Good morning, you wonderful folks, you! (Or afternoon. It’s coffee time, no matter where you are. xxxxx)
Sorry for the quick informal post, but I just got my approval for pre-order and can’t wait until next week to share it with you.
I picked the official launch day for Thursday, August 29th. We’ll still do our weird Wisconsin tour and study of Charlaine Harris’ An Easy Death, never fear. 🙂 In the meantime, please spread the word to kith and kin my latest tale’s just 99 cents and will be available in two weeks!
Oh, and before my kids’ latest skirmish over Lego spills into my work space, let me say that if you’d like to contribute some early reviews for this story, please let me know, for that would be awesome. 🙂
I’ve not known James Cudney IV as long as Blondie, but he is without a doubt one of the most avid book bloggers I know, and a fellow mystery lover, to boot! I just had to have him for an interview to help celebrate the upcoming release of his latest installment in the Braxton Campus Mystery series.
Let’s have some niceties first! Tell us a bit about yourself, please.
It’s always the general questions which stump me; where does one begin? I’ll be brave and take a chance here. I’m 42 and live in NYC. I worked in technology and project management for ~15 years before leaving my job and writing my first book two-and-a-half years ago. I’d always wanted to do it but never had the time, until I found myself starting over again. I absolutely do not regret the decision, as I was a walking ball of stress before this new career. I’m still open to going back to an office job, but it will be something very different, if I ever do. That said, I am a homebody and more of an introvert. I tend to follow a routine, but every once in a while, I surprise people with my choices. I spend a lot of time thinking about things before I ever tell others what’s going on inside my head, so when I do… it often seems to others like a quick decision. I’m a much happier person now that I’m writing and being creative. I still get stressed over editing and marketing, but it’s a very different type of monster. With no ‘real’ boss (okay, every reader IS my boss), I have more freedom to take chances on things. Luckily, my other half and our puppy keep me sane!
It says on your bio that you’ve done an extensive study of your family history. That is so fascinating! I’ve a distant cousin doing that very thing, and he’s so far discovered that our great-grandparents (or great-great? I get lost in all the great’s) were put in an internment camp in Wisconsin during World War 1 because they had German names. Is there a surprising story from your own family research you’d like to share?
Genealogy is my favorite hobby! I am an only child, so I often spent time with my aunts, uncles, and grandparents rather than siblings. It developed a curiosity about the past, and since I am an introvert, I research everything. When a grandfather passed away, I connected with a long-lost cousin who attended his funeral and shared family history. I began researching it on my own, and now almost 25 years later, I’ve gone back to the 1700s for several branches. Don’t worry, I still get confused on second cousin and first cousin once removed, et al. I know the rules, but I’m less of a stickler for those details as I am finding the exact locations of an ancestor’s birth and death. It’s amazing and scary what you can discover about the past. Interment camps? That’s awful, and fortunately, I don’t know of anything like that in my family. I do have a German great-grandfather who had to change his last name. From what I understand, he had been caught up with the mob and gambling debts while he was a boxer. He disappeared and divorced a wife and three children (in the 1910s) only to resurface two years later with a new wife, name, job (beers / bars), and kids (one of which was my grandmother). I wish I knew the whole story, but the little that’s been retained is fascinating.-
Oh wow…now THAT is the stuff of story, to be sure! I bet you could create a whole wold around your great-grandfather–your own sort of literary journey into your family past. What other literary pilgrimages have you gone on?
Interesting question! Do you mean as a writer or a reader? And literally or figuratively! 🙂 Wait, who’s asking the questions here… I should be a better interviewee, huh?
Ha! Behave yourself, Sir, or I’ll force you to babysit my sons. Mwa ha ha!
Ahem. Anyway, you were saying…
I’ve never traveled to research a setting for a book or to visit a place I’ve read about. I have traveled a lot in the past, but when I go away, I tend not to read or write. I immerse myself in culture and relaxation. That said… a pilgrimage is like taking a risk toward something you believe strongly in. For me, that would be mysteries and cozy little towns. When I find a series and author I like, I tend to read everything all at once. I did that with the ‘Cat Who’ books by Lilian Jackson Braun; they were one of my first addictions in the sub-genre. 2019 is the year of catching up for me, so I’m saying ‘no’ to most new books and series, allowing enough time to get fully caught up on my TBR before adding to it again.
