Greetings, one and all! Guess who finally agreed to read her story…
I’m so proud of Blondie overcoming her nerves and sharing her creativity–complete with character voices! xxxx She’s grown so much from the last time we talked about storytelling.
I’ve not known James Cudney IV as long as Blondie, but he is without a doubt one of the most avid book bloggers I know, and a fellow mystery lover, to boot! I just had to have him for an interview to help celebrate the upcoming release of his latest installment in the Braxton Campus Mystery series.
Let’s have some niceties first! Tell us a bit about yourself, please.
It’s always the general questions which stump me; where does one begin? I’ll be brave and take a chance here. I’m 42 and live in NYC. I worked in technology and project management for ~15 years before leaving my job and writing my first book two-and-a-half years ago. I’d always wanted to do it but never had the time, until I found myself starting over again. I absolutely do not regret the decision, as I was a walking ball of stress before this new career. I’m still open to going back to an office job, but it will be something very different, if I ever do. That said, I am a homebody and more of an introvert. I tend to follow a routine, but every once in a while, I surprise people with my choices. I spend a lot of time thinking about things before I ever tell others what’s going on inside my head, so when I do… it often seems to others like a quick decision. I’m a much happier person now that I’m writing and being creative. I still get stressed over editing and marketing, but it’s a very different type of monster. With no ‘real’ boss (okay, every reader IS my boss), I have more freedom to take chances on things. Luckily, my other half and our puppy keep me sane!
It says on your bio that you’ve done an extensive study of your family history. That is so fascinating! I’ve a distant cousin doing that very thing, and he’s so far discovered that our great-grandparents (or great-great? I get lost in all the great’s) were put in an internment camp in Wisconsin during World War 1 because they had German names. Is there a surprising story from your own family research you’d like to share?
Genealogy is my favorite hobby! I am an only child, so I often spent time with my aunts, uncles, and grandparents rather than siblings. It developed a curiosity about the past, and since I am an introvert, I research everything. When a grandfather passed away, I connected with a long-lost cousin who attended his funeral and shared family history. I began researching it on my own, and now almost 25 years later, I’ve gone back to the 1700s for several branches. Don’t worry, I still get confused on second cousin and first cousin once removed, et al. I know the rules, but I’m less of a stickler for those details as I am finding the exact locations of an ancestor’s birth and death. It’s amazing and scary what you can discover about the past. Interment camps? That’s awful, and fortunately, I don’t know of anything like that in my family. I do have a German great-grandfather who had to change his last name. From what I understand, he had been caught up with the mob and gambling debts while he was a boxer. He disappeared and divorced a wife and three children (in the 1910s) only to resurface two years later with a new wife, name, job (beers / bars), and kids (one of which was my grandmother). I wish I knew the whole story, but the little that’s been retained is fascinating.-
Oh wow…now THAT is the stuff of story, to be sure! I bet you could create a whole wold around your great-grandfather–your own sort of literary journey into your family past. What other literary pilgrimages have you gone on?
Interesting question! Do you mean as a writer or a reader? And literally or figuratively! 🙂 Wait, who’s asking the questions here… I should be a better interviewee, huh?
Ha! Behave yourself, Sir, or I’ll force you to babysit my sons. Mwa ha ha!
Ahem. Anyway, you were saying…
I’ve never traveled to research a setting for a book or to visit a place I’ve read about. I have traveled a lot in the past, but when I go away, I tend not to read or write. I immerse myself in culture and relaxation. That said… a pilgrimage is like taking a risk toward something you believe strongly in. For me, that would be mysteries and cozy little towns. When I find a series and author I like, I tend to read everything all at once. I did that with the ‘Cat Who’ books by Lilian Jackson Braun; they were one of my first addictions in the sub-genre. 2019 is the year of catching up for me, so I’m saying ‘no’ to most new books and series, allowing enough time to get fully caught up on my TBR before adding to it again.
I don’t blame you for focusing on your TBR list. You have read a lot of books. Like, a TON of books. 500 reviews?! That’s AMAZING! So of course, I have to ask: Have you ever gotten reader’s block? If so, how did you overcome it?
