#Celebrate the #fantasy of #WyrdandWonder with #freefiction, #roads, and #rivers to impassable #mountains

“Mommy, I’m Bandit!” Biff hops toward me with his bear held high. “And this is Snowman! We gotta go to Texarkana County for cookies!” He runs in place, revving noises loud and strong, and then bolts down the hallway to my room, where there is no trace of cookies or Texas.

Bo sits at the table with his latest P.J. O’Rourke book, tea in hand. He’s trying to look innocent, but it’s not MY doing that the soundtrack for Smokey and the Bandit has been on for HOURS. Biff didn’t find that CD downstairs on his own, oh no. That little bugger had help.

“At least he’s not talking about bootleg beer,” Bo says.

“EW, beer is GROSS!” Biff hollers from my cookie-free room. “I’m on the run for bootleg cookies, not Coors!”

Bo hides behind his book.

“Eastbound and Down” starts up for the 3,511th time.

Must. Go. Outside.

Blondie and Bash are in a fit of camaraderie, which I’ll take over the previous fit of racing and grabbing at each other’s hoods and yanking each other to the ground. The two are blowing bubbles and talking up a storm over their new Comfie Club, choosing with of their stuffed animals will be in charge and whether or not Biff will even be invited.

The last bit, I admit, hurt. Biff’s the middle kid, just like me, and I was often left out of my brothers’ games when we were kids.

“Watch out, Snowman, here comes Smokey!” Biff tears by the window, “horn” blaring as his bear shakes frantically above his head. “We gotta jump the bridge, look out! Aaaaaaaah!”

I watch that boy and his bear leap from couch to chair and back as the banjo strums on. He’s reveling in an adventure all his own. Who am I to force him out of his imagination and into another’s?

We all need our passage out of reality once in a while. Thankfully, Wyrd and Wonder provides the perfect opportunity to escape the humdrum for something new.

Perhaps, like Biff, you wish to escape via the roads. Weeeeell they ain’t exactly paved in Fantasyland.

ROADS in Fantasyland are not good. Tourists have frequent cause to complain. There are several types of Road, each with its characteristic inconvenience.

  1. Ancient magical ways, normally engineered from some black rocklike substance impervious to wear. These are so old that only short stretches remain. The rest has been torn up or buried in some ancient CATACLYSM. This can be exasperating. You are just beginning to make some decent mileage on this tarmaclike surface when it stops, and you are back to a snail’s pace again.
  2. ANCIENT ENGINEERING PROJECTS. These are wider than an eight-lane highway, dead straight, and made of cobbles that preternaturally show no sign of aging. Though hardly ever used today—they are characterized by windswept emptiness—they were clearly built to allow a traffic of horse-drawn carts, four lanes in each direction, travelling at seventy miles per hour.
  3. Old trade routes. These are long-disused and normally serve to do little more than point you in the right direction. If you try to follow them you are quite likely to get lost when the route peters out into pathless moorland or even MARSHES. If the route is obvious, you will find no shelter along it, and no WATER.
  4. Unpaved roads. These are the norm. They are always muddy and full of deep ruts from the passage of MERCHANTS and previous Tours. They lead through dangerous WOODS and abound in rocky defiles ideal for AMBUSH. Nobody ever maintains these, despite frequent representations to the Management, and you have to use them because they are the only way to get about. Some Tourists lose patience and ride across country, but this is not recommended because it is the surest way to get attacked by APELIKE CANNIBALS.

Hmmm. Maybe roads aren’t the best way to go with those cannibals and ambushing bandits hiding all over. What about the mountains?

MOUNTAINS are always high and mostly snow-capped. There seems to have been no ice age in Fantasyland, so the Mountains rise tens of thousands of feet into pointed, jagged peaks, which have evidently never suffered erosion. They are full of rocky defiles and paths so steep you have to dismount and lead the HORSES. Almost certainly there will be at some stage a ledge along a cliff that is only a few feet wide with an immense drop the other side. This will be covered with ice. Snow will be xweeping across it. The Rule is that you always in a hurry at this stage.

MOUNTAIN PASS, BLOCKED. The Rule is that any time you need to get from one side of the MOUNTAINS to the other, the pass across is blocked. The pass will be a narrow rift high in the Mountains, and by the time you have climbed up there, either with the forces of the DARK LORD hard behind you, or knowing you have only so long to get to the other side before the forces of Darkness get there first, you will find the pass…impassable. Usually the Management applies this Rule by prudently sending you off in winter, so that the pass is snowbound; on occasion, though, the blockage can be a landslide or a fall of rocks. In some cases, you can go down and round the long way, but mostly you just have to bash on through. Somehow. See also HARDSHIP and HYPOTHERMIA.

Oh yeah, hypothermia…never mind! Well I do like my rivers. My town’s on a river, my state’s on a river. Heck, did you know that Wisconsin is home to 26,767 miles of streams and rivers? That’s enough to circle around the entire globe and THEN some! (I learned that while digging up facts about Wisconsin for the kids to copy for handwriting. Ain’t that neat?) So, let’s try a river.

RIVERS  in Fantasyland are often very peculiar. Some even flow uphill. Setting aside normal features such as the fact that neither WITCHES nor the forces of the Dark are able to cross RIVERS, , we are left with the unaccountable way that each bank of a given RIVER is liable to be different, and even more unaccountable way the local inhabitants ignore this oddity. The reason seems to be that the left bank of a River (face downstream) is often Highly Magical and full of Hidden Dangers, so that the dwellers are unable to see that side of the River at all. Heaven knows what they think they see instead, or the reason for the difference between the two banks.

BRIDGES. The inhabitants of Fantasyland seem to have a distrust of Bridges, maybe because they provide an easy way for an invading ARMY to cross to a VILLAGE on the other side of the RIVER. This is a great inconvenience to the Tourist. The Rule is that, when being pursued by the forces of the Dark, you are going to need to cross a Bridge, and there will be no Bridge. While the Tour is waiting to find a way across, the forces of the Dark have time to catch up. Even if there is supposed to be a Bridge on the route, you are likely to arrive to find it broken–whereupon the forces of the Dark gain steadily again. The only Bridges sure to be still in place are ANCIENT ENGINEERING PROJECTS, and they will be huge, with, as soon as you get to the middle, a tendency to develop a small but impassable gap right at the apex.