I don’t blame you for focusing on your TBR list. You have read a lot of books. Like, a TON of books. 500 reviews?! That’s AMAZING! So of course, I have to ask: Have you ever gotten reader’s block? If so, how did you overcome it?
When I was working full-time, I barely read a book every two weeks. Now, I’m able to read a few each week. In 2017, I began using Goodreads much more. I wrote a book review for everything I could remember from the past. I also wrote one as soon as I finished reading a new book. As of today, I’m at about 850, but I’m definitely forgetting hundreds from the past. I have gotten reader’s block a few times in the last 2+ years since I set my Goodreads Challenge in the 150+ books range. It often happens when I am writing my own book, then try to step away for a break. I find myself reading the book to find styles I like or ways to improve my editing, as opposed to just relaxing to enjoy a good book. In that way, writing books has ruined reading books for me. Sometimes, I also find myself just too tired to read, or in need of something vastly different so that I can escape. I won’t ever DNR (Did Not Read) a book. I try a few times, then put it aside and try again a month later. If it’s still not working, I’ll skim it and write a brief review, explaining why it didn’t work for me. If it’s a book an author specifically asked me to read, I won’t review it; I’ll share with them why I struggled and let them decide how to handle it. I don’t ever want to hurt another author if for some reason I’m just not in the right place to read that book.
That’s perfectly understandable, James. I like reading for escape from my genre, too; I love writing fantasy, but it’s so lovely to read mysteries for a little break. And indie authors do NOT have it easy out there in the virtual bookstore, so it’s wonderful that you focus on helping fellow writers rather than put them down.
All this reading and writing must mean you’re keeping a pretty sharp eye on the publishing industry. What do you consider to be the most unethical practice in the publishing industry, and what can we as writers do about it?
Excellent question! I do pay attention, but at the same time, I’ve always believed in doing what you feel is best and ignoring the status quo. For better or worse, the market is super flooded now. Anyone can write a book, which is good and bad. Reading is cheaper, given sites like NetGalley and electronic books; however, the quality of a book is much more questionable when it hasn’t gone through a rugged process to ensure it’s top notch. All I mean by that is that it’s a lot harder to choose books to read nowadays. Some indie books are WAY better than traditionally published books, and some traditionally published books have awful editing processes. For me, it really comes down to the book’s genre, summary, and themes. I don’t read reviews other people write anymore. Let me clarify that… I read reviews my friends write because I support them, but I don’t read reviews before deciding whether to read a book or not. Other people’s opinions have such a range… after reading over 1000 books, I trust my own judgment when choosing what to read. That said, I think the most unethical practice is probably paying for reviews when the book hasn’t actually been read. I’m totally in support of paying someone to read your book and write an honest review; however, if you pay sites to post bunches of positive reviews when the book wasn’t read, it’s not very honest and fair. I understand the desire to do it — you need positive reviews when you first get started, so that part makes sense. But there are better ways to accomplish it, in my opinion. My best suggestion to counter it is find friendly reviewers and ask for their help before paying for fake reviews.
Excellent advice! We have to keep in mind that readers can be very particular with their tastes; what could be a beautiful story to one could be a mangled mess to another.Plus, you know who can/will appreciate your own shift in writing tastes.Your first two novels, Watching Glass Shatter and Father Figure, are both pretty dark dramas when compared to the lighter tone of your Braxton Campus mysteries. What inspired this shift? Do you think you’ll ever shift away from cozies and into the darker realm once more?
