Sure, there’s some sweet Christmas music in there (Yay, more Alan Silvestri!) but also plenty of fantasy and adventure, too. It’s the sort of gathering that makes me eager to close my invites me to hide from my kids for a few minutes with headphones, a chance to close my eyes and explore the possibilities…
…but which way do I go?
It’s a crossroads moment, to be sure. Maybe I need to be like Anastasia, and wait for a sign, like a magically house-trained dog covered in Don Bluth cuteness.
Whenever I feel tired of writing, this song makes me excited to get back into it again. There’s adventure in the mind, hidden deep in trees born of words and dreams. One just needs to take that first step in to see.
Perhaps that first step transports you into the night. Something stalks you in the dark…or perhaps you are the stalker, hunting the threat before It escapes among the Innocents.
Rain begins to fall, and you fall into line, the world unsuspecting of the mystery that runs amok in night’s grit and fervor.
Perhaps that first step transports you to impossible heights. Clouds kiss your feet.
Your comrades call to you, waiting for you to join them in the descent down, down to where adventure rides sunbeams and waterfalls, tunnels through ancient tombs of fallen kings.
Perhaps that first step transports you into the heart of The Storm. Lightning flashes, and you see the grey, grassy field you’re in goes on, and on, and on in all directions but one.
Lightning flashes, and you see you are not alone.
Lightning flashes, and you see nothing.
You hear a breathing not your own.
Lightning flashes, and–
So many stories, so little time!
But I’ll make the time. I have to, since now I’m creating new fiction to be shared with newsletter subscribers. You can see the hub for it on the home page of my website now: “Free Exclusive Fiction from the Wilds.” When you click there, you’ll see whatever the new fiction is for the month: a Fallen Princeborn story, maybe, or something for my Shield Maidens of Idana. A character dialogue, perhaps, or maybe just a standalone story I felt like writing. Every month will bring something awesome, so awesome it’s gotta be locked up with passwords, mwa ha ha ha! The newsletter will have the password to unlock the fiction.
(And now I suddenly feel like I’m in a Zeldagame, going to such’n’such place for the yadda yadda key to unlock the neato treasure. Ah well, you get me.)
In the meantime, I’m still working on the novels for my Fallen Princeborn Omnibus. Still teaching and family-ing. But Bo’s got me mixed up in a challenge that, by default, I’m going to inflict on you.
In the briefest of terms, Whole30 says eat meat and produce, nothing else: no dairy, no grains. Coffee and tea are okay so long as you’re not adding stuff to them. You do this for 30 days to “reset your gut,” as it were, training it to burn fat instead of sugar for energy.
This means I’m going to try blogging for 30 days straight.
Not, you know, extensive pontificating for 30 days. Just honest reflection on how it’s going. Maybe something cool I’ve read, or some awesome quotes to get you thinking as you write or read. Some interviews of amazing Indie writers, some more music to inspire, and hopefully a “lessons learned” post about series writing that touches on a legit gripe many readers have about storytelling today.
And since I’m try to trim m’self down with Bo, then let’s just top this off with a sale on my novel, Fallen Princeborn: Stolen.For the entire month of February, Stolen will be 99 cents.
So, bring on the February! Bring on the cold, the coffee, and the dreams of stories not yet finished, not yet begun!
Something tells me it’s going to be a crazy-beautiful adventure. 🙂
There are other times, however, when inspiration is the last thing I get from my family.
Take this month. Writing’s been a tough racket, what with preparation for a new term, snow days, and teachers cancelling school for “professional development.” But I am a hearty Midwesterner and shall prevail! I continue working on the third Fallen Princebornnovel while prepping the first novel, Fallen Princeborn: Stolen, to go on sale for ALL OF FEBRUARY.
(Oh yeah. Watch out for that price drop. Tell your fantasy-lovin’ friends!)
I’m also brainstorming up some fresh’n’FREETales of the River Vineand a few other stories to be shared exclusively with newsletter subscribers.