Well, how on earth can we get anywhere when the mountains are blocked, the roads are awful, and the bridges on the verge of collapse? I guess we’ll have to stop at a river’s town and socialize with the townsfolk therein…tomorrow. x

Until then, you can still catch my novella for FREE! Enjoy a little history of railway bridges over the timeless Mississippi as bounty hunters race to catch a saboteur determined to destroy a mysterious train…

Read on, share on, and write on, my friends!

#FREE #historicalfantasy #shortread to #celebrate #WyrdandWonder! Nothing says #weekendreading like fun #fantasy to escape #lifeathome.

“Why do spirits need electricity?”

Bash sat in my lap as we watched Spirited Away earlier this week.

The story’s so like a fairy tale, yet all its own. A girl’s parents are lured into what appears to be a forgotten town to eat mysterious food, and turn into pigs as a result. Chihiro finds work in the bathhouse at the edge of town, a place run by a witch and filled with spirits, in order to remain near her parents and save them from the butcher’s block. Chihiro must learn true selflessness and love in order to save not just her parents but some of the spirits enslaved by the witch.

I love the organic growth of this story, the uniqueness of its characters, and the boundless possibility blossoming on the fringes of the worldbuilding. This was my favorite film to watch during night feedings with Baby Blondie. This time, I sat with another child on my lap to watch Chihiro’s adventure.

But unlike Baby Blondie, Bash did not merely snuggle and nap. Instead, he asked questions. Lots, and lots, of questions.

“Why do they have fans? Where does the train go? Why are some people people-shaped and some like ducks and some all blobby? Why do spirits need to eat?”

I, erm, tuned him out after a while. But I couldn’t blame Bash for having questions. We often associate magic with shapeshifting dragons, but not trains. We expect ghosts to haunt a place, but not run restaurants or ride trains. And why would spirits be sending mail to one another?

Fantasy stories take many, many shapes, be they within our present, past, or another time altogether. It’s just one more reason to be excited for Wyrd and Wonder, a month to celebrate all things fantastic no matter where they take place…

…and, well, to share my own historical fantasy, which just so happens to be FREE right now, and its mysterious train, The Weeper.

The old barrel boarder coughs himself up again. Someone ought to rip his heart out just to end that poor human’s misery. “Weepers ain’t no tale, b’hoys. I done beat the road on one. Wipe yer chins, I ain’t fibbin’!”

The remaining foremen, strumpets, and golden boys aren’t quieting down at all, so the old barrel boarder looks to Sumac. “Caught it up by Black River Falls durin’ a thunderstorm so loud you’da thought Paul Bunyan’d lost his Babe, just stompin’ and a’thunderin’, blowin’ trees down to find his partner. But,” and here the old man leans over the back of his bench, all mysterious like, soot mapping the creases of his face, “once the train done left the storm, I still heard the cryin’. The cryin’ come from inside the cars. T’ain’t natural, t’ain’t natural at all. A guard atop the car spotted me hidin’ by a couplin’ and took aim with his rifle, but I done jump before he could shoot.” He shudders. “Tarnation, ain’t never touchin’ no Weeper again.” And he spits into the fire for good measure. “Weeper creeper. Creep nuthin’. That’s the devil’s train, it is, wailin’ its way through a town like it’s late to Hell.”

There’s no mention of trains in Tough Guide to Fantasyland, which is understandable. Jones is parodying all the old-school, medieval-style epic fantasies, which never seem to advance technologically beyond 1700. (Feel free to correct me if I’m wrong on that.) Her entry on transportation highlights the classic mainstays like carts and boats.

TRANSPORT. Because of MAGIC and bad ROADS, Transport is very primitive. Here, though, are some general notes:

  1. By land, if you do not ride a HORSE, you must go by cart or wagon. Both of these have wooden wheels and no springs. Carriages are known, but very rare, even in TOWNS. They have slightly more springing but are distressingly likely either to break down or to be waylaid by BANDITS. Tourists who ride in a carriage complain how chilly they are despite sheepskin coverings inside. Ladies and Evil WIZARDS prefer to travel instead by litter. This is a kind of curtained bed that can be slung between Horses, but most often is carried by a team of strong servitors or SLAVES. Litters are most frequently encountered in CITIES.
  2. By WATER, whether sea or RIVER, you must go by small wooden BOAT, FERRY, RIVERBOAT, or SHIP. Whichever of these craft you find yourself on, be assured that one of the following will occur:
    1. It will sink, possibly because of attack by a SEA MONSTER; Sea Monsters are attracted by Tourists as mice are by cheese, although it is a lot easier to understand how the mice know the cheese is there than how the Sea Monsters know the Tourists are there. Perhaps Tourists possess an identifying SMELL to which Sea Monsters are unusually sensitive. Even if there is no Sea Monster in the region, the Ship is likely destined for the bottom: why captains take Tourists on board at all is a mystery, in this context, unless they are confident of cleaning up on the insurance.
    1. You will be attacked by PIRATES, who will hack to death or hang all the crewmen who have no NAME and possibly the grizzled but kindly Captain as well, so that you can pause for a restorative tear or two before trying to reconcile yourself to the fact that you are now a SLAVE, bound to be either a GLADIATOR or a GALLEY Slave.
    1. You will be betrayed to the forces of the DARK LORD as soon as you have been either delivered to your destination or thrown off the vessel in disgust by the crew.
    1. The Ship proves to be able to fly through the air rather than merely chug through the water. This will of course obviate your inborn tendency, as a Tourist, to seasickness; instead you will discover airsickness.
From Neil Gaiman’s Stardust

But let us save talk of roads and rivers and impassable mountains for another day.

Read on, share on, and write on, my friends!

My #Top20 #Countdown with #DianaWynneJones’ #Fantasy #Writing to #Celebrate #WyrdandWonder Continues…with a #map for a #journey to #adventure

Good morning, Friends! Do you recall on Mother’s Day how my kiddos were watching Smokey and the Bandit (highly edited, of course) with Bo?