I actually have the answer to these questions, phew! I have ZERO clue why I started with a dark family drama before a cozy mystery. I read cozies so much, how on earth did I not go with what I knew! The easy explanation is that Watching Glass Shatter stemmed from a dream I HAD to develop. It took me a year to finish the book and find a publisher. At the same time, I had been building my blog and decided to let my followers choose the scope of my second book. I published a post with 5 or 6 story ideas, then let votes decide. They picked Father Figure, another dark drama. I finished writing and publishing it in April 2018, then decided it was time to write a cozy. I’d published that I was planning to write a sequel to Watching Glass Shatter in late 2018 / early 2019, but I got sidetracked and wrote 4 books in the cozy mystery series because I saw the power of marketing behind a series, and the ideas kept flowing. At the same time, I fleshed out the plot for the Watching Glass sequel and began drafting the outline. I’m happy to report that I’ve begun writing it already. My plan is to publish the fifth cozy in the Braxton series in October 2019, as it will be a Halloween-themed mystery. Then, I will focus on the Watching Glass sequel with a mid 2020 target release. At the same time, I’m working on another mystery series, but it will not be considered cozy. I intend to write a book in all major genres if I can motivate myself even more this year!
Yowza, what a goal! But clearly, mysteries have pride of place in your heart. Was it a mystery novel that first sparked the storytelling passion inside you? If so, which story and why?
It began with Poe and Christie. I love solving puzzles, and being part of the story by playing detective is an amazing way to connect with the author. I also like secrets, at least in terms of trying to discover what someone else is keeping from me. I am not a secretive person myself, probably the opposite – I say too much! It’s definitely my go-to genre, so when I wrote my first book, it was about a family full of secrets. It wasn’t a typical mystery, e.g. in terms of “let’s solve who killed someone.” It was also an analysis of the impact of an emotional explosion on a family with real people we might know around us. My favorite mystery is Christie’s “And Then There Were None.” I recall reading and watching it in school when I was about 10 years old, then guessing the killer before (s)he was revealed. I had a inkling about the way the story was being written, and my intuition paid off… that pretty much clarified for me what type of reader I am.
To me, mysteries are a genre that do not allow for pantsing, but planning, planning, and MORE planning. Can you take us through your writing process for building strong mysteries?
I am definitely a planner. Once an idea formulates, I jot notes down on my phone, since it often happens when I’m out and about (which I dislike, since I said I was a homebody) or waking up from a dream. Once it’s strong enough to organize into a summary, I’ll prepare a 150-word overview. Then, I’ll write an larger outline. I begin with a bullet list of key plot points, then descriptions of characters. Once I know the details of the victim, I create the suspect list, including red herrings and real clues. From there, I create the 10 to 15 key scenes that will help readers solve the crime. I organize the timeline for all the events, then I break the detail into chapter by chapter summaries. Each chapter has 2 or 3 scenes. Each scene lists the characters and settings, as well as what info needs to be discovered and what open questions must arise. From there, it turns into a ~30-page outline that I read several times. This process takes about a week at most. Then I write 2 chapters per day, ignoring the desire to edit. After the first draft is written, I read it and rewrite a new outline without looking at the old one. I do this to see how much has changed, as this helps me figure out areas that are weak and strong. It’s back and forth at that point. I have a weird memory: I forget tons of things from the past, but I’ll remember every arc, red herring, or clue that need to be followed up on. It’s rare I leave anything open-ended in a first draft, but sometimes there are a few unresolved issues. I merge the two outlines, decide what new scenes need to occur and finish my second draft. At that point, editing takes over, then early alpha and beta readers help me identify when I need more suspense or stronger alibis and motives.
Thank goodness for trusted readers–and for this wonderful chat! Would you like to wrap this up with some encouragement for your fellow writers?
I was an English major in college. I’ll say right from the start, I know 90% of the grammar rules but have forgotten a few. I majored in English not because I wanted to be a walking grammar expert but because I enjoy reading and connecting with authors. I LOVE when a reader writes a review on a book and only talks about a grammar issue. I’ve had two where the reviewer only wrote “This books needed to go through more editing.” I laughed because that’s such a ‘useful’ review. I’m all for negative or constructive feedback and criticism, but what a reviewer writes is often a bigger characteristic of them as a person rather than the writer. An author takes 1000+ hours to write a book, not including all the other people that help her or him. A reader takes 30 seconds to write a review and chooses to be mean. There will always be people like that. They are the same people who bullied others. They are the same people who hide behind the Internet and couldn’t actually say it to your face. They are the same people who are probably miserable at home or like to hurt others because they can’t solve their own problems. That’s something I’d like to share with the rest of the writing community — People can be mean, but you need to ignore them when they are hurtful.