So I’m developing another project, one I alluded to a while back: a fantasy adventure story featuring twins who need to learn the strengths of brotherhood. (Can’t imagine where I found the inspiration for that story…)
I had an epiphany about what to name the brothers, but realized the names would require permission from a big-time person in order to pull it off. That meant having a title and rough synopsis worked out. Typing up a wee synopsis was one thing, but the title…ugh, the title. This is a title that must reflect fantasy, adventure, and NOT romance. For once, let’s have a story where protagonists don’t find love and/or sex in the plot. The title needs to reflect that absence. Something strong…otherworldly…
I poke the back of Bo’s neck, for surely Blondie’s math homework doesn’t have to be reviewed right this minute.
Hey. You’re a guy.
I need your take on a title.
Race the Bronze Breath.
Bo’s face twists. He stifles a laugh…then gives up and lets it out. “Seriously?”
What? It’s racing. It’s fantasy.
Bo’s still laughing. “What’s that even mean?”
I…I dunno. I just thought it sounded cool and steampunky.
“Well racing’s fine. Racing says something’s got a time limit, and it’s, you know, tense. But what’s bronze breath?”
Okay, I get it, it doesn’t work. What kind of fantasy adventure title would work for dudes?
Bo without blinking: “Not Game of Thrones.”
That is not a title.
I think about my brainstorm of race names, the current YA titles out there that are really long, a touch blunt.
How about Break the Centurion or Die Trying?
Bo throws down the pencil: “Again, what…are you trying to be Sergio Leone?”
Well then YOU think of a cool dude title.
“Racing Adventure with Marathon Quest.”
O-kay. But that doesn’t sound really dangerous.
“Super Killer Race of Deathly Death.”
“Bloody Hearts of Death Kill the Dead.”
Blondie looks up from her fraction muddle. “Bloody Heart of the Dragon’s Throne!”
Hush, that doesn’t…well, hmmm. I write it down anyway, even though I wasn’t planning on having any dragons this time round. Time for a squeeze and a kiss for my eldest.
Thanks, Kiddo. Now back to those fractions!
Bo follows me as I scribble in my notebook, all the way down the hall where I plop down on our bed. I click the pen in that fast, annoying fashion Biff adores, and say:
The problem is I do want a bit of camp to it, like Death Race 2000.Suppose I can’t call it Lethal Prix or Killer Run.
“Not if you don’t want Roger Corman to sue you…oh hey! Let’s Get Sued! Great title. And then I can get an autograph.”
I connected with P.J. Lazos online as a fellow indie writer of fiction and nonfiction. Her discussions on environmental issues, writing, human virtue, and family are so compelling that I just had to introduce her to all of you.
First, let’s talk about you. Your biography reflects many passions: a passion for truth as a journalist, a passion to fight for what can’t as an environmental lawyer, and a passion for words as a writer. Which of these passions shown itself in you first, and how did it influence your other passions?
I think my strong sense of justice started in childhood. My mother had a baby who died at three months old. I was three years old at the time and remember thinking how unfair it was for our family, but especially for my mother who was devastated by the loss. I think I tried so hard to make it right for her, but of course, what could I do. Maybe the words grew out of that experience — definitely the emotion. I remember journaling when I was a kid although then it was called “keeping a diary” an no where near as in vogue as it is now so clearly the name change helped. As for my bit with the environment, well, my mom used to wrap me in a blanket and tuck me under the big oak tree in the backyard and I would lie there and have a conversation with the tree, or at least that’s what it looked like in the video, so I think that started then, too.
Your Six Sisters series delves into the nuances of family life and all its beautiful imperfections. Now I’m not going to strictly ask if this is autobiographical, but were any characters inspired by family or friends in your life? What drew you to share their stories?