Well, now Biff’s insisting that we study the Bandit’s travel route from Texas to Georgia and back. He’s grown quite flustered he can’t find the state highways on our big ol’ basic country map.

All this talk of maps got me thinking about the fantasy genre’s love of maps. It seems like every fantasy, epic of not, simply must have a map. Diana Wynne Jones wrote about them with the love and humor she’s shown all other fantasy-related things in her Tough Guide to Fantasyland.

Thanks for a copy of Jones’ map, Calmgrove! 🙂

Find the MAP. No Tour of Fantasyland is complete without one….It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falows.” These may be the names of COUNTRIES, but since most of the Map is bare it is hard to tell.

These empty inland parts will be sporadically peppered with little molehills, invitingly lablelled “Megamort Hills,” “Death Mountains,” “Hurt Range” and such, with a line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labelled “Marshes.”

That is mostly it.

No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labelled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No–wait another minute–on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labelled “Old trade Road–Disused” and “Imperial Way–Mostly Long Gone.” Some of these routes appear to lead (or have led) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places.

In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get…. Further, you must not expect to be let off from visiting every damn place shown on it.

Reading entries like this makes me look at some of my own maps and cringe a little. As writers, sure, we need a layout of the setting so we know what’s where, but you know, when there’s a chunk of the map labeled with “Beyond Desert,” “Elsewhere Lands,” or “My Characters Don’t Go This Way So Ignore,” must one really include that map?

Don’t get me wrong–some maps are provide plenty of reasons to wonder upon the wyrd and fantastical. Colin Meloy’s Wildwood has a glorious map used in the story that not only intrigues the reader, but the young protagonist as well…

Who wouldn’t want to know what’s in that Impassable Wilderness? Most of the citizens of St. Johns Portland, actually, which adds a whole new layer of intrigue and potential magic to young Prue’s town.

All that we need is a reason to enter the Map. Give us a mission–whether it’s rescuing a child, uncovering an object, finding a truth, a treasure, a love–and we will take on a place no matter how absurd its Map is.

For all we want, be we readers or protagonists, is a reason to go on a journey.

Now granted, that Journey may seem a little absurd, as Jones points out…

JOURNEY is of course your Tour. No discovery or action can take place in Fantasyland without a good deal of traveling about. This is in the Rules. The Tour will be set up so that you will find at the outset you need to go to a CITY on the other side of the continent. Once there, you will find you need to go to the extreme south. And so on. You can count on the worst conditions for doing so. (See HARDSHIP, which the Management seems to find synonymous.) (See also LANDSCAPE, ROADS, and TERRAIN, of which you will see lots.) (Oh, and HORSES, which you will have to ride, BOOTS, which you will need when your Horses are dead, and DARK LORD, who will be trying to stop you every mile of your journey.)

…but that doesn’t make the Journey any less beloved or memorable.

How are your own journeys into the Wyrd and Wonder-full going? Be sure to share in the comments below! And don’t forget my historical fantasy novella Night’s Tooth will be FREE tomorrow through Monday (May 15-18). If you know anyone who loves bounty hunters with a touch of magic set in the Wild West, please guide their reading journey to my corner of Fantasyland. x

Having read Jean Lee’s ‘Fallen Princeborn: Stolen‘ I was really looking forward to this, and I wasn’t disappointed.

This is a vivid and immersive little novella, where magic and murder abound in the gritty and desperate old ‘wild west’. The realistic setting and surreal characters collide in a strange and utterly intriguing way, making the reader anxious to know more of this unfolding story.

Thanks for the review, Chris Hall!

Read on, share on, and write on, my friends!

My #Top20 #Countdown with #DianaWynneJones’ #Fantasy #Writing to #Celebrate #WyrdandWonder Continues…with an important #writetip for #kidlit #storytelling

Soooooo my puppet plans for the day went so-so. Each kid had a snit at some point: Blondie in making the puppets, Bash in writing his play, and Biff in performing for his family. Still, the kids had TONS of fun at various points of the day creating their robots, rockets, and superheroes. We also took breaks to watch the ultimate puppet show, The Muppet Show. The episode with John Cleese is always a favorite!

I also had a lovely chat with long-time friend, Anne Clare. It always lifts the spirit to connect with an old friend and fellow creative who adventures with teaching and parenting at home as I do. Be sure to stop by her site and say hello!

This week we also found the library that contained the last book to Blondie’s current fav series: Last Dogs by Christopher Holt. She’s found a lot of escape in this series, and I didn’t want to cut off her escape time by missing one of the books.

Escape is very important in times like this, and I hope you each have found that beloved book to transport you out of the current chaos (feel free to share it in the comments below!). I’m excited the stories I’ve written have helped others escape; nothing helps me reset like escaping into my fantasy writing. Diana Wynne Jones also considered fantasy stories to be a delightful bit of escape and adventure for children, but she also reminds writers that fantasy is much more than that for children. Through fantasy, children discover how to be their best selves.

From Writing for Children: A Matter of Responsibility

…many writers, not only those who say imagination drives you mad, get the wrong idea. They assume that because a thing is “made up” it is unreal or untrue (disregarding the fact that any kind of story except the most factual biography is always “made up”). They see a child reading a fairy story, or constructing his or her own fantasy, and they at once conclude that the child is retreating into make-believe simply to get comfort in a melancholy situation.

Fantasy certainly does provide comfort–and who is not entitled to a little comfort if they can get it? For those who need that, it is the mind’s perfect safety valve. But a child reading, say, a fairy story is doing a great deal more. Most fairy stories are practically perfect examples of narratives that fit the pattern of the ind at work. They state a problem as a “what if” from the outset. “What if there were this wicked uncle? That evil stepmother who is a witch? This loathsome monster?” Stated in this way, the problem (parent? bully?) is posed for the widest possible number of people, but posed in a way that enables the reader to walk all around it and see the tights and wrongs of it. This uncle, witch or monster is a vile being behaving vilely. As these beings will invariably match with an actual person: parent, sibling, schoolfellow, what a child gains thereby is a sort of blueprint of society. Reading the story, he or she is constructing a mental map–in bold colors or stark black and white–of right and wrong and life as it should be. Turning to the cruel parent or schoolfellow, where right and wrong are apt to be very blurred, this child will now have the mental map for guidance.