If there’s nothing valuable in their review, let it go and write your next book.
On the positive side, as I want to end the interview that way, writers have the best job in the world. They can do anything they want. They can use it for good to promote awareness or provide entertainment. They can use it to help themselves process through pain or emotions. They can use it to make an income. They can use it to express creativity and ideas inside their head that yearn to be released. Aren’t we lucky? I also love how we all support one another and promote each other’s work rather than think of it is as a competition. That’s the best kind of world to live in. So thank YOU!
And thank YOU, James, for all that you do! You’re a wonderful fellow writer and supporter in these crazy publishing waters. I’m sure your latest mystery, Mistaken Identity Crisis, is going to be awesome!
BLURB: A clever thief with a sinister calling card has invaded Braxton campus. A string of jewelry thefts continues to puzzle the sheriff given they’re remarkably similar to an unsolved eight-year-old case from shortly before Gabriel vanished one stormy night. When a missing ruby is discovered near an electrified dead body during the campus cable car redesign project, Kellan must investigate the real killer in order to protect his brother. Amidst sorority hazing practices and the victim’s connections to several prominent Wharton County citizens, a malicious motive becomes more obvious and trickier to prove. As if the latest murder isn’t enough to keep him busy, Kellan partners with April to end the Castigliano and Vargas crime family feud. What really happened to Francesca while all those postcards showed up in Braxton? The mafia world is more calculating than Kellan realized, and if he wants to move forward, he’ll have to make a few ruthless sacrifices. Election Day is over, and the new mayor takes office. Nana D celebrates her 75th birthday with an adventure. A double wedding occurs at Crilly Lake on Independence Day. And Kellan receives a few more surprises as the summer heat begins to settle in Wharton County.
Purity tests are the tools of fanatics, and the quest for purity ultimately becomes indistinguishable from the quest for power.
Jennifer Senior, “Teen Fiction and the Perils of Cancel Culture”
There is a darkness creeping along the edges of Twitter. Like the Nothing from Neverending Story, it haunts authors with hushed whispers until it moves in swiftly with a power unmatched by any other.
It is the Cancel Culture.
I had not heard of cancel culture until last month, when debut YA author Kosoko Jackson pulled his book from publication because he was accused of being insensitive to the Muslim community. You can read the account here. Like article writer Jennifer Senior says, there’s a strong sense of irony that this YA author pulls his book after he and others demanded YA author Amélie Wen Zhao pull her book due to evoking “an offensive analogy to American slavery.” Click here for that article. (Oh, and here’s another article I found while editing this post that mentions yet another YA book mobbed by cancel culture.) This issue’s grown to such a point that PENAmerica recently held a panel featuring a diverse array of writers and critics to discuss the matter–click here for that, as it’s a thought-provoking read.
Whether you wade through all the articles or not, I really want you to see the quote from Jackson that speaks to this stormy state of YA Literature:
What Jackson’s case really demonstrates is just how narrow and untenable the rules for writing Y.A. literature are. In a tweet last May, Jackson himself more or less articulated them: “Stories about the civil rights movement should be written by black people. Stories of suffrage should be written by women. Ergo, stories about boys during life-changing times, like the AIDS epidemic, should be written by gay men. Why is this so hard to get?”
On the one hand, I LOVE the idea of bringing all the voices from all the walks of life onto the page. No one’s voice is worth less than another.
But while the cancel culture and purists may say they are fighting for diversity, their words come off more as calls for segregation.