When I was working full-time, I barely read a book every two weeks. Now, I’m able to read a few each week. In 2017, I began using Goodreads much more. I wrote a book review for everything I could remember from the past. I also wrote one as soon as I finished reading a new book. As of today, I’m at about 850, but I’m definitely forgetting hundreds from the past. I have gotten reader’s block a few times in the last 2+ years since I set my Goodreads Challenge in the 150+ books range. It often happens when I am writing my own book, then try to step away for a break. I find myself reading the book to find styles I like or ways to improve my editing, as opposed to just relaxing to enjoy a good book. In that way, writing books has ruined reading books for me. Sometimes, I also find myself just too tired to read, or in need of something vastly different so that I can escape. I won’t ever DNR (Did Not Read) a book. I try a few times, then put it aside and try again a month later. If it’s still not working, I’ll skim it and write a brief review, explaining why it didn’t work for me. If it’s a book an author specifically asked me to read, I won’t review it; I’ll share with them why I struggled and let them decide how to handle it. I don’t ever want to hurt another author if for some reason I’m just not in the right place to read that book.
That’s perfectly understandable, James. I like reading for escape from my genre, too; I love writing fantasy, but it’s so lovely to read mysteries for a little break. And indie authors do NOT have it easy out there in the virtual bookstore, so it’s wonderful that you focus on helping fellow writers rather than put them down.
All this reading and writing must mean you’re keeping a pretty sharp eye on the publishing industry. What do you consider to be the most unethical practice in the publishing industry, and what can we as writers do about it?
Excellent question! I do pay attention, but at the same time, I’ve always believed in doing what you feel is best and ignoring the status quo. For better or worse, the market is super flooded now. Anyone can write a book, which is good and bad. Reading is cheaper, given sites like NetGalley and electronic books; however, the quality of a book is much more questionable when it hasn’t gone through a rugged process to ensure it’s top notch. All I mean by that is that it’s a lot harder to choose books to read nowadays. Some indie books are WAY better than traditionally published books, and some traditionally published books have awful editing processes. For me, it really comes down to the book’s genre, summary, and themes. I don’t read reviews other people write anymore. Let me clarify that… I read reviews my friends write because I support them, but I don’t read reviews before deciding whether to read a book or not. Other people’s opinions have such a range… after reading over 1000 books, I trust my own judgment when choosing what to read. That said, I think the most unethical practice is probably paying for reviews when the book hasn’t actually been read. I’m totally in support of paying someone to read your book and write an honest review; however, if you pay sites to post bunches of positive reviews when the book wasn’t read, it’s not very honest and fair. I understand the desire to do it — you need positive reviews when you first get started, so that part makes sense. But there are better ways to accomplish it, in my opinion. My best suggestion to counter it is find friendly reviewers and ask for their help before paying for fake reviews.
Excellent advice! We have to keep in mind that readers can be very particular with their tastes; what could be a beautiful story to one could be a mangled mess to another. Plus, you know who can/will appreciate your own shift in writing tastes. Your first two novels, Watching Glass Shatter and Father Figure, are both pretty dark dramas when compared to the lighter tone of your Braxton Campus mysteries. What inspired this shift? Do you think you’ll ever shift away from cozies and into the darker realm once more?
I actually have the answer to these questions, phew! I have ZERO clue why I started with a dark family drama before a cozy mystery. I read cozies so much, how on earth did I not go with what I knew! The easy explanation is that Watching Glass Shatter stemmed from a dream I HAD to develop. It took me a year to finish the book and find a publisher. At the same time, I had been building my blog and decided to let my followers choose the scope of my second book. I published a post with 5 or 6 story ideas, then let votes decide. They picked Father Figure, another dark drama. I finished writing and publishing it in April 2018, then decided it was time to write a cozy. I’d published that I was planning to write a sequel to Watching Glass Shatter in late 2018 / early 2019, but I got sidetracked and wrote 4 books in the cozy mystery series because I saw the power of marketing behind a series, and the ideas kept flowing. At the same time, I fleshed out the plot for the Watching Glass sequel and began drafting the outline. I’m happy to report that I’ve begun writing it already. My plan is to publish the fifth cozy in the Braxton series in October 2019, as it will be a Halloween-themed mystery. Then, I will focus on the Watching Glass sequel with a mid 2020 target release. At the same time, I’m working on another mystery series, but it will not be considered cozy. I intend to write a book in all major genres if I can motivate myself even more this year!
Yowza, what a goal! But clearly, mysteries have pride of place in your heart. Was it a mystery novel that first sparked the storytelling passion inside you? If so, which story and why?
It began with Poe and Christie. I love solving puzzles, and being part of the story by playing detective is an amazing way to connect with the author. I also like secrets, at least in terms of trying to discover what someone else is keeping from me. I am not a secretive person myself, probably the opposite – I say too much! It’s definitely my go-to genre, so when I wrote my first book, it was about a family full of secrets. It wasn’t a typical mystery, e.g. in terms of “let’s solve who killed someone.” It was also an analysis of the impact of an emotional explosion on a family with real people we might know around us. My favorite mystery is Christie’s “And Then There Were None.” I recall reading and watching it in school when I was about 10 years old, then guessing the killer before (s)he was revealed. I had a inkling about the way the story was being written, and my intuition paid off… that pretty much clarified for me what type of reader I am.