An important part of this mental map is that the story should usually have a happy ending–or at least an ending where justice is seen to be done to villains and heroes alike. This is again part of life as it should be. The mind, as I have said, is programmed to tackle problems, joyfully, with a view to solving them…it is important that the blueprint instructs them to aim as high as possible.

If you bear in mind these responsibilities as you write, you need have no fear that any child will mistake the blueprint for the actual world. Children recognize the proper workings of the imagination when they are allowed to see it and may quite well remember your story, joyfully and gratefully, for the rest of their lives.

As you all continue on your adventures through the fantastic, I hope you’ll take a moment to remember the authors who inspired you with their monsters and warriors, and how those stories brought you here, to your Wyrd and Wonderful place, to create a new world of monsters and warriors to inspire a new generation of readers drawing up their own blueprints to becoming their best, their brightest, their most unique selves.

Read on, share on, and write on, my friends!

My #Top20 #Countdown with #DianaWynneJones’ #Fantasy #Writing to #Celebrate #WyrdandWonder Continues…with #Food (and a couple #slowcooker #recipes!)

What does spring smell like to you?

SMELLS are everywhere and strong, and, except for those of ENCHANTRESSES and INCENSE, unpleasant. Even DANGER has a Smell–the REEK OF WRONGNESS. There is something in the chemistry of the land that makes Smells. It is probably a fallout effect of MAGIC, but see also SOCKS and TROUSERS.

No, no, no–although Diana Wynne Jones is spot on with that Reek thing.

While it’s true that springtime in Wisconsin has some unpleasant odors–fertilizer, anyone?–there are also the gorgeous smells of budding fruit trees and daffodils, fresh-cut grass and firepits.

Nothing gets my mouth watering like the smell of a meat over a fire, be it a grill or a firepit. Blondie, too, is always happy to see Bo cooking hot dogs outside, or to have a weenie roast with my mom. The twins…well, like me they enjoy setting marshmallows on fire. Unlike me, they don’t eat them in a s’mores, the weirdos.

Since yesterday’s schooling time was…um…not great, let’s consider the contented joy of cooking night fires preparing our favorite savories and sweets…and how those in Fantasyland so rarely seem to have either. Then I’m going to share a couple slow cooker recipes that Bo and I have enjoyed here because, well, being in lockdown and unable to go camping, we need to bring the taste of s’mores in SOMEhow.

FOOD. See STEW, SCURVY, STEW, WAYBREAD (also known as Journey Cake) and STEW–though there are occasional BIRDS, FISH, RABBITS and pieces of cheese. Generally the diet is an unvaried one, although MARSH DWELLERS can work wonders with ROOTS. Puddings are unknown except occasionally in the Courts of KINGS. Tourists who suffer from diabetes should be quite safe.

WAYBREAD OR JOURNEY CAKE is a flat cake, infinitely nutritious and weighing almost nothing, on which Tourists may sustain themselves for long periods. In appearance, it seems to be halfway between a ricecake and a ship’s biscuit, and in substance, it is truly remarkable since those eating it are never hungry and absolutely never suffer from any deficiency disease (see SCURVY). In some areas there is also a kind of grass capable of being eaten instead of Waybread, but this seems to grow only when your Waybread has run out. It is strange that the inhabitants, given the remarkable properties of Waybread and grass, do not choose to live entirely on one or the other. The reason must be that neither tastes of anything very much. After a month of eating them you will even be glad of STEW.

WATER. You may drink or wash in any Water, however scummy, while on the Tour, except in the MARSHES, where it is full of wriggly things. Water in Fantasyland does not harbour germs. The only other Water it is unwise to touch will be either near the home of an ENCHANTRESS or on the trail left by a WIZARD. This may turn you into things or show you disturbing pictures.

STEW (in which thick and savoury translate as “viscous” and “dark brown”) is the staple FOOD in Fantasyland, so be warned. You may shortly be longing passionately for omelette, steak, or baked beans, but none of these will be forthcoming, indoors or out. Stew will be what you are served to eat every single time. Given the disturbed nature of life in this land, where in CAMP you are likely to be attacked without warning (but see BATH), and in an INN prone to be the centre of a TAVERN BRAWL, Stew seems to be an odd choice as staple food, since, on a rough calculation, it takes forty times as long to prepare as steak. But it is clear the inhabitants have not yet discovered fast food. The exact recipe for Stew is of course a Management secret, but it is thought to contain meat of some kind and perhaps even vegetables. Do not expect a salad on the side.

While the following casserole isn’t exactly fast food, either–or easily transportable–it is quite yummy with its hint of Thanksgiving. Plus it’s a great way to utilize stuff likely sitting in your pantry and freezer. I got it from Fix-It and Forget-It: 5 Ingredient Favorites, a book that’s been a big help in slimming down our grocery list.

Ground Turkey with Stuffing and Veggies

Prep: 10-15 minutes
Cooking time: 3-8 hours
Ideal slow cooker size: 3-4qt.
Serves: 6

Ingredients:
* 1lb lean ground turkey
* 2 cups frozen mixed veg
* 1/4 cup Italian dressing
* 1tsp steak sauce optional (I’ve yet to use it)
* 16oz can wholeberry cranberry sauce
* 6oz pkg. stuffing mix for turkey

  1. Combine ground turkey, veg, Italian dressing, and steak sauce (if using) in the slow cooker.
  2. Pour cranberry sauce over top. Sprinkle with dry stuffing mix. I also slice up 3 tablespoons of butter to spread across the stuffing, too.
  3. Cover and cook on low 6-8 hours or on High 3-4 hours.