Case in point: American Heart by Laura Moriarity. Initially her book was awarded a starred review from Kirkus…until cancel culture called for otherwise. Not only did Kirkus pull its star, it completely altered the review.Click here for a comparison of the two reviews.The New Yorker even did an editorial on “problematic” book reviews, (click here for that) and I think writer Ian Nolan’s conclusion on criticism is worth noting here:
…criticism exists in different flavors, but its defining feature is an individualism of response. That response can be wise or unwise, popular or unpopular. A reviewer can squander authority by seeming too often at odds with good judgment. But, without critical autonomy, the enterprise falls apart. The only reason to hire a critic, instead of giving a megaphone to the crowd, is that creative work—books most of all—isn’t processed as a collective. People make sense of art as individuals, and their experiences of the work differ individually, too. A reviewer speaks for somebody, even if he or she doesn’t speak for you.
Ian Nolan, “Kirkus Reviews and the Plight of the “Problematic” Book Review
I am a white woman born of two white parents in the Midwest. My parents both worked for protestant churches, and together barely made enough to make ends meet. Frugality was the name of the game no matter where we lived, be it a small farming town up north, or deep in Milwaukee’s North Side.
My father was born and raised in Milwaukee in a tumultuous time. White flight, housing discrimination, police brutality, and the Civil Rights movement all boiled over to overwhelm the inner city and scald it with the Milwaukee Riots. I can’t imagine how this affected my dad, seeing the death, the pain, the hundreds upon hundreds arrested in a war for equality. Maybe taking that Call to serve his childhood church in Milwaukee is answer enough.
I think Dad saw this and remembered the prejudice and anger that had poisoned his town so deeply in the 1960s. It would explain what he did next.
Juneteenth Day comes every 19th of June to celebrate the emancipation of slaves in 1865 in the last “holdout” state (Texas) after the Civil War. Dad reorganized the church’s annual outdoor picnic to be held in June as close to the 19th as he could get. He invited a gospel choir directed by a friend of his in a church from Milwaukee’s East Side, another struggling area. Then he reached out to the congregation’s few young members to form groups for canvassing the neighborhood, leaving flyers of invitation to the church’s outdoor service. With a mixture of words from the Bible and Civil Rights activists, Dad preached a message of Love, Equality, Justice, and Hope.
If I am to take this cancel culture to heart, then my father should not have worked to heal the old neighborhood. He was a middle-aged white man; therefore, he cannot possibly connect with those of a different color. He should have kept with his own kind. We should all only keep to our own kinds.
Have we forgotten what it means to look beyond ourselves?
Have we forgotten what it means to have empathy?
em·pa·thy [ˈempəTHē] NOUN the ability to understand and share the feelings of another.
Why must my body define my voice?
Stories have a power completely, utterly unique: they can take a person born in one body, and transplant them into another. That body could be living three hundred years ago on the other side of the world, or three hundred years into the future buried deep beneath the earth, or even three thousand universes away. When we take the age-old writing lesson of “write what you know” and give it the Orwellian twist of “write only what you know,” we limit that power severely, dangerously.
When we limit that power, we limit our ability to empathize with one another. We lose our ability to connect with those beyond ourselves. We begin to turn away from the wealth of a diverse world, and huddle with our own kind.
Do not let others take your power away. There are countless worlds inside of you, filled with people of all cultures and creeds. You have every right to bring those people to the page.
No voice should be fettered by the body it’s born in.
I’m still pretty wound up about this, so if you feel like talking, add your comments below! If you’re new to my site, welcome! You are welcome to sign up for my newsletter, check out my freeshort stories, or pick up my first novel, which is free on Kindle Unlimited. Thanks for coming by!
Today was supposed to be a lovely day for Blondie.
Parent Visitation Day. For the first time ever, I could attend the whole day and watch her awesome smartness in action. She kicked butt on her spelling test. She went crazy during a math game (seriously, everyone went NUTS over these weird cards), and brainstormed up some amazing ideas for her gray wolf habitat display for the Science Fair. We were just getting ready for lunch when–you guessed it–the phone rang.
Biff and Bash’s principal.
They needed to be sent home for fighting. Fists to the face and everything.
I did my damndest to hide my tears when I told Blondie. Her reaction: not all that surprised.
For once, for FUCKING once, can’t Blondie matter more than the boys’ behavior?
