes #SneakPeek!

Hello, my friends! I’m back once more before Fallen Princeborn: Chosen is released on Tuesday.

I’ve been honored by other amazing indie author’s invitations to share my stories and thoughts on craft. Today’s share is a podcast I did with fellow fantasy writer Neil Mach. We covered all sorts of gleeful things, from flawed heroines to our mutual love of spaghetti westerns. I hope you enjoy it!

Click here for the Apple Podcast link of our interview. Also, here’s a link to the portals post Neil references, as well as a little info about Night’s Tooth. If you love the wild west with a magical edge, I hope you check out my novella–it’s just 99 cents!

Thanks again, Neil!

Lastly–for I don’t want to scamper off so soon, but there’s been one of those delightful domestic disturbances of a broken garbage disposal to deal with–here’s a sneak peak into one of my chapters of Fallen Princeborn: Chosen. Charlotte’s been separated from the others and in trapped inThe Pits. Only one thing could make it worse:

She is not alone.

~Pale Fire~

Charlotte’s body slams into the ice-cold clay of the Pits. She slides down the tunnel, faster and faster, until it evens out and she slows to a stop. This clay is a little less damp, the air a little less putrid. And light: barely, but there. Any light at all must mean the atrium. So, breathe through your god-damn nose, Charlie, and sneak on over that way to get help.

But why would Orna trap you down here only to let you out again? The Voice puzzles.

Shut up, no one asked you.

Toes first. Charlotte wriggles them into place, then carefully brings weight back down on her heels. Charlotte holds the bone-knife before her, ready to slash and swipe, while her free hand finds the tunnel’s side and presses it gently. Step by step. Forward.

Stop breathing through your mouth, Charlie!

But Charlie isn’t breathing through her mouth.

In the void ahead…somewhere, someone is breathing. Slurping. A click-popping, almost like a frog’s broken croak.

Charlotte pauses. Looks back. Ahead.

Another broken croak. Followed by a slow, slow rattle.

Orna—or a Hisser?—lies ahead.

Charlotte takes another step.

The rattle stops.

Charlotte slaps her hand over her face. Counts her breaths and reaches for the pendant that’s not there. Dammit, Dad, I wish I had a piece of you with me like I did that first time down here.

But even though Charlotte’s alone in the darkness, she is not alone. Liam and Arlen can find me, and they will find me if I ain’t quiet.  

“Bring it on, bitch!” Darkness sucks her words into the void.

The rattle starts again. The croaking quickens to a sort of buzz…

Charlotte’s fingers groove the tunnel’s side as she walks with blind briskness. Colors squiggle where her eyes strain for light, but the air continues to freshen—she is moving towards the atrium. “How the hell can you even see me in this dark? Ha! Can you see the reeeal me…” Charlotte starts to sing, and the rattle ramps up its insane rhythm. The Voice in Charlotte’s heart laughs as it presses the bellows to the rhythm of Charlotte’s favorite Who song. Orna’s henchman Cein thought he could take it from her—hell to the no on that.

“Can you see the real me, preacher? Preacher?!”

The rattle keeps getting louder, but now Charlotte sees a clear, definable web of light ahead—the tunnel’s exit into the atrium of the Pits.

“Can you see, can you see, can you see?” Charlotte runs and slides out of the tunnel, singing,

“Can you see the real me, doctor?!

The atrium is a graveyard of branch and bone. Ash floats lazily in the air like dust mites. A wide gaping mouth high in the wall above Orna’s old platform still hangs open, drooling its lines of glass droplets—the old channel for the water road, now crystalized tears of dead magic because of the Wall.

Charlotte looks up to the atrium’s ceiling, where the white tree once grew. New roots, black as pitch, are sewing the gap shut. But in this moment shards of light can still sneak through. She breathes deep and belts as loud as she can, “Can you see the real me, Maaaaaaama?!” she holds that last “Ma,” ready to sing herself hoarse—

“No. No. No. No. No.”

Charlotte spins around. In another tunnel’s entrance stands a pale shadow. The bottom half writhes, and the rattle grows louder. Two needle-thin arms stick out and shoot up as though a child is positioning the limbs. Ten fingers as long and sharp as snake fangs jerk out, jerk up, and take hold of the head slumped to one side. They wrench it upright. Mangled, oily locks of hair fall into place, but the tongue remains free to slurp and drool where it wants.

Inside, Charlotte wants to gag. What drunk sewed your face back on?!? Outside, Charlotte sticks her hands on her hips. “What, no Anna skin this time? I could describe my grandma to you if you want. Always did want to punch that hag in the mouth.”