Honestly, I burned a firewood-scented candle while eating my helping of s’mores cake. I love love LOVE the smell of campfires, and the Fix-It and Forget-It: Slow Cooker Dump Dinners and Desserts book gave me a chance to transport myself to that beloved setting while the kids ran around the house in a sugar rush. Yes, this dessert is SUPER sweet, so take it in small doses. 🙂

S’mores Lava Cake

Prep: 10min
Cooking time: 2.5-3 hours
Ideal slow cooker size: 5-6qt
Serves: 8

Ingredients:
* approx 15oz box chocolate cake mix, plus ingredients listed on back
* 3.9oz box instant chocolate pudding mix
* 2 cups cold milk
* 0.5 cup mini marshmallows
* 0.5 cup crushed graham crackers
* 0.5 cup chocolate chips

  1. Grease crock.
  2. Prepare cake batter according to package directions directly in crock.
  3. In a bowl, prepare the chocolate pudding mix with the 2 cups of milk.
  4. Cover cake mix with mini marshmallows in crock, then carefully spread pudding mix over the marshmallows.
  5. Top evenly with crushed graham crackers and chocolate chips.
  6. Cover and cook on Low 2.5-3 hours or until edges are done and pudding is bubbly. (I had to go longer, around 3.5 hours, I think, but that could have been my crockpot.)

Lest I forget, I’m putting my own stories on sale to celebrate Wyrd and Wonder, too!

My Historical Fantasy novella Night’s Tooth will be FREE May 15th-18th. It was so much fun digging into the western genre and uncovering the magic hidden there.

Mississippi River Valley, 1870s. The white man wields rails and guns to bring law to the land. But there are more than wild animals hiding in the territories, and it will take more than guns to bring them down.

Sumac the bounty hunter needs no guns to hunt any bandit with a price on his head, even one as legendary and mysterious as Night’s Tooth. But Sumac didn’t count on other bounty hunters coming along as competition, nor did he expect hunters sharing his own magical gifts.

It’s one man against a gang and a mystery, all to protect a train that must cross the territories at all costs…

Inspired by classics like For a Few Dollars More and fantasy cult favorites like Highlander, “Night’s Tooth” is a western with a fantasy edge set in the Fallen Princeborn universe.

My YA Fantasy Novel Fallen Princeborn: Stolen will be just 99 cents during Memorial Day weekend (May 22-25). If your neighborhood’s still on lockdown like mine is, let’s escape together in the hidden farmlands where magical portals await…

Desperate, they crossed over The Wall to hunt Humans. But they made one mistake. They took Charlotte’s sister.

In rural Wisconsin, an old stone wall is all that separates the world of magic from the world of man—a wall that keeps the shapeshifters inside. When something gets out, people disappear. Completely.

Escaping from an abusive uncle, eighteen-year-old Charlotte runs away. She takes her bratty younger sister Anna with her, swearing to protect her. However, when their bus breaks down by a creepy old farm, the inconceivable happens—Anna is wiped from human memory.

But something inside Charlotte remembers. So she goes over the Wall in a frantic rescue attempt, accidentally awakening a once cruel but still dangerous prince, and gaining control of a powerful weapon, his magic dagger.

Charlotte’s only chance to save Anna hinges on her courage and an uneasy alliance with some of the very monsters that feed on humanity.

Welcome to River Vine, a shrouded hinterland where dark magic devours and ancient shifters feed, and where the seed of love sets root among the ashes of the dying.

Whew! I think that’ll do it for today. I’ve planned a puppet-themed school morning for the kiddos, so we’ll see if this goes gloriously well or gloriously awry…

Read on, share on, and write on, my friends!

My #Top20 #Countdown with #DianaWynneJones’ #Fantasy #Writing to #Celebrate #WyrdandWonder Continues…with #Clothing

Anybody else have to do laundry on Mother’s Day? I did my best setting the twins off to put away clothes while Blondie helped me fold. The job got done…eventually. Bo grilled despite the snow/rain outside, so our tummies were warm and full by the end of the day. 🙂

All that laundry yesterday got me thinking about which Tough Guide to Fantasy Land highlights I wanted to share today for Wyrd and Wonder.

There are many world-building curiosities DWJ clearly had fun poking at in her book, attire being one of them.

CLOTHING. Although this varies from place to place, there are two absolute rules:

  1. Apart from ROBES, no garment thicker than a SHIRT ever has sleeves.
  2. No one ever wears SOCKS.
    See also CLOAKS, COSTUME, and KNITTING.

COSTUME. It is a curious fact that, in Fantasyland, the usual Rules for CLOTHING are reversed. Here, the colder the climate, the fewer the garments worn. In the SNOWBOUND NORTH, the BARBARIAN HORDES wear little more than a fur loincloth and copper wristguards (see CHILBLAINS and HYPOTHERMIA). However, as one progresses south to reach the ANGLO-SAXON COSSACKS, one finds VESTS and BOOTS added to this costume. Further south still, the inhabitants of the VESTIGIAL EMPIRE wear short SKIRTS and singlets and add to this a voluminous wrapper on cold days. Thereafter, clothing steadily increases in thickness and quantity, until one finds the DESERT NOMADS in the tropics muffled to the eyebrows in layers of ROBES (see HEATSTROKE).

UNDERWEAR is optional and largely nonexistent. It is believed that some form of loincloth or drawers is sometimes permitted, but the Management is naturally coy on this subject. Bras are certainly unknown, but in the case of dancing girls may be replaced by sequined things with tassels.

SOCKS are never worn in Fantasyland. People thrust their feet, usually unwashed, straight into BOOTS.

BOOTS. In Fantasyland these are remarkable in that they seldom or never wear out and are suitable for riding or walking in without the need of SOCKS. Boots never pinch, rub, or get stones in them; nor do nails stick upwards into the feet from the soles. They are customarily mid-calf length or knee-high, slip on and off easily, and never smell of feet. Unfortunately, the formula for making this splendid footwear is a closely guarded secret, possibly derived from nonhumans (see DWARFS, ELVES, and GNOMES).

Ah, sharing Diana Wynne Jones always brings a smile to m’face. We’ll see how the antics with our schooling at home help me choose tomorrow’s selection. In the meantime, stay healthy and keep on walkin’!

Read on, share on, and write on, my friends!

#MothersDay and a #Top20 #Countdown with #DianaWynneJones’ #Fantasy #Writing to #Celebrate #WyrdandWonder!