That’s funny. My brother-in-law from my first marriage — I still maintain a solid relationship with my ex-husband and former in-laws — asked me the same question about List of 55. The answer is complicated. No, in that the over-the-top behaviors of the characters in that story were definitely not us, but yes in that the underlying emotion behind a break-up was definitely there. You don’t have to have a specific experience to write about it convincingly as long as you can access the emotion behind it. For example, I remarried and my now husband’s first wife died when their two kids were very young. Hearing that story from his POV allowed me to access his unbearable loss and I created a character — David Hartos in Oil and Water — loosely based on my husband who was also a commercial diver. He provided me with insight into how a heart completely busted open by grief struggled to raise two kids as well as how the world of commercial diving worked. I think that as writers, a piece of you lands in every story you ever write, but some are just more autobiographical than others. The part of List of 55 where the central character has a miscarriage — that precise situation did not happen to me, but I did have a miscarriage in a bathroom stall at 30th St. Station in Philadelphia and I think it may have been the saddest, most horrific moment of my life. I tried to write about it before, but it never came out with the gravity I wanted to convey so I put all that angst into Belinda’s character and that’s what I got. Sometimes it’s easier to process your own pain through a made up character. Isn’t that a staple of psychological counseling for kids, and aren’t we all just kids walking around in adult bodies, still harboring all the crap and still relishing all the joys we experienced in childhood?
Now, your most recent novel, Oil and Water,is an environmental thriller. Considering your legal expertise, I imagine you didn’t have to do a ton of research for this novel…or is that being presumptuous?
Yeah, I wish it worked that way for me, but it doesn’t. I started with doing some initial research about converting trash into oil and about the Marsh Arabs and the wetlands in the Fertile Crescent (which you would remember from studying Egypt or Mesopotamia), but a lot of the rest, like you, I googled as I went. I have enough information in my head to get me started, but my memory isn’t always a straight arrow so I need to fact check. My favorite kind of fiction is where you learn something so I wanted to be sure I was passing on real time information.
As the premise of Oil and Water brings readers to difficult questions about our dependence on fossil fuels, your website Green Life Blue Wateralso informs readers of some amazing environmental initiatives that are doing their communities some good. Are there any current programs you’d like to highlight right now?
Rain gardens and aquaponics! I’m a member of the Junior League of Lancaster, a group that’s been operating in Lancaster since 1923. This is my 8th year in the League and I love being part of a volunteer women’s organization. We are doing some really cutting edge stuff like building rain gardens which are basically bowl-like depressions planted with hydrophytic plants that hold stormwater and rain water in high flow times as a way to divert it out of combined sewer system.
This year we’re adding aquaponics to the mix which is basically a fish tank with food growing on top — veggies, herbs, whatever you want (well, maybe not pumpkins). The fish poop fertilizes the plants so it’s a self-contained system. We’re doing a pilot project at an elementary school here in Lancaster, installing four tanks in four second grade classrooms and putting together some curriculum to go with it. We want to make a “pizza garden” with basil, oregano, cherries tomatoes, and a few other things so when the kids harvest the food in the tank we can throw them a pizza party. So lots happening: how ecosystems interact, close up look tan water and nutrients, nutrition, and more, I’m sure. Hands on learning is really the best way to get those kind of lessons across. I just learned that the Aztecs were the first to do aquaponics. The called it Chinampas. So you see, I’m learning something, too.
You are also a member of the Insecure Writers’ Support Group, correct? Can you tell us a little about this program and how writers can join?
I actually don’t do that anymore. It was quite fun, but a friend of mine asked me what I had to be insecure about since she loved my writing. That started me thinking about The Law of Attraction and how what you think about all day long is what manifests in your life so I stopped participating in IWSG and started participating in WATWB, We Are the World Blogfest, which had just started. WATWB happens on the last Friday of every month and it showcases positive news stories as a way to counteract all the negativity in the world, an “accentuate the positive” approach to news and life. I also found this group to be more “my people”, writers all, but focused on social justice, environmental issues, a better life for all people. Plus you get a real lift from reading the stories people post.
Lastly, what advice would you like to share with those who are unsure how to explore their family or other passions with writing?