The rattle tones back. “Ha ha ha ha.” Her lips don’t—or can’t—move. The tongue slithers about in the air and catches Charlotte’s scent. It wavers in Charlotte’s direction, and Orna’s snake-half finally slinks forward in short, halting movements. The hands jerk free of her head, and The Lady’s head flops to the side once more. Her fingers move in mechanical fashion at Charlotte, even as one finger falls off to the ground, lifeless at last. Orna’s eyes look pathetic without the menacing stars that once glowed in them.

Charlotte scoffs. “Jeez, even I could kill you now.”

“Charlotte?!” The cry flies down through the crevices. Yet the roots still grow, bridging every gap they find.

Charlotte sticks her bone knife back into the red belt. “Pardon me for just a second,” she says to the herky-jerky Lady and cups her hands to her mouth. “DOWN HERE!”

“An an an ha ha ha.”

Charlotte’s eyes narrow at the name. “That name’s got no power comin’ out of your stupid-ass mouth. Damn, even I can sew better’n’that..” She pulls out the bone-knife—

—almost too late.

Orna’s tongue whips far longer than before, missing Charlotte’s shoulder by a hair. Charlotte rolls to the side and curses at herself. “Yeah, Charlie, you can really slay the snake-lady easy peasy, can’tcha?”

The roots threading the atrium’s ceiling shake and crack, but don’t break. Thunder shakes from within a tunnel, echoes of light rippling out the tunnel’s sides to die in the atrium.

Orna’s tongue blossoms into three, then five, then ten translucent pink living whips. The stitches at the bottom of her face rip as her jaw unhinges wide enough to swallow a human. The hydra-tongue descends—

Charlotte leaps aside and slashes with the bone-knife. Dammit, this ain’t no blood dagger! But the blade is wicked sharp and takes out one of the tongues. It flops fish-like on the ground, spurts of oil and veli barely missing Charlotte’s leg.

She runs away before Orna’s hydra-tongue can take aim again. If I can slash up the snake part, I bet I could bleed the bitch out.  She spots the serpent portion of Orna’s body, its peeling, sick skin caught on the rocks littering the tunnel’s entrance. Charlotte picks up speed, bone-knife aimed for the massive molting serpent—

Fire lights up the atrium. Roots rain ash as Liam’s blood sword burns through them all. He rolls, sheathes the blade, transforms mid-fall into the golden eagle, talons at the ready.

Charlotte’s knife strikes hard and deep into the snake’s belly. Oil laced with veli oozes from the gash. The funk of rot floods Charlotte’s nostrils.

Thunder builds in the tunnel. There’s a light, white and spectral, running with the thunder…

Orna’s body shakes and screams. Her head flops as the hydra-tongue feels the air for Charlotte.

It finds Liam’s talons instead.

“Liam fly up, NOW!” Charlotte screams. The hydra-tongue quickly coils round both Liam’s legs. Liam’s whole body burns feathers of fire, but the tongues don’t give. He transforms and hangs upside-down several feet above Orna’s gaping jaws.

The empty eyes meet his. A moan of pleasure oozes from her mouth.

The blood dagger slips from its sheath into Liam’s hand, and he slashes one leg free. Charlotte runs and aims for those needle arms, ready to rip one out.

 “Can you see, can you see—” A tenor voice barrels out of the tunnel, followed by a pale figure wielding a sword of white light. Charlotte slides to a stop as he lops the bottom half of Orna’s jaw clean off. “Can you seeeee the real me?!”

Orna’s eyes roll towards him. A geyser of oil and screams erupt at the base of her tongue.

Liam slashes his other foot free, and he somersaults to the ground.

The pale figure wraps his hand in a hank of Orna’s hair and lifts her oily, sparkling half-face off the ground and right up to his own, the star-less orbs even darker next to his white-blond hair and ice-blue eyes. “You should have played the game my way.”  Her herky-jerky arms begin to reach out, but he stomps down on her breasts and pops her head off with a thock! He tosses the head over his shoulder, spins the light sword. It flickers down into a broad, thick dagger with vicious claw marks crisscrossing in its steel. He slips the dagger into a leather sheath strapped to his right calf, then looks at Liam. “And where in Aether’s Fire have you been?”

~*~

Just two days left until Chosen’s release–and Stolen‘s sale ends! If you’ve not tried the first book yet, you can still snatch the ebook for a bargain.

Read on, share on, and write on, my friends!