To all Moms and Those Who Mother: A Blessed Mother’s Day to You!

So you may think that as a mother, I would spend this post gushing about my kids.

Erm…nah.

I talk about those little hoodlums enough. Besides, Blondie turns 10 in a few weeks, and I’m bound to get her on around then to talk about fantasy adventures she loves.

So let’s shove the kids into a room with trucks, dragons, and “cutelys” (Biff’s latest stuffie animal crew, of which he’s the zookeeper and it’s all undeniably adorable) so that you and I can take a moment to realize it’s the month of Wyrd and Wonder. Huzzah!

Once I discovered this amazing celebration of all fantasy reads, I just had to jump in. Before this month, my kids’ only knowledge of Diana Wynne Jones was the Ghibli adaptation of her beloved Howl’s Moving Castle. When I finished reading the lovely little mystery Basil of Baker Street, I asked them what they’d like me to read next for lunchtime. They gave answers involving puppies, robots, and spaceship schematics.

Nnnnope! Time to visit the Queen of the Fantastic. Not with Charmed Life–I don’t need the boys accusing Blondie of draining their life force (or vice versa). And no, I didn’t take them to Howl’s castle. I’ll share an analysis of the chosen story later this month. 🙂

In the meantime, I thought it’d be fun to celebrate Wyrd and Wonder with favorite snippets of Jones that highlight her craft and humor. I love love LOVE Reflections on the Magic of Writing and The Tough Guide to Fantasyland, so I’ll be sharing highlights from these books every day over the next…hmmm…let’s say for twenty days or until I finish the chosen story with my kids, whichever comes first. Shall we start with a fitting entry for Mother’s Day? Indeed! Yes, one that instructs Tourists of Fantasyland to be wary of those mothers of fantastical nations, the Queens.

Queens ruling in their own right are rare, but they do occur. When they do they are:

  1. Totally useless because dominated by a male lover or COUNCILLORS, or both.
  2. GOOD, but incapacitated by MAGIC or scruples or both, in the most extreme cases, this Queen will sit on her throne perpetually in a state of blanched preservation. Tourists requiring favours of her will need only one look to know that here is something else they have to put right before they can get on with the real business of the Tour. When rescued such Queens can put things in order with commendable briskness.
  3. Good. This Queen will be a MAGIC USER and terribly conscientious. In her case the Tour will reveal something highly amiss with either her COUNTRY or the whole continent. The Queen will often have to join the Tour to put this right (see SAVING THE WORLD). You will have to spend the Tour worrying about the Queen’s safety.
  4. Old-fashioned bad. This kind of Queen is totally in control. She has everybody terrified of her, possibly through Magic. And, again possibly through Magic, she will be beautiful…Her Country will be the most abject and oppressed of any on the Tour. Since she is very cruel, this will not bother her at all.
  5. A bad mother. This Queen is really ruling for her young son (see CHILDREN), but she will be so anxious to go on ruling that she will be bringing the lad up to be wholly dependent on her. This Queen is a dangerous sentimental bitch, because she will claim that everything she does is for the sake of her Child. She will try to POISON anyone who gets in her way. Only a powerful AMULET will help you here. Naturally no Tourist will want to have anything to do with this Queen, but it will usually be necessary to release the young KING from her clutches before you can proceed on the Tour. The local God may well insist on it.

Oh, it is going to be sooooooo fun sharing these! I hope you find Jones’ words a source of fun and inspiration as you create your own story-worlds.

Speaking of story-worlds, I’ve thrown my own tales into the Wyrd and Wonder celebration!

My Historical Fantasy novella Night’s Tooth will be FREE May 15th-18th, and my YA Fantasy Novel Fallen Princeborn: Stolen will be just 99 cents over May 22nd-25th

Night’s Tooth is about as about as gritty a story as you can get and Jean Lee is just the woman to deliver it. Her world building and sense of timing deliver a heightened sense of tension and you’ll find yourself holding your breath page after page. For those with a low suspense threshold, I recommend reading Night’s Tooth with all the lights on!

Thanks for the awesome review, P.J. Lazos!
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I typically read any kind of genre if the writing flows. But my favorite tends to be the YA fantasy and YA paranormal. Because of what I do for a living (oncology nurse), it is refreshing to read something that takes me far from this reality and into an alternate, believable time and place.

The heroine, Charlotte Aegir, is perfectly flawed. So, while the storyline and the world-building is so creative and imaginative, and steeped in faerie, Charlotte’s flaws and rough edges are also so true and…well, real, giving this dark fantasy novel a genuine emotional core—a beating heart—that we humans can relate to.

Amazon Review

Thanks so much for reading this slapdash post written while Bo and the boys race along with Bandit down the highway with Smokey on their tails. I hope you’ll come back for the upcoming journey through craft and Fantasyland–be sure to share your own celebration of all things fantastic in the comments below, too. Let’s spread the word that spring’s the time for Wyrd and Wonder!

Read on, share on, and write on, my friends!

#NaNoWriMo2019 #WritingLog: #WitchWeek & #writing a #firstchapter, part 3

Hello, all! Since my typical blogging schedule is out the door this month, I thought I’d do brief updates every 5 days as well as write. This’ll give me a chance to share neato updates and finds. For instance, I’ve FINALLY gathered all the NaNo posts so far onto my Free Fiction page for your convenience. 🙂 Next, I’d like to highlight the amazing Witch Week series on Calmgrove.

From White Witches to innocent-looking aunties, you’ll find a wealth of discussion on villains in books, graphic novels, and more. I was honored to contribute this year with an analysis of Black Maria. Do check out the series–every article’s a feast for the mind and imagination!

Now, back to that first chapter. The plowman’s ushering Chloe Watchman and her family out of their car and into the Crow’s Nest. We’ve some other family to look out for besides this frightening “mother” figure: two brothers, Sal and Reg. Let’s see if we meet them today.

Writing Music: Philip Glass, Notes on a Scandal

Harsh white light from somewhere overhead switched on, turning the plowman’s skin the color of bone. “I’ll help you unload, get us all in faster….unless you’d rather stay here.” 