Journaling is always a great way to get started. I always kept a kind-of notebook, but when my daughter was born, a friend gave me a beautiful black sketch book with lovely, creamy paper. I had four months off from work, plus another four on a very part-time basis, I wrote a journal in earnest, a love letter to my kid that I intend to give her one of these days when she’s ready to read it. Her dad and I split before she was born and I wanted to get everything I was feeling down on paper. We joke now that she came out screaming because I was so angry when I was pregnant. Unless I’m reading her wrong, today, like me, she laughs readily and sees both the irony and the gifts in most situations. I don’t write in a journal as much as I used to, but I have a blog and much of what I would write in the journal goes in the blog. One thing I would suggest and that I myself need to get back to is morning pages, something Julia Cameron suggested in “the Artist’s way.” A brain dump every morning to get the gook out and start fresh — something that both reaps and sows benefits. Your mind is clearer, and you’re not as much of a jerk to the the person behind the counter who gets your order wrong or the one who cuts you off in traffic. It helps you to be more chill, in addition to generating ideas, and we all could use more of that.
My deepest thanks to P.J. for taking time to time to talk to us! You can find her Amazon page here and her Twitter page here.
Would you like to be interviewed on Jean Lee’s World, or plug your creative work in my newsletter? Contact meand let me know!
Oh, and I just gotta say how cool it is that four of my Tales of the River Vineare STILL in the Top 10 Free YA Fantasy Monster Fiction.
That’s two months now, and going strong! Thank you thank you THANK YOU!
I do hope you’ll leave a review on my novel letting me know which characters you dig–and which you want to see more of! I’m brainstorming up some more Tales. xxxxxx
The kind that makes you go, “NOOOOOOOOOO!” because a beloved and/or cool character is about to die.
Every time. Seriously, every time I see Predator, I say, “Nooo, Billy!” at the screen. As a member of the audience, I’m invested in seeing the characters’ survival against the Predator. I want to see the characters’ skill sets aid them in overcoming the conflicts and obstacles that await them before the journey’s end.
This can be said as a reader of any high-stakes story, really. Look at a few big SFF series for examples. We want Captain Kirk and his crew to survive. We want Harry Potter and all his friends to survive. We want the Fellowship of the Ring to survive. We want Katniss Everdeen and her loved ones to survive. We want Luke Skywalker and his friends to survive.
We know these people are fictional, but there are facets of these characters that connect within us. This makes us care about them, so of course we go “NOOOOO!” when Dumbledore is struck down by Snape, when Prim and dozens of others are bombed by a device made by the Katniss’ oldest friend, Gabe.
…and then there are the deaths that just don’t feel necessary.
Now I just want to pause here that I’m talking about this as both a reader and a writer. I get that pain and consequence have to occur in a high-stakes story. You can’t threaten death without delivering at least a little bit of death or you risk hollowing out the stakes.
What bothers me as a reader and worries me as a writer are those unnecessary character deaths. You know you’ve encountered stories with this problem. That’s why I showed the aforementioned Predator clip of Billy. Billy, the biggest and buffest bad-ass of Dutch’s team, stops on the tree-bridge to face the Predator. Why?
On screen, we’re not given a reason apart from MANLINESS. Just look at him, stripping down and cutting his own chest. It’s the ultimate bad-ass standoff!
Only in the story, it’s not the ultimate bad-ass standoff. That’s for Dutch (also stripped down) and the Predator.
So why did Billy have to die?
As a “reader,” I could shrug to “noble sacrifice,” except no other death has bought the survivors time or advantage. Billy would know that. I could also shrug to “acceptance,” since earlier in the film Billy says, “We’re all going to die.”
But as a writer, I think I really know why.
It’s because you can’t have an ultimate bad-ass standoff between TWO good guys and a bad guy. Plus, in terms of physique, Billy and Dutch are an equal match. Heck, I think Billy could have beaten Dutch in arm wrestling.
So Billy had to die.
It feels like when there has to be a bit of death in the story, writers sometimes choose the character most similar to the protagonist. Take Finnick Odair from the Hunger Games trilogy: he’s strong, knowledgeable, another survivor of the Hunger Games (also: pretty). We meet him in Catching Fire, grow connected to his personality and backstory, root for him when he gets married….aaaaand watch him die on the assault on the Capital. Now it can be argued his arc’s complete, so the audience knows who he is. SOMEone’s got to die in a war; his death will have the strongest emotional impact while primary heroine Katniss can continue on.
Fine. Fair enough. At least Finnick got to die on page/screen, UNLIKE BILLY.