To me, mysteries are a genre that do not allow for pantsing, but planning, planning, and MORE planning. Can you take us through your writing process for building strong mysteries?
I am definitely a planner. Once an idea formulates, I jot notes down on my phone, since it often happens when I’m out and about (which I dislike, since I said I was a homebody) or waking up from a dream. Once it’s strong enough to organize into a summary, I’ll prepare a 150-word overview. Then, I’ll write an larger outline. I begin with a bullet list of key plot points, then descriptions of characters. Once I know the details of the victim, I create the suspect list, including red herrings and real clues. From there, I create the 10 to 15 key scenes that will help readers solve the crime. I organize the timeline for all the events, then I break the detail into chapter by chapter summaries. Each chapter has 2 or 3 scenes. Each scene lists the characters and settings, as well as what info needs to be discovered and what open questions must arise. From there, it turns into a ~30-page outline that I read several times. This process takes about a week at most. Then I write 2 chapters per day, ignoring the desire to edit. After the first draft is written, I read it and rewrite a new outline without looking at the old one. I do this to see how much has changed, as this helps me figure out areas that are weak and strong. It’s back and forth at that point. I have a weird memory: I forget tons of things from the past, but I’ll remember every arc, red herring, or clue that need to be followed up on. It’s rare I leave anything open-ended in a first draft, but sometimes there are a few unresolved issues. I merge the two outlines, decide what new scenes need to occur and finish my second draft. At that point, editing takes over, then early alpha and beta readers help me identify when I need more suspense or stronger alibis and motives.
Thank goodness for trusted readers–and for this wonderful chat! Would you like to wrap this up with some encouragement for your fellow writers?
I was an English major in college. I’ll say right from the start, I know 90% of the grammar rules but have forgotten a few. I majored in English not because I wanted to be a walking grammar expert but because I enjoy reading and connecting with authors. I LOVE when a reader writes a review on a book and only talks about a grammar issue. I’ve had two where the reviewer only wrote “This books needed to go through more editing.” I laughed because that’s such a ‘useful’ review. I’m all for negative or constructive feedback and criticism, but what a reviewer writes is often a bigger characteristic of them as a person rather than the writer. An author takes 1000+ hours to write a book, not including all the other people that help her or him. A reader takes 30 seconds to write a review and chooses to be mean. There will always be people like that. They are the same people who bullied others. They are the same people who hide behind the Internet and couldn’t actually say it to your face. They are the same people who are probably miserable at home or like to hurt others because they can’t solve their own problems. That’s something I’d like to share with the rest of the writing community — People can be mean, but you need to ignore them when they are hurtful.
If there’s nothing valuable in their review, let it go and write your next book.
On the positive side, as I want to end the interview that way, writers have the best job in the world. They can do anything they want. They can use it for good to promote awareness or provide entertainment. They can use it to help themselves process through pain or emotions. They can use it to make an income. They can use it to express creativity and ideas inside their head that yearn to be released. Aren’t we lucky? I also love how we all support one another and promote each other’s work rather than think of it is as a competition. That’s the best kind of world to live in. So thank YOU!
And thank YOU, James, for all that you do! You’re a wonderful fellow writer and supporter in these crazy publishing waters. I’m sure your latest mystery, Mistaken Identity Crisis, is going to be awesome!
BLURB: A clever thief with a sinister calling card has invaded Braxton campus. A string of jewelry thefts continues to puzzle the sheriff given they’re remarkably similar to an unsolved eight-year-old case from shortly before Gabriel vanished one stormy night. When a missing ruby is discovered near an electrified dead body during the campus cable car redesign project, Kellan must investigate the real killer in order to protect his brother. Amidst sorority hazing practices and the victim’s connections to several prominent Wharton County citizens, a malicious motive becomes more obvious and trickier to prove. As if the latest murder isn’t enough to keep him busy, Kellan partners with April to end the Castigliano and Vargas crime family feud. What really happened to Francesca while all those postcards showed up in Braxton? The mafia world is more calculating than Kellan realized, and if he wants to move forward, he’ll have to make a few ruthless sacrifices. Election Day is over, and the new mayor takes office. Nana D celebrates her 75th birthday with an adventure. A double wedding occurs at Crilly Lake on Independence Day. And Kellan receives a few more surprises as the summer heat begins to settle in Wharton County.
Stay tuned next week for another interview, this time traveling back to the 1940s and its war-fronts abroad and at home.
Read on, share on, and write on, my friends!