But Bo works in another chunk of the state. I have to get them.
Bash’s black eye is…well it’s hopefully something to give him pause.
Biff says Bash started it by budging in line. When I asked why Biff didn’t just tell the teacher, he shrugged. Would he have punched out another kid for such an offense, or because it was Bash, then it was all-out war?
The school’s scheduled an evaluation for a behaviorist.
God, I need a drink.
Oh wait. I can’t.
No booze during Whole30.
I know you’re a good guy, Biff. You and your brother both are. Please, PLEASE, you have to show you are a good guy to others. You cannot lash out so violently over so little. Please, dear ones, please.
Okay. I can’t be dour forever. There has to be a change sometime.
And a few hours with Blondie is better than none at all.
Pretty sure I’m not going to be breathing much today.
Today, from sunrise to sundown this Halloween, Fallen Princeborn: Stolen is yours.
What’s particularly awesome about this release of freeness (new word!) is that this edition includes an excerpt from the second novel, Chosen.
Not sure you want to snatch it up? Check out what these amazing writers and readers have to say about it:
The rich sensory images and tight POV kept me so tangled in the story that I had to keep reading to see what would happen next. I particularly enjoyed the dynamic between Charlotte and her sister, Anna- the love and pain and frustration that can only come from family. Charlotte’s determination to protect Anna, whatever the personal cost, endeared her to me. The dark world beyond the Wall is fascinating, the shadowy characters an intriguing blend between Light and Dark. While the story arc had a satisfying wrap-up, it also left me eagerly awaiting the next installment! –Amazon Reader
“This gripping YA fantasy about Charlotte’s encounter with the fae comes complete with a prince… but he’s no Prince Charming, while they’re definitely nothing like Tinkerbell.” —S.J. Higbee, Sunblinded trilogy
I love that this novel takes place in a fantasy realm quite different than most out there, which makes it harder to guess what’s going to happen next. Charlotte is an interesting heroine to root for, and the book is an overall good mix of adventure, humor, and romance. I got caught up in the story and read this in just a day or two, and now I can’t wait to read the next one! –Amazon Reader
“Part psycho hitchhiker movie, part road trip to Rylyeh, Fallen Princeborn: Stolen drags the reader deep into Faerie, burns it down, and caramelizes expectations.” —Moss Whelan, Gray Hawk of Terrapin
Lee writes from a third-person, present-tense point of view, but the tale is still told very much from Charlotte’s perspective, spurning exposition in favor of snippets of teenage angst. Charlotte emerges as a believable survivor—strong, determined, and devoted to her sister, but also vulnerable, with a deeply buried sense of hope…. Anna is similarly convincing as the resentful younger sister, while the fairy folk walk the line between being straightforward villains and antiheroes. The fairy realm itself is more grim than enchanting (think the Upside Down from the Netflix TV series Stranger Things), and the fact that Charlotte is trapped there—an echo of her family situation—lends an uneasy edge to the would-be romance. –Kirkus Reviews
So, whatcha waitin’ for, folks? Halloween comes but once a year. When Halloween ends, so does this offer for a free adventure into a world of magic and mayhem, family and feeling. Don’t miss out!
Be sure to leave your thoughts on Amazonand Goodreads, too, because seriously, every review means the world to writers.
Good morning, fellow readers and writers! Thanks so much for clicking on this post.
Yes, you read that title correctly. Fallen Princeborn: Stolenwill be free for 24 hours. Not only do you get the entire novel, but one of my short stories from Tales of the River Vine as well as a preview of the second novel, Chosen. I promise you, you won’t wind up like Charlie Brown with a bag full of rocks this Halloween. Grab this treat tomorrow while the grabbing’s good!
So many wonderful fellow writers and readers have been sharing their thoughts on my stories, or sharing their space with my writing. Please check out these amazing authors today!
I Lang hae thought, my youthfu' friend, A something to have sent you, Tho' it should serve nae ither end Than just a kind memento: But how the subject-theme may gang, Let time and chance determine; Perhaps it may turn out a sang: Perhaps turn out a sermon. - Robert Burns