Notice how after all his bad-ass preparation, we never get to see Billy fight the Predator. We just hear his anguished scream, and know he’s dead. Such off-screen deaths drive me nuts. Harry Potter and the Deathly Hallows is guilty of this, too, both in book and on film, when it comes to characters like Professor Lupin and the Auror Tonks. They die during the battle at Hogwarts while Harry’s elsewhere, so we never see their final moments. They’re just dead.
Wow, I went off longer on this than planned. Dammit, Billy, you got me all wound up!
I get that I have to accept beloved characters dying. I just want those deaths to MATTER. You bet your ass I cry when Beth dies in Little Women. I bawl when Clint Eastwood’s character Walt is shot in Gran Torino. I refused to believe Hercule Poirot was really dead in Curtain until I went online for evidence to prove otherwise…and couldn’t find it. Even Dobby, that goofy little house-elf Dobby, had me sobbing both while reading and watching Harry Potter and the Deathly Hallows. I hated that these characters had to die.
But their deaths help spur the protagonists–and the narrative–forward. Without their deaths, there is less at stake; therefore, there is less concern for the characters.
Now I have waaaaaay more to say about character death, but Bo’s up and given me the giggles by saying, “Billy will always be in the chopper of your heart.” Yes, yes he will!
So let’s pause to talk. Is there a story with a character death that really frustrates you? Should I kill more characters in my own books?
Lastly, be sure to stay tuned to my monthly newsletter. Big changes are coming, and I don’t want you to miss out!
Ah, January 2019, you give me so much hope for the coming year! We must begin with stories, for of course we must. Whether you love to read or to write, you are here to experience a story.
Have I got the stories for you!
Not just my own fiction–I’ll get to that. No, I’d like to introduce you to some wonderful indie writers who have been publishing on Channillo, a subscription-based publishing platform stocked with hundreds of stories written by talented writers from around the world. A few Channillo writers have stopped by to share their stories as well as why they feel serialized fiction is awesome for readers and writers alike.
Let’s start with some basics. Your name and title(s) on Channillo, please!
Nick and Amy have been married for seventeen years which is a big deal because marriage is hard and messy and a fifty percent divorce rate and all. Nick and Amy live with their three kids in the middle of the United States, in a place like Iowa or Ohio or some other smallish, flat state with too many vowels, growing corn and soybeans, making it basically indistinguishable from any of the other states around it and uninteresting to anyone that didn’t grow up there. Nick is a procrastinator by nature which drives Amy crazy and Amy is spicy when she gets annoyed, which Nick adores. Together they are every marriage still trying to keep it real after almost two decades together while dealing with the not-so-fun parts of everyday life.
Leda, a young woman who moved to Japan to escape her abusive family, is slowly adjusting to her new life. She’s learning Japanese, making friends, and enjoying the summer festivals. On the day of the famous Tanabata festival, she finds a small shrine – but when she steps out of the shrine, she steps into Edo Era Japan.
Trapped 400 years in Japan’s past, what follows is half fantasy, half historical fiction. Is her coming here an accident? Or does it have something to do with the sudden appearance of European ships off the coast? Leda must discover how she ended up in this situation, and how she can get back home – or if she even wants to go back.
What made you choose publishing your work as a serial as opposed to a collection/novel?
Seitz: I do write novels in the traditional way, but writing Nick & Amy as a short story serial on Channillo gave me the opportunity to put something out every other week and get immediate feedback, which is not how writing a novel works. It’s quite refreshing to show the world what I’ve been working on for a week, get a laugh or two, and then do it all over again, while working simultaneously on a novel project that no one will see for months.
Oga: I choose to publish my work as a serial because I don’t have a complete manuscript. It gives me to the opportunity to share the parts I have written and see how interested people are in the work. Also, the pressure to publish the next installment in the series is a good motivation to write. Writers love deadlines.
Lee: I wanted to write a serialization. I guess I was inspired by things like manga, which have contained stories within an overall larger arc – and can go on indefinitely. I was also romanticizing the turn of the century, where authors like Charles Dickens would publish their novels as serials, sometimes not even knowing the ending or how long it would be.