Chloe’s mother exhaled an icy breath onto her window, erasing the outside–and the plowman– from her sight. “I’d prefer it,” she said flatly.

“Ang.” Chloe’s father shook his head as he stepped out of the car. He held a hand out to the plowman over the windshield. “Sorry, it’s been a long road. Thomas Watchman, Angela’s husband.”

The plowman removed his cowboy hat and held it to his chest. “Sumac, Sir, at your service,” he said with a little bow and a strong handshake. Very strong. Her father had the biggest hands Chloe ever knew, but this plowman’s were just as big, with hairy blonde knuckles that practicallyl turned his hands into paws. No wonder he had no gloves on.

Chloe slid out of the backseat into the snow, quietly watching as the two men gripped hands over the station wagon, smiling fine while also tugging like they wanted to pull the other over the car. Snow was spilling over the tops of her boots and melting down to her heels. Her black pantyhose should have been wool and denim jeans, but she just had to look professional like her momma by wearing a skirt. Not that her momma was any sort of professional right now, her dad acting like he’s got to prove himself to some white man again

“Help would be great.” Chloe wraps up her books in the blanket and presses the bundle close to her chest. “Thanks.” She turns around.

And finds another Chloe staring right back at her: a black girl tall enough to make small white boys nervous. Hair speckled white with snow like her Aunt Tic’s. Headband’s askew. Hat made in home ec. Navy wool coat rescued from a Sear’s discard bin by her father, carefully repaired by her mother. Her classmates didn’t act like they knew, but Chloe could feel her mother’s stitches itch on her skin, scraping her up, marking her as cheap, unworthy

Get outta our school

You don’t belong here

Nothing but a low-life n—

“Still can’t get over these windows.” Sumac towered over Chloe, the frozen locks of his hair brushing snow off his own shoulders and onto hers. He had their only two suitcases–Chloe’s dad must be working on getting her mom out of the car.  “Every time I drive here, I think another car’s playing chicken with me.”

“Are all the windows like this?” Chloe took a step back to take in the Crow’s Nest.

Two bright lamps stood upon either side of a massive door etched with…something. The snow stuck to much of it, but Chloe could see curves and grooves in the way the snow was shaded by the lamps. No light could be seen in any of the dozen windows staring down at her: not on the first floor, second floor, or attic. Only the flickering reflections of the door’s lamps and snow, like muted static on a television. 

The roof itself was steep and lined with little spears–all but the center, where a circular shape remained blurred and secret in the night snow. The house itself was all large red bricks and cement, complete with cement scrolling rails up the wide, icy stairs to the front door.

The opening front door.

Even from the bottom of the stairs, Chloe could feel a wave of warmth spilling down the stairs. There was light, normal light inside, and what looked like carpets, and a staircase, and then a man’s shape. A man with combed black hair, narrow eyes, glasses, sweater. He staggered onto the front step, gaping at Chloe. “Angela?”  With a jump he was off the stairs and in the snow, arms so tight around Chloe she lost her breath.

Word Count: 643 Total Count: 3270

Hmmm. I’m feeling like Chloe’s a bit too passive for own good these past few scenes, but then again, the current circumstances are out of her control. I’ll try to make her more active in the scenes ahead.

Like what you see so far? I’ve got books to share with you, too! Click here to learn more about my YA Fantasy novel, my serial fantasy on Channillo, and my fantasy western novella.

Read on, share on, and write on, my friends!

It’s #Booktober! #Celebrate #NationalBookMonth by spreading #booklove to #readers young and old.

Allow me to sum up the current state of Autumn in Wisconsin with the following excerpt from a beloved classic:

Yup. Rain. And lots of it. Our sump pump is working, thank the Lord, but the extension hose attached to the pump outside came off. Heaven knows how long our sump pump dumped water right next to the house. I’m praying that I got it re-attached in time…and that it stays connected when I go to work at a nearby elementary school for a while.

So, um, my mind’s not exactly in a writerly place right now.

But let’s not fall into another panic attack. Let’s think on the lovely colors of fall (that will hopefully show up some time) and the literary celebration that is National Book Month.

I usually roll my eyes at “National ___ Day/Week/Month,” but this one’s got my attention, especially after working with kids of elementary age who still cannot read.

My heart chokes as I sit with children who cannot recognize letters, let alone words, and these kids are at least my sons’ age, if not older. These children want to read. They want to understand what those printed squiggles are with every picture. They want to know what all the signs say in the rooms, what the teacher sees when she reads to them. They want to know what the world is trying to share with them, to enter all the worlds that flourish around the illustrations on paper, to fill their imaginations with places and people never seen before.

They so badly want to know.

So this month, my friends, please take a moment to read to one who cannot. Share a story you love, or a story neither of you have ever seen before. Countless worlds await us in the bookshops and libraries, worlds of dragons and treasures and friendships and love, journeys of redemption and damnation and transformation and hope.

Let us bring those worlds to those who do not yet know their own written language. Let us share a cherished tale with those whose eyes can no longer hold words in place.

Let us celebrate this most precious gift: the gift of story.

Not sure what to read? Allow me to share a few books floating around my house.

What’s Blondie reading?

“I like that it’s about foxes, and there’s cool magic and stuff.” Works for me, kiddo!
Click here for more on the book.

Blondie also had a go at some classics earlier this summer thanks to Bookpacks, a really cool combination of book and audio book to help kids focus on reading when there’s no pictures for context. Maybe your library has Bookpacks, too! Click here for more info.

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What’s Biff reading?

“I love Pluto!” Yup, this says it all! If you have a space nut in your life, consider this book. 🙂

What’s Bash reading?

“Look at all the crazy cars! Maybe I can drive one someday.” Please someone tell me they see some serious Terry Gilliam-esque tones in these pictures!

What the kids love reading together: Anything about Calvin and Hobbes. ANYTHING. I highly recommend investing in a volume or three for your house. Here is the one whose cover’s just about fallen off from late-night reading.

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What’s Bo reading?

“Well I got these for my father, who loved studying the Civil War. Now they’re on my shelf, so…can’t read about Groucho Marx forever.” Too true, Love. Click here for more info.

