I wanted to label this post “John Powell III,” since technically I’ve shared his music twice in the past, but those posts were during National Novel Writing Month. Care to hear them? Both selections are brilliant. The first, from his Academy Award nominated score How to Train Your Dragon, is just…wow. It’s beautiful, lifting, hopeful, and the swell cuts off at just the right moment. The second is from the same album I’m about to talk about, The Bourne Supremacy. It’s a fantastic bit of action, with all the ups and downs a fight and chase scene require.
Both tracks as well as “Berlin Foot Chase” should help you see why John Powell is one of my favorite composers. His music has such a brilliant narrative feel that never draws from the visual story, but strengthens it from start to finish. For all the action and tension in the Bourne movies, it’s Powell’s keen sense of when to reign in the strings and percussion and when to really give’em that makes viewers clutch the armrests and hold their breath.
Powell is also one of the few composers that’s helped me work through multiple WIPs.
I like having a score to my story. I rarely get a story from my daily life; instead, a scene comes to me during a song, and the scene is so. damn. vivid. I can’t let go of it. I’ll listen to that song, again and again, see the scene replay before my mind’s eye, and…pause it, I suppose I’d call it. I’ll study one character in his motions, then another. The place where the scene is. And then I seek other songs that pull new elements of the characters out, bring the other settings to life. Rather like making a patchwork quilt, you could say. Only the right combinations of colors and patterns will do. And when it comes to my WIPs, certain bands or composers have already been stitched into place. I can’t use them again, for they FIT precisely where they are.
That’s partly what makes this Middle Grade fantasy story so bloody maddening–I mean, incredibly challenging. I was given the character first from Michael Dellert, then the place. While I was able to imagine a plot line, one that I hope is, um, decent, I couldn’t FEEL anything.
Music helps me feel outside myself. Without music, I struggle to place myself next to Gwen. The #13WeekNovel freewrites have helped me talk to her a little, but I’m still not SEEING from her point of view. Even Powell, whose music has been of use to me in three different WIPs just doesn’t fit in Gwen or Droma, blast it.
So, as I embark on this quest for Gwen’s song, please enjoy one of my favorite bits of Powell. Yes, this is the end of the post, and in less than 1000 words! MIRACLE!