#Writing #Music: #JamesNewtonHoward

In these weeks where light bleeds to night bleeds to light–

–I lose my creative fire to static.

Not the static of radios or televisions. I speak of life’s static, day in, day out. After celebrating the release of my novel Fallen Princeborn: Chosen, I knew I had to brace for the impact of a full-time grading load, something I’d not known since before Blondie was born. The music of writing gave way to podcasts and commentaries upon YouTube as I worked, a low hum of wordy noise I would hear without really listening.

After a few weeks inside a classroom, Biff and Bash’s school closed back down and returned to virtual. While not nearly as chaotic as the spring, the boys are bored by the diet of worksheets and videos. Even the extra aid for Bash is now going to be yet another face on yet another screen for yet another period of the day. It is difficult seeing my sons and thousands of other children lumped into this remote learning landscape where so little learning is done at all. (For some excellent insight into the matter, please check out this article from ProPublica.)

But as I must remind myself: this is something over which I have no control.

So we build our little forts of sanity, we three, as Bo goes to work and Blondie attends her school in-person in the next county just a few miles away (which, wouldn’t you know, has not had to shut any school district down thanks to careful quarantining and safety measures.) Biff gathers up the sofa cushions and blankets and hides away with his BBF (Best Bear Friend) to work or read. Bash burrows into his bedroom with his rabbit and robots to tell stories and craft a world of folded paper. I remain in my room with my computer to teach, to grade, eternally typing. The sounds of teachers, educational videos, commentaries, Transformers episodes, Mario games–all of it culminates into this white noise that propels one forward on the outside while restraining one on the inside.

Until some thing–some curious, unexpected thing–cuts through the static with kinetic dissonance.

What was this? Something vicious is lurking, its jaws snapping…I was preparing to teach, had no time to listen…yet I listened.

Paws drummed the ground. Wildness was coming, coming out of the frontier to scratch, to eviscerate–

But they couldn’t, not when class had to begin.

After class, I opened YouTube to see what music had slipped into the cracks of all those commentaries. It was a soundtrack–for of course it was–to a film I had only seen once.

Another surprise: the score had been saved to my computer long ago. No need to search for the individual tracks. It was time to travel beyond the static down a road unknown.

The solo violin guides me, too awestruck not to follow. Piano trickles as a river nearby. I feel like a Lost Girl yearning to remember her Neverland, hands open at my sides, fingers outstretched on which a tire fairy may perch.

Then the dissonant flutes remind me danger is afoot, and someone has blocked the piano’s river. A single note tap tap taps, and I must return to teaching, to parenting.

But not with the static. That, I leave in tatters upon the ground.

Re-discovering The Village‘s score by James Newton Howard has been a magical addition to this topsy-turvy autumn. Hillary Hahn’s craft as a violinist is nothing short of stellar (she even discusses recording for the score here!), and I look forward to finding more of her work to add to my recordings of Mari Samuelsen. Hahn’s violin is the perfect protagonist in this sound-story, the musical shadow of Bryce Dallas Howard’s character in the film, and Howard’s score captures the spirit of this isolated little world surrounded by forbidden wilderness.

No matter what howls from the winds, the strings dance at forest’s edge. They dare one another to move a step too far.

It is up to us, the storytellers, to decide who steps first.

We all lose our Neverlands every now and then. We just need the right voice to guide us, be it a story, a friend, a star, or a song. As your friendship keeps my creative sparks alight, may this story’s song ignite your own imaginations with adventure and hope.

~STAY TUNED!~

I’m really excited to share an indie author who writes some amazing children’s literature for a furry important cause. 🙂 We will also need to dive into a few holiday-ish things before 2020 ends, because it’s me so of course we must. xxxxx

And to all who have read and helped promote my novel–THANK YOU! These words feel too small for the feelings that match them, but they are all I can write now that the kids are fighting. Sigh.

Read on, share on, and write on, my friends!

#writing #music: @maxrichtermusic

One of his latest albums, which I must find NOW.

Few instruments grip my heart quite like the violin. Piano will always be my first love, yes, but there is something ethereal about the sound of a violin, be it a quiet backdrop or proud melody. Violinist Mari Samuelsen was one of my favorite discoveries of 2019, and now thanks to her I have also encountered a composer I cannot wait to share with you: Max Richter.

German by birth and English by education, Richter’s been considered a master of composition since his debut album Memoryhouse in 2002. He re-imagines classic writers like Vivaldi. He writes cries of pain and hope with added text from Kafka. He captures the cosmos. He writes an opus to sleep. This man finds inspiration everywhere.

Before spring settles itself upon my ice-crusted Wisconsin landscape, let’s begin our sampling of Max Richter with a quiet walk backward into the raw, green-less lands of “November.”

A beloved track from Memoryhouse, “November” is both timeless and frozen in time: listeners may close their eyes and feel the world grow chill with winter’s promise. Frost adorns the wild grasses. A deer exhales white swirls about its nostrils. The air’s cold purifies. The morning sun strikes the frost, and for a moment all the world is a field of light.

“On the Nature of Daylight” is another beauty, one a soul could listen to while watching the sun climb horizon’s edge. As you can see, I couldn’t help but share the version that includes Mari Samuelsen.

Even though I can imagine both songs playing with the dawn, each feels a different season. Can’t you just see the sun awaken as birds shake night’s melted frost from their feathers? There’s a distinct warmth here in the unity of sound, the orchestra’s rhythmic rise and fall not unlike the wind drying out the grass for birds to gather for a new nest, a new generation.

Not afraid to experiment, Richter finds the creative possibilities not only in the music, but in the presentation of the music. In 2016 he performed an eight-hour opus entitled Sleep complete with the audience literally sleeping over in the Welcome Library in London. I love this venture beyond convention, something I’m sure helps make his scores for television and film so memorable, too. This track from Taboo shows how the man takes all that warmth and magic of the violin and twists it, burns it, drags it into the ground where dark things breed.

Restraint is the name of the game here. There’s that subtle foreshadowing of synth percussion every ten seconds until it starts rat-a-tap tapping at :45, slow, slow as clawed steps. Brass call out a low harmony over and over, like a beast hunting in the darkness.

Oh, 2020, you promise to be an exciting year for music. Not only do old favorites like Daniel Pemberton and Mychael Danna have new soundtracks out this year, but I’ve a whole new catalog to explore in the hall of Max Richter. Here is a man who has found the heart strings that play human nature to their joy and sorrow. Let his music inspire your storytelling of the human condition both real and imagined, and help you find your own unique story in this “great big world” of writers:

~STAY TUNED NEXT WEEK!~

I’m keen to share some of my own writing! Yes, fiction with characters and setting and all that jazz. We also need to discuss the damage done when a writer alters characters mid-stream through a story arc. Oh, Last Jedi, you never had a chance…

Read on, share on, and write on, my friends!