I like how flexible serialization is.
I found this quote published in The Washington Post back in 2015, and I’d like you to comment on it:
Critics will undoubtedly moan that serialization would favor literature that’s heavy on cliffhangers and light on subtlety — and that it would corrupt more “serious” works. … Yet it requires the same characteristic any worthy novelist already seeks: momentum — a value that needn’t come at the expense of integrity. -Hillary Kelly, “Bring Back the Serialized Novel”
Seitz: There is truth that serial literature requires a reason for the reader to keep coming back for more, and maybe it works best as a cliff hanger for many serial stories. But at the heart of any story, a hard cover NYT Best Seller or an online serial, isn’t that exactly what every author is striving for? Spinning a story so thrilling or hilarious or mind-blowing that their reader can’t stop turning the pages though it’s hours past their bedtime.
Lee: You can’t tell me that modern novels don’t rely on cliffhangers. Have you ever read a YA novel? Look, cliffhangers aren’t bad, tension is not bad, motivating your readers to read the next instalment by getting them emotionally invested in a character is not bad.
A novel is like a movie, it comes out all at once. A serial is like a TV shows, building anticipation for the next chapter every week.
What benefits have arisen with plot, character development, and/or voice as you write a serial?
Seitz: I wanted to write Nick & Amy as a series of realistic fiction vignettes, every day funny stories about a regular married couple that don’t necessarily build on each other, but add another layer to the relationship with each new installment. As a serial, it’s been a fun way to play with building strong character development little by little in Nick and Amy, exposing deeper aspects of their marriage, relationships, and personalities through whatever daily adventure I’m putting them through.
Lee: I can experiment a lot more. I can have story arcs that focus on one particular character, or do a fun story that really has nothing to do with the overall arc, but adds to the atmosphere and the tension in the story. I feel like I just have so much more liberty telling this story.
What do you think draws readers to read serial (non)fiction?
Oga: Brevity. Our attention span is getting shorter as there are more and more things vying for it. People are drawn to serial works because the instalments are succinct. Serial successfully heighten pace and suspense. It enlightens and entertains long enough to hold the reader’s attention. It gives readers breaks between instalments to get them interested again. Each instalment starts strong, finishes strong, and creates suspense to intensify anticipation for the next.
People also like the participation in following a serial. Without the ability to read ahead, people are on the same page in terms of discussions of the work. Everyone tries to keep up with the reading in order to keep up with the conversations.
Lee: I think people like the anticipation. They like being rewarded every week with a new instalment. They like to wonder between instalments about what’s going to happen next. It’s a kind of interactive way to read a novel.
What advice do you have for fellow writers who want to give serialization a go?
As with anything artistic: just do it. If you don’t like it, or it fails, you have nothing to lose. It’s all experience that will help you with your next project.
Do you receive any reader feedback on your writing as it’s posted? What do you do with those reader comments?
Oga: Comments are important. Good or bad, they reveal how readers perceive my work. I cherish comments a lot because they help me better understand my expression of thought and plots. Comments help answer a lot of questions for me. Did my work inspired the emotions I hoped to raise? Did it enlighten the reader as I’d hoped? What is the reader expecting in the next installments? Is my work gripping enough?
I use comments to write better.
What advice do you have for fellow writers who want to give serialization a go?
Seitz: Give it a try! Serial fiction certainly wasn’t in my wheelhouse, but it’s helped me grow as an author, forcing me to work harder at making a story tight, concise, and well done in less time and in less words. It’s sharpened my skills as a writer and it’s been a fun learning curve. It certainly helps to do some planning beforehand to decide what you want the series to look like, but beyond that the freedom it gives you makes the writing rewarding. It helps to find it a good home for your serial, like Channillo, where the diversity of material, styles and authors is celebrated and embraced.
Many thanks to my fellow Channillo writers for their time! It’s important for us to challenge our writerly selves, just as it’s vital to expand our reading horizons. Channillo gives the opportunity for both. I do hope you’ll check them out…and perhaps my own book, too, nudge nudge. 😉