What am I reading?

What? Me, read Diana Wynne Jones? That’s preposterous!

I’m so honored to be a part of Witch Week 2019, hosted by Lizzie Ross and Chris Lovegrove of Calmgrove. The theme is…wait for it…

I’m bringing a talk about familial villains to the table with an analysis of Black Maria–or Aunt Maria as it’s known in the States.

While I was also tempted to reread Something Wicked This Way Comes, I decided to try something new. I’m hoping there will be a lesson or two to share when I’m done.

Not gonna lie–my brain is addled by the overlapping schedules of six different school districts that can now call me at a moment’s notice to substitute. Time to read, let alone write, feels all but gone.

It’s at such a moment like this, when the world is soggy like forgotten cereal, the kids are screaming like so many banshees wielding stale banana chips as throwing stars, and the university asks for the presentation due a week ago, that I need to remember the gift of story.

The gift of escape.

Sweet, spooky escape. x

Any reading recommendations you’d like to share here among fellow book lovers? Please share it in the comments below!

Did you miss my newsletter? Click here!

Miss my latest installment of Free Fiction? Click here!

~STAY TUNED NEXT WEEK!~

I’ve a magical interview coming up, some spine-tingling music, and more spookiness in store for this wondrous Booktober.

Read on, share on, and write on, my friends!

#writerproblems: finding help #writing that d*** #bookblurb with #inspiration from #tvthemes

A few years back I wrote about the struggle to create a blurb for my YA Fantasy Middler’s Pride. Studying the blurbs of my favoritest of favorite writers Diana Wynne Jones helped me see that so long as I gave readers the protagonist and problem in as few words as possible, I’d be okay.

However, as book reviewer and author S.J. Higbee has often noted, many authors and/or publishers feel compelled to stick waaaaaaaaaaaay too much information into the book blurb. (Click here for just one of MANY reviews where Sarah touches on the problem of chatty blurbs.) Where is the line between too much information and too little? We want to give readers a taste of the story inside, but we don’t want to ruin their appetites. We want to engage readers without killing all the story’s surprises or subverting all the expectations.

Which got me to thinking about M*A*S*H. Yes, the TV show.

I never watched M*A*S*H as a kid, nor did I know about the original book on which the film and television series are based. I only knew that whenever the theme song started playing on the TV, I went off and did something else.

Just listen to that mellow song played alongside these doctors and nurses treating soldiers near enemy lines. The show’s opener had the look and feel of some medical drama, the last sort of show Little Me would want to watch.

Then I learned after marrying Bo that this show was a comedy. A COMEDY?! How the heck is someone supposed to catch the comedy vibes from that opener? The melody’s a sad one; heck, the original song’s called “Suicide is Painless.” We see no happy or positive expressions on people’s faces, only the urgency of aiding the wounded. There is absolutely nothing present in this theme to tell one that they’re about to watch a comedy. Imagine if a book tried to pull this same stunt with their cover art and blurb. How do you think the ever-watchful Goodreads community would respond?

As writers, we need that blurb to give readers a genuine sense of the story-world they’re about to enter. Usually just a few elements of the genre are enough to tell readers, this is what you’re in for. If you dig X, then you’ll love this.

Since television themes are always held to a similar degree of requirement (unless it’s M*A*S*H, apparently), let’s use a few more for examples: Bonanza, Twilight Zone, and Dragnet.

Not one of these theme songs is all that long, but we get enough out of the music to know the genre of each show: the twang of the western guitar, the dissonance of an eerie suspense-filled horror, the stalwart drums of justice. With just a few seconds, these themes accurately and concisely provide the audience a sense of the stories that will accompany the themes.

Now I’m not saying that chattiness is always bad. Heavens, Rod Serling’s speech for Twilight Zone’s theme is iconic. Then you have shows like Dukes of Hazzard and A-Team, which just so happen to be Bo’s and my favorite TV shows from childhood. Both are spot-on with their carefree guitar and military snare, and both directly address the audience with the premise of the show (only the A-Team don’t need no Waylon Jennings to sing because they got Mr. T, fool!). These themes are slightly over a minute long, but they don’t overwhelm the audience with information. We only get what we need: Protagonists and Problems. It’s up to us to stay tuned for more.

So what happens when that blurb of a theme does give us more?

This is where I think we enter the “chatty” territory, the “too much” territory. Allow me to force more of my 80s upbringing on you for examples.

Okay, I’ll let the monotonous “Teenage Mutant Ninja Turtles” sung over and over in the background slide because it’s like a companion to the drums. But do we really need to hear the traits of every main character in the opening of EVERY episode? She-Ra and Masters of the Universe did that, too, always breaking down every damn character so you would know just who the good guys and bad guys are, and who knows the secret identity stuff and who doesn’t, because apparently you, you snot-faced lump of Cheetos-dusted child, are too dumb to catch on to any of this when watching the show.

And I think this is what really gets to me about those chatty blurbs on books today. It’s like the publisher/writer thinks they have to talk down to the reader to ensure they understand the story’s premise and conflict. Sure, no one wants the reader to feel confused, but the consequence of over-talking is that we make the reader feel inferior.

Hero, or Villain? Gosh, I just don’t know!

Yes, there are some that like having all the dots connected for them, but not this gal, not this gal’s kids, and I have a feeling that you don’t dig being babied, either. Plus, it says something about us as writers when we don’t trust our own storytelling skills to adequately show readers who’s who and what’s what inside the story itself.

There simply comes a time when all we can–all we should–give readers are duct tape, a lemon, and a broken magnifying glass. If they’re intrigued with the few pieces you leave for them to find, then you can bet your MacGyver-lovin’ boots they’re comin’ into the book for more.

Anyone else have a favorite television theme to share? I was trying to figure out how to squeeze in Hawaii Five-0, but I just couldn’t make it work, dammit.

~STAY TUNED NEXT WEEK!~

I’m really keen to dig into Pan’s Labyrinth: The Labyrinth of the Faun. There’s a lot to learn here about the use of the fairy tale’s structure to create some very real history in a story’s world-building.

Read on, share on, and write on, my friends!